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DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

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Page 1: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

DIGITAL COMMUNICATIONS Part II

Line Coding and Pulse Shaping

Page 2: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 2

Statement of the Problem

On the way from transmitter to the receiver, we are now here…

Two questions:• How to pick pulse sequence?• How to pick pulse shape?s

Source encoder

Analog message

1 0 0 1 1...

?

Page 3: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 3

Picking a pulse sequence:line coding

There are numerous ways we can convert a string of logical 1’s and 0’s to a sequence of pulses. But what are the ground rules?

Example: convert 1 0 1 1 0 1

1 1 1 10 0

1

0

1 1

0

1OR

Page 4: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 4

Line coding concerns

Here are what we have to know before making a selection• Presence or absence of DC level• Spectrum at DC• Bandwidth• Built-in clock recovery • Built-in error detection• Transparency

Page 5: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 5

DC level

Some line codes have a DC level some don’t. DC levels are inherently wasteful of power. Also, their DC levels will be stripped over links with transformers or capacitor coupled repeaters

1 1 1 10 0

1

0

1 1

0

1

DC level 0 DC

Page 6: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 6

Spectrum at DC

This is related to the DC level. Generally we want to have the spectrum to be 0 at f=0. Finite spectrum at f=0, indicates partial presence of a DC level

Page 7: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 7

Bandwidth

A most critical component. We must be able to compare the bandwidth taken up by different line codes while transmitting a fixed number of pulses per second.

BB

Page 8: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 8

Clock recovery

Knowing the beginning of pulses at the receiver is critical in bit detection. Otherwise you don’t know where you are or what you are looking at. Can you tell where a pulse ends and where the next one begins?

Received pulses

Page 9: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 9

Error detection

It is possible to come up with smart pulse sequences that can signal to the receiver there is something wrong

For example, let consecutive 1’s be represented by opposite polarity pulses

1 1

channel

1

1

It is not possible to have two neighboring pulses of the same polarity: It violates the encoding ruleThere must be a detection error

transmitted

received

Page 10: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 10

Transparency

Data bits are often random but at times they my bunch up and form unbroken strings of 0’s or 1’s. In such cases statistics of pulse pattern may change

Look at the following two cases:

1

0

1 1

0

1

0 0 0 0

zero DC Non zero DC

Page 11: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 11

Specific line codes

We will cover the following line codes• Unipolar • Polar• Split phase or Manchester• Bipolar or AMI (alternate mark inversion)• Coded mark inversion(CMI)• High density bipolar 3 (HDB3)

Page 12: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 12

Unipolar (on-off)

Unipolar (return-to-zero, RZ)• Digit 0 is represented by NO PULSE• Digit 1 is represented by a half width pulse

Unipolar (non RZ)• Digit 0 is represented by NO PULSE• Digit 1 is represented by a full width pulse

10

10

Page 13: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 13

Unipolar examples

The bit sequence is 1 0 1 1 0 0 0 0 1 0 1

Unipolar RZ:

Unipolar NRZ:Bit

length

Bitlength

Half-width pulses

Full width pulses

Page 14: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 14

Unipolar properties by spectral analysis

Let the pulse rate be R. Pulse width is T=1/R

R 2R

Unipolar NRZ

2RR

Bandwidth=pulse rate

Bandwidth=2xpulse rate

Clock signals

Unipolar RZ

00

Page 15: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 15

Could we have predicted the bandwidth?

Nyquist gave us this inequality: BT>R/2, i.e. need at least R/2 Hz to transmit R pulses per sec.

For unipolar we are transmitting R pulses per second. Unipolar spectrum gives us two answers

BT=R (NRZ)

BT=2R(RZ)

Page 16: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 16

Why the difference?

Nyquist gives us the minimum possible bandwidth. Obviously, neither of the two signaling arrangements reach that goal

The reason is the choice of the pulse shape. We are working with square pulses. To meet Nyquist’s goal, we have to use sinc pulses. More on that later

Page 17: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 17

Importance of clock component

If a unipolar NRZ signal is put through a narrowband bandpass filter centered at R, then a sinusoidal signal emerges that can be used for symbol timing

1/R 2RR

Clock signals

0

BPF

f

Page 18: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 18

Polar

Encoding rule:• 1 is represented by a pulse• 0 is represented by the negative of the same pulse

Example: encode 1 0 1 1 0 0 0 0 1 0 1

RZ

NRZ

Page 19: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 19

Polar spectrum

Identical to unipolar except for the absence of clock component at pulse rate

R 2R 2R

NRZRZ

Page 20: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 20

Split phase or Manchester coding

Encoding rule:• 1 is represented by -->

• 0 is represented by-->

Encode 1 0 1 1 0 0 0 0 1 0 1 Bit length

Page 21: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 21

Manchester code properties

There are some nice properties here• Zero DC because of half positive/half negative pulses• Transparent: string of 1’s and zeros will not affect DC levels

No DC at f=0 but large bandwidth and no clock

2RR

Page 22: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 22

Bipolar or AMI

Bipolar or alternate mark inversion(AMI) used in PCM is defined by• O ----> no pulse• 1------> ±pulse. Sign of the pulse alternates

Example: 1 0 1 1 1

1

1 1

10

Alternating polarity

Page 23: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 23

Advantages

AMI has several nice properties including null at DC. It also avoids signal “droop” over AC coupled lines

Result of a long string of1’s if polar format is used

Page 24: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 24

Bipolar spectrum

Bipolar can be of RZ or NRZ variety. As usual, the NRZ has half the bandwidth of RZ

R 2RR/2f f

RZ NRZ

Page 25: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 25

HDBn: G.703 standard for 2,8 and 34 Mbits/sec PCM

High density binary n line code is just like bipolar RZ with the following modification:• When the number of continuous zeros exceeds n, usually 3, they

are replaced by a special code

A string of 4 zeros is replaced by either 000V or 100V. V is a binary 1 with the sign chosen to violate the AMI rule. This will let the receiver know of the substitution

Page 26: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 26

HDB3 example

Le the sequence be 10110000101. Here is the corresponding HDB3 coding

V

1 0 1 1 0 0 0 0 1 0 1

Must alternate in polarity

Page 27: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 27

Coded Mark Inversion(CMI):G.703 for 140 Mbits/sec

CMI is a modified polar NRZ code. Pulses corresponding to 0’s stay put but 1’s alternate in polarity. In polar they had a fixed assignment

1 0 1 1 0 0 0 0 1 0 1

Page 28: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 28

CMI spectrum

Similar 3-dB bandwidth to bipolar-NRZ but has a clock component at the pulse rate

R 2R f

Page 29: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

Pulse Shaping

Choosing the right pulse for the job

Page 30: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 30

What is the problem?

What we just went through was about picking a pulse sequence. We have not said anything about the pulse shapes that make up the sequence

Square pulses are by no means the best shapes to use

Page 31: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 31

Criterion for picking pulse shapes

Whatever line coding you choose, the shape of the pulse greatly affects signal properties. The two we are most concerned with are• Bandwidth• Interference with adjacent pulses

Page 32: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 32

ISI:intersymbol interference

Modern communication systems are mostly interference limited, not noise limited

ISI is a phenomenon in digital signaling that arises from the interaction of the signal and communication channel

Page 33: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 33

How is ISI created?

There are a variety of reasons (bandlimited channels, multipath, fading). The end result is something like this

1 0 0 0

1 0 0 0

1 0 1 0

1 0 0 0 ISI causes detection error0’s may look like 1’s and vice versa

transmitted

received

Page 34: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 34

A note on notation

We frequently talk about data rate either in terms of bits/sec(Rb) or pulses/sec(R). They are not the same because one pulse may represent several bits.

Similarly, we may talk about bit length (Tb=1/Rb) or pulse width(T=1/R)

We will use bit notations but results are applicable to pulses as well

Page 35: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 35

Bandlimiting effect

Take square NRZ pulses at Rb bits/sec. The nominal pulse bandwidth is then Rb Hz.

Let’s investigate passage of this pulse through an ideal lowpass channel limited to Rb/2 Hz

1/Rb

?H(f)

Rb/2

Page 36: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 36

Output in the frequency domain

In the frequency domain, input is a sinc.

RbRb

transmit

receive

Rb/2

Clearly, the received pulse is severely bandlimited compared to its original shape. How doesit look like in time?

Page 37: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 37

Distorted pulse in time=pulse dispersion

As a result of bandlimiting, we witness pulse “dispersion”, i.e. spreading

transmitted

received

Tb/2

Tb

time

Page 38: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 38

Notion of sampling instant

A digital receiver works on the basis of samples taken at periodic intervals.

These samples are either taken directly from the pulse (not likely) or after some preprocessing(filtering, equalization)

Page 39: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 39

Dispersion impact on a pulse train

We never send just one pulse. We send a pulse sequence such as 1 1 1...

Sampling instants

Instead of picking up a sample from the current pulse, we are picking upsamples from adjacent samples as well

Page 40: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 40

How to handle ISI?

ISI can be handled at two points, 1): source (by pulse shaping) and /or 2): equalization at the receiver

We will cover both but first look at ISI elimination by pulse shaping

Page 41: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 41

What did Nyquist say about ISI?

He said we need not have zero ISI everywhere. In fact adjacent pulses may have substantial overlap

All we need to have is zero ISI at the sampling points where bit detection is performed

Page 42: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 42

A typical scenario

Detecting bits at the receiver entails two main steps• Sampling of the received signal at the appropriate time• Decision making

Decision device

0

1

Page 43: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 43

Nyquist’s first criterion for zero ISI

Nyquist defined zero ISI as the absence of ISI at sampling instants ONLY. Pulses can overlap each other at all other times with no ill effects

Page 44: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 44

Pulse specification

This is what we want: transmit pulses at the rate of Rb bits/sec such that when the line is sampled at intervals 1/Rb sec., we experience NO ISI

Generally speaking, this is not possible because pulses spread out as they pass through channel

Page 45: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 45

But… there is a way

Of all the candidate pulses, there is one that satisfies this seemingly difficult task. It is , you guessed it, a sinc.

To transmit Rb bits/sec. we should use pulses of the form

p(t)=sinc(Rbt)

Page 46: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 46

How does a sinc work?

A sinc pulse has periodic zero crossings. If successive bits are positioned correctly, there will be no ISI at sampling instants.

Sampling instants

No ISI

Nadjacent pulsesGo to zero hence no ISI

Tb

Page 47: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 47

Another distinction for sinc

We know that sinc(Rbt) has bandwidth of Rb/2 (Fourier table). Therefore, to transmit Rb bits/sec a bandwidth of Rb/2 would suffice

We learned before that this is the minimum transmission bandwidth

Page 48: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 48

Nyquist’s 1st criterion for zero ISI:summary

To transmit data at Rb bits/sec use pulses of the form sinc(Rbt)

In addition to zero ISI, this pulse requires minimum possible bandwidth of Rb /2

Page 49: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 49

Ideal Nyquist channel

Ideal Nyquist channel of bandwidth Rb /2 can support Rb bits/sec

Rb /2 is called the Nyquist bandwidth

Rb/2

1/Rb

Nyquist channel

Page 50: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 50

Example: PCM voice channel

Remember that to transmit one voice channel, 8-bit PCM generates 64 Kb/sec. Recommend a pulse generating zero ISI

The desired pulse is p(t)=sinc(Rb t)=sinc(64000t)

Required bandwidth is BT=Rb /2=32 KHz

Page 51: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 51

Problems with sinc

Sinc pulses are nice but are not realizable. Why? Because sinc is the impulse response of an ideal lowpass filter which itself cannot be built

H(f) H(f)sinc

Page 52: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 52

Keeping the best of both worlds

What we want is a pulse that is 1): realizable and 2): has the same desirable ISI property of a sinc

To make a sinc realizable, we begin by smoothing the edges of its squared-off spectrum

This process is called “ roll-off ”

Page 53: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 53

Raised cosine spectrum

We can smooth the sinc spectrum by the smoothing parameter . The cost is increased bandwidth

f

=0.5=0

=1

Rb/2 Rb

Page 54: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 54

Excess bandwidth and roll off factor

Rolling off generates increased bandwidth beyond Nyquist’s. Roll-off factor is given:

a=1−f1 Rb /2( )

=0 f1 =Rb /2 original Nyquist's bandwidth

1 f1 =0 full roll-off⎧ ⎨ ⎩

=0

Rb/2

f1

Excess bandwidth

Page 55: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 55

Bandwidth of raised cosine pulse

Raised cosine bandwidth varies according to the roll-off factor. Zero roll-off gives the Nyquist bandwidth. Full roll-off doubles it

BT=(1+)(Rb/2)

Page 56: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 56

Raised-cosine pulse in the time domain

When the spectrum of sinc is smoothed out, it naturally affects the shape of the pulse in the time domain. The result is a modified sinc given by

p t( )=sincRbt( )cosπαt( )

1−4α2Rb2t2

⎣ ⎢ ⎤

⎦ ⎥

Keeps zero crossingsat t=multiples of Rb

Sinc, a=0

a=1

t1/Rb

Page 57: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 57

Properties of raised-cosine

Raised cosine is very much sinc-like, i.e.• Has zero crossings at multiples of 1/Rb

• Has additional zero crossings between the old ones

Raised cosine also decays faster Side lobes are smaller than sinc All of the above properties help to diminish ISI

Page 58: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 58

Special case: full raised cosine

For =1 we get a special case called full raised cosine pulse. For a bit rate of Rb, this pulse requires a bandwidth of Rb.

Rb/2 Rb

=0

BT=(1+1)Rb/2=Rb

=1

Page 59: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 59

Raised-cosine pulse:full roll-off

In the time domain, raised-cosine pulse with full roll-off( =1 ) is given by

Properties:• Zero crossings at multiples of 1/2Rb (twice the sinc) . You can find

ZC’s by setting argument of sinc to ±1, ±2 etc

• Bandwidth is twice the sinc at BT=Rb

p t( )=sinc 2Rbt( )1−4Rb

2t2

Page 60: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 60

Example: 64 Kbits/sec line

Compare shapes and spectra of candidate pulses below for ISI free transmission• Square pulse• Sinc pulse• full roll-off raised cosine

Page 61: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 61

Square pulses:poor ISI

To transmit data at 64 KB/sec, we need pulses of 1/64000 sec (if NRZ)

Tb=1/64000 sec

BT=1/Tb=64 KHz

Page 62: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 62

Other pulses

Sinc pulse corresponds to a roll-off factor of zero. Therefore,

BT=(1+ )Rb/2=32 KHz For a full roll-off raised cosine pulse, =1

BT=(1+ 1)Rb/2=64 KHz

Page 63: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 63

Issue of bandwidth efficiency

The singular property of a digital signaling scheme is its bandwidth efficiency measured in bits/sec/Hz and found by the ratio =Rb/BT

measures how many bits/sec we can pump in one hertz of bandwidth

Page 64: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 64

Bounds on

For a sinc we have BT=Rb/2. Therefore

=2 bits/sec/Hz For a full roll-off pulse BT=Rb. Therefore

=1 bit/sec/Hz For example, in a bandwidth of 4 KHz, the

fastest we can signal without ISI is 8 KHz using sincs

Page 65: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 65

An interesting question

We know pretty well what pulse we need to work with for ISI-free transmission

The problem is we need sinc or raised cosine characteristic at the receiver

The question then is what kind of pulse we need to send in order to end up with an ISI-free pulse?

Page 66: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 66

Channel model

Here is what we are looking at

The overall response must be such that the received pulse is ISI-free, e.g. sinc

HN(f)=HT(f)Hch(f)HR(f)

Transmit filter

ChannelReceive

filter

ISI-free pulseinput

HN(f)

Page 67: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 67

Nyquist channel

What we need is for HN(f) to have a raised cosine response giving rise to raised cosine pulses at the receiver

Assuming perfect channel, Hch(f)=1, we can split the raised cosine response between HR(f) and HT(f)

HT f( ) =HR f( ) =cos2

πf2Rb

⎝ ⎜

⎠ ⎟ f ≤Rb

0 else

⎨ ⎪

⎩ ⎪

Page 68: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 68

Nyquist’s channel response

Received pulses will have this spectrum

HN(f)=HT(f)HR(f)

frequencyRbRb/2

0.5

1

Page 69: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 69

Overall response

This is the equivalent model we now have

HN(f)(raised cosine)

1 1 -1 -1 -1 1

Transmitter Receiver

anδ t−nTb( )n∑an = −1,1{ }

ann∑ hN t−nTb( )

Page 70: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

EQUALIZATION

Dealing with ISI after the fact

Page 71: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 71

Canceling ISI

We can eliminate ISI before it has happened (pulse shaping) or after it has happened (equalization)

The problem with pulse shaping is that channel characteristics, hence pulse shapes do not remain constant.

We need a mechanism to cancel ISI at the destination

Page 72: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 72

Illustrating the problem

The delicate pulse shaping at the transmitter is messed up by the channel. ISI is back

Tb

ISI

Zero crossing has moved hence ISI with the adjacent pulse

Page 73: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 73

What is equalization?

Equalization is a process by which a number of received pulses are processed in order to “null” ISI, i.e. drive it to zero, at the sampling point

In effect we want to create an ideal channel; flat frequency response and linear phase response. The delicate pulse shaping at the transmitter is therefore preserved

Page 74: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 74

Setting the stage

Let p(t) be the current pulse sampled at t=Tb. As a result of channel, zero crossings do not coincide with sample times

Sample time=Tb

Sample time

ISI

Current pulse

Page 75: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 75

Zero forcing equalizer

What we need to do is to somehow force the nonzero tails of the adjacent pulses to zero, therefore eliminating ISI at the sampling point

This can be accomplished by a weighted sum operation implemented by a digital filter

Page 76: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 76

What do we want?

Here is what we want

Equalizerp (t) po(t)

po nTb( )=

1 n=0

0 n=±1,±2,K ,±N⎧ ⎨ ⎩

Tb2Tb

po(t)received

Page 77: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 77

ZF equalizer as a digital filter

Tb Tb Tb

W-N W-N+1

Tb

Wo

Tb

WN

p(t)

input

po(t) = Wkp t−kTb( )k=−N

N

One bit delay

unknowns

Page 78: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 78

How to find the weights?

There are 2N+1 unknown weights. At the same time, po(t) must satisfy 2N+1 conditions

po nTb( )=

1 n=0

0 n=±1,±2,K ,±N⎧ ⎨ ⎩

Page 79: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 79

Enforcing one condition

We want the equalized pulse to have a peak of 1 at t=0, i.e. no ISI. Setting po(0)=1

W−Np(+N)+W−N+1p(N −1)+...

+Wop(0)+W1p(−1)+...+WNp(−N) =1

p(0) Sample times

Received pulse

Page 80: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 80

In matrix form...

Equalizer output can put in a compact matrix product form shown below

W−N,W−N+1,...,Wo,W1,...WN[ ]

p(N)

p(N −1)

M

p(0)

M

p(−N)

⎢ ⎢ ⎢ ⎢ ⎢ ⎢

⎥ ⎥ ⎥ ⎥ ⎥ ⎥

=1

Page 81: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 81

2N+1 matrix equation

We have 2N+1 unknown weights and precisely 2N+1 equations

p(0) p(−1) L p(−2N)

p(1) p(0) L p(−2N +1)

M M M M

p(2N) p(2N −1) L p(0)

⎢ ⎢ ⎢

⎥ ⎥ ⎥

W−N

M

Wo

M

WN

⎢ ⎢ ⎢ ⎢ ⎢

⎥ ⎥ ⎥ ⎥ ⎥

=

0

M

1

M

0

⎢ ⎢ ⎢ ⎢

⎥ ⎥ ⎥ ⎥

Known data

Page 82: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 82

Example: 3-tap equalizer

Since there are 2N+1 taps, N=1

Tb Tb

W-1 Wo W1

p(t)

p(t+Tb) p(t-Tb)

po(t) =W−1p(t+Tb)+Wop(t)+

W1p(t−Tb)

Page 83: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 83

Received pulse

Received pulse is sinc-like but its zero crossings have moved.

-0.3-0.2

1

p(0)=1p(Tb)=-0.3p(-Tb)=-0.2

Force them to zero

Page 84: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 84

Setting up the matrix equation

The (2N+1)x(2N+1) data matrix reduces to the 3x3 matrix

p(0) p(−1) p(−2)

p(1) p(0) p(−1)

p(2) p(1) p(0)

⎢ ⎢

⎥ ⎥

W−1

Wo

W1

⎢ ⎢

⎥ ⎥

=

0

1

0

⎢ ⎢

⎥ ⎥

p(-2) p(-1) p(0) p(1) p(2)

Page 85: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 85

Solving for the weights

Filling in the data matrix from pulse amplitudes, we can easily solve for W’s

1 −0.2 −0.05

−0.3 1 −0.2

0.1 −0.3 1

⎢ ⎢

⎥ ⎥

W−1

Wo

W1

⎢ ⎢

⎥ ⎥ =

0

1

0

⎢ ⎢

⎥ ⎥ ⇒ W =P−1I

in MATLAB

W=P \ I ⇒ W =

0.21

1.12

0.31

⎢ ⎢

⎥ ⎥

Page 86: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 86

Visual look at equalization

The matrix equation can be viewed as a sliding weighted sum

W1 Wo W-1

W1 Wo W-1

W1 Wo W-1

Each multiply-add givesOne equation

Page 87: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

MATCHED FILTERING

Page 88: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 88

Problem statement

The ultimate task of a receiver is detection, i.e. deciding between 1’s and 0’s. This is done by sampling the received pulse and making a decision

Matched filtering is a way to distinguish between two pulses with minimum error

Page 89: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 89

Detection scenario

Here is a typical detection scenario. Received noisy pulse is sampled. Based on this sample a decision must be made; what was the transmitted bit?

+

noise

decision

0

1

Page 90: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 90

Objective: lowest bit error rate (BER)

We are looking for a detector structure that over the long run provides the least number of bit errors.

Bit error is directly affected by the level of SNR at detection instant

It makes sense therefore to raise the SNR as high as possible before making a decision

Page 91: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 91

Enter matched filter

Instead of sampling the received pulse directly, how about putting it through some kind of pre-processing with the objective of raising the SNR

+

noise

decision

0

1

Matchedfilter

(SNR)1 (SNR)2

Want (SNR)2 higher than (SNR)1

Page 92: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 92

Defining parameters

Let’s define various symbols as follows

+ ?g(t): Transmitted pulse

w(t) noise

y(t) y(T)

t=T sample time

decision

Unknown filter:Matched filter

Page 93: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 93

Filter output quantities

Filter output consists of two terms, pulse corresponding to g(t) and noise

y(t)=go(t)+n(t) Output SNR is defined at the sampling instant

t=T

η =signal powerat t =Taverage noisepower

=go(T)2

E n2 t( ){ }

Page 94: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 94

What is the output signal at sample time t=T?

Filter’s I/O relationship is given byGo(f)=G(f)H(f)

In the time domain we have

go t( )= G f( )∫ H f( )ej2πftdt

Page 95: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 95

Instantaneous signal power at t=T

Evaluating g(t) at t=T and squaring it

go T( )2 = H( f)G( f)ej2πfTdt−∞

∫2

Notice t is replacedBy T

Page 96: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 96

Matched filter output noise power

Assuming white noise coming in,

Question now is what is output noise power?

H(f)f

No/2

White noise spectrum

Sw(f)

SN(f)=(No/2)|H(f)|2

Page 97: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 97

Average output noise power

Average power of any random process is the area under its power spectral density function. Therefore,

E n2(t){ }= SN( f)df =No

2H( f)2df

−∞

∫−∞

∫H(f)

Page 98: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 98

MF output SNR

We are now in a position to write the output SNR of matched filter

Known: pulse spectrum G(f), noise PSD No/2, sampling time T

Unknown: filters response H(f)

η =

H( f)G( f)ej2πfTdf−∞

∫2

No

2H( f)2 df

−∞

Page 99: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 99

Next step: finding H(f)

Here is the premise: of all the filters you could use there is one that will generate the highest SNR at sampling instant.

The process leading to the solution is an optimization problem that in the end leads to the sought after H(f)

Page 100: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 100

An intuitive solution

To maximize output SNR we must minimize output noise power. Look at the following signal and noise spectra at filter’s input

High SNR band

Low SNR band

Noise PSD

Pulse spectrum

Filter must restrict noise passage without restricting signal

Page 101: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 101

Matched filter amplitude response

To pass just the signal and as little as noise as possible, filter’s amplitude response must be identical to input pulse frequency response:

|H(f)|=|G(f)| What about phase response?

Page 102: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 102

Input pulse phase response

Input pulse has a phase spectrum profile best shown by looking at its Fourier series expansion

t

Amplitudes add incoherently

f

Pulse phase spectrumπ

Page 103: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 103

Output pulse phase response

For output signal amplitudes to add up coherently at t=T, output phase spectrum must be null, i.e. no phase difference among the components

Amplitudes add coherently

t=Tf

(f)=0

Page 104: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 104

What does it take to make (f)=0?

Filter’s output phase spectrum is equal to the sum of input phase and filter’s phase spectrum. Recall

Go f( )=G( f)ejφg( f )

×H( f)ejφh( f )

=G( f ) H( f)ej φg( f )+φh( f )( )

φh( f)=−φg( f)

Page 105: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 105

Characterizing Matched filter

We have established two facts• filter’s amplitude response=pulse amplitude spectrum• filter’s phase spectrum=negative pulse phase spectrum

Therefore, Matched filter is specified by

H(f)=kG*(f)exp(-j2πfT)

Sample timeconjugate

Page 106: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 106

Example:define MF at t=2

Let the input pulse g(t) be

G(f)=FT((t-1))=sinc2(f)exp(-j2πf1) Using H(f) from previous slide

H(f)=kG*(f)exp(-j2πfT)=sinc2(f) exp(+j2πf1) exp(-j2πfx2)

H(f)=sinc2(f)exp(-j2πf)

t1

(t-1)

Page 107: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 107

Matched filter in the time domain

MF has a more interesting form in the time domain.

Given g(t) as the input pulse, output SNR will be maximized if filter’s impulse response is given by

h(t)=kg(T-t)

Page 108: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 108

MF interpretation

The impulse response of a MF is a flipped and translated pulse itself

Pulse ----->

Flipped---->

Shifted---->

t1

1

MF impulse response

Page 109: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 109

Importance of sampling instant

Position of impulse response is controlled by the sampling instance. If we wanted to maximize SNR at t=2, h(t) would have been

t1 2

Shifted by t=2

Page 110: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 110

MF for rectangular pulses

For a rectangular pulse centered at t=1 and width 2 design a matched filter in order to reach peak SNR at t=2

g(t)

h(t) g(t)*h(t)=2

2

1

2 4

Sample time

signal peaks at t=2for which the filter is designd for

this is g(t) flipped and shifted by 2

Page 111: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 111

SNR at decision instant

We know that MF maximizes SNR at specific time T. Question is what is that SNR?

For a pulse of energy E immersed in white noise No/2, the output SNR is given by

SNR=2E/No

Page 112: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 112

Interpretation

SNR is controlled by only two quantities; signal energy and noise PSD

Therefore, pulse shape has no bearing on the output SNR

Any pulse, as long as it has the same energy, will produce the same SNR

Page 113: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 113

Example: SNR calculation

Let the pulse be triangular of height 10 mv and width 1.0 ms. Find SNR at the T=1 ms if noise is white with PSD 10-9 V2/Hz

10 mv

1 msec

Page 114: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 114

Matched filter and sampling instant

Since sampling instant is at t=1, we should flip then shift by t=1 ms. The MF impulse response will then look like h(t)=kg(T-t)=kg(10-3-t)

Shift to t=1

T=1 msec

Page 115: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 115

Finding output SNR

We must first find the pulse energy

SNR is then given by

E = g2(t)dt=0

T

∫ 20t[ ]2dt+0

0.5x10−3

∫ 0.02−20t[ ]2dt0.5x10−3

10−3

=0.33×10−7 W-s

SNR=2ENo

=2×0.33×10−7

10×10−9 =6.67=8.2dB

Page 116: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 116

Designing MF for two pulses

In all likelihood, we will be using at least two pulses in a digital comm system!

If they are of different shapes, how would you design a matched filter receiver?

1

0

Page 117: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 117

Solution 1: filter bank

Build a filter bank, each branch matched to one pulse

h(t)=p1(T-t)

h(t)=p2(T-t)

Pick larger

0

1

p1(t)

here decision is in favor of p1 or digit 0

Page 118: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 118

Solution II: use a single MF

It can be shown that when two pulses are involved, a single filter matched to the difference pulse p1(t)-p2(t), is the optimum filter

For 0

For 1

A

-A

2A

h(t)

Page 119: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 119

Illustration

Let’s see what appears at the output of the single matched filter

A

-A

2A

2A2Tb

-2A2Tb

1’s and 0’s are clearlydistinguished

Page 120: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 120

Nonoptimum filters

What happens if we just use a garden variety lowpass filter instead of the optimum matched filter?

Is there a loss in SNR and how much? Is the resulting hardware simplicity worth it?

Page 121: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 121

RC filter:signal out

Let’s pick the simplest of all lowpass filters

R

C

H( f) =1

1+j2πfRCp(t)

po(t)

po t( )=A 1−e−

tRC

⎝ ⎜

⎠ ⎟ 0≤t≤Tb

Ap

Tb

po(t)

Ap =A 1−e−

TbRC

⎝ ⎜

⎠ ⎟

Sampling point

Page 122: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 122

RC filter: noise out

Assume white noise No/2 at the input. Output PSD is then

Sno(f)=(No/2)|H(f)|2

Output noise power is the area under Sno

σno

2 =No

2df

1+(2πfRC)2=

No

4RC∫

Page 123: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 123

Output SNR

Define output SNR as peak signal squared over noise power

Substituting

ρ =Ap

2

σn

2

ρ =4A2Tb

No

1−e−

TbRC

⎝ ⎜

⎠ ⎟

2

Tb RC

Goal: find the RC that maximizesoutput SNR

Page 124: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 124

Solving for RC

Replace RC by x and set d/dx=0 and solve for x. The answer is

RC=Tb/1.26 The resulting output SNR is

max=(0.816)(2A2Tb/No)

Page 125: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 125

Comparison with matched filter

For matched filter output SNR was (SNR)MF=2E/No=2A2Tb/No

Compare withmax =(SNR)RC =(0.816)(2A2Tb/No)

(SNR)RC=0.816(SNR)MF

(SNR)RC=(SNR)MF-0.9 dB

Page 126: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 126

ISI at filter’s output

Consider the following scenario

Define ISI as the ratio of unwanted over wanted amplitudes; -11 dB with RC=Tb/1.26

Page 127: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 127

Reducing ISI

One way to reduce ISI is to make pulse tails decay faster. This requires smaller time constants.

For example, for RC=Tb/2.3, ISI goes down to -20 dB.

The price we pay is that SNR is no longer at its peak value

Page 128: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 128

Canceling ISI through integrate-and-dump

Integrate and dump is a procedure whereby the tail of the pulse is shorted out at the end of the bit interval or integration

Page 129: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 129

Transversal MF

It is possible to realize a MF by a transversal filter the like of equalizer

DelayT

DelayT

DelayT

DelayT

anan-1 a1

+

r(t)=s(t)+n(t)

ro(t)=so(t)+no(t)

pick the weights tomaximize outputSNR at sample time

Page 130: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

OPTIMUM DETECTION

What happens after matched filter?

Page 131: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 131

Baseband binary system

PAMTransmit

filterchannel

Receivefilter

Decisiondevice

+

BinaryData

bk

{ak} s(t)

w(t)

x(t)y(t)

t=Tb

0

1

noisetransmitter channel receiver

Page 132: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 132

Detection scenario

Once the received pulse is sampled (after MF or equalizer), we are left with a number

Based on this number we have to make a decision

+ MF

noise

Data=x(t)decisiony

y>-->1

y<-->0

Page 133: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 133

Polar signal in noise

Assume polar signaling in noise. The received signal at MF’s input is given by

y(t)=±A+w(t)where w(t) is random white gaussian noise with

PSD of No/2

Page 134: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 134

Case for bit errors

If 0(-A) is received, MF output is

Depending on noise strength, it is possible for y to swing over to positive territory causing a decision in favor of +A (1)

y t( )t=Tb= −A+w(t)[ ]

0

Tb

∫ dt= −Adesired{ +

1Tb

w(t)dt0

Tb

∫noise

1 2 4 3 4

Page 135: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 135

Comments on the “observation”

y(Tb) is the defined as the “observation” upon which a decision will be made

y(Tb) however is a random variable. Therefore, laws of probability govern whether it exceeds or falls below the threshold

Page 136: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 136

Types of bit errors

Type I• making a decision in favor of a 1 when 0 is transmitted

Type II• making a decision in favor of 0 when 1 is transmitted

Type I occurs when y(Tb) exceeds the pre-set threshold even though a negative pulse was transmitted

Type II occurs when y(Tb) falls short of the pre-set threshold even though a a positive pulse was transmitted

Page 137: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 137

Statistics of observation

At the MF output we have

y(Tb) is a random variable with the following statistics

y t( )t=Tb= −A+w(t)[ ]

0

Tb

∫ dt= −Adesired{ +

1Tb

w(t)dt0

Tb

∫noise

1 2 4 3 4

E y Tb( ){ }=−A

var y Tb( ){ }=No2Tb

Page 138: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 138

Distribution of y(Tb) when a 0 is transmitted

y(Tb) changes depending on whether a 0 or 1 is transmitted. Since noise is gaussian y(Tb) is a normal random variable with mean and variance just given

Its probability density function given that a 0 is transmitted is given by

f y0( ) =1

2πσye

−y+A( )2

2σ y2

Page 139: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 139

Two density functions for y(Tb)

If a 1 is transmitted, y(Tb) is normal with mean +A. If a zero is transmitted, the mean is -A

A-A

f(y|1)f(y|0)

y

Page 140: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 140

Detection errors

Here is the decision ruley>-->1 is transmittedy<-->0 is transmitted

Detection error occurs when a 1 is transmitted but we read y< or a 0 is sent and we read y>

Page 141: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 141

Conditional error probability:Peo

The probability of error given that a 0 is transmitted is written as

P(e|0)=P(y>|0)=area under the curve beyond

y

f(y|0)

-A

Page 142: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 142

…and Pe1

If 1 is transmitted, density function of y is normal and centered at +A

0 A

Pe1

y

Page 143: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 143

Overall bit error rate

We want a single number quantifying systems bit error rate(BER). BER is obtained by averaging conditional BER’s

Pe=P(e|1)P(1)+P(e|0)P(0) P(0) and P(1) are “prior” probabilities. Meaning

in what proportion are 1’s and 0’s that are transmitted

Normally it is 50/50

Page 144: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 144

Choice of threshold

Clearly threshold level on y makes a big difference in BER

It can be shown that for polar signals, the best optimum threshold is 0, i.e.

y>0 : decide in favor of 1y<0 : decide in favor of a 0

Page 145: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 145

Illustrating two BER’s

One error can be reduced at the expense of another

f(y|1)f(y|0)

y

Peo

Pe1

Page 146: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 146

Computing BER:Q-function

Computing BER boils down to finding areas under gaussian PDF. These numbers are tabulated for zero mean, unit variance gaussians as “Q-function”

a y

P(y>a)=Q(a)

0

Page 147: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 147

Area under general gaussian PDF

y is gaussian but has mean and variance other than (0,1). What then? It is a normalization problem

ma

P(y>a)=Q((a-m)/)

mean mvariance 2

Page 148: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 148

Properties of the Q-function

Due to the symmetry of gaussian PDF, there are similar symmetries on the Q-function. Examples are• P(y>-a)=1-Q(a)• P(y<-a)=Q(a)• P(-a<y<a)=1-2Q(a)

a

y

0-a

Page 149: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 149

Complimentary error function:erfc

In the textbook, instead of the Q-function, erfc is used. erfc and Q are closely related

Q v( ) =12erfc

v2

⎛ ⎝

⎞ ⎠

erfc(u)=2Q 2u( )

Page 150: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 150

Examples

If y is a gaussian random variable with mean 0 and variance 1, what is P(y>2)

We want Q(2). Table A7.1 shows erfc tabulation. Converting to Q

Q(2)=0.5erfc(1.4)=0.5x0.95229=0.476

Page 151: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 151

Non standard gaussian

If y is normal with mean 2 and variance 4, what is P(y>3)

We hadP(y>a)=Q((a-mean)/std.dev))=

Q((3-2)/2)=Q(0.5) Find Q(0.5)

Page 152: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 152

BER for polar signals

We will talk about BER’s at length in chapter 8. For now, for polar signaling, the most power efficient binary signaling:

where Eb is energy per bitBER=

12

erfcEb

No

⎝ ⎜

⎠ ⎟

Page 153: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 153

Defining Eb

If a bit is transmitted via a pulse p(t) of length Tb, then

For a square pulse of height AEb=A2Tb

Eb = p2 t( )dt0

Tb

Page 154: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 154

Power in the bitstream

We don’t send just one pulse. It is then reasonable to ask what is the power in a bitstream running at Rb bits/sec

Power=(energy per bit)x(bits per second)=EbRb

Page 155: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 155

Example

In a polar scheme running at 1000 bits/sec. pulses used have amplitudes of 1mv. What is the bitstream power?

Eb=A2Tb=(0.001)2x(0.001)=10-9 watt-sec Power is given by

P= EbRb=(10-9)x103=10-6 watts

Page 156: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 156

Average Eb

In many line codings, energy per bit may not be the same for 0 and 1. Example is unipolar where one of the pulses is 0

We therefore have to work with average Eb

(Eb)avg=(1/2)Ebo+(1/2)Eb1

For unipolar,(Eb)avg=(1/2)x0+(1/2)Eb1=(1/2)Eb1

P=EavgRb

Page 157: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 157

Where do we go from here?

All we have done so far has been in baseband. The next step is to take the line codes in

baseband and map them to bandpass Chapter 8 is about digital modulations, where

rubber meets the road

Page 158: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

EYE DIAGRAM

Picking the best sampling point

Page 159: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 159

Defining eye diagram

Imagine looking at a bitstream on a scope triggered by the symbol clock. Observation window is one bit long. Here is an ideal case

Page 160: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 160

Problem of sampling point

In the presence of noise and ISI, the eye diagram will look something like this. Question is where in {0-Tb} do you sample?

Tb

Which point would you choose To sample the pulse?

Superposition of Many pulses

Page 161: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 161

Actual examples

Let’s pass a polar NRZ bitstream through a pre-detection filter and look at its output in the presence of varying SNR.

Then, present the output in the form of eye diagram

%generating an eye pattern

%B.Mobasseri

%3/21/99

n=100;%number of bits

stdN=0.1;%noise standard deviation

%Generate bitstream, add noise then filter

p=bitstream(100,'polar_nrz');% n polar NRZ

snr=20*log10(std(p)/stdN) %show SNR

h=0.1*ones(1,10);%matched filter(output normalized)

p=p+stdN*randn(1,length(p));%add noise

y=conv(p,h);%find filter's output

y=y(6:length(y)-4);%offset pulse for proper display

z=reshape(y,10,length(y)/10);%rearrange data to simulate hold command

plot(z);grid

%Generate dynamic figure title

k=['SNR=',num2str(snr),' dB'];

title(k)

Page 162: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 162

Anatomy of an eye pattern

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=19.9974 dB

Max.eye openingDegradationIn eyeopening

Page 163: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 163

Lowering SNR

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=5.9971 dB

Eye closing

Page 164: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 164

Lowering SNR still

1 2 3 4 5 6 7 8 9 10-2

-1.5

-1

-0.5

0

0.5

1

1.5

2SNR=-0.0026092 dB

Shrinking eye opening

Page 165: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 165

Eye for polar RZ

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=19.9607 dB for polar RZ

Page 166: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 166

Eye for polar RZ

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=6.0093 dB for polar RZ

Page 167: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 167

Eye for polar RZ

1 2 3 4 5 6 7 8 9 10-2

-1.5

-1

-0.5

0

0.5

1

1.5

2SNR=-0.023539 dB for polar RZ

Page 168: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 168

Polar RZ,NRZ side-by-side

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=19.9607 dB for polar RZ

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=19.9974 dB

Page 169: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 169

Polar RZ,NRZ side-by-side

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=6.0093 dB for polar RZ

1 2 3 4 5 6 7 8 9 10-1.5

-1

-0.5

0

0.5

1

1.5SNR=5.9971 dB

Page 170: DIGITAL COMMUNICATIONS Part II Line Coding and Pulse Shaping

©2000 Bijan Mobasseri 170

Polar RZ,NRZ side-by-side

1 2 3 4 5 6 7 8 9 10-2

-1.5

-1

-0.5

0

0.5

1

1.5

2SNR=-0.023539 dB for polar RZ

1 2 3 4 5 6 7 8 9 10-2

-1.5

-1

-0.5

0

0.5

1

1.5

2SNR=-0.0026092 dB