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About.com About Entertainment Alternative Music Top 10 Lists By Anthony Carew Alternative Music Expert Ads Latest Music Albums 2015 Red Music Band Canadian Indie Rock New Brand Songs Best Band Singer Red Album Old Records Alb Top 10 Slowcore Albums ALTERNATIVE MUSIC CATEGORIES History of Alt / Indie Music Genres Artists Top 10 Lists Definitive Alternative Albums Reviews Interviews Record Labels Concerts & Festivals In the Media Blog Alternative Music Basics Alternative Music Names to Know Alternative Music Reviews & Recommendations Updated Articles and Resources FREE EMAIL NEWSLETTER Let About.com send you the latest from our Alternative Music Expert. Your email address here SIGN UP You can optout at any time. Please refer to our privacy policy for contact information. Ads New Alternative Music Bands myspace.com/catostreetconspiracy Debut cd Monster Attack out now! £5 + p&p, only a few copies left. PDF Password Remover www.aheadpdf.com Remove PDF passwords and all security restrictions easily! TODAY'S T ENTER VIEW MORE IN Share this In the 1990s, faced with the torrential onslaught of grunge and the increasinglyabrasive ways of alternative music, a rare handful of artists started to challenge the prevailing rockist mentality. Eventually, these lonesome satellites —bands like Codeine, Red House Painters, and Low— would be grouped in, together, as slowcore . Membership in the club was not for the fainthearted: playing slow, sad, frighteningly quiet, remarkably beautiful music in the era of jackbooted moshpits was fraught with peril. Here, then, is the best from those who dared: a rollcall of classic 1990s LPs from these masters of the spartan. 1. Codeine 'Frigid Stars' (1991) It's interesting how history works. Over the past two decades, Slint's Spiderland has grown to something resembling classicrock status, whilst the artistically comparable Frigid Stars has remained overlooked and underrated. As have Codeine themselves. The trio were gamechangers: radically razing away rock'n'roll's bluster and bombast, leaving something barely even passing for bare bones. Defined by Stephen Immerwahr's dispassionate, nasal monotone and slow, plodding bassplaying, Codeine played stark songs in a haunted state of druggedout semi consciousness. Not only did they define the slowcore sound, but they put the 'slow' in it. Frigid Stars is a landmark LP, in its own way, but it seems fated to remain eternally on the fringes. More » Read Review 2. Red House Painters 'Down Colorful Hill' (1992) Before the release of Down Colorful Hill —a set of long, un rocking songs that were essentially Mark Kozelek's demos— no one cared about Red House Painters. Their melancholy folkrock —schooled in painfully uncool acts like Simon & Garfunkel, Cat Stevens, and John Denver— was ignored in an era of sarcastic indierock. They had no local Bay Area following; their girlfriends didn't even like them, preferring Jane's Addiction and Nirvana to Kozelek's solemnlysung, mournfullydelivered tunes. But, when the most influential indie of the day, England's 4AD Records, plucked Down Colorful Hill for release, a cult was born; Kozelek's melancholy ruminations on loss, regret, and nostalgia informing a new generation of slow, sad, sombre songsmiths. More » Read Review 3. Bedhead 'What Fun Life Was' 5 4 3 2 1 Codeine 'Frigid Stars'. Sub Pop Records Red House Painters 'Down Colorful Hill'. 4AD

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  • About.com AboutEntertainment AlternativeMusic Top10Lists

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    Inthe1990s,facedwiththetorrentialonslaughtofgrungeandtheincreasinglyabrasivewaysofalternativemusic,ararehandfulofartistsstartedtochallengetheprevailingrockistmentality.Eventually,theselonesomesatellitesbandslikeCodeine,RedHousePainters,andLowwouldbegroupedin,together,asslowcore.Membershipintheclubwasnotforthefainthearted:playingslow,sad,frighteninglyquiet,remarkablybeautifulmusicintheeraofjackbootedmoshpitswasfraughtwithperil.Here,then,isthebestfromthosewhodared:arollcallofclassic1990sLPsfromthesemastersofthespartan.

    1. Codeine 'Frigid Stars' (1991)It'sinterestinghowhistoryworks.Overthepasttwodecades,Slint'sSpiderlandhasgrowntosomethingresemblingclassicrockstatus,whilsttheartisticallycomparableFrigidStarshasremainedoverlookedandunderrated.AshaveCodeinethemselves.Thetrioweregamechangers:radicallyrazingawayrock'n'roll'sblusterandbombast,leavingsomethingbarelyevenpassingfor

    barebones.DefinedbyStephenImmerwahr'sdispassionate,nasalmonotoneandslow,ploddingbassplaying,Codeineplayedstarksongsinahauntedstateofdruggedoutsemiconsciousness.Notonlydidtheydefinetheslowcoresound,buttheyputthe'slow'init.FrigidStarsisalandmarkLP,initsownway,butitseemsfatedtoremaineternallyonthefringes.More

    ReadReview

    2. Red House Painters 'DownColorful Hill' (1992)BeforethereleaseofDownColorfulHillasetoflong,unrockingsongsthatwereessentiallyMarkKozelek'sdemosnoonecaredaboutRedHousePainters.TheirmelancholyfolkrockschooledinpainfullyuncoolactslikeSimon&Garfunkel,CatStevens,andJohnDenverwasignoredinaneraofsarcasticindierock.TheyhadnolocalBayArea

    followingtheirgirlfriendsdidn'tevenlikethem,preferringJane'sAddictionandNirvanatoKozelek'ssolemnlysung,mournfullydeliveredtunes.But,whenthemostinfluentialindieoftheday,England's4ADRecords,pluckedDownColorfulHillforrelease,acultwasbornKozelek'smelancholyruminationsonloss,regret,andnostalgiainforminganewgenerationofslow,sad,sombresongsmiths.More

    ReadReview

    3. Bedhead 'What Fun Life Was'

    5

    4

    3

    2

    1

    Codeine'FrigidStars'.SubPopRecords

    RedHousePainters'DownColorfulHill'.4AD

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    3. Bedhead 'What Fun Life Was'(1994)TheaptlynamedBedheadwerebornonidleafternoonsinsmalltownTexas,wherebrothersMattandBubbaKadanewouldwileawaytheemptyhoursofteenagetediumviaendlessjamming.Bythetimetheywereinchargeofabonafideband,theKadanesfunctionedwithakindofmusicalESPtheirplayingtogethersosingularthat

    Bedheadcouldeasilyfitanothercopaceticsixstringer,TenchCoxe.Playinginterlockingpatternsthatalmostsoundedlikeasemislumberoustakeonmathrock,thetrioofguitaristsplayedwithabelllikequality:theirclean,undistortednotesringing,chiming,andpealinginvariousmeasures.TheKadanesvocalswereuncharismaticmumbles,butthewaytheywereburiedwithinthesoundonlyseemedtoheightenit.More

    4. Low 'I Could Live in Hope' (1994)Low,slowcore'spatronsaints,havelongreveledinanangelicsongworldofheavenlyharmoniesandholierthanthouairsthemarried,MormonpairofMimiParkerandAlanSparhawkplayingtheirstrikinglyspartan,powerfullyquietmusicwiththekindofreverenceusuallyreservedfordevotionals.Admittedly,they'vegrownbothgrumpierandfunnierovertheyears,testingtheboundariesofthe'Low

    sound'withblastsofdistortionandstraightuppop,amongstotherexperiments.Theirdebut,though,capturedthematatimeinwhichtheirdefiantlyantirockstancewasatitsmostastonishinglypure:ICouldLiveinHopeasetofreallyslow,reallyquiet,reallysad,really,really,reallybeautifulsongslaidoutnakedinthefaceofgrunge.More

    5. Bluetile Lounge 'Lowercase'(1995)Thoughcompletelyunknownoutsideslowcore'sclosedwalls,AustralianoutfitBluetileLoungearealegendarypropositionforthegenre'sdevotees.TheirtwoLPstheirluminous1995debutLowercase,anditslessmagical,stillreallygood1998followup,HalfCutarefulloflong,ponderoussongsinwhicheveryinstrument,beitguitaror

    drum,ringsout,lingering.LowercasecaughtthematanearlypeakDanielErickson'ssongspilotinganocturnalwastelandinwhichanxietiesaren'ttenseandfrantic,butslowbuilding,andallconsuming.It'safivesong,45minutestudyinisolationism,inapersistentlonelinessleavingonefeelingutterlyunmooredunsurprisingsentimentsforabandfromPerth,theworld'smostisolatedmajorcity.

    6. The For Carnation'Marshmallows' (1996)BrianMcMahonwasthedrivingforcebehindSlint,thoseinhindsightcolossuseswhoseSpiderlandprovidedablueprint

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    Bedhead'WhatFunLifeWas'.TranceSyndicate

    Low'ICouldLiveinHope'.VernonYard

    BluetileLounge'Lowercase'.Summershine

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  • forpostrockandinspiredmanysubsequentslowcoreacts.BythetimeMcMahonregatheredwithTheForCarnation,thosesilencetoviolencehighwiredynamicsofSlint'smutanthardcorehadwashedawayintoastillkindofmenacinggentleintrospection.Onapairofmid'90sEPs,1995'sFightSongsand1996'sMarshmallows,McMahonmintedanewsoundfarmoredelicatethanexpected.ThehighlightofMarshmallowsistheastonishinglypretty,endlesslyromantic"OntheSwing,"twonearperfectminutesinwhichalilting,

    lulling,hypnoticguitarpartrocksbackandforth,andMcMahonwhispersatenderpoemingrowingup'sear.More

    7. Smog 'The Doctor Came at Dawn'(1996)AniconoclastschooledintheshtickofoutsiderheroesJandekandScottWalker,KentuckiancurmudgeonBillCallahanhasneverbeen,strictly,aslowcoreact.Whereothersonthislistappliedtheformalausterityofhardcoretotheirnearsilentbands,Callahanwasjustasingersongwriterwhodeliveredhissongsatasnail'space.The

    DoctorCameatDawnmarkedhismoststrippeddown,nearmonasticsettheabsurdcomedyofmuchoftheSmogcatalogueabandonedonasuiteofsolemn,starknaked,genuinelyunsettlingbreakupsongs.ChroniclinghisdivorcefromformercollaborateurCynthiaDall,heairstuneslike"AllYourWomenThings,"whereinCallahancaressesa"spreadeagledolly"ofleftbehindundergarmentsspreadoutonhisbed.More

    8. Cat Power 'Myra Lee' (1996)FutureBillCallahanloveinterest(and,withKnockKnock,futurebreakupalbumsubject),ChanMarshall,wasanunknown,wildlyuntrained,particularlystrangesongwriterwhensheknockedoutthisscrappysetofscratchy,scared,utterlyhauntedsongs.ThoughfunctioninginapseudorocktriowithSonicYouth'sSteveShelleyandTwoDollarGuitar'sTimFoljahn,Marshallpilotsproceedingsintodesolate,oftatonal,genuinelyunfriendlyterritory.Onsongslike"IceWater,""Enough,"andtheutterlyguttural"NotWhatYouWant,"Marshallsoundslikealostsoul,standingontheveryfringesofrecognizablesongform/sanity.Atsuchapoint,fewcould'veexpectedthatthisleftfieldfigurewouldonedayachievemassculturalcrossover.More

    9. Ida 'I Know About You' (1996)Overtheirlongrunningtenure,Idaessentiallyhusband/wifeNewYorkersElizabethMitchellandDanielLittletonwouldslowlygrowclosertothebandtheyclaimedtobemodelingthemselvesonallalong:FleetwoodMac.Intheirearlydays,though,thepairclungtoquietude,simplicity,andLowesquevocalharmonyLittleton,aveteranofprotoemohardcoreactTheHated,particularly

    revelinginthenonrocknessofhisnewdigs.Ida'ssecondrecord,IKnowAboutYou,isasetofsad,forlorn,fallenlovesongsinwhicheveryadornmentbeitbrusheddrums,scoredstrings,orbasicbasslineseemscarefully,cautiouslychosen.Inlateryears,Mitchellwouldfindunexpectedfameplayingoldfolksongsforkids,butthat'sanotherstory...More

    10. Movietone 'Day and Night'(1997)Intherealmofslowcore,Movietoneareamore'jazzy'entrytheirsemisyncopatedsounddaringtodabblewithbrushed

    TheForCarnation'Marshmallows'.Matador

    Smog'TheDoctorCameatDawn'.DragCity

    CatPower'MyraLee'.SmellsLikeRecords

    Ida'IKnowAboutYou'.SimpleMachines

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