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Educational Creativity A short guide to the different methodologies teachers can implement to help retain creativity in their students (Key stages 3 & 4) Engage | Encourage | Inspire

Educational creativity

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A short guide for teachers on how to keep their pupils thinking as creatively as possible.

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  • Educational Creativity

    A short guide to the different methodologies

    teachers can implement to help retain

    creativity in their students (Key stages 3 & 4)

    E n g a g e | E n c o u r a g e | I n s p i re

  • 1 In i t ia l t ips to help keep educat ion creat ive

    2 How creat iv i ty can be assessed

    3 How fa i lure can be used to enhance creat iv i ty

    4 F lex ib i l i ty of lesson plans

    5 Freedom to be creat ive, how much is too much?

    6 Divergent and Convergent th inking

    7 Encourage, Encourage, Encourage

    8 A guide to creat iv i t ies four pi l lars

    9 The f rustrat ion of a bad grade

    10 Nat ional curr iculum vs. Teachers

    11 Creat ing wel l- rounded young adul ts

    12 Extra resources

    Contents

  • CREATIVITYProduct ion of something or ig inal and useful

    Know that

    theyre creat ive

    Wrongly bel ieve that

    theyre not creat ive

  • Initial tips to help keep

    education creative

    There are a number of simple things you should bear in mind on the whole

    to ensure you keep your pupils thinking as creatively as possible, a few of

    them are as follows...

    Forget right and wrong as much as possible - Although in theory some

    things are quite simply either correct or incorrect its much more beneficial

    to let an incorrect answer create a slight tangent in your lesson.

    Encourage learning that has no definitive outcome - Regardless of how

    much you expected to get through in a certain day or week always allow

    a few exercises here and there that give pupils the opportunity to totally

    explore the unknown.

    The imagination has no boundaries - As a teacher your job is as much to

    retain a childs belief in themselves as it is to teach. Dont ever give a pupil

    the opportunity to doubt their ideas or differentiate between what is deemed

    possible and not possible.

    Age

    0 5 1 2 1 5 1 8

    Cre

    ativ

    ity if

    har

    ness

    ed

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  • How creativity

    can be assessed

    Some may argue that creativity cannot be assessed however

    this is not necessarily true due to the fact that creativity in many

    respects is simply a process of doing.

    There are a few things you can look out for in the classroom that

    should indicate how creatively your pupils are thinking or how

    creatively they are attempting to think (which is half the battle).

    Are they intuitive i.e. constantly questioning why things are the

    way they are?

    Are they able to brainstorm a number of ideas and then

    recognise the valuable ones?

    Are they able to critically asses themselves and learn

    from the mistakes theyve made?

    Do they understand the value

    of thinking outside the box - is this

    clear in the way in which they approach

    the task at hand?

    Are they engaged and using their

    imaginations wherever possible?

    Do they have the ability to

    communicate their ideas in a

    coherent and enthusiastic manner?

    2

  • How failure can be used to

    enhance creativity

    Failure, in certain cases, can be just as (if not more) beneficial than

    success. Although we shouldnt teach our pupils to fail on purpose, we

    should however, be sure that they understand how to deal with failure and

    more importantly how to use failure as a tool to make them next few steps

    forward as quickly and efficiently as possible.

    No drastic changes occur by simply sticking to the guidelines. If your pupils

    arent prepared to be wrong they will never come up with anything original,

    which as we know, is one of the key elements of creativity.

    Creativity is in iterative process, it

    would be miraculous if a pupil didnt

    make mistakes and throw themselves

    of course slightly whilst on the way to

    a really brilliant and valuable idea. The path of creativity

    Stimulus

    Potential Solution

    Potential Solution

    Potential Solution

    Potential Solution

    Potential Solution

    Potential Solution

    3

  • Flexibility of

    lesson plans

    Making a lesson plan that not only stimulates your pupils but

    also yourself is vital. The national curriculum may be in place and

    theres undoubtedly guidelines you must stay within to a certain

    degree but you know your classes and your pupils better than

    anyone else. Creating a loose plan as appose to a more strict one

    offers much more room for innovative thinking and originality to occur.

    If mid-way through a lesson you feel as though it could be more

    beneficial to slightly take a different route dont be afraid to leave the

    initial lesson plan you made behind you, who knows what might

    come of it.

    There is a vast selection of online tools available if youre

    struggling to get a specific class fully motivated and engaged.

    Have a think about what different styles of learning could

    suit them best and adapt your lessons accordingly.

    4

  • When children have a supportive teacher, someone who is tolerant of

    irregular answers, occasional disruptions and outbursts of thoughts theyre

    much more inclined to excel. However when they dont, they tend to

    disengage and in many cases they may give up completely.

    Offering your class an opportunity, perhaps on a weekly basis, to set up

    their own lesson plan can be a very beneficial exercise. Make them aware

    that their plan has to link back in with the curriculum to some extent. You

    will find that giving them this level of freedom can instantly boost their

    enthusiasm and all of a sudden theyll be dying to learn.

    Finding the perfect balance between freedom and creativity can be a

    recurring juggling act. A key thing to remember is that its much more

    difficult to generate creative thoughts than it is to destroy a surplus of

    them. Allow more than you forbid.

    Freedom to be creative-

    how much is too much?

    DecideExploreStructure

    Cre

    ati

    ve f

    ree

    do

    m

    5

  • One of the key elements to creativity is the ability to think in both

    a divergent and convergent manner.

    Divergent thinking - generating creative ideas by exploring many

    possible solutions

    Convergent thinking - combining the best aspects of what youve

    got so far to then finalise the best and most feasible/ outcome

    The important thing to remember is that in order to generate an idea

    thats going to be of value we must constantly be using both our

    divergent and convergent thinking skills throughout. Your pupils

    may not even realise that this is the process theyre carrying out

    when they think creatively.

    If you can see this thinking happening your pupils will be....

    1. Generating a greater number of ideas that have value

    2. More aware of the fact that not all ideas need to be

    held onto and not all ideas will alway be correct.

    3. Knowing when is best to use which method

    Divergent and

    Convergent thinking

    Convergent

    Idea

    Divergent

    Ideas

    6

  • Encourage, Encourage

    Encourage

    Encouragement can be one of the most powerful tools when it comes to

    giving kids the belief they need in order to realise what theyre actually

    capable of.

    Although the job title says Teacher it could in fact make life a lot easier to

    exceed this term and act as a mentor, coach and in some respects friend.

    Breaking down segments of the barrier that lies between teachers and

    pupils is a great way to earn kids trust.

    Why do you need your pupils to trust you? - To many pupils a teacher is a

    teacher simply because its their job to be. What they do not realise is that

    teachers truly care and that teachers want the best for their pupils. Creating

    relationships and environments where trust is rightfully prioritised can be the

    starting point to kids truly believing you when you tell them that they can do

    it and that they are talented and intelligent enough to think creatively.

    More often than not when an attempt at encouragement is made it can

    have an impact for only a short period of time. This is rarely due to the fact

    that the pupil has failed but more so that they believe the encouragement

    was given because it had to be and not because it was truly meant. Build

    trusting relationships first and long-term self-confidence will follow.

    Encourage uniqueness, Encourage failure, Encourage meaningfully

    7

  • A guide to

    creativities four pillars

    As with many things in life we must find the right balance

    however the tricky thing about the right balance is that its

    often different for everybody. The same applies when it comes to

    creativity. Try to ensure that an evenly spread balance of all four

    pillars are being pursued as much as possible.

    Ask yourself the following questions...

    Are all four pillars criteria being meant the majority of the time creative

    thinking occurs?

    Is one or more of the pillars being accidentally neglected?

    What exercises include aspects from as many pillars as possible?

    Much the same as

    encouragement can help

    boost creative output -

    recognising which pupils

    excel in which pillars ,

    and then assisting them

    to improve in the other

    pillars, can also increase

    probability of creative

    output.

    Challenging Collaborative work

    Diversely skilled

    Leadership

    Interest Enjoyment

    Satisfaction

    Challenge

    Independence Risk taking

    New perspectives

    Idea generation

    Knowledge Expertise

    Technical skills

    Intelligence

    Creativities four pillars

    8

  • The frustration

    of a bad grade

    Cre

    ati

    vity

    How bad things seem

    Citing, revising a memorizing. The Key elements to getting a good grade.

    However, for many school kids this isnt always their most preferable way

    of working. With this being said its no surprise to see some pupils - whom

    you know are fully capable of generating perpetual volumes of valued

    creative work, come back to you on results day asking why they failed.

    As creativity increases the scale of how bad things seem to be increases

    along side it, until... creativity peaks and all of a sudden everything seems

    as though its under control again. Sadly, exam grades do not work in such

    a merciful manner and will not just suddenly alterate themselves.

    Many of the methods to harnessing creativity that are raised in this guide

    focus largely on setting as little boundaries as possible and encouraging

    freedom, let this chapter be a subtle reminder that...

    A. Creativity usually spirals OUT of control before its truly UNDER control

    B. Grades can be very demotivating, we should not pretend they dont exist

    neither should we treat them as the be all and end all

    9

  • National curriculum

    vs. Teachers

    Inevitably having to teach whats on the national curriculum is the

    greatest barrier to harnessing creativity. The struggle of finding

    the right balance between freedom of lessons and teaching whats

    likely to be on the exam papers can be exhausting to say the least.

    Since the new national curriculum was introduced back in September

    2010 teachers have been encouraged more so than ever to allow

    for flexible teaching in the hope that it will provide pupils with the

    knowledge they need to excel not only throughout school but

    throughout life after school to.

    Ultimately theres only going to be so much

    teaching, so much creativity and so much

    memorising that can fit into each school-day.

    Above all else, as a teacher, it should be

    imperative that you do whatever it is you feel

    is best for your pupils. Each school, class

    and pupil is diverse and should be treated so.

    Standardised testing makes sense in some respects however in

    many others it can be a hindrance to unlocking certain pupils true

    potential. Educations ultimate goal is to prepare the young to then

    educate themselves for the rest of their lives - giving them essential

    knowledge that they need to be well rounded young citizens.

    10

  • Creating well-rounded

    young adults

    In life, most things we learn, we grow into. Creativity however is something

    we tend to grow out of. Lets make a stop to this before its too late

    25+ year olds18 year olds5 year olds 10 year olds

    98%

    30%

    10% 2%

    The fundamental element of being a good teacher should not be the ability

    to churn out extremely consistent statistics on a league table year after year

    rather understanding the importance of creating well-rounded young adults.

    The modern-day world is currently encountering an extraordinary and ever

    increasing surplus of information. We are living in a time where learning is

    essentially easier - due to its accessibility, than it ever has been before.

    Releasing creative capacities goes much deeper than simply using

    information to learn. It is an embedded and fundamental element that makes

    up each and every one of us.

    We must let education be the perfect tool it is to ensure creativity flourishes

    as appose to one that slowly squeezes every drop of creativity out of kids

    until theres none left.

    11

  • Extra resources

    Become part of the community theeducationalcreativityrevolution.com

    To subscribe to mailing lists [email protected]

    For an online PDF version issuu.com/jlg_designs Contact the Author [email protected]

    Extra resources teacherspayteachers.com/

    europe.newsweek.com/creativity-crisis-74665

    images.adobe.com/www.adobe.com/content/dam/Adobe/en/education/pdfs/barriers

    to-creativity-in-education-study.pdf

    handsonscotland.co.uk/flourishing_and_wellbeing_in_children_and_young_people/

    creativity/creativity.html

    edutopia.org/blog/you-can-teach-assess-creativity-andrew-miller

    12

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