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19th-century European Art: From Romanticism to Post-Impressionism
Professor Kimberly RhodesNEH Distinguished Teaching Professor in the
Humanities & Professor of Art HistoryFALL 2021
Class Schedule
9/20 Introduction & Romanticism
9/27 Romanticism to Realism
10/4 Realism to Impressionism
10/11 Impressionism to Post-Impressionism
10/18 Post-Impressionism
Timeline
1753 Linnaeus’ classification system of plants1757 Edmund Burke on the sublime 1769 James Watt patents the steam engine1789 French Revolution1794 Eli Whitney patents the cotton gin1799 Discovery of the Rosetta Stone1799 Napoleon becomes First Consul1804 Napoleon crowns himself Emperor1821 Coronation of George IV1833 Slavery abolished in British colonies
Romanticism:
“a state of mind, a new attitude to the world that differed radically from Enlightenment rationalism. Romantics privileged emotion, faith, and spirituality over intellect and reason. They preferred spontaneity to calculation, individuality to conformity, and the
freedom of nature to the constraints of culture.” (Petra ten-Doesschate Chu, Nineteenth-Century European Art, 161-2)
“Romantic art [according to Schlegel] was to engage with contemporary society and be relevant to it. It did not have to have a specific style . . . but was to embrace any form of expression, as long
as it was ‘poetic,’ a term that carried associations of imagination, emotion, and naturalness.” (Petra ten-Doesschate Chu,
Nineteenth-Century European Art, 162)
Some Primary Sources
Edmund Burke on the sublime: “whatever is in any sort terrible or is conversant about terrible objects or operates in a manner analogous to terror, is a source of the sublime.”
Novalis on the romantic: “By giving the commonplace higher meaning--the familiar an enigmatic look, the known the prestige of the unknown, the finite the appearance of the infinite--I make it Romantic.”
Francisco Goya, The Sleep of Reason Produces Monsters, 1799: “Imagination abandoned by reason produces impossible monsters; united with her, she is the mother of the arts and source of their wonders” Goya