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Page 1 E:\prf\Textiles\PRFWeaving\PRFProjects\LaceSpring2011\Hand- DRAFTING LACE WEAVES (Version 2) Weaving ‘lace weaves’, means weaving so that there are holes in your fabric. This are created by having floats in warp and/or weft. There are versions which use finger-manipulation and special pick-up techniques or leno but we are not considering those. We will only consider those patterns which can be woven. There are many types of woven lace. The most common are 1) Atwater-Bronson 2) Spot Bronson 3) Huck Lace 4) Swedish Lace If the pattern is made up of floats, there must be some way of holding down the threads so that the fabric is stable. The threads to do this are usually put on Shafts 1 and 2 and can be thought of as ‘tie-down’ threads similar to Summer and Winter. Different types of woven lace have different ways in which these ‘tie-down’ threads are treated. Because lace weave is inherently made of floats, most items look better if the edges have a band of tabby. In each of the sections below, there are comments on how to thread up a band at the edge of the warp for tabby. A minimum of 6 threads should be used at each selvedge. Good sources are 1) A Weaver’s Book of 8-shaft patterns, ed Carol Strickler, Interweave Press, 1991, ISBN 0-934026-67-X. The lace chapters are Chapter 19 to 21 and many patterns are included. These are all for 8 shafts 2) Best of Handwoven. Atwater-Bronson Lace, 2010, ISBN 9-781596683 716. This con- tains some Swedish lace patterns. These are mostly for 8 shaft although there are a few 4-shaft patterns 3) Handweaver’s Pattern Book Anne Dixon, A&C Black, 2007, ISBN 978-0-7136-8411-7. These are all 4-shafts and there are some draw backs in using just 4 shafts. ATWATER-BRONSON LACE Atwater-Bronson lace was derived by Margaret Atwater from an older type of lace called Bronson. It is best thought of in terms of units or blocks. Each block is formed of 6 threads 1- P-1-P-1-2 where P is the pattern shaft. Note that a thread on Shaft 2 always terminates the block. If you use Shaft 1 against all other shafts alternately you will get tabby. The problem with Atwater-Bronson is that it is used specifically as a block profile draft based on the blocks labelled with letters. Thus with 8 shafts, you will get 6 different blocks, called A to F. Block A is 1-3-1-3-1-2 running to Block F which is 1-8-1-8-1-2. Each block is self contained, that is, there is no reason why you can’t thread up AAAAACFFFFA. The patterns are created by lifting specific shafts and these are specified in the block profile as shown in the example below in Figure 1 and Figure 2. This is No 613 in the Strickler book

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Page 1: DRAFTING LACE WEAVES (Version 2)...Weaving ‘lace weaves’, means weaving so that there are holes in your fabric. This are created by having floats in warp and/or weft. There are

DRAFTING LACE WEAVES (Version 2)

Weaving ‘lace weaves’, means weaving so that there are holes in your fabric. This are createdby having floats in warp and/or weft. There are versions which use finger-manipulation andspecial pick-up techniques or leno but we are not considering those. We will only considerthose patterns which can be woven.

There are many types of woven lace. The most common are

1) Atwater-Bronson

2) Spot Bronson

3) Huck Lace

4) Swedish Lace

If the pattern is made up of floats, there must be some way of holding down the threads so thatthe fabric is stable. The threads to do this are usually put on Shafts 1 and 2 and can be thoughtof as ‘tie-down’ threads similar to Summer and Winter. Different types of woven lace havedifferent ways in which these ‘tie-down’ threads are treated.

Because lace weave is inherently made of floats, most items look better if the edges have aband of tabby. In each of the sections below, there are comments on how to thread up a band atthe edge of the warp for tabby. A minimum of 6 threads should be used at each selvedge.

Good sources are

1) A Weaver’s Book of 8-shaft patterns, ed Carol Strickler, Interweave Press, 1991, ISBN 0-934026-67-X. The lace chapters are Chapter 19 to 21 and many patterns are included. These are all for 8 shafts

2) Best of Handwoven. Atwater-Bronson Lace, 2010, ISBN 9-781596683 716. This con-tains some Swedish lace patterns. These are mostly for 8 shaft although there are a few 4-shaft patterns

3) Handweaver’s Pattern Book Anne Dixon, A&C Black, 2007, ISBN 978-0-7136-8411-7. These are all 4-shafts and there are some draw backs in using just 4 shafts.

ATWATER-BRONSON LACE

Atwater-Bronson lace was derived by Margaret Atwater from an older type of lace calledBronson. It is best thought of in terms of units or blocks. Each block is formed of 6 threads 1-P-1-P-1-2 where P is the pattern shaft. Note that a thread on Shaft 2 always terminates theblock. If you use Shaft 1 against all other shafts alternately you will get tabby. The problemwith Atwater-Bronson is that it is used specifically as a block profile draft based on the blockslabelled with letters.

Thus with 8 shafts, you will get 6 different blocks, called A to F. Block A is 1-3-1-3-1-2

running to Block F which is 1-8-1-8-1-2.

Each block is self contained, that is, there is no reason why you can’t thread upAAAAACFFFFA.

The patterns are created by lifting specific shafts and these are specified in the block profile asshown in the example below in Figure 1 and Figure 2. This is No 613 in the Strickler book

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Figure 1 Bronson No 613 - Profile Draft. Photo of final cloth on left

The profile threading is A to F (one of each), looking like a straight draw. The draft in Figure2 shows the threading. Each letter has been replaced by 1-P-1-P-1-2 with P running betweenShafts No 3 and No 8.

The profile treadling and tie-up is shown in Figure 1 on the right. So we need to work outwhat this means. Note that, for this one, a true tie up is provided. Note that the profile tie-uphas a set of two parallel lines, some horizontal and some vertical. The vertical ones mean awarp float. The horizontal ones mean a weft float. If it says that Shaft P has a weft float, thenthat shaft is not lifted so that the weft floats over those warp threads. Note that each treadlingin this draft can have a mixture of the two.

When we create a draft tie-up from this profile tie-up, the first two columns will be tabby. SoColumn 1 is Shaft 1, Column is Shafts 2 to 8. Columns 3 onwards are derived from the profiletie-up and we get two draft tie-up columns for every profile tie-up column. The first one isalways used with Shaft 1 and the second with Shaft 2.

For the third column in our draft, we take the first column of the profile tie-up which showswarp floats in Blocks A, B, D and E which means Shafts 3,4, 6 and 7. So Column 3 of thedraft is Shafts 1 plus 3, 4, 6 and 7. We have no weft floats so every pattern shaft is lifted plusShaft 2 for the next column of the pair. Note that this looks like Column 2 for tabby.

Columns 5 and 6 of the draft tie-up come from Column 2 of the profile tie-up which has warpfloats on Shafts 6 and 7 and weft floats on Shafts 3,4,5 and 8. So Column 5 is Shaft 1 + Shafts6 and 7. The weft floats mean that Shafts 3, 4, 5 and 8 stay down and 6 and 7 are up. So Col-umn 6 is Shafts 2+ 6 and 7.

Columns 7 and 8 of the draft tie-up come from Column 3 of the profile tie-up which has warpfloats on Shafts 3 and 4 and weft floats on Shafts 5,6,7 and 8. So Column 7 is Shaft 1+ Shafts3 and 4. The wefts mean that Shafts 5,6,7 and 8 stay down and 3 and 4 are up. So Column 8 isShafts 2+ 3 and 4.

For each unit, you weave 6 threads as follows

- the warp float column (first of the pair, contains Shaft 1)

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- the weft float column (second of the pair, contains Shaft 2)

- the warp float column again

- the weft float column again

- the first tabby column

- the second tabby column

The last two throws anchor the weave

Figure 2 Bronson No 613 Standard Draft created by PRF

To set up tabby at the selvedges, thread Shafts 1 and 2 alternately.

SPOT BRONSON

Spot Bronson is like Atwater-Bronson in that every second thread is on Shaft 1 but it usesShaft 2 as a pattern shaft. So each unit is four threads long and is 1-P-1-P. where p is 2 to 8 ona 8-shaft loom. Tabby is Shaft 1 against Shafts 2 to 8. This means that there is no possibility ofputting a tabby section at the selvedge. The drafting in Strickler’s book is given in the sameway as Atwater-Bronson is. Figure 3 shows the profile draft and Figure 4 shows a standarddraft. Because a single repeat does not show up what the cloth will look like, Figure 5 showsseveral repeats.

Because Shaft 2 is used for pattern, there is no way of using it for tabby at the selvedgealthough you can weave tabby at beginning and end of the woven piece by alternately liftingShafts 1 and then Shafts 2 to 8.

It is possible to get tabby at the selvedge but only by introducing a 9th shaft or cutting downon the number of pattern shafts.

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Figure 3 Profile Draft of Spot bRonson No 640

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Page 5: DRAFTING LACE WEAVES (Version 2)...Weaving ‘lace weaves’, means weaving so that there are holes in your fabric. This are created by having floats in warp and/or weft. There are

Figure 4 Spot Bronson No 640 Standard Draft

Figure 5 Spot Bronson No 640 Showing several repeats

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Page 6: DRAFTING LACE WEAVES (Version 2)...Weaving ‘lace weaves’, means weaving so that there are holes in your fabric. This are created by having floats in warp and/or weft. There are

HUCK LACE

Huck Lace is a unit weave where each unit has at least 6 warp ends and 6 picks (weft throws).Each unit is divided into 2 groups (half-units) each having an odd number of threads. Thethreads pull together to leave holes in the fabric. Thus a full unit has to be 6, 10, 14 etc. Thereare three possible ways of weaving these units

a) tabby

b) huck texture where floats in either warp or weft alternate with plain

c) warp floats alternate with weft floats.

One half unit contains Shaft 1 and not Shaft 2, the other contains Shaft 2 and not Shaft 1. Inthis lace, tabby is always 1+3+5+7 against 2+4+6+8. As a result, a pattern shaft, if odd, ispaired with Shaft 2 and if even is paired with Shaft 1.

Figure 6 Huck No 663 Profile Draft

Huck No 663 (Strickler’s Book) has been taken as an example. Figure 6 shows the profiledraft and Figure 7 shows the standard draft. The profile threading is B->F->A. These are oneeach of a half-unit. A is Shaft 3. It must be paired with Shaft 2 so we start the threading with2-3-2-3-2. B is Shaft 4, It must be paired with Shaft 1 so the threading is 1-4-1-4-1. Note these10 threads constitute a unit.

The profile draft for No 663 shows a weft float in A, B etc. successively until we get to Fwhen we add a warp float in A. A group of weft throws is based on using one tabby throw anda variation on the other tabby throw. We will have a group of 5 throws, of which 1,3 and 5 areone of the tabby throws. For the first profile unit, we will have a weft float from Shaft 3 soShaft 3 is down. The pattern throw is therefore lift Shafts 5 and 7 and Shaft 1. The tabbythrows are therefore Column 2 in the draft tie-up, 2+4+6+8. The next entry in the Profile Tie-up is a weft float on Shaft 4. So we use the 1+3+5+7 for tabby and 2+6+8 for the pattern. Andso on until Shaft 8 where we have a weft float on 8 and a warp float on 3. So starting withwefts. Tabby will be 1+3+5+7 and pattern will be 2+4+6 but also +3 to give the warp float

Tie-up

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Figure 7 Huck No 663 Standard Draft

Tabby has been achieved here by adding in extra threads at the selvedge on Shafts 1 and 2.Note that in Anne Dixon’s Huck patterns, there is no possibility of tabby at the edges becauseshe has used three shafts (2, 3 and 4) for pattern.

SWEDISH LACE

There are several patterns for Swedish lace in The Best of Handwovens. Full standard draftsare given and there is no problem with profile drafts. The weaves are more limited than Bron-son weaves.

This handout has laid out how to read draft instructions from profile drafts. Huck and Atwa-ter-Bronson are treated quite differently. Strickler’s book contains many patterns and youshould be able to find something you like.

Pat Foster

Jan. 2011

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