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Saved by Copying Domenico Quaranta http://domenicoquaranta.com/ http://www.linkartcenter.eu/ Futuros Possíveis / Possible Futures International Symposium October 1 - 5, 2012 FAU - USP São Paulo SP Brazil Chairs: Giselle Beiguelman, Ana Gonçalves Magalhães http://simposiofuturospossiveis.wordpress.com

Domenico Quaranta - Salvo pela cópia / Saved by the copy

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Page 1: Domenico Quaranta - Salvo pela cópia / Saved by the copy

Saved by Copying

Domenico Quarantahttp://domenicoquaranta.com/http://www.linkartcenter.eu/

Futuros Possíveis / Possible FuturesInternational SymposiumOctober 1 - 5, 2012FAU - USPSão Paulo SP BrazilChairs: Giselle Beiguelman, Ana Gonçalves Magalhãeshttp://simposiofuturospossiveis.wordpress.com

Page 2: Domenico Quaranta - Salvo pela cópia / Saved by the copy

Part 1. The Web Collector

Penelope Umbrico, Suns (From Sunsets) from Flickr, 2006-ongoing

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Collect the WWWorld

http://collectheworld.linkartcenter.eu/

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Hans-Peter Feldmann

Agony, 60 photographs, 9x13 cm each, tot 98x115 cm

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All the clothes of a woman, 70 photos; Tryptichon, Seated woman, 3 wings, approx 180x220 cm

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Artists' Collections

Aby M. Warburg, Mnemosyne-Atlas, 1924 – 1929. Mnemosyne-Atlas, Nr.32, 1926; Gerhard Richter, Atlas Sheet 1, 1962.

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John Baldessari, Six Colorful Gags (Male), 1991; Richard Prince, Three Women Looking in the Same Direction, 1980

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Jon Rafman, The 9 Eyes of Google Street View, 2009 – ongoing; Natalie Bookchin, Mass Ornament, 2009

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"Fragmentary orphan online images make up the paint box of a contemporary artist – to infuse with purpose and meaning, to recombine and root to a specific place and time. There is documentation of anything waiting to be found. An endless archive of images awaits the artist. To create from it is to remember, not just to recall."

Joanne McNeil, “Endless Archive”

"the artists featured in this exhibition counter the database, understood as a structure of dehumanized power, with the collection, as a form of idiosyncratic, unsystematic, and human memory. They collect what interests them, whatever they feel can and should be included in a meaning system. They describe, critique, and finally challenge the dynamics of the database, forcing it to evolve."

Domenico Quaranta, “Collect the WWWorld”

Olia Lialina & Dragan Espenschied, One Terabyte of Kilobyte Age, 2010 - ongoing

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Part 2. Saved by Copying

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Art Collecting...

Jeff Koons, Rabbit, 1986. Eli Broad Collection

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… and the digital

Rafael Rozendaal, http://www.towardsandbeyond.com/, 2010; http://www.artwebsitesalescontract.com/, 2011

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net.artdatabase – Per Platou's Vimeo Channel

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Saved by...

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Saved by Copying

Anders Weberg, P2P Art, 2006 - ongoing

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My VIP Art Fair Video Collections; The Download

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Kevin Bewersdorf

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Texas Butt, 2007; Google image search result for “exhausted” printed onto blanket, tie, dog leash and golf towel by Walgreens.com, 2009. mixed media, 78 x 72 x 3 inches.

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Share Your Sorrow

“I would drop [my laptop] off a cliff without hesitation (a computer is just one of many portals to the INFOspirit). The seeds of my data are already safely spread across the web, and this data is

what concerns me.”

“This site is dedicated to the glory of the INFOspirit. Nothing on this website do I retain personal rights or ownership to, since everything I offer up is a rearranged incarnation of the INFOspirit which binds us all. You may use anything from this site as you see fit, without consulting me or

asking me.”

Kevin Bewersdorf 2008

http://shareyoursorrow.linkartcenter.eu/