Development of the Sonnet

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    Development of the Sonnet

    A sonnetis a one-stanza poem of fourteen lines which originated

    in Italy. The term sonnetderives from the Italian word sonetto, meaning "little

    song", and by the thirteenth century it signified a poem of fourteen lines that

    follows a strict rhyme scheme and specific structure. It was developed by

    Francesco Petrarch and thats why the Italian sonnet came to be known as the

    "Petrarchan" sonnet. But it wasnt introduced into English poetry until the

    sixteenth century. From there, Shakespeare made the sonnet famous in England

    and others followed his lead.

    Writers of sonnets are sometimes called "sonneteers". Among the best

    known English sonnet writers are: John Donne, John Milton, William Wordsworthand William Shakespeare, who wrote 154 of them (not including those that

    appear in his plays). English sonnet-writers almost always used iambic

    pentameter as their standard metrical pattern in which a pattern of an unstressed

    syllable followed by a stressed syllable is repeated five times.

    The sonnet was introduced to England by Sir Thomas Wyatt (1502 - 1542)

    and Henry Howard, Earl of Surrey (1507 - 1547) in the sixteenth century. Sir

    Thomas Wyatt introduced the Petrarchan sonnet which consists of an octave anda sestet. While Henry Howard, Earl of Surrey introduced the blank verse and the

    English sonnet or the Shakespearean sonnet, because Shakespeare was the one

    who used it most, which consists of three quatrains and a closing couplet. And

    they have the credit of adjusting the rhyme scheme and the meter to

    accommodate the English language. This model had a strong influence on many

    English poets like: Edmund Spencer, Philip Sidney and of course Shakespeare.

    ThePetrarchan sonnetor the Italian sonnet is divided into two parts, the

    octave and the sestet. The octave is eight lines long and its rhyme scheme is

    ABBAABBA, while the sestet is six lines long and its rhyme scheme is either

    CDCDCD or CDECDE. There is usually a pause or break in thought between the

    octave and sestet called the Volta, or turn. Traditionally, the octave presents the

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    theme, raises an issue or doubt and the sestet answers the question, resolves the

    problem, or drives home the poem's point. Its written in iambic pentameter. The

    first Petrarchan sonnets in English were written by Sir Thomas Wyatt and Henry

    Howard, Earl of Surrey. Other English poets including John Milton, Thomas Gray

    and William Wordsworth.

    The Shakespeareansonnet or the English sonnet is named afterShakespeare, not because he was the first to write in this form but because he

    became its most famous practitioner. Instead of the octave and the sestet found

    in the Petrarchan sonnet, The Shakespearean sonnet consists of fourteen lines

    structured as three quatrains (four lines) and a closing couplet (two lines). The

    Shakespearean sonnet has the rhyme scheme ABAB CDCD EFEF GG. The problem

    is usually developed in the first three quatrains, each quatrain with a new idea

    growing out of the previous one. The Volta or the turn usually comes in the

    couplet, and usually summarizes the theme of the poem or introduces a fresh

    new look at the theme. Like the Petrarchan sonnet its written in iambic

    pentameter.

    The Spenserian sonnet is named after Edmund Spenser. Like the

    Shakespearean sonnet, Spensers sonnets generally observe the 3quatrain plus

    couplet model in which the rhyme scheme is ABAB, BCBC, CDCD, EE. Unlike thePetrarchan sonnet, the Spenserian sonnet does not appear to require that the

    initialoctave set up a problem that the closingsestet answers. Instead, the form

    is treated as three quatrains connected by the interlocking rhyme scheme and

    closed by a couplet.

    The Modern sonnet With the advent of free verse, the sonnet was seen as

    somewhat old-fashioned and fell out of use for a time among some schools of

    poets. However, a number of modern poets continued to use the form. Modern

    Sonnets do not follow a specific pattern or rhyme scheme. They have the look and

    feel of free form poetry, but Sonnets do have certain characteristics that classify

    them in that category.

    https://en.wikipedia.org/wiki/Octave_(poetry)https://en.wikipedia.org/wiki/Sestethttps://en.wikipedia.org/wiki/Sestethttps://en.wikipedia.org/wiki/Octave_(poetry)