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A short guide for teachers on how to keep their pupils thinking as creatively as possible.
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Educational Creativity
A short guide to the different methodologies
teachers can implement to help retain
creativity in their students (Key stages 3 & 4)
E n g a g e | E n c o u r a g e | I n s p i re
1 In i t ia l t ips to help keep educat ion creat ive
2 How creat iv i ty can be assessed
3 How fa i lure can be used to enhance creat iv i ty
4 F lex ib i l i ty of lesson plans
5 Freedom to be creat ive, how much is too much?
6 Divergent and Convergent th inking
7 Encourage, Encourage, Encourage
8 A guide to creat iv i t ies four pi l lars
9 The f rustrat ion of a bad grade
10 Nat ional curr iculum vs. Teachers
11 Creat ing wel l- rounded young adul ts
12 Extra resources
Contents
CREATIVITYProduct ion of something or ig inal and useful
Know that
theyre creat ive
Wrongly bel ieve that
theyre not creat ive
Initial tips to help keep
education creative
There are a number of simple things you should bear in mind on the whole
to ensure you keep your pupils thinking as creatively as possible, a few of
them are as follows...
Forget right and wrong as much as possible - Although in theory some
things are quite simply either correct or incorrect its much more beneficial
to let an incorrect answer create a slight tangent in your lesson.
Encourage learning that has no definitive outcome - Regardless of how
much you expected to get through in a certain day or week always allow
a few exercises here and there that give pupils the opportunity to totally
explore the unknown.
The imagination has no boundaries - As a teacher your job is as much to
retain a childs belief in themselves as it is to teach. Dont ever give a pupil
the opportunity to doubt their ideas or differentiate between what is deemed
possible and not possible.
Age
0 5 1 2 1 5 1 8
Cre
ativ
ity if
har
ness
ed
1
How creativity
can be assessed
Some may argue that creativity cannot be assessed however
this is not necessarily true due to the fact that creativity in many
respects is simply a process of doing.
There are a few things you can look out for in the classroom that
should indicate how creatively your pupils are thinking or how
creatively they are attempting to think (which is half the battle).
Are they intuitive i.e. constantly questioning why things are the
way they are?
Are they able to brainstorm a number of ideas and then
recognise the valuable ones?
Are they able to critically asses themselves and learn
from the mistakes theyve made?
Do they understand the value
of thinking outside the box - is this
clear in the way in which they approach
the task at hand?
Are they engaged and using their
imaginations wherever possible?
Do they have the ability to
communicate their ideas in a
coherent and enthusiastic manner?
2
How failure can be used to
enhance creativity
Failure, in certain cases, can be just as (if not more) beneficial than
success. Although we shouldnt teach our pupils to fail on purpose, we
should however, be sure that they understand how to deal with failure and
more importantly how to use failure as a tool to make them next few steps
forward as quickly and efficiently as possible.
No drastic changes occur by simply sticking to the guidelines. If your pupils
arent prepared to be wrong they will never come up with anything original,
which as we know, is one of the key elements of creativity.
Creativity is in iterative process, it
would be miraculous if a pupil didnt
make mistakes and throw themselves
of course slightly whilst on the way to
a really brilliant and valuable idea. The path of creativity
Stimulus
Potential Solution
Potential Solution
Potential Solution
Potential Solution
Potential Solution
Potential Solution
3
Flexibility of
lesson plans
Making a lesson plan that not only stimulates your pupils but
also yourself is vital. The national curriculum may be in place and
theres undoubtedly guidelines you must stay within to a certain
degree but you know your classes and your pupils better than
anyone else. Creating a loose plan as appose to a more strict one
offers much more room for innovative thinking and originality to occur.
If mid-way through a lesson you feel as though it could be more
beneficial to slightly take a different route dont be afraid to leave the
initial lesson plan you made behind you, who knows what might
come of it.
There is a vast selection of online tools available if youre
struggling to get a specific class fully motivated and engaged.
Have a think about what different styles of learning could
suit them best and adapt your lessons accordingly.
4
When children have a supportive teacher, someone who is tolerant of
irregular answers, occasional disruptions and outbursts of thoughts theyre
much more inclined to excel. However when they dont, they tend to
disengage and in many cases they may give up completely.
Offering your class an opportunity, perhaps on a weekly basis, to set up
their own lesson plan can be a very beneficial exercise. Make them aware
that their plan has to link back in with the curriculum to some extent. You
will find that giving them this level of freedom can instantly boost their
enthusiasm and all of a sudden theyll be dying to learn.
Finding the perfect balance between freedom and creativity can be a
recurring juggling act. A key thing to remember is that its much more
difficult to generate creative thoughts than it is to destroy a surplus of
them. Allow more than you forbid.
Freedom to be creative-
how much is too much?
DecideExploreStructure
Cre
ati
ve f
ree
do
m
5
One of the key elements to creativity is the ability to think in both
a divergent and convergent manner.
Divergent thinking - generating creative ideas by exploring many
possible solutions
Convergent thinking - combining the best aspects of what youve
got so far to then finalise the best and most feasible/ outcome
The important thing to remember is that in order to generate an idea
thats going to be of value we must constantly be using both our
divergent and convergent thinking skills throughout. Your pupils
may not even realise that this is the process theyre carrying out
when they think creatively.
If you can see this thinking happening your pupils will be....
1. Generating a greater number of ideas that have value
2. More aware of the fact that not all ideas need to be
held onto and not all ideas will alway be correct.
3. Knowing when is best to use which method
Divergent and
Convergent thinking
Convergent
Idea
Divergent
Ideas
6
Encourage, Encourage
Encourage
Encouragement can be one of the most powerful tools when it comes to
giving kids the belief they need in order to realise what theyre actually
capable of.
Although the job title says Teacher it could in fact make life a lot easier to
exceed this term and act as a mentor, coach and in some respects friend.
Breaking down segments of the barrier that lies between teachers and
pupils is a great way to earn kids trust.
Why do you need your pupils to trust you? - To many pupils a teacher is a
teacher simply because its their job to be. What they do not realise is that
teachers truly care and that teachers want the best for their pupils. Creating
relationships and environments where trust is rightfully prioritised can be the
starting point to kids truly believing you when you tell them that they can do
it and that they are talented and intelligent enough to think creatively.
More often than not when an attempt at encouragement is made it can
have an impact for only a short period of time. This is rarely due to the fact
that the pupil has failed but more so that they believe the encouragement
was given because it had to be and not because it was truly meant. Build
trusting relationships first and long-term self-confidence will follow.
Encourage uniqueness, Encourage failure, Encourage meaningfully
7
A guide to
creativities four pillars
As with many things in life we must find the right balance
however the tricky thing about the right balance is that its
often different for everybody. The same applies when it comes to
creativity. Try to ensure that an evenly spread balance of all four
pillars are being pursued as much as possible.
Ask yourself the following questions...
Are all four pillars criteria being meant the majority of the time creative
thinking occurs?
Is one or more of the pillars being accidentally neglected?
What exercises include aspects from as many pillars as possible?
Much the same as
encouragement can help
boost creative output -
recognising which pupils
excel in which pillars ,
and then assisting them
to improve in the other
pillars, can also increase
probability of creative
output.
Challenging Collaborative work
Diversely skilled
Leadership
Interest Enjoyment
Satisfaction
Challenge
Independence Risk taking
New perspectives
Idea generation
Knowledge Expertise
Technical skills
Intelligence
Creativities four pillars
8
The frustration
of a bad grade
Cre
ati
vity
How bad things seem
Citing, revising a memorizing. The Key elements to getting a good grade.
However, for many school kids this isnt always their most preferable way
of working. With this being said its no surprise to see some pupils - whom
you know are fully capable of generating perpetual volumes of valued
creative work, come back to you on results day asking why they failed.
As creativity increases the scale of how bad things seem to be increases
along side it, until... creativity peaks and all of a sudden everything seems
as though its under control again. Sadly, exam grades do not work in such
a merciful manner and will not just suddenly alterate themselves.
Many of the methods to harnessing creativity that are raised in this guide
focus largely on setting as little boundaries as possible and encouraging
freedom, let this chapter be a subtle reminder that...
A. Creativity usually spirals OUT of control before its truly UNDER control
B. Grades can be very demotivating, we should not pretend they dont exist
neither should we treat them as the be all and end all
9
National curriculum
vs. Teachers
Inevitably having to teach whats on the national curriculum is the
greatest barrier to harnessing creativity. The struggle of finding
the right balance between freedom of lessons and teaching whats
likely to be on the exam papers can be exhausting to say the least.
Since the new national curriculum was introduced back in September
2010 teachers have been encouraged more so than ever to allow
for flexible teaching in the hope that it will provide pupils with the
knowledge they need to excel not only throughout school but
throughout life after school to.
Ultimately theres only going to be so much
teaching, so much creativity and so much
memorising that can fit into each school-day.
Above all else, as a teacher, it should be
imperative that you do whatever it is you feel
is best for your pupils. Each school, class
and pupil is diverse and should be treated so.
Standardised testing makes sense in some respects however in
many others it can be a hindrance to unlocking certain pupils true
potential. Educations ultimate goal is to prepare the young to then
educate themselves for the rest of their lives - giving them essential
knowledge that they need to be well rounded young citizens.
10
Creating well-rounded
young adults
In life, most things we learn, we grow into. Creativity however is something
we tend to grow out of. Lets make a stop to this before its too late
25+ year olds18 year olds5 year olds 10 year olds
98%
30%
10% 2%
The fundamental element of being a good teacher should not be the ability
to churn out extremely consistent statistics on a league table year after year
rather understanding the importance of creating well-rounded young adults.
The modern-day world is currently encountering an extraordinary and ever
increasing surplus of information. We are living in a time where learning is
essentially easier - due to its accessibility, than it ever has been before.
Releasing creative capacities goes much deeper than simply using
information to learn. It is an embedded and fundamental element that makes
up each and every one of us.
We must let education be the perfect tool it is to ensure creativity flourishes
as appose to one that slowly squeezes every drop of creativity out of kids
until theres none left.
11
Extra resources
Become part of the community theeducationalcreativityrevolution.com
To subscribe to mailing lists [email protected]
For an online PDF version issuu.com/jlg_designs Contact the Author [email protected]
Extra resources teacherspayteachers.com/
europe.newsweek.com/creativity-crisis-74665
images.adobe.com/www.adobe.com/content/dam/Adobe/en/education/pdfs/barriers
to-creativity-in-education-study.pdf
handsonscotland.co.uk/flourishing_and_wellbeing_in_children_and_young_people/
creativity/creativity.html
edutopia.org/blog/you-can-teach-assess-creativity-andrew-miller
12
E n g a g e | E n c o u r a g e | I n s p i r e