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Elements of the Short Story

Elements of the Short Story

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Elements of the Short Story. Plot Diagram. 4. 5. 3. 6. 1. 2. Plot. Plot is the sequence of incidents or events of which a story is composed. Most short stories follow a similar line of plot development. - PowerPoint PPT Presentation

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Page 1: Elements of the Short Story

Elements of the Short Story

Page 2: Elements of the Short Story

Plot Diagram

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Page 3: Elements of the Short Story

Plot

• Plot is the sequence of incidents or events of which a story is composed.

• Most short stories follow a similar line of plot development.

• Although sometimes an author may not follow the elements in the order given, these elements are always found somewhere in the story.

Page 4: Elements of the Short Story

Elements of Plot

Exposition

• The part of the story that provides background information which the reader must be aware of if he/she is going to understand the story.

• The exposition may act as an introduction to the story, or it may be included in various places throughout the story, as the need arises, as an explanation to the reader.

• The following may be considered part of the exposition:

- Setting

-Characters

- Prior knowledge: Events which have occurred prior to the opening of the story and which have led up to the situation or event beginning the story itself.

- Mood

Page 5: Elements of the Short Story

Plot

Initial Incident

• The first point of conflict in the story.

• It sets the story in motion and drives the plot ahead.

• The initial incident focuses on what the story will be about.

• Sometimes referred to as the motivating incident.

Page 6: Elements of the Short Story

PlotRising Action

• All the events of the story that take place between the initial incident and the climax (this is the longest part of the story).

• The developed events will lead to the resolution of the conflict.

• It involves the obstacles and complications and the cause and effect.

Complications:

Incident or series of incidents which interfere with the plans of the protagonist. They are additional problems that must be overcome before the goal of the protagonist can be attained. Complications can add an increased element of suspense to the story.

Suspense:

The feeling of anxiety or uncertainty that is created in the reader about the final story outcome. Suspense is the strongest if the two forces in conflict are equal in power. The reader continues to read the story not knowing how it will end and wanting to find out how it does.

Page 7: Elements of the Short Story

Plot

Climax

• The part where the major problem/conflict is to be solved, usually the highest point of action.

• It is the turning point in the story.

• The highest point of suspense or tension in the story.

• At this point, the ending may be predictable.

Page 8: Elements of the Short Story

Plot

Falling Action

• All the events of the story that occur after the climax, and before the resolution.

• The conflicts created in the initial incident are solved.

Page 9: Elements of the Short Story

Plot

Resolution/Conclusion

• The tying up of all the loose ends of the story that were not settled in the falling action.

• The final event in which the conflict is completely resolved.

• The author explains how and why everything turned out as it did.

Page 10: Elements of the Short Story

Denouement

• What is meant by the term denouement? • Denouement is a final revelation in a story.

• It is the explanation of the ending.

• The author may explain the climax or what has happened to the main characters following the climax.

• Does every story have a denouement?• Not all stories will have a denouement.

• It is an optional element of the plot – it may or may not be used.

Page 11: Elements of the Short Story

Setting

What is the setting of the story?

• Setting is where and when a story takes place and under what set of circumstances.

What kind of information can be provided within the setting of a story?

• Information provided in the setting: general location (e.g.: Edmonton), time, year, specific locations (ex: St. Mark school)

• Setting will give context to the story.

Why is a good understanding of the setting important to understanding a story?

• A good understanding of setting is important because it can explain why a character is faced with a certain problem or why they may handle situations in a certain way.

Page 12: Elements of the Short Story

Verisimilitude

• Sometimes the author uses real names, dates, places, and details to make the story appear true or based on truth.

Ex. The film “Defiance” describes the measures taken by the Bielski family to protect Jews during WWII Nazi occupation of Belarus. The film’s setting opens in August 1941, specifically in the Belarussian forest.

Where: Belarussian Forest, Belarus

When: August 1941

Circumstance: Nazi Germany has occupied the area and is searching for Jewish people.

Page 13: Elements of the Short Story

Points of View

• What is meant by the term “point of view”?

Point of view is the perspective from which the story is told.

• There are 3 basic types of point of view. They are:

• First Person

• Second Person

• Third Person

Page 14: Elements of the Short Story

Point of View Definition Advantages DisadvantagesFirst Person Observer Narrator is telling the

story and is not physically in the action.Ex: a news reporter watching events from a distance but speaking first hand on the situation.

Eyewitness account gives immediacy and realism. Author can create dramatic irony.

Bias or limited knowledge of narrator can create inconsistencies.

First Person Participant The narrator is a character in the story. The story is told through the use of personal pronouns.

Eyewitness account gives immediacy and realism. Author can create dramatic irony.

Bias or limited knowledge of narrator can create inconsistencies.

Third Person Limited Omniscient

The narrator can see into the mind and thoughts of one character but is not a character in the story.

Realistic because we see world through one person.

Reader is limited by the field of observation. Difficult having character aware of all important events.

Third Person Omniscient

The narrator can see into the minds and thoughts of all characters and is not a character in the story.

Most flexible; author can control easily inform reader about everything important

Author can come between reader and story, shifting from character to character may create confusion

Page 15: Elements of the Short Story

Character• Authors use 2 methods for describing characters, direct

and indirect. Method Definition How might this look in a story?

Direct The author tells the reader directly about the characters.

Author makes direct statements about characters.Ex. John is a lively young man with blue eyes and blonde hair.

Indirect We learn about characters without being directly told and we draw our own conclusions.

How the character acts, dresses, talks, responds to things, what the other characters say about him/her, how they respond to the character.Ex. A man helped a lady cross the street. We can infer that the lady might be elderly and the man is kind.

Page 16: Elements of the Short Story

Indirect Characterization Speech What does the character say or doesn’t say? How

does the character speak?

Thoughts What is revealed through the character’s private thoughts and feelings?

Effect on other characters

What is revealed about the character’s effect on other characters? How do other characters feel or behave in reaction to the character?

Actions What does the character do? How does the character behave? How does the character act in different situations?

Looks What does the character look like? How does the character dress? What does the character’s appearance say about his/her personality?

Page 17: Elements of the Short Story

Type of Character

Definition

Flat Character A character that we know relatively little about (one or two traits max)

Round Character

A character with a variety of traits that make him/her believable; know a great deal about the character

Static Character

A character that does not change throughout the story; may be a flat or round character

Dynamic Character

A round character who undergoes a permanent major change in their personality, attitude, thinking or appearance by the end of the story

Motivated Character

A character, usually the protagonist, who has a need, want or a goal to fulfill

Plausible Character

A character who is believable, like a real person, and who behaves with consistency and motivation

Stock or Stereotype Character

A character that follows a predetermined stereotype that occurs in a popular literary genre. Ex. The “dumb blonde” or the “jock” or the “nerd”

Page 18: Elements of the Short Story

Characters

Protagonist:

• The main character in the story.

• The protagonist faces a problem, and in his attempt to solve the problem, comes into conflict with an opposing force.

Antagonist:

• A character or force that opposes the protagonist.

• The antagonist operates against the protagonist and tries to prevent the protagonist from achieving the goal or resolution.

Page 19: Elements of the Short Story

Conflict

• Conflict is the basis of the plot. It is the problem the protagonist must resolve. It is a struggle between two opposing forces.

• The main conflict is introduced in the initial incident. All other minor conflicts in the story are characterized as complications.

Page 20: Elements of the Short Story

Conflict

External Conflict:

This is a conflict between the protagonist and someone or something in his/her environment. The antagonist may be another person, an animal, society, environment, fate or the unknown. This type of conflict can by physical, emotional, or psychological.

Internal Conflict:

This conflict is internal in that it occurs within the mind of the protagonist. It occurs within the character’s conscience, or between traits of the character’s own personality. The protagonists experiences a conflict in thought or emotion.

Page 21: Elements of the Short Story

Conflicts

• Person vs. Person• One person vs. another

• Ex: Jack and his arch enemy are in a battle to the death.

• (This conflict does not have to be a physical fight; it can more subtle as well – they are both trying to date the same girl)

• Person vs. Her/Himself• A character undergoing a personal struggle. This is an internal conflict.

• Ex: Sheila is obsessed with her self image and struggles to lose weight.

• Person vs. Nature• A character in a struggle against a natural element.

• Ex: Bob struggles to survive the hurricane.

Page 22: Elements of the Short Story

Conflicts

• Person vs. Supernatural

• A character in a struggle against something non –human (mystical animals, aliens, other creatures).

• Ex: Freda is being hunted by a sasquatch.

• Person vs. Society

• Character is in a struggle with societal norms, values and laws.

• Ex: Dancing is outlawed in a town and Nancy is determined to start a dancing competition.

• Person vs. Fate

• Character is against “luck” or has a series of misfortunate events.

• Ex. Joe constantly has bad luck when playing poker.

Page 23: Elements of the Short Story

Irony

• Irony always presents a discrepancy between appearance and reality: between what words seem to say and what they really mean: between what logically may be expected to happen and what does happen: between what seems to be the appropriate outcome of action and actual outcome.

• There are three types of irony: Verbal, Dramatic and Situational.

Page 24: Elements of the Short Story

Verbal Irony

• This is the contrast between what is said and what is meant. In other words, sarcasm.

• The speaker says the opposite of what is meant.

Ex. A character says to a dentist, “Oh, I just love having my teeth drilled.”

Page 25: Elements of the Short Story

Dramatic Irony

• This is the contrast between what the character thinks to be true and what we (the reader) know to be true.

• Sometimes as we read we are placed in the position of knowing more than what one character knows. Because we know something the character does not, we read to discover how the character will react when he or she learns the truth of the situation.

Ex. In “The Tell-Tale Heart,” the murderer can hear the heart of the victim beating under the floorboards while he hosts tea with the investigating police officers. The murderer is convinced the heart is actually beating, while the readers know that it is all in his mind.

Page 26: Elements of the Short Story

Situational Irony

• This is the most common in literature. It is the contrast between what happens and what was expected (or what would seem appropriate).

• Because it emerges from the events and circumstances of a story, it is often more subtle and effective than verbal or dramatic irony.

Ex: A soldier that recently returned home from years of war uninjured is killed in a bank robbery.

Page 27: Elements of the Short Story

Theme

• The controlling idea or central insight about life that the author reveals through the course of the story.

• The meaning or purpose of a story, usually implied and not stated directly, usually makes a comment about human nature.

• Theme statements are not one word:

Ineffective Theme: The theme of Macbeth is ambition.

Effective Theme: The theme of Macbeth is that excessive ambition can bring about a person's downfall.

Effective Theme: In “Thank you Ma’am” the theme is that if given the chance, we will see that there are people willing to help others, no matter what.

Page 28: Elements of the Short Story

Literary Terms

Flashback:

• Flashback is an interruption in the flow of the story to portray an incident that occurred in the past (before the story took place).

Ex. In a story about a homeless man, he thinks back to how he lost his job and ended up homeless.

Foreshadowing:

• A technique in which the author gives hints or clues about what is going to happen. Sometimes the hints are so subtle that the reader misses them until the event has occurred.

Ex. A character saying, “The weather is bad Billy, I have a feeling we shouldn’t go for the boat ride tomorrow,” and Billy dyeing at sea in the storm is foreshadowing.

Page 29: Elements of the Short Story

Literary Terms

Mood:

• The overall feeling created by the author.

Ex. In “The Tell Tale Heart” the mood is tense and uncertain.

Tone:

• Tone is the author’s attitude. Much like tone of voice, it can be sympathetic, sarcastic, condescending, grateful, etc.

Atmosphere:

• The feeling created by the setting.

Ex. A haunted house would create an eerie atmosphere.

For our purpose tone, atmosphere and mood are basically interchangeable. Use adjectives to describe each.

Page 30: Elements of the Short Story

Symbolism

• A “symbol” is an object or thing that represents an idea, feeling, person, or symbolic object.

• Symbolism is used in literature to provide meaning to the writing beyond what is actually being said.

• Symbols enhance the story by creating another level to the writing.

• There is a literal level and a symbolic level when symbolism is used in writing.

Ex. A white dove can symbolize peace or freedom.

Page 31: Elements of the Short Story

Symbolism

• Some symbols can be public. They are fixed and have a traditional meaning in a particular culture.

Ex. The maple leaf is a symbol for Canada

• Some symbols must be interpreted in the context of the story.

Ex. A heart may symbolize love and affection. However, in “The Tell-Tale Heart,” the beating heart represents truth and the narrator’s guilt.

Page 32: Elements of the Short Story

Imagery

Imagery:

• The use of description and figurative language to enable the reader to visualize the character, plot and setting, and to heighten dramatic effects.

• The use of select details to describe one thing in terms of another.

• This comparison helps suggest additional meanings and feelings.

Page 33: Elements of the Short Story

Imagery

Simile:

• A comparison of two unlike things using the words like, as, or than.

Ex. She sings like a canary.

Metaphor:

• A comparison of two unlike things without using the words like, as, or than.

Ex. He is a snake.

Page 34: Elements of the Short Story

Allusion

• Allusion is a reference to a famous person, place, event, or work of literature within the text.

• It can be used to make a connection to the real world.

• Allusions engage the reader and will often help the reader remember the message or theme of the passage.

• Allusions allow the writer to give an example or get a point across without going into a lengthy discourse.

Ex. “When she lost her job, she acted like a Scrooge, and refused to buy anything that wasn’t necessary.” Scrooge was an extremely stingy character from Charles Dickens’, A Christmas Carol. 

Ex. “I thought the software would be useful, but it was a Trojan Horse.” This refers to the horse that the Greeks built that contained all the soldiers. It was given as a gift to the enemy during the Trojan War and, once inside the enemy's walls, the soldiers broke out. By using trickery, the Greeks won the war.