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About.com AboutEntertainment AlternativeMusic Top10Lists
ByAnthonyCarewAlternativeMusicExpert
Ads LatestMusicAlbums2015 RedMusicBand CanadianIndieRock NewBrandSongs BestBandSinger RedAlbum OldRecordsAlbums
Top 10 Slowcore Albums
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Inthe1990s,facedwiththetorrentialonslaughtofgrungeandtheincreasinglyabrasivewaysofalternativemusic,ararehandfulofartistsstartedtochallengetheprevailingrockistmentality.Eventually,theselonesomesatellitesbandslikeCodeine,RedHousePainters,andLowwouldbegroupedin,together,asslowcore.Membershipintheclubwasnotforthefainthearted:playingslow,sad,frighteninglyquiet,remarkablybeautifulmusicintheeraofjackbootedmoshpitswasfraughtwithperil.Here,then,isthebestfromthosewhodared:arollcallofclassic1990sLPsfromthesemastersofthespartan.
1. Codeine 'Frigid Stars' (1991)It'sinterestinghowhistoryworks.Overthepasttwodecades,Slint'sSpiderlandhasgrowntosomethingresemblingclassicrockstatus,whilsttheartisticallycomparableFrigidStarshasremainedoverlookedandunderrated.AshaveCodeinethemselves.Thetrioweregamechangers:radicallyrazingawayrock'n'roll'sblusterandbombast,leavingsomethingbarelyevenpassingfor
barebones.DefinedbyStephenImmerwahr'sdispassionate,nasalmonotoneandslow,ploddingbassplaying,Codeineplayedstarksongsinahauntedstateofdruggedoutsemiconsciousness.Notonlydidtheydefinetheslowcoresound,buttheyputthe'slow'init.FrigidStarsisalandmarkLP,initsownway,butitseemsfatedtoremaineternallyonthefringes.More
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2. Red House Painters 'DownColorful Hill' (1992)BeforethereleaseofDownColorfulHillasetoflong,unrockingsongsthatwereessentiallyMarkKozelek'sdemosnoonecaredaboutRedHousePainters.TheirmelancholyfolkrockschooledinpainfullyuncoolactslikeSimon&Garfunkel,CatStevens,andJohnDenverwasignoredinaneraofsarcasticindierock.TheyhadnolocalBayArea
followingtheirgirlfriendsdidn'tevenlikethem,preferringJane'sAddictionandNirvanatoKozelek'ssolemnlysung,mournfullydeliveredtunes.But,whenthemostinfluentialindieoftheday,England's4ADRecords,pluckedDownColorfulHillforrelease,acultwasbornKozelek'smelancholyruminationsonloss,regret,andnostalgiainforminganewgenerationofslow,sad,sombresongsmiths.More
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3. Bedhead 'What Fun Life Was'
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Codeine'FrigidStars'.SubPopRecords
RedHousePainters'DownColorfulHill'.4AD
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3. Bedhead 'What Fun Life Was'(1994)TheaptlynamedBedheadwerebornonidleafternoonsinsmalltownTexas,wherebrothersMattandBubbaKadanewouldwileawaytheemptyhoursofteenagetediumviaendlessjamming.Bythetimetheywereinchargeofabonafideband,theKadanesfunctionedwithakindofmusicalESPtheirplayingtogethersosingularthat
Bedheadcouldeasilyfitanothercopaceticsixstringer,TenchCoxe.Playinginterlockingpatternsthatalmostsoundedlikeasemislumberoustakeonmathrock,thetrioofguitaristsplayedwithabelllikequality:theirclean,undistortednotesringing,chiming,andpealinginvariousmeasures.TheKadanesvocalswereuncharismaticmumbles,butthewaytheywereburiedwithinthesoundonlyseemedtoheightenit.More
4. Low 'I Could Live in Hope' (1994)Low,slowcore'spatronsaints,havelongreveledinanangelicsongworldofheavenlyharmoniesandholierthanthouairsthemarried,MormonpairofMimiParkerandAlanSparhawkplayingtheirstrikinglyspartan,powerfullyquietmusicwiththekindofreverenceusuallyreservedfordevotionals.Admittedly,they'vegrownbothgrumpierandfunnierovertheyears,testingtheboundariesofthe'Low
sound'withblastsofdistortionandstraightuppop,amongstotherexperiments.Theirdebut,though,capturedthematatimeinwhichtheirdefiantlyantirockstancewasatitsmostastonishinglypure:ICouldLiveinHopeasetofreallyslow,reallyquiet,reallysad,really,really,reallybeautifulsongslaidoutnakedinthefaceofgrunge.More
5. Bluetile Lounge 'Lowercase'(1995)Thoughcompletelyunknownoutsideslowcore'sclosedwalls,AustralianoutfitBluetileLoungearealegendarypropositionforthegenre'sdevotees.TheirtwoLPstheirluminous1995debutLowercase,anditslessmagical,stillreallygood1998followup,HalfCutarefulloflong,ponderoussongsinwhicheveryinstrument,beitguitaror
drum,ringsout,lingering.LowercasecaughtthematanearlypeakDanielErickson'ssongspilotinganocturnalwastelandinwhichanxietiesaren'ttenseandfrantic,butslowbuilding,andallconsuming.It'safivesong,45minutestudyinisolationism,inapersistentlonelinessleavingonefeelingutterlyunmooredunsurprisingsentimentsforabandfromPerth,theworld'smostisolatedmajorcity.
6. The For Carnation'Marshmallows' (1996)BrianMcMahonwasthedrivingforcebehindSlint,thoseinhindsightcolossuseswhoseSpiderlandprovidedablueprint
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Bedhead'WhatFunLifeWas'.TranceSyndicate
Low'ICouldLiveinHope'.VernonYard
BluetileLounge'Lowercase'.Summershine
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forpostrockandinspiredmanysubsequentslowcoreacts.BythetimeMcMahonregatheredwithTheForCarnation,thosesilencetoviolencehighwiredynamicsofSlint'smutanthardcorehadwashedawayintoastillkindofmenacinggentleintrospection.Onapairofmid'90sEPs,1995'sFightSongsand1996'sMarshmallows,McMahonmintedanewsoundfarmoredelicatethanexpected.ThehighlightofMarshmallowsistheastonishinglypretty,endlesslyromantic"OntheSwing,"twonearperfectminutesinwhichalilting,
lulling,hypnoticguitarpartrocksbackandforth,andMcMahonwhispersatenderpoemingrowingup'sear.More
7. Smog 'The Doctor Came at Dawn'(1996)AniconoclastschooledintheshtickofoutsiderheroesJandekandScottWalker,KentuckiancurmudgeonBillCallahanhasneverbeen,strictly,aslowcoreact.Whereothersonthislistappliedtheformalausterityofhardcoretotheirnearsilentbands,Callahanwasjustasingersongwriterwhodeliveredhissongsatasnail'space.The
DoctorCameatDawnmarkedhismoststrippeddown,nearmonasticsettheabsurdcomedyofmuchoftheSmogcatalogueabandonedonasuiteofsolemn,starknaked,genuinelyunsettlingbreakupsongs.ChroniclinghisdivorcefromformercollaborateurCynthiaDall,heairstuneslike"AllYourWomenThings,"whereinCallahancaressesa"spreadeagledolly"ofleftbehindundergarmentsspreadoutonhisbed.More
8. Cat Power 'Myra Lee' (1996)FutureBillCallahanloveinterest(and,withKnockKnock,futurebreakupalbumsubject),ChanMarshall,wasanunknown,wildlyuntrained,particularlystrangesongwriterwhensheknockedoutthisscrappysetofscratchy,scared,utterlyhauntedsongs.ThoughfunctioninginapseudorocktriowithSonicYouth'sSteveShelleyandTwoDollarGuitar'sTimFoljahn,Marshallpilotsproceedingsintodesolate,oftatonal,genuinelyunfriendlyterritory.Onsongslike"IceWater,""Enough,"andtheutterlyguttural"NotWhatYouWant,"Marshallsoundslikealostsoul,standingontheveryfringesofrecognizablesongform/sanity.Atsuchapoint,fewcould'veexpectedthatthisleftfieldfigurewouldonedayachievemassculturalcrossover.More
9. Ida 'I Know About You' (1996)Overtheirlongrunningtenure,Idaessentiallyhusband/wifeNewYorkersElizabethMitchellandDanielLittletonwouldslowlygrowclosertothebandtheyclaimedtobemodelingthemselvesonallalong:FleetwoodMac.Intheirearlydays,though,thepairclungtoquietude,simplicity,andLowesquevocalharmonyLittleton,aveteranofprotoemohardcoreactTheHated,particularly
revelinginthenonrocknessofhisnewdigs.Ida'ssecondrecord,IKnowAboutYou,isasetofsad,forlorn,fallenlovesongsinwhicheveryadornmentbeitbrusheddrums,scoredstrings,orbasicbasslineseemscarefully,cautiouslychosen.Inlateryears,Mitchellwouldfindunexpectedfameplayingoldfolksongsforkids,butthat'sanotherstory...More
10. Movietone 'Day and Night'(1997)Intherealmofslowcore,Movietoneareamore'jazzy'entrytheirsemisyncopatedsounddaringtodabblewithbrushed
TheForCarnation'Marshmallows'.Matador
Smog'TheDoctorCameatDawn'.DragCity
CatPower'MyraLee'.SmellsLikeRecords
Ida'IKnowAboutYou'.SimpleMachines
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drums,doublebass,piano,clarinet,andbeachylyrics(!).But,withinrock'sbroadercontext,they'rebarelythere:KateWright'svocalsabreathcaughtinherthroatRachelBrook'sguitarsdanglingwhisperstheirfondnessforvritrecordingsoftenaddinglayersoftapehissandroomtonetotunesthathaveallthebrutalityofdiaphanouscurtainsfluttering.Theirsecondrecord,DayandNight,closeswithatenminutesanceofguitarharmonics,malletdrums,andsweetsingingitstitle,"TheCrystallisationofSaltatNight,"
effectivelyevokingthequiet,gradual,barelyperceptiblenatureofMovietone'smusic.
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