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Etchings by Seymour Haden Author(s): Arthur M. Hind Source: The British Museum Quarterly, Vol. 8, No. 1 (Jul., 1933), p. 5 Published by: British Museum Stable URL: http://www.jstor.org/stable/4421506 . Accessed: 24/06/2014 21:56 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. . British Museum is collaborating with JSTOR to digitize, preserve and extend access to The British Museum Quarterly. http://www.jstor.org This content downloaded from 188.72.127.119 on Tue, 24 Jun 2014 21:56:07 PM All use subject to JSTOR Terms and Conditions

Etchings by Seymour Haden

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Etchings by Seymour HadenAuthor(s): Arthur M. HindSource: The British Museum Quarterly, Vol. 8, No. 1 (Jul., 1933), p. 5Published by: British MuseumStable URL: http://www.jstor.org/stable/4421506 .

Accessed: 24/06/2014 21:56

Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at .http://www.jstor.org/page/info/about/policies/terms.jsp

.JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range ofcontent in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new formsof scholarship. For more information about JSTOR, please contact [email protected].

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British Museum is collaborating with JSTOR to digitize, preserve and extend access to The British MuseumQuarterly.

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This content downloaded from 188.72.127.119 on Tue, 24 Jun 2014 21:56:07 PMAll use subject to JSTOR Terms and Conditions

Yacob Binck. St Jerome. B. 22. Line-engraving. Francis Delaram. Portrait of Albrecht Diirer. Line-engraving.

A brilliant impression with the address of Compton Holland. Rembrandt School. Seated beggar. Rovinski, Lievens, 77. A large

etching, only known in this impression, from the collection of Friedrich August II. It gives the same subject as the Rem- brandt etching, H.I I, in reverse. Rovinski's attribution to Lievens is not accepted by Dr H. Schneider (Lievens, 1932,

p. 232), and the name of Salomon Koninck has been suggested. Personally I am not convinced of either attribution, and would raise the question whether it might not be a youthful experiment by Rembrandt himself. It certainly falls into the group repre- sented by H. 4, 4 a, and 309-

The Monogrammist B.G. Coat of Arms with the Signs of the Pas- sion. Undescribed German woodcut of the sixteenth century.

Erhard Schon. Coloured Broadside 'Der Narrenfresser' with verses by Hans Sachs. RtSttinger 193. Woodcut, coloured by hand.

Erhard Schin. Portrait of Ivan IV, the Terrible (1529-84). R. 272. In its second state, lettered as a portrait of Ivan's son Vassili Ivanovitch (regn. I505-33). Woodcut, coloured by hand.

Ludwig von Siegen. St Jerome. Andresen, and C.S. 8. Another print from the Boerner Sale, the Virgin and Child, a

woodcut by Hans Leu, has been presented by a body of subscribers, completing the tribute which was noted in Vol. VII, No. 3 of the Quarterly. A. M. H.

5. ETCHINGS BY SEYMOUR HADEN.

A NOTABLE series of etchings by Sir Francis Seymour Haden has been presented to the Museum by Mr W. M. Bocquet and

his son Mervyn Seymour Bocquet in memory of the late Mrs W. M. Bocquet, grand-daughter of the artist. Eighteen examples form a supplement to the fine collection already in the Museum, which was acquired for the most part from Dr H. N. Harrington in I91o0. Twelve other duplicate impressions have been added to the Loan Collection of Prints. A.M.H.

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