Exercise Translation text

8/12/2019 Exercise Translation text

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Nogometni savez BiH prijatelj turneje FIFA trofeja

Dok su oi bosanskohercegovake javnosti usmjerene ka austrijskom Insbrucku gdje se

sutra, u srijedu, 5. marta, 2014. igra prijateljska utakmica nae nogometne reprezentacije

sa izabranom vrstom Egipta, posljednje pripreme se odvijaju za dolazak FIFA trofeja

Svjetskog ...

... nogometnog prvenstva u nau zemlju koji stie 6. marta posebnim avionom iz Praga.

Prijatelj ovog velikog projekta je i NS/FSBiH, a predsjednik Saveza, Elvedin Begi, uestvovat

e uceremoniji dobrodolice na sarajevskom aerodromu te se obratiti prisutnim gostima iz

sportskog, kulturnog i javnog ivota, kao i predstavnicima medija iz BiH.

U jeku priprema za prijateljski me sa reprezentacijom Egipta, predsjednik NS/FS BiH Elvedin

Begi osvrnuo se i na uee NS/FSBiH u ovom velikom projektu. Sretni smo to smo ove

godine dio ove velike turneje i dio velike sportske prie uea na Svjetskom prvenstvu.

Zahvalni smo naoj selekciji, igraima i strunom tabu, navijaima i sponzorima to su pomogli

na put do takmienja, te naravno FIFA-i i kompaniji Coca-Cola to su omoguili Bosni i

Hercegovini da bude dio ovako velikog dogaaja, istakao je Begi pred utakmicu u Insbrucku.

Uvrtavanjem Bosne i Hercegovine u ovu globalnu turneju FIFA trofeja jo jedan je dokaz koliki

je uspjeh postigla naa nogometna reprezentacija plasmanom na Svjetsko nogometnog prvenstvo

ove godine u Brazilu.

Drago nam je da smo naim plasmanom u Brazil doprinijeli tome da graani Bosne i

Hercegovine uivo vide Trofej. Pozivam ih da potpiu veliki navijaki transparent koji e naim

Zmajevima biti podrka u najvanijim utakmicama u historiji nae reprezentacije, te da se slikaju

na velikom foto-zidu nae reprezentacije i budu na 12. igra , istakao je Begi najavljujui ovaj

veliki sportski i zabavni dogaaj izrazivi nadu i da e naa reprezentacija u sutranjoj utakmici

pobjedom dokazati svoj kvalitet.

Nakon premijernog predstavljanja na sarajevskom aerodromu u etvrtak, 6. marta, svi ljubitelji

najvanije sporedne stvari na svijetu moi e vidjeti originalni FIFA trofej 7. marta od 13 sati do

21 sat, te 8. marta od 9 sati do 21 sat u dvorani Mirza Delibai.

Ulaznice za ovaj dogaaj su besplatne, ali obavezne, i mogu se osigurati putem portala

www.kupikartu.ba, na www.coca-cola.ba, kao i skeniranjem QR koda koji se nalazi na Coca-

Cola 0,5L promotivnoj boci s etiketom inspirisanom turnejom Trofeja. Takoer, karte se mogu

preuzeti i u prodajnim objektima Sport Lifea irom Bosne i Hercegovine.


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Sarajevski Plenum trai od policije da zatiti demonstrante

SARAJEVO - Graani i graanke danas su se u Domu mladih u Sarajevu okupili na

plenumu na ijem je poetku istaknut prijedlog da se napravi sekretarijat plenuma i

protesta u kojem e biti 10 osoba. Navedeno je to da e dvije osobe biti zaduene za

uklanjanje materijala ...

... nakon protesta na koje, istiu, graani imaju pravo svaki dan do 17.00 sati.

Grupa za demonstracije kazala je da svaka grupa demonstranata nakon sastanaka radnih grupa

mora dostaviti izvjetaj o radu, koji se objavljuje na internetskoj stranici plenuma.

To je izazvalo negodovanje jedne grupe koja smatra da svako nema internet i da se izvjetaji

trebaju dostaviti pismenim putem.

Policijske slubenike lanovi plenuma su zamolili da osiguraju zatitu demonstrantima, a

povodom dananje situacije na protestima, gdje su dvije osobe povrijeene i zbog toga suapelovali na obustavu saobraaja za vrijeme protesta od 12.00 do 17.00 sati.

Creative writing: professor Hanif Kureishi says such courses are 'a waste of time'

Buddha of Suburbia author, who teaches subject at Kingston University, added that many

of his students could 'write sentences' but not tell stories

'It's probably 99.9 per cent who are not talented and the little bit that is left is talent' ... Hanif

Kureishi. Photograph: David Levenson/Getty Images

Creative writingcourses are a "waste of time", according to the novelistand creative writingteacherHanif Kureishi,who says that "a lot of my students just can't tell a story".

Kureishi, whose debut novel The Buddha of Suburbia won the Whitbread first novel prize, was

speaking at the Independent Bath Literature festival on Sunday. He was made a professor at

Kingston University last autumn,when he saidit was " truly an exciting time to be a part of the

creative writing department", but on Sunday Kureishi told the Bath audience that, when it came

to his students, "it's probably 99.9 per cent who are not talented and the little bit that is left is

talent".

"A lot of my students just can't tell a story. They can write sentences but they don't know how to

make a story go from there all the way through to the end without people dying of boredom inbetween. It's a difficult thing to do and it's a great skill to have. Can you teach that? I don't think

you can," said Kureishi,according to the Independent,which sponsors the festival.

"A lot of them [students] don't really understand," said Kureishi. "It's the story that really helps

you. They worry about the writing and the prose and you think: 'Fuck the prose, no one's going to

read your book for the writing, all they want to do is find out what happens in the story next.'" He

works with his own students, said Kureishi, "for a long time". "They really start to perk up after
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about three years. And after about five years they really realise something about writing. It's a

very slow thing. People go on writing courses for a weekend and you think, 'A weekend?'"

He wouldn't, Kureishi said, according to the Independent, pay money to take an MA in creative

writing himself. "No. I wouldn't do it like that. That would be madness. I would find one teacher

who I thought would be really good for me," he told his audience. "It's not about the course. The

whole thing with courses is that there are too many teachers on them, and most are going to teach

you stuff that is a waste of time for you."

With a vast range of creative writing courses on offer in the UK - including from the Guardian -

Kureishi is not the only author to feel the same way. Novelist and former creative writing teacher

Lucy Ellmann, while disagreeing with Kureishi that style is unimportant, nevertheless described

creative writing as "the biggest con-job in academia", and pointed to the poetAugust

Kleinzahler's comment in the Guardianthat "It's terrible to lie to young people. And that's what

it's about."

"The whole system is set up to silence writers, and dupe students. It doesn't even provide a safe

haven for writers, as Hanif made clear, because most universities go out of their way to ruin

writers with admin, overwork, and other nonsense. There's lousy teaching too: I know of creative

writing teachers who don't even read the students' work. This is criminal," said Ellmann. "But of

course, the purpose of corporations - which is what universities now are - is to scupper originality

and dissent.Universities have gone from being culture-preserving institutions to being culture-

destroying institutions. And people queue up to pay these culture-destroying institutions 9000 a

year to ensure that any idea of literature is destroyed before it can enter their heads."

If you want to write, said Ellmann, "what you should really be doing is reading as much good

literature as you can get your hands on, for years and years, rather than wasting half your

university life writing stuff you're not ready to write".And once you've done that, "what you need and deserve is individual help, as Hanif says," she

said. "I think it's a real pity that thousands of people are studying this subject - and being taught

by unqualified tutors, some of whom have never published a novel. And I can't stand it when

authors announce they have a degree in creative writing. So what? They're a dime a dozen."

ButJeanette Winterson,who teaches at Manchester University, disagreed with Kureishi. She told

the Guardian: "My job is not to teach my MA students to write; my job is to explode language in

their faces. To show them that writing is both bomb and bomb disposal a necessary shattering

of cliche and assumption, and a powerful defusing of the soul-destroying messages of modern life

(that nothing matters, nothing changes, money is everything, etc). Writing is a state of being as

well as an act of doing. My job is to alter their relationship with language. The rest is up to

them."

Rachel Cuskand novelist Matt Haig, who is chairing the JerwoodFictionUncovered prize this

year, have also defended the process in the past. Responding to Kureishi's remarks Haig said:

"Creative writing lessons can be very useful, just like music lessons can be useful. To say, as

Hanif Kureishi did, that 99.9% of students are talentless is cruel and wrong. I believe that certain
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writers like to believe they arrived into the world with special, unteachable powers because it is

good for the ego," said Haig. "Of course, it is always important to know your limitations. For

instance, I could have 7,000 guitar lessons but I wouldn't be Hendrix, though I would be a lot

better than I am now. Like most artforms writing is part instinct and part craft. The craft part is

the part that can be taught, and that can make a crucial difference to lots of writers."

His own first novel was read by Winterson, said Haig, "and she gave me advice that still helps me

today. She told me to change 'epiphanic moment' to 'moment of epiphany', for instance, which is

advice of infinite wisdom".

"To say that creative writing courses are all useless is almost as silly as saying all editors are

useless. Writers, of all levels, can benefit from other instructive voices," he said. "However, I do

think some people will never be writers. Just like some people will never be architects or web

designers. But good writing courses will help you work out if you are a writer or not."

A spokesperson for Kingston Universitytold the Independentthat Kureishi's course was

"extremely demanding and valuable", and that the author, playwright and screenwriter "is

employed for his thought-provoking, inspirational contribution which he provides through

supportive masterclasses, tutorials and PhD supervisions. Students consistently praise him and

benefit from his advice."
http://www.independent.co.uk/arts-entertainment/books/news/the-independent-bath-literaturefestival-creative-writing-courses-are-a-waste-of-time-says-hanif-kureishi-who-teaches-one-9166697.htmlhttp://www.independent.co.uk/arts-entertainment/books/news/the-independent-bath-literaturefestival-creative-writing-courses-are-a-waste-of-time-says-hanif-kureishi-who-teaches-one-9166697.htmlhttp://www.independent.co.uk/arts-entertainment/books/news/the-independent-bath-literaturefestival-creative-writing-courses-are-a-waste-of-time-says-hanif-kureishi-who-teaches-one-9166697.htmlhttp://www.independent.co.uk/arts-entertainment/books/news/the-independent-bath-literaturefestival-creative-writing-courses-are-a-waste-of-time-says-hanif-kureishi-who-teaches-one-9166697.html

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