Final Exam Review Music

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    Final Exam – Music Appreciation

    1) Elements of MusicMelody, Rhythm, Harmony, Texture, Form, Tempo, Dynamics, Tone

    Melody

    Fill in lan!s

    E"# Rhythm$ Musical %Time)

    Function$

    Harmony %&'o tonality)

     Texture %&'o canon and round)

    (hapter $

    *roperties of music$ *itch, duration etc#

    +oice (lassications$

    -nstrument classications$ Aerophones etc# %non.&estern)

    -nstruments classications$ /rass, &ood&ind, strin"s etc# %0estern)

    (hapter $

    Historical e2ents of Middle A"es

     Trends

    Musical styles %sacred and secular)

    3acred music in the Middle A"es

    1) 4r"anum) 5otre Dame 3chool

    Reli"ious Music %most li!ely come out)

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    1) 6re"orian (hant) Mass %*roper and 4rdinary)) Motet

    7no& the order of proper and ordinary mass

     Terms$

    (hant, 5eumes, Text settin"s, melismatic, syllaic, etc# of that slide

    (ontriution of 8eonin and *erotin

    Medie2al secular sin"ers

    6ulliaume de Machaut

    . Ars 5o2a

    . Ars Anti9ua

    . -sorhythmic

    (hapter :$ Renaissance

     Trends

    *hilosophy

    0ays of thin!in"$ Humanism etc#

    Renaissance Musical style$ %denitely come out)

    Acapella, (ontinuous imitation, 0ord *aintin", (antus Firmus

    *alestrina, ;os9uin, Martin 8uther %denitely come out) /yrd#

    Renaissance 3ecular Music$ %may come out)

    (hapter

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    4pera, (antata, 4ratorio, (horale, 42erture %denitely tested)

    /aro9ue 4pera$ Recitati2e, Aria, Ensemles %denitely tested)# Rest not needed

    /aro9ue -nstrumental$ 3olo (oncerto, (oncerto 6rosso, 3uite, *relude, Fu"ue,

    3onata

    (omposers$ Handel %7eppelmeister)

    7no& his contriutions, example of si"nicant &or!s and &hy it is si"nicant %E"#

    Messiah)

    /ach %same 9uestions)

    (hapter =$ (lassical

    Musical terms$ Asolute music 2s *ro"rammatic music, (aden>a

    Form of Music$ 3onata

    (omposers$ Mo>art, /eetho2en

    Ho& to 3tudy

    Ma!e a tale e"#

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    Middle

    A"es

    Renaissan

    ce

    /aro9ue (lassical Romantic ?th 

    cent Trends +ocal 7in"

    (hurch

    Royalty

    5oility

    3u@ecti2it

    y ' stretch

    of form

    5ationalism

    Exotic

    &or!s

    %eyond

    Europe, in

    another

    part of the

    &orld)

    5ature

    emphasis

    Mutatio

    n of all

    part

    fromRomant

    ic

    3tyles (hant'

    nison'

    monody

    3imple

    polyphon

    y '

    Homopho

    ny

    .

    4r"anum8imited

    elements

    Modes

    Melismati

    c open

    +oices

    parts

    (omplicat

    ed

    *olyphony

    '

    Homopho

    ny

    3tretched

    elements3trict

    rhythm

    Elaorated

    melody

    Ma@or'

    Minor

    scales

    (ominati

    on of

    mellismatic' syllaic

    *ro"ramm

    atic %has

    title)

    6enre'

     Type of

    Music*hilosoph

    y

    Asolute

    6rand

    Flamoya

    nt

    Reason

    ni2eralis

    m

    Reachin"

    Music

    Humanis

    m %Free

    Mason)-nstrume

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