30
IVLOS E-learning for dance E-learning for dance education: a case study education: a case study Äli Leijen

E-learning for dance education: a case study

  • Upload
    cili

  • View
    25

  • Download
    0

Embed Size (px)

DESCRIPTION

E-learning for dance education: a case study. Äli Leijen. Overview of the presentation. ICT tools for Dance Aim of the study, research questions Participants Method, instruments, analysis Results Conclusions Suggestions for the further studies. Interactive Resource Packs. - PowerPoint PPT Presentation

Citation preview

Page 1: E-learning for dance education: a case study

IVLOS

E-learning for dance education: a E-learning for dance education: a case studycase study

Äli Leijen

Page 2: E-learning for dance education: a case study

IVLOS

Overview of the presentationOverview of the presentation

ICT tools for Dance Aim of the study, research questions Participants Method, instruments, analysis Results Conclusions Suggestions for the further studies

Page 3: E-learning for dance education: a case study

IVLOS

Interactive Resource PacksInteractive Resource Packs

Bedford Interactive from 1989 onward Marta Graham dance technique (2003) Choreographic Outcomes (2003) Wild Child (2003)

The Center fro Art and Media, Germany Forsythe’s Improvisation Technologies

(1994)

Page 4: E-learning for dance education: a case study

IVLOS

3D Animation program3D Animation program

Dance Forms 1.0, Credo Interactive Ballet and Modern dance movement library

for creating animated choreography

Page 5: E-learning for dance education: a case study

IVLOS

Online toolsOnline tools

Kavakli (2005) discussed the process in developing a virtual learning environment (WEBDANCE) for teaching traditional dances.

Popat (2002) described the use of a dynamic website for teaching choreography in international cooperation project (TRIAD) between students from Great Britannia, Portugal and America.

Page 6: E-learning for dance education: a case study

IVLOS

Aim of the studyAim of the study

Due to this limited number of studies reported about usage of online ICT applications in dance education, our research group decided to conduct a case study, which aims to describe the process of using e-learning in an international dance education program (Dance Integrated in Humanities and Society).

Page 7: E-learning for dance education: a case study

IVLOS

Research questionsResearch questions How were the e-courses prepared by teachers

in terms of organization, interaction activities, and guidance and feedback principles?

How satisfied were students with these course components and, with their overall learning process and its outcomes?

Which were the most enjoyable aspects of the course and which problems appeared during the courses for both teachers and students?

Which aspects need improvement for the future programs according to teachers and students?

Page 8: E-learning for dance education: a case study

IVLOS

ParticipantsParticipants

Country Teachers Students

Belgium 1 7

Austria 8

Hungary 2

NL 5 14

USA 1 12

Total 7 43

Page 9: E-learning for dance education: a case study

IVLOS

CoursesCourses

1. The choreography seminar (43) 2. Physical Conditioning Training of Dancers

(43) 3. Choreography’s Geography (23) 4. Digital Portfolio (14) 5. Listening to the body (17) 6. Interactive composition workshop (14) 7. The preservation of contemporary artistic

practice in dance: Emio Greco | PC (15)

Page 10: E-learning for dance education: a case study

IVLOS

MethodMethod

Based on Yin (1994) a multiple case study method was selected to describe the process of the e-leaning phase of the DIHS program.

Construct validity of the study was supported by using multiple sources of evidence.

External validity of the study was supported using replication logic in research design while studying the seven e-courses.

A case study protocol and database was created in order to increase the reliability of the study.

Page 11: E-learning for dance education: a case study

IVLOS

InstrumentsInstruments

A problems checklist (problems in e-mails)

Case reports (content, organization, interaction, guidance, feedback; LMS)

A questionnaire (measure students’ satisfaction with 4 course components, and overall process and outcomes; most enjoyable, problematic aspects, improvement).

Group interviews (Students) Interviews (Teachers)

Page 12: E-learning for dance education: a case study

IVLOS

AnalysisAnalysis Quantitative data, ANOVA to examine

differences in students’ satisfaction between the seven courses among six items.

Qualitative data with content analysis methods Contents with similar message were coded and

summarized. Transcripts of the interviews with teachers were scrutinized, and important substances were selected to describe the process of the courses. In addition, these results were also used to control the information provided by students in group interviews. A chain of evidence was created between the data collected with different methods.

Page 13: E-learning for dance education: a case study

IVLOS

Results: 1. The choreography seminar Results: 1. The choreography seminar

Observing, analyzing, and discussing the work of contemporary choreographers through video and performance.

Detailed instructions, 5 assignments, spread deadlines

Enjoyable: content, assignments, communication with teacher, feedback

Problem: assignments, materials, interaction, feedback

Improvement: personal feedback, reduce the number of assignments

Page 14: E-learning for dance education: a case study

IVLOSResults: 2. Physical Conditioning Results: 2. Physical Conditioning Training of Dancers Training of Dancers

Discuss issues related to fitness and conditioning

2 short assignments, group essay (clear instructions, reading materials)

Enjoyable: collaboration, necessary topic

Problems: 2/3 collaborative essay, materials difficult

Improvement: redesign group work, relevant reading materials, more creative tasks

Page 15: E-learning for dance education: a case study

IVLOS

Results: 3. Choreography’s Geography Results: 3. Choreography’s Geography

To bring a greater awareness of the role of place in our choreographic practices

Assignments: walk in town, write an essay, create 3 movements, gestures

Enjoyable: creative and practical tasks Problems: contact with teacher, no

feedback Improvement: More assignments, group

collaboration, better communication with teacher, feedback

Page 16: E-learning for dance education: a case study

IVLOS

Results: 4. Digital PortfolioResults: 4. Digital Portfolio To prepare students for creating a digital

portfolio (position oneself in dance) View 3 interviews, clarify personal position,

discuss these ideas in forum (free), collect artifacts

Enjoyable: theme, discussion, freedom Problems: pure organization, aims and

assignments unclear, slow communication with teacher

Improvement: structure of the course, assignments, clear aims, expectations, better communication

Page 17: E-learning for dance education: a case study

IVLOS

Results: 5. Listening to the bodyResults: 5. Listening to the body

This movement workshop is based on body-mind principles. The purpose is to increase the ability to reflect .

Read BMC article, carry out practical assignments (focus on breathing), write reflection (3 times, every month)

Enjoyable: subject, practical assignments, feedback

Problems: interaction with students (2), contact with teacher (1)

Improvement: 11 no, collaboration

Page 18: E-learning for dance education: a case study

IVLOS

Results: 6. Interactive composition Results: 6. Interactive composition workshopworkshop

practical and theoretical research about creative process, intuition and improvisation

(3 assign.) reflective evaluation, create a solo and read articles and discuss with peers, find 5 conclusions

Enjoyable: different assignments, teacher’s motivation

Problems: communication with teacher; schedule of the course: deadlines in the end; heavy workload; video assignment; collaboration too late; unclear instructions

Improvement: better communication with teacher, feedback, deadlines apart, clear instructions, exclude video assignment

Page 19: E-learning for dance education: a case study

IVLOS

Results: 7.The preservation of contemporary artistic Results: 7.The preservation of contemporary artistic

practice in dance: Emio Greco | PCpractice in dance: Emio Greco | PC

Anthropological points of view towards choreography as a cultural practice based on Emio Greco

CV, read, write personal reflection, read another article, compare with the first text, read texts on EG website, add comments to the site. Read another student’s comment, elaborate on argument.

Enjoyable: subject, assignments, freedom Problems: course started late, not enough time for

assignments, instructions for assignments missing, no collaboration in forum.

Improvement: Start earlier, assignments apart, feedback earlier, forum for discussions, instructions for assignments.

Page 20: E-learning for dance education: a case study

IVLOS Mean, N, SDMean, N, SD

Page 21: E-learning for dance education: a case study

IVLOS

Satisfaction with…Satisfaction with… organization (F (6,162) = 11.5; p < 0.001; η² = 0.3) interaction (F (6,155) = 2.5; p < 0.05; η² = 0.09) guidance (F (6,16)= 13.1; p < 0.001; η² = 0.32) feedback (F (6,16) = 10, p < 0.001; η² = 0.24) overall learning process (F (6,162) = 4.21; p <

0.001; η² = 0.15) learning outcomes (F (6,162) = 2.55; p < 0.001; η² =

0.09). All above were perceived differently among the

courses

Page 22: E-learning for dance education: a case study

IVLOS

The effect size¹ varies from small The effect size¹ varies from small (0.09) to medium (0.34).(0.09) to medium (0.34).

[1] Effect size refers to the effect size as a result from the analyses using both the independent variables and covariates. Effect size f = √ [ղ² / (1- ղ²)], with ղ² equaling the proportion explained variance in the criterion variable. So, the proportion explained variance ղ² equals [f²/(1+ f²)]. Cohen (1988) defined small, medium, and large f values. A small effect size is defined as f=.10; medium effect size as f=.25; and large effect size as f=.40.

Page 23: E-learning for dance education: a case study

IVLOS

OrganizationOrganization

Satisfying organization includes clear description of the course aims, detailed schedule for course activities with deadlines spread over the course.

Page 24: E-learning for dance education: a case study

IVLOS

InteractionInteraction

In terms of interaction of the course, it can be concluded that interaction activities, which provide opportunities to share and reflect are necessary learning methods. On the other hand, group work activities which depended on team members’ participation and require a heavy work load from students with different geographical locations and time zones lead into frustration.

Page 25: E-learning for dance education: a case study

IVLOS

GuidanceGuidance

Based on the required activities the need for guidance and further communication differs among courses. However, if students indicate difficulties and approach teachers additional guidance is essential and should be provided to students with minimal delay.

Page 26: E-learning for dance education: a case study

IVLOS

FeedbackFeedback

In sum, students need feedback on their performance. The procedure of proving feedback should be clearly communicated for students, feedback should be provided to all learners despite of the fact that not all of them ask for it personally.

Page 27: E-learning for dance education: a case study

IVLOS

Learning process and outcomes: a Learning process and outcomes: a negative casenegative case

In brief, a course which was perceived as being dissatisfying in terms of students own learning process and its outcomes was in the same time perceived as dissatisfying in terms of

the organization of the course (unclear aims, instructions),

guidance (slow communication) feedback provided by the teacher

(slow).

Page 28: E-learning for dance education: a case study

IVLOS

ConclusionConclusion In principle the use of e-learning phase for

DIHS program succeeded. Findings on organization, interaction, guidance

and feedback confirm the results from previous studies carried out about e-learning courses.

Difference: Compared to the other studies in the field of higher education, dance students need to carry out activities, besides analytical work, related to creative and practical processes (as shown in DIHS3, DIHS5, DIHS 6) as this is a crucial element in their learning process.

Page 29: E-learning for dance education: a case study

IVLOS

DiscussionDiscussion

As the DIHS e-learning phase showed, LMS is suitable medium for dance courses, as it was a facilitating process of acquiring, processing and using knowledge.

However it seemed to neglect supporting creative and practical activities as the outcomes of these were just reported (sending video failed).

Page 30: E-learning for dance education: a case study

IVLOS

Suggestions for the further studiesSuggestions for the further studies To conduct a study to investigate

further the pedagogical practices of practical dance classes in order to find out which aims, methods, assessment and support materials are being used.

These findings can suggest a direction for (re-)designing ICT tools, which advocate more closely the existing pedagogical context.