8/12/2019 Digital Booklet - Meds
8/10
05.FOLLOW THE COPS BACK HOME.04:39.
THE CALL TO ARMS WAS NEVER TRUE, TIME TO IMBIBE, HERE'S TO YOU,
I'LL TELL YOU STORIES BRUISED AND BLUE, OFDRUM MACHINES AND
LANDSLIDES, JUST ONE MORE ROUND BEFORE WERE THROUGH, MORE
PSYCHEDELIC YUPPIEFLU, IT'S SUCH A SILLY THING TO DO, AND NOW WERE
STUCK ON REWIND. LET'S FOLLOW THE COPS BACK HOME,FOLLOW THE COPS
BACK HOME, LET'S FOLLOW T HE COPS BACK HOME, AND ROB THEIR HOUSES.
THE CALL TO ARMSWAS NEVER TRUE, LET'S TAKE A RIDE AND PUSH IT
THROUGH SUSPENDED ANIMATION GLUE, AND BLAME IT ONAPARTHEID, LET'S
SPEND THE NIGHT IN JIMMY CHOO'S, I'LL GIVE YOU COATS AND CHEAP
SHAMPOO, ILL GIVE YOUNOTHING ELSE TO DO, AND NOW WERE STUCK ON
REWIND. LET'S FOLLOW THE COPS BACK HOME, FOLLOW THE COPSBACK HOME,
LET'S FOLLOW THE COPS BACK HOME, AND ROB THEI R HOUSES (X 2). THE
CALL TO ARMS WAS NEVERTRUE, I'M MEDICATED, HOW ARE YOU, LET'S TAKE
A DIVE, SWIM RIGHT THROUGH SOPHISTICATED POINTS OF VIEW.LET'S
FOLLOW THE COPS BACK HOME, FOLLOW T HE COPS BACK HOME, LET'S FOLLOW
THE COPS BACK HOME, AND ROBTHEIR HOUSES (X 2).
02.INFRA-RED.03:14.
ONE LAST THING BEFORE I SHUFFLE OFF THE PLANET, I WILL BE THE
ONE TO MAKE YOU CRAWL, SO I CAME DOWN TOWISH YOU AN UNHAPPY
BIRTHDAY, SOMEONE CALL THE AMBULANCE, THERE'S GONNA BE AN ACCIDENT.
I'M COMINGUP ON INFRARED, THERE IS NO RUNNING THAT CAN HIDE YOU,
'CAUSE I CAN SEE IN THE DARK, I'M COMING UP ONINFRARED, FORGET YOUR
RUNNING, I WILL FI ND YOU. ONE MORE THING BEFORE WE START THE FINAL
FACE-OFF, I WILLBE THE ONE TO WATCH YOU FALL, SO I CAME DOWN TO
CRASH AND BURN YOUR BEGGAR'S BANQUET, SOMEONE CALLTHE AMBULANCE,
THERE'S GONNA BE AN ACCIDENT. I'M COMING UP ON INFRARED, THERE IS
NO RUNNING THAT CANHIDE YOU, 'CAUSE I CAN SEE I N THE DARK, I'M
COMING UP ON I NFRARED, FORGET YOUR RUNNING, I WILL FIND
YOU.SOMEONE CALL THE AMBULANCE, THERE'S GONNA BE AN ACCIDENT. I'M
COMING UP ON INFRARED, THERE IS NORUNNING THAT CAN HIDE YOU, 'CAUSE
I CAN SEE IN THE DARK, I'M COMING UP ON INFRARED, FORGET YOUR
RUNNING, IWILL FIND YOU, 'CAUSE I CAN SEE IN THE DARK, I'M COMING
UP ON INFRARED, THERE IS NO RUNNING T HAT CAN HIDEYOU, 'CAUSE I CAN
SEE IN THE DARK, I'M COMING UP ON INFRARED, FORGET YOUR RUNNING, I
WILL FIND YOU . I'LL
FIND YOU. I'LL FIND YOU.
06.POST BLUE.03:11.
IT'S IN THE WATER BABY, IT'S IN THE PILLS THAT BRING YOU DOWN,
IT'S IN THE WATER BABY, IT'S IN YOUR BAG OFGOLDEN BROWN, IT'S I N
THE WATER BABY, IT'S IN YOUR FREQUENCY, IT'S I N THE WATER BABY,
IT'S BETWEEN YOU ANDME. IT'S IN THE WATER BABY, IT'S IN THE PILLS
THAT PICK YOU UP, IT'S IN THE WATER BABY, IT'S IN THE SPECIAL WAYWE
FUCK, IT'S IN THE WATER BABY, IT'S IN YOUR FAMILY TREE, IT'S IN THE
WATER BABY, IT'S BETWEEN YOU AND ME .BITE THE HAND THAT FEEDS, TAP
THE VEIN T HAT BLEEDS, DOWN ON MY BENDED KNEES. I BREAK THE BACK OF
LOVE FORYOU (X 4). IT'S IN THE WATER BABY, IT'S IN THE PILLS THAT
BRING YOU DOWN, IT'S IN THE WATER BABY, IT'S IN YOURBAG OF GOLDEN
BROWN, IT'S IN T HE WATER BABY, IT'S IN YOUR FREQUENCY, IT'S IN THE
WATER BABY, IT'S BETWEENYOU AND ME. BITE THE HAND THAT FEEDS, TAP
THE VEIN THAT BLEEDS, DOWN ON MY BENDED KNEES. I BREAK THEBACK OF
LOVE FOR YOU (X 5).
07.BECAUSE I WANT YOU.03:22.
FALL INTO YOU IS ALL I SEEM TO DO WHEN I HIT THE BOTTLE 'CAUSE
I'M AFRAID TO BE ALONE, TEAR US IN TWO IS ALL ITSEEMS TO DO, AS THE
ANGER FADES, THIS HOUSE IS NO LONGER A HOME, DON'T GIVE UP ON THE
DREAM, DON'T GIVEUP ON THE WANTING, AND EVERYTHING THAT'S TRUE,
DON'T GIVE UP ON THE DREAM, DON'T GIVE UP ON THE WANTING,BECAUSE I
WANT YOU TOO. BECAUSE I WANT YOU TOO (X2), BECAUSE I WANT YOU (X2)
. STUMBLE INTO YOU IS ALL IEVER DO, MY MEMORY'S HAZY, AND I'M
AFRAID TO BE ALONE, TEAR US IN TWO IS ALL IT'S GONNA DO, AS
THEHEADACHE FADES, THIS HOUSE IS NO LONGER A HOME, DON'T GIVE UP ON
THE DREAM, DON'T GIVE UP ON THEWANTING, AND EVERYTHING THAT'S TRUE,
DON'T GIVE UP ON THE DREAM, DON'T GIVE UP ON THE WANTING, BECAUSE
IWANT YOU TOO. BECAUSE I WANT YOU TOO (X2), BECAUSE I WANT YOU (X2)
. BECAUSE I WANT YOU TOO (X2), BECAUSE IWANT YOU (X2). FALL INTO
YOU IS ALL I EVER DO, WHEN I HIT THE BOTTLE, 'CAUSE I 'M AFRAID TO
BE ALONE, TEAR USIN TWO (X3). BECAUSE I WANT YOU TOO, BECAUSE I
WANT YOU.
08.BLIND.04:01.
IF I COULD TEAR YOU FROM THE CEILING, AND GUARANTEE A SOURCE
DIVINE, RID YOU OF POSSESSIONS FLEETING,REMAIN YOUR FUNNY
VALENTINE. DON'T GO AND LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND,
DON'T GO AND LEAVEME, AND PLEASE DON'T DRIVE ME BLIND. IF I COULD
TEAR YOU FROM THE CEILING, I KNOW BEST HAVE TRIED, I'D FILLYOUR
EVERY BREATH WITH MEANING, AND FIND A PLACE WE BOTH COULD HIDE .
DON'T GO AND LEAVE ME, AND PLEASEDON'T DRIVE ME BLIND, DON'T GO AND
LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND, YOU DON'T BELIEVE ME,
BUTYOU DO THIS EVERY TIME, PLEASE DON'T DRIVE ME BLIND, PLEASE
DON'T DRIVE ME BLIND. I KNOW YOU'RE BROKEN (X3). IF I COULD TEAR
YOU FROM THE CEILING, I'D FREEZE US BOTH IN TIME, AND FIND A BRAND
NEW WAY OF SEEING,YOUR EYES FOREVER GLUED TO MINE. DON'T GO AND
LEAVE ME, AND PLEASE DON'T DRIVE ME BLIND, DON'T GO ANDLEAVE ME,
AND PLEASE DON'T DRIVE ME BLIND . AND PLEASE DON'T DRIVE ME BLIND
(X 4 ).
03.DRAG.03:20.
YOU'RE ALWAYS AHEAD OF THE GAME, I DRAG BEHIND, YOU NEVER GET
CAUGHT IN THE RAIN, WHEN I'M DRENCHED TOTHE BONE EVERY TIME, YOU'RE
THE FIRST ONE TO SWIM CROSS THE SEINE, I LAG BEHIND, YOU'RE ALWAYS
AHEAD OFTHE GAME, WHILE I DRAG BEHIND. I DRAG BEHIND, I DRAG
BEHIND, I DRAG BEHIND, I DRAG BEHIND. YOU'RE ALWAYSAHEAD OF THE
PACK, I DRAG BEHIND, YOU POSSESS EVERY TRAIT THAT I LACK, BY
COINCIDENCE OR BY DESIGN, YOU'RETHE MONKEY I GOT ON MY BACK, THAT
TELLS ME TO SHINE, YOU'RE ALWAYS AHEAD OF THE PACK, WHILE I
DRAGBEHIND. I DRAG BEHIND (X 8). YOU'RE ALWAYS AHEAD OF THE REST,
WHEN I'M ALWAYS ON TIME, YOU GOT A'S ON YOURALGEBRA TESTS, I FAILED
AND THEY KEPT ME BEHIND, I JUST GOTTA GET OFF MY CHEST, THAT I
THINK YOU'RE DIVINE,YOU'RE ALWAYS AHEAD OF THE REST, WHILE I DRAG
BEHIND . I DRAG BEHIND (X 8).
01.MEDS.02:54.
I WAS ALONE, FALLING FREE, TRYING MY BEST NOT TO FORGET, WHAT
HAPPENED TO US, WHAT HAPPENED TO ME, WHATHAPPENED AS I LET IT SLIP,
I WAS CONFUSED BY THE POWERS THAT BE, FORGETTING NAMES AND FACES,
PASSERS BYWERE LOOKING AT ME, AS IF THEY COULD ERASE IT. BABY, DID
YOU FORGET TO TAKE YOUR MEDS (X 2). I WAS ALONE,STARING OVER THE
LEDGE, TRYING MY BEST NOT TO FORGET, ALL MANNER OF JOY, ALL MANNER
OF GLEE, AND OURONE HEROIC PLEDGE, HOW IT MATTERED TO US, HOW WOULD
IT MATTERED TO ME, AND THE CONSEQUENCES, I WASCONFUSED BY THE BIRDS
AND THE BEES, FORGETTING IF I MEANT IT. BABY, DID YOU FORGET TO
TAKE YOUR MEDS (X4).AND THE SEX, AND THE DRUGS, AND THE
COMPLICATIONS (X4). BABY, DID YOU FORGET TO TAKE YOUR MEDS (X6).
IWAS ALONE, FALLING FREE, TRYING MY BEST NOT TO FORGET.
04.SPACE MONKEY.03:51.
SPACE MONKEY IN THE PLACE TO BE, RIDING IN A ROCKET TO A PLANET
OF SOUND, SHOOTING THE MOON, PLAYINGDOMINOES IN DRAG, AN INCREASE
IN POPULATION OF A HUNDRED PERCENT. SPACE MONKEY IN THE PLACE TO
BE,WITH A CHEMICAL PEEL AND A PICTURE OF MARY, OUT ON A LIMB I N
THE CARNIVAL OF ME, RAISING THE TEMPERATUREONE HUNDRED DEGREES.
WE'RE SOWN TOGETHER, SHE'S BORN MESMER, BESIDE, ASTRIDE HER, I DIE
INSIDE HER.SPACE MONKEY IN THE PLACE TO BE, A MASS OF
CONTRADICTIONS IN A GOLDEN FRAME, RAISING THE ROOF IN ACALAMITY
WAY, COMPLETELY MERETRICIOUS OF A POKE IN THE EYE. SPACE MONKEY IN
THE PLACE TO BE, TALK OF THETOWN, WITH A COLOMBIAN ROCK, OUT ON A
LI MB IN THE CARNIVAL OF ME, RAISING THE TEMPERATURE ONE
HUNDREDDEGREES. WE'RE SOWN TOGETHER, SHE'S BORN MESMER, BESIDE,
ASTRIDE HER, I DIE INSIDE HER, IT'S FAR TOOSACRED, DON'T EVER FAKE
IT, AND DON'T, AND DON'T, AND DON'T LET ME DOWN. LIKE YOU LET ME
DOWN BEFORE (X 2).SPACE MONKEY IN THE PLACE TO BE, WITH SOME
FREE-ASSOCIATION AND A HOLE IN HER HEAD, OUT ON A LI MB IN
THECARNIVAL OF ME, RAISING THE TEMPERATURE ONE HUNDRED DEGREES.
WERE SOWN TOGETHER, SHE'S BORNMESMER, BESIDE, ASTRIDE HER, I DIE
INSIDE HER, IT'S FAR TOO SACRED, DON'T E VER FAKE IT,AND DON'T, AND
DON'T,AND DON'T LET ME DOWN. LIKE YOU LET ME DOWN BEFORE (X 4).
8/12/2019 Digital Booklet - Meds
9/10
13.SONG TO SAY GOODBYE.03:34.
YOU ARE ONE OF GODS MISTAKES, YOU CRYING, TRAGIC WASTE OF SKIN,
I'M WELL AWARE OF HOW IT ACHES, AND YOUSTILL WON'T LET ME IN, NOW
I'M BREAKING DOWN YOUR DOOR, TO TRY AND SAVE YOUR SWOLLEN FACE,
THOUGH IDON'T LIKE YOU ANYMORE, YOU LYING, TRYING WASTE OF SPACE.
BEFORE OUR INNOCENCE WAS LOST, YOU WEREALWAYS ONE OF THOSE BLESSED
WITH L UCKY SEVENS, AND A VOICE THAT MADE ME CRY. MY OH MY. YOU
WEREMOTHER NATURE'S SON, SOMEONE TO WHOM I COULD RELATE, YOUR
NEEDLE AND YOUR DAMAGE DONE REMAINS ASORDID TWIST OF FATE, NOW I'M
TRYING TO WAKE YOU UP, TO PULL YOU FROM THE LIQUID SKY, 'CAUSE IF I
DON'TWE'LL BOTH END UP, WITH JUST YOUR SONGS TO SAY GOODBYE. MY OH
MY. A SONG TO SAY GOODBYE (X2), A SONG TOSAY. BEFORE OUR INNOCENCE
WAS LOST, YOU WERE ALWAYS ONE OF THOSE BLESSED WITH LUCKY SEVENS,
AND AVOICE THAT MADE ME CRY. IT'S A SONG TO SAY GOODBYE (X8).
10.BROKEN PROMISE.04:10.
WE'LL RISE ABOVE THIS, WE'LL CRY ABOUT THIS, AS WE LIVE AND
LEARN, A BROKEN PROMISE - I WAS NOT HONEST,NOW I WATCH AS TABLES
TURN, (AND YOU'RE SINGING). I'LL WAIT MY TURN TO TEAR INSIDE YOU -
WATCH YOU BURN,I'LL WAIT MY TURN, I'LL WAIT MY TURN. I'LL CRY ABOUT
THIS AND HIDE MY CUCKOLD EYES, AS YOU COME OFF ALLCONCERNED, I'LL
FIND NO SOLACE IN YOUR POOR APOLOGY, IN YOUR REGRET THAT SOUNDS
ABSURD, (KEEP SINGING).I'LL WAIT MY TURN TO T EAR INSIDE YOU -
WATCH YOU BURN, I'LL WAIT MY TURN TO TERRORIZE YOU - WATCH YOUBURN,
I'LL WAIT MY TURN, I'LL WAIT MY TURN. A PROMISE IS A PROMISE, A
PROMISE IS A PROMISE. I'LL WAIT MYTURN TO TEAR INSIDE YOU - WATCH
YOU BURN, I'LL WAIT MY TURN, I'LL WAIT MY T URN. A BROKEN PROMISE,
YOUWERE NOT HONEST. I'LL BIDE MY TIME, I'LL WAIT MY TURN.
CD.PRODUCTIONCREDITS.
ALL TRACKS WRITTEN & PERFORMED BY PLACEBO. PUBLISHED BY
FAMOUS MUSIC CORPORATION (ASCAP).PRODUCED BY DIMITRI TIKOVOI.
ENGINEERED BY JAMES BROWN. MIXED BY FLOOD. EXCEPT 7 & 10: MIXED
BY DAVEBASCOMBE. 2: MIXED BY JAMES BROWN. ASSISTANT ENGINEERS: RAJ
DAS, RICHARD WOODCRAFT (RAK STUDIOS),STEVE MUSTARDE (LIVINGSTON
STUDIOS), ROB SMITH (SARM STUDIOS), MARK NEARY (SNAKE RANCH), DAN
PORTER(SANCTUARY TOWN HOUSE). MASTERED BY TIM YOUNG AT METROPOLIS
STUDIOS, LONDON. RECORDED & MIXED ATRAK STUDIOS, LONDON. EXCEPT
6 & 8: RECORDED AT LIVINGSTON STUDIOS, LONDON. 7 & 10:
MIXED AT SANCTUARYTOWN HOUSE, LONDON. STRINGS RECORDED AT ANGEL
STUDIOS, LONDON . ADDITIONAL RECORDING AT SARMSTUDIOS, SNAKE RANCH
& SANCTUARY TOWN HOUSE. DIMITRI TIKOVOI & FLOOD APPEAR
COURTESY OF 140DB .
CD.ADDITIONAL MUSICIANS.
4, 9, 13: STRINGS ARRANGED BY FIONA BRICE. VIOLIN 1: DEBORAH
WHITE, NATALIA BONNER, TOM PIGGOT-SMITH,KRISTA CASPERZ, SARAH
BUTTON. VIOLIN 2: DAVE WILLIAMS, LUCY WILKINS, GITA LANGLEY, JESSIE
MURPHY, ELLIESTANFORD. VIOLA: REIAD CEIBAH, KATHERINE SHAVE, EMMA
OWENS, FIONA GRIFFITHS. CELLO: HELEN RATHBONE,VICKY MATTHEWS, IAN
BURGE, SARAH WILLSON. MICHAEL STIPE APPEARS COURTESY OF WARNER
BROS. RECORDS.ALISON MOSSHART APPEARS COURTESY OF DOMINO.
MANAGEMENT. RIVERMAN, LONDON. PHOTOGRAPHY. NADAV KANDER. DESIGN.
ALEX COWPER. DIGITAL IMAGING.ANTONY CROSSFIELD. MODEL. SABRINA FROM
M&PMODELS.COM.
11.ONE OF A KIND.03:20.
ON TOP OF THE WORLD YOU GET NOTHING DONE, TALK IS COLD AND BURNS
LIKE THE SUN, CAN'T YOU SEE THESE SKIESARE BREAKING, 'CAUSE THE TOP
OF THE WORD IS WHERE I'M FROM, THE BACK OF THE CLASS IS WHERE I
WAS, KEEPINGQUIET PLAYING DUMB, CAN'T YOU SEE THESE SKIES ARE
BREAKING, COS THE BACK OF THE CLASS IS WHERE I'M FROM.AND I AM ONE,
I AM, I AM ONE, I AM, I AM, I AM, I AM, I AM. I'M ON A RACE AND
IT'S KILLING TIME, I DON'T NEED YOURSI'LL KEEP IT WITH MINE, CAN'T
YOU SEE THESE SKIES ARE BREAKING, 'CAUSE I'M ON A RACE AND I'M
DOING FINE,THANK YOU. TWO OF A KIND NO ONE HOME, I'M IN A CROWD AND
I'M STILL ALONE, CAN'T YOU SEE T HE SKIES AREBREAKING, 'CAUSE ONE
OF A KIND IS ALL I OWN. I AM ONE, I AM, I AM ONE, I AM, I AM, I AM,
I AM, I AM. OUT OF THEWOMB AND INTO THE VOID, I WANNA TRY BUT I GET
ANNOYED, CAN'T YOU SEE THESE SKIES ARE BREAKING, 'CAUSE I'MOUT OF
THE WOMB AND INTO THE VOID. I AM ONE, I AM, I AM ONE, I AM, I AM, I
AM, I AM, I AM (X 2). ON TOP OF THEWORLD YOU GET NOTHING DONE.
09.PIERROT THE CLOWN.04:21.
LEAVE ME DREAMING ON THE BED, SEE YOU RIGHT BACK HERE TOMORROW,
FOR THE NEXT ROUND, KEEP THIS SCENEINSIDE YOUR HEAD, AS THE BRUISES
TURN TO YELLOW, THE SWELLING GOES DOWN. AND IF YOU'RE EVER AROUND,
INTHE CITY OR THE SUBURBS OF THIS TOWN, BE SURE TO COME AROUND,
I'LL BE WALLOWING IN SORROW, WEARING AFROWN, LIKE PIERROT THE
CLOWN. SAW YOU CRASHING ROUND THE BAY, NEVER SEEN YOU ACT SO
SHALLOW, ORLOOK SO BROWN, REMEMBER ALL THE THINGS YOU'D SAY, HOW
YOUR PROMISES RANG HOLLOW, AS YOU THREW METO THE GROUND. AND IF
YOU'RE EVER AROUND IN THE BACKSTREETS OR THE ALLEYS, OF THIS TOWN,
BE SURE TOCOME AROUND, I'LL BE WALLOWING IN PITY, WEARING A FROWN,
LIKE PIERROT T HE CLOWN. WHEN I DREAM, I DREAMYOUR LIPS, WHEN I
DREAM, I DREAM YOUR KISS, WHEN I DREAM, I DREAM YOUR FISTS, YOUR
FISTS, YOUR FISTS.LEAVE ME BLEEDING ON THE BED, SEE YOU RIGHT BACK
HERE TOMORROW, FOR THE NEXT ROUND, KEEP THIS SCENEINSIDE YOUR HEAD,
AS THE BRUISES TURN TO YELLOW, THE SWELLING GOES DOWN. AND IF
YOU'RE EVER AROUND INTHE CITY OR THE SUBURBS, OF THIS TOWN, BE SURE
TO COME AROUND, I'LL BE WALLOWING IN SORROW, WEARING AFROWN, LIKE
PIERROT THE CLOWN. LIKE PIERROT THE CLOWN (X 4).
12.IN THE COLD LIGHT OF MORNING.03:52.
IN THE COLD LIGHT OF MORNING WHILE EVERYONE'S YAWNING, YOU'RE
HIGH, IN THE COLD LIGHT OF MORNING THEPARTY GETS BORING, YOU'RE
HIGH, AS YOUR SKIN STARTS A SCRATCHIN', WAVE YESTERDAY'S ACTION
GOODBYE,FORGET PAST INDISCRETIONS AND STOLEN POSSESSIONS, YOU'RE
HIGH. IN THE COLD LIGHT. IN THE COLD LIGHT OFMORNING WHILE
EVERYONE'S YAWNING, YOU'RE HIGH, IN THE COLD LIGHT OF MORNING
YOU'RE DRUNKSICK FROMWHORING, AND HIGH. STARING BACK FROM THE
MIRROR'S A FACE THAT YOU DON'T RECOGNISE, IT'S A LOSER, ASINNER, A
COCK IN A DILDO'S DISGUISE. IN THE COLD LIGHT. TOMORROW (X 3). AS
YOUR SKIN STARTS A SCRATCHIN',WAVE YESTERDAYS ACTION GOODBYE,
FORGET PAST INDISCRETIONS AND STOLEN POSSESSIONS, YOU'RE HIGH.
INTHE COLD LIGHT OF DAY, TOMORROW'S ONLY A KETTLE WHISTLE, WHISTLE
(X 8), AWAY, IN THE COLD LIGHT OF DAY.
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