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1 Chapter 11 Details and Trim Learning Objectives Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 2 Structure of design details such as collars, sleeves, pockets, and belts, Reinforcing the mood and styling of garments Centerfront line and placement and design of closures, such as buttons, zippers, or their alternatives Design details such as topstitching, tucks, shirring, and smocking The role of trim The range of trims and their applications

Details and Trim - Texas Tech University 1301/ADM 1301 Wk10/Branno… · garment, whether it references a past era, highlights current technology, or underlines trends Design details

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Page 1: Details and Trim - Texas Tech University 1301/ADM 1301 Wk10/Branno… · garment, whether it references a past era, highlights current technology, or underlines trends Design details

1

Chapter 11

Details and Trim

Learning Objectives

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 2

Structure of design details such as collars, sleeves, pockets, and belts,

Reinforcing the mood and styling of garments

Centerfront line and placement and design of closures, such as buttons, zippers, or their alternatives

Design details such as topstitching, tucks, shirring, and smocking

The role of trim

The range of trims and their applications

Page 2: Details and Trim - Texas Tech University 1301/ADM 1301 Wk10/Branno… · garment, whether it references a past era, highlights current technology, or underlines trends Design details

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Introduction

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 3

Trim reinforces the meaning of the garment, whether it references a past era, highlights current technology, or underlines trends

Design details and trim add personality and distinctiveness to the design

Design Details Add personality and panache to even the simplest garments

• Collars, sleeves, pockets, and belts define and amplify the fashion message with their shape, volume, and association with trends

• Closures can play a purely functional role or contribute a decorative effect

• Topstitching, tucks, shirring, and smocking add dimension, decoration, and interest to fabric surfaces

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 4

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Necklines

• Jewel neckline

• Scoop neckline

• Bateau or boat neckline

• Square neckline

• V-neckline

• Sweetheart neckline

• Cowl neckline

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 5

Neckline and Collar Styles

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 6

A slit or keyhole adds variety to a plain neckline

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Collars • A collar is an added piece of fabric and is attached to the neckline of a garment.

• It directs the eye toward the face and finishes the neckline of the garment.

• Four styling factors determine how a collar looks.

Collars: Styling Factors (Tate, p. 259)

Revere or Lapel

Fall

Break line

Stand Roll line

Leading edge

Center Front line

• Distance between the neckline and the base of the neck

• Height of the stand (how far the collar stands up)

• Shape and depth of the fall

• Revere or lapel, and its size and shape (Option).

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Collar Shapes Collars with the same shape as the neckline will lie flat with no stand.

As the neckline curve of the collar becomes straighter, the stand becomes taller.

The greater the outside curve on a collar piece, the fuller the collar will be, almost like a ruffle.

The Shape of the collar and the neckline determine how the collar lies.

The Types of Collars (Tate, p. 259)

Shirt CollarStraight Band

Mechanical Stand

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The Types of Collars (Tate, p. 259)

Jabot Portrait

Grain line

The Types of Collars(Tate, p. 259)

Cowl Necklines and Collars

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Collar Styles

• Band collars

• Mandarin

• Turtleneck

• Mock turtleneck

• Ring collar

• Peter Pan Collar

• Portrait

• Stand

• Convertible Collar

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 13

Convertible Collar (=Shirts Collar)

• Collar Stand up

• Some covert the Stand into a Band (e.g. y-shirts collar).

• See Page 247-248.

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 14

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Tailored Collars

Composites incorporating the front of the shirt or jacket, which rolls back to form a V

V-neckline collars

•Shawl collar

•Middy collar

•Flat band and stand collars

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 15

Sketch Collars

Revere or Lapel

Fall

Break line

Stand Roll line

Leading edge

Center Front line

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Sleeve Styles

Finished with either a facing or a binding

All set-in sleeves derive from the one-piece fitted sleeve

Other sleeve types:

•Bell sleeve

•Kimono sleeve

•Bishop sleeve

•Puff sleeve

•Leg-of-mutton sleeve

•Juliet sleeve

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 17

Sleeve Styles

Common cuffs

• Shirt cuff with a placket

• Rolled sleeve

• French cuff

• Cut-on sleeves

• Raglan

• Dolman and bat-wing

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 18

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Pockets

• Inseam

• Slash

• Patch

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 19

Closures: Buttons and Buttonholes

Buttons decorate but are also functional: buttons and buttonholes connect two layers of a garment

Size equals the diameter expressed in lignes

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 20

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Closures: Buttons and Buttonholes

Alternatives to buttons combine function with decorative appeal

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 21

Closures: Zippers

Three applications keep the zipper hidden:

•Double-lap or slot

•Lapped

•Fly-front

Special zippers:

•Invisible zipper

•Separating zipper

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 22

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Belts

Serve two purposes:

•To adjust the fit of the garment

•To add design detail

Four styles:

•Straight belt

•Contour belt

•Unstructured tie belt

•Unstructured sashes

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 23

Surface Interest

Tucks

• Pintucks

• Air tucks

• Shell tucks

• Spaced tucks

• Blind tucks

• Cross tucks

• Undulating tucks

Shirring/ Ruching

Smocking

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 24

Ruching

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Decorative Trim and Surface Embellishment

• Create a focal point

• Accent edges and lines in the composition

• Add distinctiveness and interest to an area of the design that is too plain

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 25

Edgings

To emphasize an edge, reinforce it with line

• Topstitching

• Banding

• Binding

• Piping and cording

• Rickrack

• Fringe

• Fur

• Feathers

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 26

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Narrow Trims

Narrow trims are sewn to finished edges or within the body of a garment

Ribbons include satin, grosgrain, and velvet

Passamenterie •Soutache

•Middy braid

•Gimp braid

•Fold-over braid

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 27

Lace

A see-thorough material made by interconnecting threads to form a pattern

• Chantilly

• Cluny ace

• Raschel

• Eyelet Thin

• Venetian laces

• Battenburg

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 28

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Ruffles, Flounces, and Cascades

Two basic types of ruffle

are the straight ruffle

and circular ruffle

Flounce is a circular

ruffle with fullness

A flounce applied

vertically is called a

cascade

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 29

Embroidery and Appliqué

Embroidery consists of stitches that make a texture or pattern on the surface of fabric

Traditional appliqué involves cutting a shape from one fabric and applying it to another with either hand or machine embroidery stitches

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 30

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Beading, Sequins, and Studs

Beads come as:

•Fabric yardage

•Strands

•Single beads

Sequins come as fabric yardage, on trim bands and appliqués, in pre-strung strands, or as singles

Some spot embellishments are stapled or riveted to fabrics

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 31

Quilting

The most familiar form of quilting uses stitching to join three layers: a top fabric, padding or batting, and a bottom fabric

In trapunto quilting, the background isn’t quilted

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 32

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Chapter Summary The size and type of the collar, the shape and length of the sleeve, the addition of pockets — these and other finishing details bring the design distinctiveness

The style of the trim, its color and texture, the way it is applied, all become part of the decision process

Brannon Chapter 11 ©2011 Fairchild Books, A Division of Condé Nast 33