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“The Taming of A Shrew” changes the way that we view Shakespeare`s complex analysis of performance as being ingrained in both class and gender. It has a more empowered view of women than “The Shrew” and suggests that women can subvert the oppression they face through their intelligence. It implies that Kate`s speech at the end of the play is sarcastic, and that anyone who believes they can tame women or servants are as foolish and as ridiculous as drunken Sly. This is a much more progressive ending than that of “The Shrew”, which suggests to the audience that a man can crush a woman’s spirit and dominate her completely so long as he lie to her and deprive her of food and water. Rather than depicting Petruchio as a dominant and powerful male figure who manages to break Kate’s spirit, he is presented in “A Shrew” as both abusive and ludicrous. His methods for subduing Kate and turning her into the perfect wife are patently ridiculous. He vows that he will “(...) kill a wife with kindness; And thus I'll curb her mad and headstrong humour.” and it seems that he believes these words to be true. For Petruchio, to tame his wife as a falcon is tamed, through abuse and starvation (2.1, last lines before 2.2) is to do her a favour. In “A Shrew”, Petruchio is also easily duped. When Kate makes her final speech in Act 5 it is implied in “A Shrew” that it is sarcastic. The speech is devoid of Kate’s usual cleverness and wit. It is repetitive, longwinded and boring, containing only ideas that Petruchio wants to hear. Kate declares that “Thy husband is thy lord, thy life, thy keeper”, that a woman’s “(...)strength as weak, [woman's] weakness past compare” and that “A woman moved is like a fountain troubled, Muddy, illseeming, thick, bereft of beauty”, all ideas which correspond exactly to what Petruchio believes to be true about women. Petruchio is thrilled by it, exclaiming “Why, there's a wench! Come on, and kiss me, Kate.” (5.2. right at the end) and triumphantly telling

Final Essay - Taming of The Shrew and Representations of Gender

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A final english essay on taming of THE vs taming of A shrew by Shakespeare, as well as a representation of gender roles within both plays.

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  • TheTamingofAShrewchangesthewaythatweviewShakespeare`scomplexanalysisof

    performanceasbeingingrainedinbothclassandgender.Ithasamoreempoweredviewof

    womenthanTheShrewandsuggeststhatwomencansubverttheoppressiontheyface

    throughtheirintelligence.ItimpliesthatKate`sspeechattheendoftheplayissarcastic,and

    thatanyonewhobelievestheycantamewomenorservantsareasfoolishandasridiculous

    asdrunkenSly.ThisisamuchmoreprogressiveendingthanthatofTheShrew,which

    suggeststotheaudiencethatamancancrushawomansspiritanddominatehercompletely

    solongashelietoheranddepriveheroffoodandwater.

    RatherthandepictingPetruchioasadominantandpowerfulmalefigurewhomanagesto

    breakKatesspirit,heispresentedinAShrewasbothabusiveandludicrous.Hismethods

    forsubduingKateandturningherintotheperfectwifearepatentlyridiculous.Hevowsthathe

    will(...)killawifewithkindnessAndthusI'llcurbhermadandheadstronghumour.andit

    seemsthathebelievesthesewordstobetrue.ForPetruchio,totamehiswifeasafalconis

    tamed,throughabuseandstarvation(2.1,lastlinesbefore2.2)istodoherafavour.InA

    Shrew,Petruchioisalsoeasilyduped.WhenKatemakesherfinalspeechinAct5itis

    impliedinAShrewthatitissarcastic.ThespeechisdevoidofKatesusualclevernessand

    wit.Itisrepetitive,longwindedandboring,containingonlyideasthatPetruchiowantstohear.

    KatedeclaresthatThyhusbandisthylord,thylife,thykeeper,thatawomans(...)strength

    asweak,[woman's]weaknesspastcompareandthatAwomanmovedislikeafountain

    troubled,

    Muddy,illseeming,thick,bereftofbeauty,allideaswhichcorrespondexactlytowhat

    Petruchiobelievestobetrueaboutwomen.Petruchioisthrilledbyit,exclaimingWhy,there's

    awench!Comeon,andkissme,Kate.(5.2.rightattheend)andtriumphantlytelling

  • LucentioTwasIwonthewager,thoughyouhitthewhite.ByjuxtaposingKatesendspeech

    withSlysdeclarationthathe,too,cantameashrew,Shakespeareisdemonstratinghowmen

    areeasytofool.

    WhenSlydrunkenlyproclaimsthat[he`ll]to[his]wifewifepresentlyandtamehertooifshe

    anger[him]inAShrew,heseemsfoolishratherthanadominantpatriarch.Itiscleartothe

    readerthathisideasareridiculous,sinceSlycannotspeakwithoutslurringhiswordsatthat

    point,letalonetameanangrywoman.Theideaoftamingastrongandindependentwoman

    isthusshowntobeafantasyofaweakanddespicablebreedofmanratherthananidealto

    aspireto.PetruchioisrevealedtobenothingmorethanSly,dressedupinfancyclothesand

    speakingmorecoherentlyhe,too,believesthathecantameashrew,andanyevidencethat

    heisunabletoissimplyignored.

    IfthefinalsceneAShrewisremoved,theplaylosesitscentralmessage.Ratherthanbeing

    ahumorousplayabouthownoblesaresonarcissisticthattheyfailtoseethatthewomenand

    servantshavetheupperhand,itbecomesaplayaboutthetotaldominanceofmen.Petruchio

    isanabusivehusbandwhosucceedsinbreakingthespiritofhislovelyandonceopinionated

    wife.Hestarvesher,liestoherandiscrueltoheruntilshesubmitstohimnotonly

    emotionallythroughherspeechbutalsophysically.Shevails[her]stomachs,foritisnoboot,

    Andplaces[her]handsbelow[her]husband'sfoot:Intokenofwhichduty(...),inviting

    Petruchiotofinishcrushingherspiritbyliterallycrushingherhandwithhisboot.

  • topicsentences:

    Thescenein``TheTamingOfAShrew``attheendoftheplay,inwhichSlydrunkenly

    proclaimsthatheknowshowtotameashrew,softensthehorrorofhearingKatherine

    utterherfinalspeech.

    KatherinestamingisjustasfalseasSlystransformationfromdrunkardtoLord.

    quotes:

    themiracleofKate'staming,eventhough,atleastasweliketoreadandteachthe

    playnowadays,itisbynomeansclearthatKateisthoroughlyconvertedtothe

    systemofpatriarchalhegemonysheadvocates.Whethersheisornot,thereisa

    strongillusionofrealitysurroundingherspeechattheendoftheplay:weareinvited

    toforgetthatthetamingofKatebyPetruchiostartedoutasamereplaywithinaplay

    performedforthedelectationofoneChristopherSly,drunkentinkerturnedtemporary

    aristocrat.

    Helurchesoff,vowingtotamehisowntermagantwifeathomenowthathisdream

    hastaughthimhowtodoit.Heisunlikelytosucceed,wecanconfidentlypredict,

    givenhisstaggeringconditionandhisobviouscharacterologicaldistancefromthe

    charismaticstagefigurePetruchio.Insteadofconvincingusthattheinnerplay's

    wifetamingscenarioisapossibleoneinreality,Sly'svowturnsitintothe

    wishfulfillmentfantasyofahabitualdrunkardwhoisaslikelytobepunishedbyhis

    wifeforthisnightoutashehasbeenforpasttransgressions.

  • ``Ourstrengthasweak,ourweaknesspastcompare,

    Thatseemingtobemostwhichweindeedleastare.``

    Forward, I pray, since we have come so far, And be it moon, or sun, or what you please; And if you please to call it a rush-candle, 2280

    Henceforth I vow it shall be so for me.

    thesunwasthemoon.

    Andthemoonchangesevenasyourmind.

    Whatyouwillhaveitnamed,eventhatitis,

    AndsoitshallbesoforKatherine.