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The book i created to present my portfolio for the final review at Academy of Art University
Citation preview
F I N A L R E V I E W
Ac ademy of Art University,
Graduate School of Advertising
ST U D E N T I D : 03276759
R AH U L SAWANT Art Director
Islam 9/12 01
Audius By KIIS FM 05
IRS – ‘A World Without Taxes’ 09
War On Drugs – ‘Taboo To Change’ 13
BBC Vantage 17
SFPD – ‘Heads Up’ 21
Manneken Pis 25
FOTL – ‘Fresh Fruit’ 31
Movie Posters 35
Type Posters 39
Brush Explorations 43
Logo Design 47
CONTENTS
AUTOBIOGRAPHY
Hi, I am Rahul. An artist, an illustrator, a photographer and most importantly, an
art director. I have a knack of finding insight that’s generally ignored and I use
my abilities in design to create a genuine experience. I’m in this industry not
because of the lack of choice but because of my passion for bringing ideas to
life through the talents that I have nurtured.
Born in Mumbai, India, I was exposed to more things than my senses could fully
make sense of. And at the tender age of 15, I began to deconstruct the media,
relationships and the world, leaving them exposed for what they really are. This
awakening was in some ways the beginning of my journey.
School, a Bachelors in Advertising from Mumbai and finally AAU. Each of them
taught me something new and different and helped me develop my skills. It was
military school that taught me discipline, a quality that has given me a better
understanding of the things worth fighting for. I have learnt that ideas worth
designing and expressing are worth the long hours, the frustrations, and the
lack of sleep. Because in the end, the results are worth it.
With insight, design and gut instinct on my side, I am ready to put my skills to the
test and cut my teeth in the ceaseless world of advertising.
RÉSUMÉ
WORK EXPERIENCE
GRAPHIC / UI DESIGNER
Madhumita Nandi LLC
(April 2009 – May 2010)
The Great Eastern Home
Tunespray.com
Korustreet LLC
Connectiva Systems
JUNIOR VISUALIZER
Euro RSCG Mumbai
(April 2008 – June 2008)
Bank of Baroda
TBZ Jewellery
HDFC Bank
ILLUSTRATION INTERN
Kumar Morey Illustration Inc.
(April 2006 – June 2006)
FREELANCE PROJECTS
Designed character illustrations for ‘Ragnarok
Online’, an MMORPG game and rendered the
same on glass for the office of Level-Up Games.
Conceptualized the brand identity for ‘Vapor
Protection Services’, a vapor mitigation
s e r v i c e s c o m p a ny. D e s i g n e d t h e l o g o,
stationery and website.
Created character illustrations for ‘Two Fat
Indians’, an Indian restaurant in Perth, Australia.
Created the product launch video for
‘Learnist’, a digital platform that helps make
learning easier.
HONORS
SILVER , Integrated Campaign
Young Glory March 2013
Student SILVER, Elements Of Advertising
Regional ADDY Awards, 2013
Student GOLD, Elements Of Advertising
SF ADDY Awards, 2013
Student GOLD & Special Judge’s Citation
SF ADDY Awards, 2013
FINALIST, Integrated Campaign
Young Glory February 2013
SILVER, Ambient Campaign
Young Glory January 2013
GOLD, Print Campaign
Young Glory December 2012
MERIT, Integrated Campaign
Spring Show, Academy Of Art 2012
MERIT, Integrated Campaign
Spring Show, Academy Of Art 2012
EDUCATION
MFA Advertising, 2013
Academy of Art University, San Francisco
BFA in Advertising, 2009
Rachana Sansad College of Applied
Arts & Craft, Mumbai
SKILLS
Adobe After Effects, Flash, Premiere,
Creative Suite, Grammar Nazi.
Challenge: I s l a m h a s a s e r i o u s i m a g e
p ro b l e m i n t h e U n i t e d S t at e s . F i x i t .
Solution: When the Twin Towers fell on
September 11th, we were shocked and
saddened. On September 12th, we woke
up angry; looking for s omeone to blame.
Unfortunately for Islamic practit ioners
(especially those living in America), they
ended up taking the brunt of the hatred and
have been living with it ever since.
Our solution is a poster campaign to counter-
balance the t-shirts, hats and signs that all
blame Islam for the cause of September 11th
w i t h I s l a m i c i n d i v i d u a l s h o l d i n g t h e i r ow n
s i g n s w h i c h b l a m e h at re d , b i g ot r y a n d
ignorance for the backlash they have been
receiving since 12th September 2001.
01. Islam ‘9/12’
Print Campaign
Art Direction, Advertising
Awards: GOLD, Young Glory December 2012
Art Director: Rahul Sawant, Tim O’Connell
Account Planner: Dudley Duberry
Copywriter: Tim Murakami
01
Caption: Everything I need
to know about hatred,
I learned on 9/12
02
Caption: Everything I need to
know about bigotry,
I learned on 9/12
03
Caption: Everything I need to
know about ignorance,
I learned on 9/12
04
Challenge: The music industry has been
deeply transformed in the last few years, a
very challenging context for a medium that
introduced many of us to our favorite tunes:
radio. How do we revive a dying medium and
provide the listeners with a truly authentic
music experience?
Solution: While some keep claiming that
conventional radio is dead, we came up with
an idea that turns you into the radio station.
Pres enting Audius by KIIS FM, a unique
project that allows you to broadcast music to
the world around you. The better your audio,
the bigger your radius.
This is how it works. You c an choos e to
perform, or you can choose to listen. On
choosing to perform, you get to create your
own playlists and become a remote DJ,
turning your smart device into a radio tower.
You start with an audio radius of a couple of
blocks. As more people tune in and like what
you’re playing, your radius grows. This allows
other people to find your playlist, and boosts
02. ‘Audius’ by KIIS FMIntegrated Campaign
Art Direction, Advertising, Motion Graphics
Awards: Student GOLD (Innovation)
Special Judge’s Citation (Innovation)
Student GOLD (Visual Effects)
SF Addy Awards, 2013
Student SILVER (Visual Effects)
Regional Addy Awards, 2013
MERIT (Integrated Campaign)
AAU Spring Show, 2012 Art Director: Rahul Sawant, Tim O’Connell
Copywriter: Rahul Sawant, Tim O’Connell
your popularity even more, instantly making
you a local celebrity DJ.
Additionally, there is a real-world compo-
n e nt— a s e r i e s of s i l e nt d i s c o p a r t i e s
sponsored by KIIS FM, where popular Audius
DJs compete by playing their music. The
bigger their Audius radius, the bigger the
venues they will be invited to play—from
small pubs all the way to big stadiums.
If conventional radio is done, Audius is our
proposal to revive it, an idea that empowers
music lovers by turning a passive medium
into an active channel.
05
06
07
08
Problem: Taxes are a necessary evil for the
world we live in. Everybody dislikes them,
because the effects of taxes aren’t always
obvious or instantaneous. This is especially
true for the rich, who spend fortunes trying
to avoid having to pay their share.
Solution: Our proposal was to develop an
ambient campaign in high-end metropolitan
business areas and show those who do their
best to avoid taxes (the rich), what the world
around them would look like if they didn’t
contribute their fair share.
Through an execution of a vinyl-ambient
campaign by the IRS, it serves as a hard
reminder to those who feel the most entitled
to not pay taxes, of what can happen if they
don’t. The fact that their lives could not just be
inconvenienced, but endangered helps show
that a lack of responsibility to pay taxes will
impact everyone.
03. IRS ‘A world without taxes’ Ambient Campaign
Art Direction, Advertising
Awards: SILVER, Young Glory January 2013 Art Director: Rahul Sawant, Tim O’Connell
Account Planner: Dudley Duberry
Copywriter: Tim Murakami
09
Caption: Imagine a world without
taxes.
10
Caption: Imagine a world
without taxes.
11
Caption: Imagine a world
without taxes.
12
Challenge: Find a way to put the failure of the
war on drugs on the global social agenda.
Solution: In order to bring about change
in the global social agenda, we need to get
people talking about the issue– which got us to
come up with the idea for ’Taboo to Change.’
The movement starts with city walls that are
transformed into whiteboard installations. The
whiteboard asks the public a question—“What
do you think about the war on drugs?” The
public is encouraged to put their thoughts
on the ‘ wall , ’ turning the wall into an open
forum, causing even the casual onlookers to
be involved in the conversation by sparking
interest. As the wall hits its spacial limit, the
#warondrugs tag is introduced to act as a
bridge, carrying the discussion to a bigger
platform—http://warondrugs.org
By using the #endwarondrugs, people are
encouraged to continue the conversation
online by writing down their own thoughts and
uploading them to Instagram, adding to the
04. War on Drugs ‘Taboo to Change’Integrated Campaign
Art Direction, Advertising
digital version of the physical wall. This online
wall takes the conversation to the next level,
causing the dialog to continue indefinitely.
This takes the conversation of the war on
drugs from a taboo topic to the forefront of
global social agenda.
Additionally, people who tag their locations
when contributing to the wall, will have their
messages posted on the social pages of their
local congressman.
The solution to the war on drugs is not instan-
taneous. But it starts with a question and a
conversation to realize that we as a society
are not that far apart in our views. By refusing
the status quo and demanding a change, this
is one step in the right direction of bringing
the war on drugs to an end.
Awards: SILVER, Young Glory March 2013 Art Director: Rahul Sawant, Tim O’Connell
Account Planner: Dudley Duberry
Copywriter: Tim Murakami
13
14
15
16
Challenge: How might we turn otherwise static
news websites into pages that feel updated,
dynamic and relevant?
Solution: History is in the making everyday,
and when it happens we turn to reliable tele-
vision news sources to get our information.
However, the internet is slowly becoming our
primary source for breaking news. And yet
a bigger problem remains. News websites
are limited and struggle to keep up with the
constant flow of today ’s information. The
result—an experience that is flat and doesn’t
feel alive.
Seeing this problem, the BBC knew that in
order to remain original and noteworthy they
would need to try an unconventional approach
to news casting. Therefore, we created BBC
Vantage—turning you, the viewer, into a live
contributor of news.
The campaign turns your smart device into
your very own news camera adding stories
as they happen through your eyes. As news
breaks, you as a BBC user can quickly open
05. BBC Vantage Integrated Campaign
Art Direction, Advertising
the Vantage app on your smart device and
begin recording. Your footage is sent to the
BBC website where its featured as addi-
tional content for the breaking news articles,
showing your unique point of view that
enhances the story. Users like yourself are
then ranked based on submitted content and
quality of information—giving your footage
priority the next time you are able to docu-
ment breaking stories.
With BB C Vantage, us ers are able to
contribute to an ecosystem of ever updating
current news. Telling a truly impartial narrative
that gets all sides of the story as it happens.
Art Director: Rahul Sawant, Tim O’Connell
Account Planner: Dudley Duberry
Copywriter: Tim Murakami
17
18
19
20
Challenge: The goal is to educate people
about the high number of iPhone-involved
robberies. Simple message: be aware of your
surroundings and conceal your valuables,
especially your iPhone.
Solution: Our solution is ‘Heads Up’, a
c ampaign that takes the iconic iPhone
ads and turns them on their head, acting as
a reminder for people to be mindful of their
surroundings and always stay alert.
06. SFPD ‘Heads Up’Print Campaign
Art Direction, Advertising
21
Caption: 38% of all robberies in
SF involve cellphones. Be Aware.
22
Caption: You see a text message;
they see an opportunity.
Be Aware.
Caption: 40 iPhones a day get
stolen in San Francisco.
Be Aware.
23
24
Challenge: The statue of Manneken Pis has
gained so much buzz that it has plateaued
in popularity. How can we introduce the
Manneken Pis to new tourists visiting the city
of Brussels?
Solution: A print c ampaign bas ed on the
strategic idea—‘In art we indulge; in real life
we should not.’ Each print ad has the Manneken
Pis i l lustrated from different angles, with
risque copy laid out unassumingly. The visual
look is a stark contrast to the scandalous
copy, compelling viewers to re-read it.
I n o rd e r to g e n e rate b u z z , a d i g i t a l p a n e l
featuring the Manneken Pis would be installed
in the airport and subway corridors of Brussels.
Equipped with motion sensors, the Manneken
Pis would turn its head to face passing
commuters, as if playfully taunting them for
looking. The ambience was complete with the
suggestive sound of tricking water that played
in the background all along.
07. Manneken Pis Print Campaign
Art Direction, Advertising, Illustration
Art Director: Rahul Sawant
Copywriter: Rahul Sawant
25
Tagline: In the mad city of Brus-
sels, be sure not to miss; come
along to find it, before they steal
the Manneken Pis.
Caption: Take a snap of a naked
babe taking a piss and still you
shan’t go to jail.
26
Caption: Cup the tush of a naked
babe as wifey watches and still
you shall live more days.
27
Caption: Sip the piss of a naked
babe on ye knees and still you
shan’t get a glance.
28
29
Digital Panel Installation
30
Challenge: Find a creative solution to help
people in need when dealing with the
aftermath of a catastrophe such as
Hurricane Sandy.
Solution: W h i l e d o n at i o n s h e l p t h o s e i n
desperate need of assistance, items like
underwear and socks often get overlooked
in the wake of catastrophic disasters. This is
why Fruit of the Loom started: ‘Fresh Fruit.’
While jeans and t-shirts get worn for days at
a time, a pair of clean socks and underwear
allow those affected to feel fresh again. ‘Fresh
Fruit’ provides these essentials and connects
donors directly to those in need.
FreshFruit.com provides a portal to connect
thos e looking to help with thos e in need.
Priced at wholesale rates, people can quickly
s e e h ow m u c h ‘ Fre s h Fr u i t ’ t h ey w i l l b e
providing, and write words of encouragement
to the families in need.
Working in hand with existing relief efforts, we
set up ‘pop-up shops’ in affected regions,
al lowing volunteers and victims to pick up
08. Fruit of the Loom ‘Fresh Fruit’ Print Campaign
Art Direction, Advertising
‘Fresh Fruit’ along with their water, food,
and other supplies. By joining these efforts,
people know that their basic needs can be
met at one location.
Every package of ‘Fresh Fruit’ provides a
weeks worth of fresh undergarments,
messages of encouragement and reminders
that we all care.
Using social media tools, donations spread
virally and allow recipients a chance to say,
post, and tweet, “Thank you.”
Through our unified efforts, donors know they
can help more through ‘Fresh Fruit’ than they
could alone. Our campaign unites donors and
recipients to show the real impact that even
small donations can bring.
Art Director: Rahul Sawant, Tim O’Connell
Account Planner: Dudley Duberry
Copywriter: Tim Murakami
31
32
33
34
09. Movie Posters Art Direction, Typography, Illustration
35
36
37
38
10. Type Posters Art Direction, Graphic Design, Typography
39
40
41
42
11. Brush Explorations Art Direction, Typography, Illustration
43
44
45
46
12. Identity Design Art Direction, Graphic Design, Typography
47
Vapor Protection Services
Audius by KIIS FM
48
Fit for Kings by
Department of Health
Fancite.com
SFPD HEADS UP
49
Blair Underwood
Collection
Rahul Sawant
Personal Branding
Elizabeth Hemingway
Personal Branding
50
THE BEGINNING .