Eng 10 Description of Concept Paper

8/18/2019 Eng 10 Description of Concept Paper

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Kelly Nicole P. Mangonon • BS Chemistry • Eng 10 – WFW4 • Concet

Paer

Bo!y"s Bea#ty

Bea#ty is a strange thing. $t can %e &o#n! e'ery(here. $t can ta)e the

&orm o& a li'ing or a non*li'ing thing. Many eole !esire %ea#ty – they (ant

their %o!ies an! &aces to loo) %ea#til. B#t (hat !oes it ta)e &or them to

consi!er their %o!ies +%ea#til,- What can they !o to achie'e %ea#ty in

their %o!ies- What eactly is %ea#ty-

/ccor!ing to &or!ictionaries.com2 %ea#ty is a com%ine! 3#ality o&

&orm or !esign that gi'es immense satis&action &rom senses2 most esecially

the sight. $t is ho( the rays o& light tric)le thro#gh the trees as a sign that

the s#n is sin)ing in the horion2 gi'ing the s)y an enchanting alette o&

re!2 orange an! #rle. $t is ho( a magni5cent2 to(ering castle (as

intricately %#ilt to gi'e a &rame(or) an! architect#re o& e3#isite taste2

(ith to#rists &rom all o'er the (orl! ta)ing hotos to cat#re its glory. $n

short2 i& something has %ea#ty2 it is 'is#ally aealing. What is 'is#ally

aealing &or one erson2 can ne'er ha'e eact 3#ali5cations. ne (o#l!

ro%a%ly ha'e his o(n i!ea o& (hat %ea#ty is &or him2 since only he alone

can &eel its 'is#al imact. $& e'ery li'ing erson in this entire lanet has his

o(n ercetion o& %ea#ty2 there (o#l! %e more than se'en %illion !e5nitions

o& %ea#ty at this moment. E'ery erson in the ast also ha! a !i6erent


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ercetion o& %ea#ty. B#t ha! e'eryone"s oinion on %ea#ty e'er %een the

same thro#gho#t time-

$& there (ere t(o things that s#rely ha! not change! thro#gh time2

those (o#l! %e the h#man %o!y an! eole"s l#st &or %ea#ty in their %o!ies.

/ny in!i'i!#al &rom any time2 erio!2 or era (o#l! )no( that one"s o(n

h#man %o!y is his i!entity. $t is (hat he !oes his 7o% (ith2 (hat he !oes his

astimes (ith2 (hat he #ses to eerience emotions2 lay sorts2 or sen!

time (ith eole (ith. $t is his tool to !o (hate'er he nee!s2 or (hat he

#ses to li'e his li&e. ne cannot !eny that as many i!entities as there are in

the lanet2 there are also !i6erent )in!s o& %o!ies an! !i6erent tyes.

/mong the many 'arieties o& %o!ies (hich come in many shaes an! sies2

there (ill al(ays %e the one that stan!s o#t. E'ery erson in that artic#lar

c#lt#re (ants that %o!y tye. 8he %o!y tye is !eeme! +the most %ea#til

or most i!eal, )in! o& %o!y. 8hat is the c#lt#re"s i!eal %o!y tye.

Since the start o& h#man c#lt#re2 there ha'e %een many gro#s2

comm#nities an! societies (ith many goals2 aims2 r#les an! #ni&ying

concets. Each c#lt#re also has their o(n i!eal %o!y tye2 (hich ha!

rther e'ol'e! thro#gh the years. B#t i& one loo)s at the history o& the

great /ncient 9ree) ci'iliation2 he can realie the emhasis o& the 9ree)s

on the h#man %o!y. 8heir h#manistic c#lt#re re7oices in the glory an!

%ea#ty o& the %o!y. 8his is ehi%ite! %y the &o#n!ation o& the lymics (ith

a rimary goal to cele%rate the male h#man %o!y :;istory.com


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9ree) society2 the h#man %o!y (as alrea!y i!eal2 (ith go!s an! !eities (ho

en'ie! its %ea#ty.

Each societies" i!eals in a changing (orl!2 (ith !estr#cti'e (ars an!

e'ol'ing c#lt#res2 (ill !e5nitely 5n! it !i6ic#lt to remain static. B#t in the

resent2 comm#nication an! glo%aliation ha'e %een gi'ing e'eryone access

to in&ormation in 7#st a simle clic) o& a mo#se or a ta in the smarthone.

Peole co#l! 7#st simly #loa! a si*secon! 'i!eo o& themsel'es an! the

rest o& the (orl! co#l! act#ally see them. Peole in the ast ha'e ne'er

%een so #ni5e! or connecte! (ith other eole &orm o#tsi!e their

comm#nities. $& in&ormation can reach the once #nreacha%le arts o& the

(orl!2 it is not imossi%le &or a lot o& eole to ha'e the same rinciles.

With the in=#ence o& me!ia2 (hat eole thin) %ea#ty in the %o!y

sho#l! %e can %e easily seen thro#gho#t magaines2 (e%sites2 ne(saers2

8> commercials an! %ill%oar!s. E'eryone can easily %e con'ince! to say

that someone"s %o!y is %ea#til2 %y the !ictation o& the eole (ho aro'e

that artic#lar erson"s %ea#ty. ;e sho#l! strictly con&orm to the g#i!elines

to ha'e a %ea#til %o!y. E'eryone else can see these g#i!elines

e'ery(here2 e'ery !ay. / %ea#til %o!y sho#l! %e a ?"@ (oman (ith %ig

%reasts an! an ho#rglass %o!y. / %ea#til %o!y sho#l! %e Ca#casian an!

incl#!e a &air comleion. / %ea#til %o!y sho#l! %e si*ac) a%s (ith (ell*

!e5ne! %ices an! %#ns. Bea#ty can sell an! %ea#ty sho#l! sell. Bea#ty

sho#l! catch attention an! ma)e money. / %ea#til %o!y can ma)e one

rich2 &amo#s an! o(erl. Bea#ty2 or the lac) o& it2 can )ill.


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8he 3#ali5cations &or %ea#ty in the %o!y are in &act2 not only seen in

magaines an! online me!ia. 8he o#larity an! high sales o& the ma)e*#

in!#stries2 Slen!a an! other (eight*loss s#lements2 (hitening ro!#cts

an! tanning ser'ices imly (hat eactly the #%lic thin)s is 'is#ally

aealing &or them. /!!ing cele%rities (ho en!orse these goo!s an!

ser'ices to their a!'ertisments (ill %e telling the %#yers that i& they

cons#me or arta)e in the sai! ser'ices2 may%e they"! %e a ste or t(o

closer to attaining a %o!y similar to the ones they see on 8> or online. $t

also isn"t a secret that some high*aying 7o%s also &oc#s on the &ace 'al#e or

%o!y tye o& the (or)er. Being a s#ermo!el2 &or eamle2 is one o& the

most nota%le eamles o& this. /ccor!ing to Ste&ani A#er2 an a#thor &rom

PaleoForWomen.com2 the reason (hy s#ermo!els are so s)inny an! tall is

&or rther emhasis on clothing2 esecially since clothing lines or

#n!er(ear are2 in a (ay2 a!'ertise! %y mo!els. B#t2 a&ter (atching a

>ictoria"s Secret Fashion Sho(2 !oes the 'ie(er really thin) o& %#ying the

#n!er(ear (orn %y the mo!el2 or ho( the mo!el loo)e! goo! in (earing the

#n!er(ear %eca#se o& her %o!y- /nother eamle (o#l! %e salesla!ies in

!eartment stores2 (ho ha'e a lot o& ma)e*# on. $& these (omen (ere

chosen to attract eole to %#y the ro!#cts2 they (o#l! nee! an eye*

catching &ace in or!er to gather attention. Same goes &or recetionists an!

cashiers (ho (o#l! %e the 5rst eole the c#stomer sees once he is insi!e

the comany"s esta%lishment.


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8he ro%lem (ith the ecessi'e romanticism o& the h#man %o!y"s

%ea#ty2 is the 3#estion o& (hether the h#man %o!y"s %ea#ty is nat#ral or

arti5cial. 8he (ay that society #ts (hat is a %ea#til %o!y on a e!estal

#rges eole to %elie'e that the %o!y is in &act2 mallea%le. $t can %e 5e!

an! altere! in or!er to con&orm to the g#i!elines set # %y society. For

eamle2 tanning in salons can gi'e eole a less ale an! more +eotic,

s)in tone. B#t o& co#rse2 5ing # the %o!y !oesn"t 7#st haen (ith a sna

o& t(o 5ngers – one nee!s atience an! a lot o& money to #se the a!'ance!

technology an! !ermatological ser'ices in or!er to +5, himsel&. Silicone or

saline %reast imlants on a (oman !oesn"t only gi'e her %igger %reasts2 %#t

it can also ma)e her rone to the &ormation o& scar tiss#e in the %reast

:>allecillos


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ma!e n o&2 or t#rne! something that eole sho#l!n"t %e2 an! imro'e

&rom. $n Philiine me!ia2 actresses are #s#ally en!orsing (hitening

ro!#cts an! soas2 %#t the concet o& %eing !ar)*s)inne! is still not ta)en

serio#sly. 8he teleno'ela2 Nita Negrita2 (hich &ollo(s a girl (ith esecially

!ar) s)inne!2 can %e an eamle o& this. /nother teleno'ela2 Kamanerang

K#%a2 &ollo(s a girl (ho gre( # trae! insi!e a ch#rch2 !#e to her

lineage an! her %ecoming o& a h#nch%ac). $t is nny that one o& her main

s#itors ha! only lly notice! her %ea#ty only a&ter she ha! magically

straightene! her %ac)2 %#t to a la!y (ith %ig lis2 %ig eyes2 an! a clear &ace.

8he Pitch Per&ect mo'ies2 incl#!e an o%ese character – Ae%el Willson as Fat

/my2 (ho is #se! as comic relie&2 an! sometimes %eca#se she co#l! %e a

so#rce o& a &at 7o)e or t(o. /ltho#gh2 one Filiino mo'ie2 My Big o'e2

imlie! in its lotline that someone"s attracti'eness can increase i& he loses

(eight.

oo)ing %ac) at these e'i!ences o& society"s 3#ali5cations on (hat is

an i!eal %o!y tye2 ho( can one %e s#re that the %o!y he o(ns is still

something that is eresse! %y him alone- $s the %o!y still an i!entity that

is #ni3#ely his- Con&orming to the so*calle! g#i!elines o& the %ea#til %o!y

!oes not enco#rage one to lo'e or ta)e care o& his %o!y in the (ay that it

alrea!y is. ;e chooses to %ecome attracte! to the magnetic i!eal o& a

artic#lar society. 8he %o!y he o(ns is not his %o!y anymore2 %eca#se

resistance is tile. iso%eying the g#i!elines (o#l! res#lt in his ecl#sion

or some )in! o& ostracism. 8he society is imrinte! on its mem%ers2 %y


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#nconscio#sly telling them ho( to loo) li)e2 (hat to (ear2 an! (hat )in! o&

%o!y shae to ha'e. 8he i!eal %o!y tye is the reresentation o& (hat the

%o!y o(ners" society (ants &rom them. 8he society"s i!eal %o!y tye is a

(ay to control2 not only the actions o& each mem%er o& the society – %#t also

his entire h#man %eing.

References

9ree) ;#manism. 9ree) ;#manism. N..2 n.!. We%. D4 No'. D01?.

httGG(((.gree)*

thesa#r#s.grGclassical*erio!*gree)*art.htmlH


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;istory.com. First Mo!ern lymics $s ;el!. History.com. ;istory.com2 D00I.

We%. D4 No'. D01?.

httGG(((.history.comGthis*!ay*in*historyG5rst*mo!ern*olymics*is*

hel!H.

&or!ictionaries.com. e5nition o& Bea#ty in English. Beauty: Defnition o

Beauty in Oxord

Dictionary (American English) (U). &or!ictionaries.com.2 n.!. We%.

D4 No'. D01?.

httGG(((.o&or!!ictionaries.comG#sG!e5nitionGamericanJenglishG

%ea#tyH

A#er2 Ste&ani. 8(o Shoc)ing2 eh#maniing Aeasons A#n(ay Mo!els /re So

8hin2 /n! Why We

Sho#l! Ne'er /sire 8o oo) i)e 8hem. PaleoForWomen.com2 1D Mar.

D014. We%. D4

No'. D01?. httGGaleo&or(omen.comGt(o*shoc)ing*!eh#maniing*

reasons*r#n(ay*

mo!els*are*so*thin*an!*(hy*(e*sho#l!*ne'er*asire*to*loo)*li)e*themGH

Smith2 Melin!a2 M./.2 an! eanne Segal2 Ph.. /noreia Ner'osa. igns!

ym"toms! #auses! And

$reatment. ;elg#i!e.org2 /#g. D01?. We%. D4 No'. D01?.


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httGG(((.helg#i!e.orgGarticlesGeating*!isor!ersGanoreia*

ner'osa.htmH

>allecillos2 9lenn2 M..2 F./.C.S. 8he Pros an! Cons o& Breast $mlants Lo#r

9#i!e to 9oing

Bigger. She)no(s.com2 DI /#g. D01D. We%. D4 No'. D01?.

httGG(((.she)no(s.comG

%ea#ty*an!*styleGarticlesGI@0?Gthe*ros*an!*cons*o&*%reast*imlantsH

Kelly Nicole P. Mangonon • BS Chemistry • Eng 10 – WFW4 • Concet

Paer 8oic #tline

Bo!y"s Bea#ty

$. $ntro!#ction$$. e5nition o& Bea#ty

$$$. Bo!ies an! $!entities /. neOs i!entity is his h#man %o!y.B. #t o& all %o!ies2 there is an i!eal

$>. C#lt#res can ha'e !i6erent i!eals /. For 9ree)s2 the %o!y is alrea!y i!eal.

>. 9lo%aliation can hel &orm similar societal i!eals >$. Formation o& g#i!elines o& %ea#ty in the %o!y

/. Where the g#i!elines can %e seenB. o%s re3#iring comliance to 'is#al 3#ali5cations

>$$. ;o( !o eole con&orm to the g#i!elines- /. /lteration o& %o!y

B. mallea%ility o& the %o!y >$$$. Peole (ho !o not &ollo( the 3#ali5cations are either

/. Caste! o#t or &eel le&t o#t G !eresse!B. r not ta)en serio#sly G ma!e n o&

$. Concl#sion /. 8he %o!y cannot %e i!eal on its o(n2 it has to &ollo( a

co!e


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B. 8he i!eal %o!y tye as a (ay society controls its mem%ers

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Eng 10 Description of Concept Paper