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Monday, 30th November, 2015 Crosshall Manor St. Neots, Cambridgeshire PE19 7GB Fine Asian Works of Art

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33 Broughton Place, Edinburgh EH1 3RRTel. +44 (0)131 557 8844Fax. +44 (0)131 557 8668Email. [email protected]

182 Bath Street, Glasgow G2 4HGTel. +44 (0)141 333 1992Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel. +44 (0)20 7930 9115Fax. +44 (0)141 7930 7274

LYON

& TU

RNBU

LL AUCTIO

NEERS ED

INBU

RGH

FINE ASIAN

WO

RKS OF ART 30TH

NO

VEMBER, 2015

Monday, 30th November, 2015Crosshall ManorSt. Neots, CambridgeshirePE19 7GB

Fine Asian Works of Art

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Fine Asian Works of Artat Crosshall Manor, Cambridgeshire

Monday, 30th November, 2015at 10am

Sale Number LT448

Viewing TimesFriday, 27th November 12 noon - 7pmSaturday, 28th November 10am - 5pmSunday, 29th November 10am - 5pm

Enquiries & Commission BidsUntil Thursday, 26th NovemberLyon and Turnbull Ltd.33 Broughton PlaceEdinburgh EH1 3RRTel. 0131 557 8844 Fax. 0131 557 8668

From Friday, 27th November toThursday, 3rd DecemberTel: 0845 882 2798

email. [email protected]

Catalogue: £15

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Buyer’s Premium & Other ChargesThe buyer shall pay the hammer pricetogether with a premium, at thefollowing rate, thereon.

25% up to £50,000 / 20% thereafter.

VAT will be charged on the premium atthe rate imposed by law (see ourConditions of Sale).

Additional VAT † VAT at the standard rate payable at thestandard rate on the hammer price

* 5% import VAT payable on thehammer price

No VAT is payable on the hammer priceor premium for books bought atauction.

High Value Biddingt indicates lots on which the High Valuepre-registration procedure will berequired prior to the sale.

Unless otherwise agreed, you will bepermitted to bid on High Value lots onlyif Lyon & Turnbull has confirmedpayment of deposit and completion ofthe High Value lot pre-registrationprocedure. The deposit required will be10% of the lower estimate.

This also applies to bidding on a numberof lots where the total cumulativeamount exceeds £30,000.

For more information see ourConditions of Sale or contact Lyon &Turnbull’s office manager.

RegistrationAll potential buyers must register priorto placing a bid. Registrationinformation may be submitted in personat our registration desk, by email, by faxor on our website. Please note that allfirst time bidders at Lyon & Turnbull willbe asked to supply the followingdocuments in order to facilitateregistration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement).

We may, at our option, also ask you toprovide a bank reference and/ ordeposit.

By registering for the sale, the buyeracknowledges that he or she has read,understood and accepted ourConditions of Sale (available at the back of every catalogue and on ourwebsite).

Bidding & PaymentFor information on bidding options seeour Guide to Bidding & Payment at theback of the catalogue.

Removal of PurchasesResponsibility for packing, shipping andinsurance shall be exclusively that of thepurchaser. Further information onCollection & Shipment, includingprofessional packers and shippersknown to us, can be found at the back ofthe catalogue or on our website.

Buyer’s GuideThis sale is subject to our standard Conditions of Sale (available at the back of every catalogue and on our website).If you have not bought at auction before we will be delighted to advise you.

Catalogue descriptionsAll item descriptions, dimensions andestimates are provided for guidance only.It is the buyer’s responsibility to inspect alllots prior to bidding to ensure that thecondition is to their satisfaction. Ifpotential buyers are unable to inspect lotsin person (public viewing times listed inevery catalogue), our specialists will behappy to prepare detailed conditionreports and additional images. These arefor guidance only and all lots are sold ‘asfound’, as per our Conditions of Sale.

Import/ExportProspective buyers are advised thatseveral countries prohibit the importationof property containing materials fromendangered species, including but notlimited to; rhino horn, ivory, coral andtortoiseshell. Accordingly, prospectivebuyers should familiarise themselves withall relevant customs regulations prior tobidding if they intend to import lots toanother country. It is the buyer’s soleresponsibility to obtain any relevantexport or import licence. The denial of anylicence or any delay in obtaining licencesshall neither justify the recession of anysale nor any delay in making full paymentfor the lot.

Endangered Species Please be awarethat lots marked with the symbol Ycontain material which may be subject toCITES regulations when exporting outsidethe EU. For more information visithttp://www.defra.gov.uk/ahvla-en/imports-exports/cites

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ADDITIONAL INFORMATION FOR BUYERS 竞拍须知LANGUAGE 语言Please note that all transactions will be in £GBP and all printed material/correspondence will be in English. Some basic translation assistance may beavailable.

请 过 镑进 资 语们 买 译协

BUYERS PREMIUM 买家佣金The buyer shall pay the hammer price together with the premium thereon

25% up to £50,000 / 20% thereafterVAT will be charged on the premium at the rate imposed by law.

买 卖 佣 佣50000 镑 50000 镑 佣 为25% / 50000 镑 佣 为20%佣 值 规

VAT 增值税The symbol† by a lot number indicates that VAT is payable by the purchaser atthe standard rate on the hammer price.

编 † 买 卖 值 规

The symbol * by a lot number indicates that the lot has been temporarilyimported from outside the EU and VAT is payable by the purchaser at a rate of5% on the hammer price.

编 * 该 临时进买 5% 卖 值

VAT REFUNDS 增值税退还VAT will only be refunded once proof of export out of the EU has beenreceived.

开 证 还 值

HMRC form VAT 407 (available at the cash desk) must be completed by thebuyer, Lyon & Turnbull cashier and authorised by UK Customs at the point ofexport. Upon receipt of authorised paperwork VAT will be refunded to the cardprovided.

买 腾 纳 须 务 VAT407b 该 银处获这 输 时 关 值还 买 银 账户

Lots must be exported within 3 months of purchase. Valid export documentsmust be returned within the stipulated time frame.

须 卖结 关 须 协议规 时间还 卖

REGISTRATION 登记参与竞拍Please note that all first time bidders at Lyon & Turnbull will be asked tosupply the following documents in order to facilitate registration:

请 腾 卖 竞 进

• 1 – Government issued photo ID (Passport/ Driving licence)

• 1 – 关签发 证 护 驾

• 2 – Proof of address (utility bill/ bank statement)

• 2 – 证 电 账单 银 对账单

You may present these documents in person or, alternatively, fax or emailcopies to us.

您 亲 这 递 给 们 过传 邮 发 给们

We may, at our discretion, also ask you to provide a bank reference and/ ordeposit.

们 您 银 开 证

Agents acting on behalf of other parties must provide identificationdocuments for yourself and the other party, together with a signed letter ofauthorisation.

买 竞 须 买 证 还买 签

We encourage new clients to register at least 48 hours in advance of the saleto allow sufficient time to process the information

们 户 卖 48 时进 您 时处

HIGH VALUE BIDDING 高价值拍品竞拍t indicates lots on which the High Value pre-registration procedure will berequired prior to the sale.

t 符号表示该拍品的竞拍需要在拍卖会前进行专门的“高价值拍品登记”

Unless otherwise agreed, you will be permitted to bid on High Value lots onlyif Lyon & Turnbull has confirmed payment of deposit and completion of theHigh Value lot pre-registration procedure. The deposit required will be 10% ofthe lower estimate.This also applies to bidding on a number of lots where the total cumulativeamount exceeds £30,000.

在没有特殊协约的情况下,您只有在支付押金和参加“高价值拍品登记”,并获得我公司的确认之后,才有权竞拍这些拍品。押金数量为低估价的10%。此外,如果您想竞拍的多件拍品总价值超过3万英镑,您也同样需要缴纳低估价总额10%的押金

For more information see our Conditions of Sale or contact Lyon & Turnbull’soffice manager.

欲获取更详细的信息,请参考我们的竞拍须知,或联系我公司总部。

BIDDING & PAYMENT 竞拍和付款For information on bidding options see our “Guide to Bidding & Payment” atthe back of the catalogue

关 竞 请 卖图录结 “竞 说 ”

COLLECTION 取货与付运事宜It is the buyer’s responsibility to ascertain collection procedures. Please seethe rear of the catalogue or our website for additional information withregards recommended carriers.

买 责 确 请查询 卖图录 页 关货运

CONDITION 品相Please note that damage and/ or restoration is indicated in the catalogue atour discretion. Where there is no mention of damage and/ or restoration thisshould not be taken to mean there is none. It is the buyer’s responsibility toensure that the condition of their lots is to their satisfaction.

请 们 经 卖图录 损 复损 复 这 复过 买 责

确 达 买 值

If potential buyers are unable to inspect the lots in person our specialists arehappy to prepare condition reports on individual lots. These are for guidanceonly, there are not warranties and all lots are sold “as found”.

兴 买 亲 检验 们 专 为买 备报 这 报 为 证书 现

Please note that due to logistics and storage restrictions we are unable tobegin the condition report process until all items have been set up in our mainsaleroom. All condition reports will be issued in a timely fashion in the fewdays prior to sale day.

请 储 们 销 厅摆设开 报 报 时 卖 发

CITES 条款Please be aware that lots marked with a Y contain material which may besubject to CITES regulations when exporting outside the EU. For moreinformation visit www.gov.uk/cites-imports-and-exports

请 标 Y记 运 时 CITES 约请查询www.gov.uk/cites-imports-and-exports

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Asian ChronologyNEOLITHIC CULTURES

Cishan-Peiligang c. 6500-5000 BCCentral Yangshao c. 5000-3000 BCGansu Yangshao c. 3000-1500 BCHamadu c. 5000-3000 BCDaxi c. 5000-3000 BCMajlabang c. 5000-3500 BCDawenkou c. 4300-2500 BCSongze c. 4000-2500 BCHongshan c. 3800-2700 BCLlanzhu c. 3300-2250 BCLongshan c. 3000-1700 BCQijia c. 2250-1900 BC

EARLY DYNASTIES

Shang c. 1500-1050 BCWesternZhou 1010-771 BCEastern Zhou

Spring & Autumn 770-475 BCWarring States 475-221 BC

IMPERIAL CHINA

Qin 221-207 BCHan

Western Han 206 BC-AD 9Xin AD 9-25Eastern Han AD 25-220

Three KingdomsShu (Han) 221-253Wei 220-265Wu 222-280

Southern Dynasties (Six Dynasties)Western Jin 253-316Eastern Jin 317-420Liu Song 420-479Southern Qi 479-502Liang 502-557Chen 557-589

Northern DynastiesNorthern Wei 380-535Eastern Wei 534-550Western Wei 535-557Northern Qi 550-577Northern Zhou 557-581

IMPERIAL CHINA (continued)

Sui 589-618Tang 618-906Five Dynasties 907-960Liao 907-1125Song

Northern Song 960-1126Southern Song 1127-1279

Jin 1115-1234Yuan 1279-1368Ming

Hongwu 1368-1308Jianwen 1399-1402Jongle 1403-1424Hongxi 1425Xuande 1426-1435Zhengtong 1436-1449Jingtai 1450-1456Lianshun 1457-1464Chenghua 1465-1487Hongzhi 1488-1505Zhengde 1506-1521Jiajing 1522-1566Longqing 1567-1572Wanli 1573-1620Taichang 1620Tianqi 1621-1627Chonqzhen 1628-1644

QingShunzhi 1644-1661Kangxi 1662-1722Yongzheng 1723-1735Qianlong 1736-1795Jiaqing 1796-1820Daoguang 1821-1850Xianfeng 1851-1861Tongzhi 1862-1874Guangxu 1875-1908Xuantong 1909-1911

REPUBLICAN CHINA

Republic 1912-1949People’s Republic 1949-

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Meet the SpecialistsAt Lyon & Turnbull we want to make buying at auction as easy and enjoyable as possible. Ourspecialist team are on hand to assist you; whether you are looking for something in particular foryour home or collection; require more detailed information about the history or currentcondition of a lot or just want to find out more about the auction process.

Lee YoungHead of [email protected]

Ling [email protected]

Danielle BeilbyDepartment [email protected]

Anna WestinConsultant [email protected]

How to Find Us at Crosshall Manor

Eaton Oak Inn

Gre

at N

Roa

d

B1048

B10

48A1

A1

Golf C

ourse

Lond

on

Crosshall Road

Crosshall Manor

PAR

KIN

G

St.Neots

RefreshmentsRefreshments are available at the Eaton Oak, 2 minutes walk from the house.

CollectionItems are available for collection from Crosshall until Thursday, 3rd December, at 12 noon when they will be removed to Edinburgh (see page facing inside back coverfor further details.

From the south Travelling north on the A1 branch left, then turn right onto the B1048 (signposted StNeots). Cross the A1 and just before the roundabout take the 1st exit left (cul de sac)and follow the signs to car parking.

From the northFrom the A1 south branch left, then at roundabout take 1st exit (signposted St Neots,High Ferrers) onto B645 entering Eaton Socon. At next roundabout take the 1st exitleft then immediately turn right (before crossing A1) and follow the signs to carparking.

ParkingParking is available in the paddock at Crosshall. Please follow signs for car parkingupon entering the grounds. For disabled parking please inform us of yourrequirements in advance on 0131 557 8844.

Local TaxisAnglian Taxi Service (based at St Neots Station) Tel: 01480 475222.

By railThe nearest station is St. Neots (2 miles)London King's Cross to St Neots station is approximately 50 minutes by train. National Rail Enquiries Tel: 08457 484950 Web: www.nationalrail.co.uk

By airThose flying from China mainland can fly direct to HeathrowHeathrow by car to St Neots approx 1.5 hours or 2 hours via London Paddington bytrain. For flights from within Europe, Luton Airport is nearest taking 40 minutes by car.Alternatively Stansted Airport by car is just over 1 hour and Gatwick Airport is 2hours.

Crosshall Manor, St. Neots, Cambridgeshire PE19 7GB

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Order of Sale Monday, 30th November, 2015at 10am

Lot 354

1-58 Furniture & Works of Art

59-137 Metalwares

A Private Sheffield Collection 77-87

138-162 Glass

163-377 Ceramics

The Collection of Vernon Walker 260-269

A Private Scottish Collection 270-287

378-446 Jade & Hardstones

447-491 Paintings & Works on Paper

The Collection of Tseng En Po 447-467

492-576 Japanese Works of Art

577-581 Korean & South-East Asian Works of Art

Front CoverLot 218

Inside Front CoverLot 314 (detail)

Inside Back CoverLot 317 (detail)

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1FOUR JADE INLAID LACQUEREDPANELSLATE QING DYNASTYeach panel nicely carved and inlaidwith blossoming branches ofchrysanthemum, prunus or peonyissuing from vases, surrounded byauspicious symbols including ruyisceptre and pair of golden fishes,bearing inscriptions of four-characterChinese idioms (4)

each panel 122cm high, 41cm wideProvenance:Private Collection, Scottish Borders

£400-600

Furniture & Works of Art

3HONGMU AND JICHIMU KANG TABLEQING DYNASTYthe rectangular cleated top over a scrollingopenwork frieze on bent legs

27cm high, 74cm wide, 39cm deepProvenance:Private Collection, Scottish Borders

£150-250

2HUANGHUALI AND HONGMU STANDQING DYNASTY, 19TH CENTURYthe cleated square top with inset marble, theopenwork frieze carved with fruiting vine, onsquare legs with scroll feet

28cm high, 46cm wide£300-500

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8 Lyon & Turnbull

4SET OF FOUR ELM AND HONGMUSTOOLSLATE QING DYNASTYthe rectangular panelled seats, above afrieze carved with dragon motifs, onsquare legs with scroll feet

54cm wide, 51cm high, 33cm deep£1,500-2,500

6RED LACQUER CABINETQING DYNASTY, 19TH CENTURYthe hinged lid decorated with Buddhist lionsand ribbons, the sides with figures, pagoda,exotic birds and auspicious items, raised on ashaped plinth base

84cm wide, 66cm wide, 56cm deep£1,800-2,800

7 No lot

5SMALL RED LACQUER STANDQING DYNASTY, 19TH CENTURYof square form, the four shaped legsconnected by stretchers and decorated withflowerheads and scrolling motifs, the toppainted with central flowerhead and leavessurrounded by bats and within a ruyi-patterned border, the corners with lotusflower amongst scrolling branches

19cm high£500-800

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Furniture & Works of Art 9

8RED LACQUER CIRCULAR STANDLATE QING DYNASTY/REPUBLIC PERIODthe circular lotus-edged top above shoulders carved inrelief with flowerheads and foliage, supported bycabriole legs with scroll feet on a circular base

64cm high£500-800

9Y

BAMBOO AND IVORY BIRDCAGEQING DYNASTY, 19TH CENTURYof cylindrical form, the bamboo framesupported on four carved ivory feet, a birdstand connecting two sides with ivory ends,with further decorative pierced ivory elementsalong the sides, the largest functioning as ahandle to an hidden sliding door, comprisingtwo blue and white bird feeders and a smallblue and white vase, the carved ivory andwood domed finial with metal hook

35cm high£7,000-9,000

10EXPORT MOTHER-OF-PEARL INLAIDWOOD CROSSPOSSIBLY MACAU, 18TH/19TH CENTURYinlaid with engraved mother-of-pearl to depictfruiting vines, flowers, foliage and Christiansymbols, the centre inlaid with a lotus flower ona grail and the ends with foliate scrolls

47cm high£400-600

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14CARVED ZITAN GROUP OF A BOY RIDING AWATER BUFFALOQING DYNASTYthe water buffalo carved recumbent with three of itslegs tucked underneath its body and tail curled aroundits haunches, the head raised and turned to the right,the boy clinging to its back, with bone inlays and areticulated stand

32cm long (excluding stand)Provenance:Private English Collection

£800-1,200

15CARVED WOOD FIGURE OF GUANYINthe Goddess of Compassion standing on awrithing dragon emerging from the turbulentwaters of the sea, her right hand holding aprayer bead, her left hand a bottle from whichwater pours out into the sea, with a flamingmandorla behind her head and the wealth-bringing boy Sudhana to her left, with tracesof paint

48cm highProvenance:Private Scottish Collection

£200-300

16ROOTWOOD CARVING OF A SAGEQING DYNASTY, 19TH CENTURYthe bearded figure carved wearing flowingrobes and holding a staff with two hands,standing on gnarled branches

92cm highProvenance:Private Collection, Scottish Borders

£150-250

17MOTHER-OF-PEARL INLAID CIRCULARWOOD BOX AND COVERQING DYNASTY, 19TH CENTURYthe cover finely inlaid with floral sprays andbutterflies that repeat on its exterior walls, thesides of the box decorated with shaped panelsdepicting a scholar on horseback and hisattendant

26cm diamProvenance:Private Collection, Edinburgh

£200-300

12CARVED BAMBOO BRUSH POT, BITONG19TH/20TH CENTURYof hollowed cylindrical form, one side carvedwith a large peony blossom issuing fromrockwork

13.5cm tallProvenance:Private English Collection

£200-300

11CARVED ZITAN INCENSE HOLDERQING DYNASTYof tall cylindrical form and supported on astand with four scroll feet

14cm tallProvenance:Private English Collection

£300-500

13PAIR OF CARVED HARDWOOD SCROLLWEIGHTSLATE QING DYNASTYcarved in the shape of bamboo stem with aseries of horizontal nodes (2)

29cm longProvenance:Private English Collection

£500-800

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Furniture & Works of Art 11

22PAIR OF HARDWOOD SCROLL WEIGHTScarved with a couplet above a roundelencircling a phoenix and a dragon chasing theflaming pearl amidst lingzhi-shaped clouds (2)

38cm high£200-300

23LACQUERED WOOD STANDING FIGUREOF A DAOIST DEITYQING DYNASTYwearing long robes painted in black, gold andred with flowers, the left hand supporting theprotruding belly, the face with sereneexpression

27.5cm high£200-300

24HARDWOOD CARVED ALBUM COVERLATE QING DYNASTY, 19TH/20TH CENTURYcarved and pierced with a central roundelenclosing a pair of confronting dragons inpursuit of the flaming pearl amidst cloudscrolls

36cm high£200-300

20LARGE BAMBOO CARVING OF AMOUNTAINQING DYNASTY, 18TH/19TH CENTURYfinely carved in high relief and undercutaround the sides to depict a gathering ofscholars in a mountain landscape with gnarledpine and craggy rocks, some engaged in acalligraphy session accompanied by youngattendants, above them further scholars andentourage arriving along a mountain pass

28cm highProvenance:Private English Collection

£1,500-2,500

19CARVED BAMBOO BRUSHPOTLATE 19TH/EARLY 20TH CENTURYof cylindrical form and raised on three shortfeet, carved around the exterior with the‘Three Stars’ Fu, Lu and Shou travelling in theair above clouds and across a mountainouslandscape with pine trees

19cm high£300-500

21BAMBOO CARVING OF A FINGERCITRONQING DYNASTY, 19TH CENTURYof typical form, carved with branches andleaves to the base, raised on a piercedhardwood stand

15cm high£600-800

18CARVED BAMBOO ‘PINE TREE’ BRUSHWASHERQING DYNASTY, 18TH/19TH CENTURYthe sides of the compressed body carved withpine boughs in high relief, with a lobedopening in the centre

15.5cm wide£500-800

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25CARVED WOOD BRUSH WASHERQING DYNASTY, 19TH CENTURYcarved in the form of a rock formation, withthree steps leading into a lower level where anold man sits facing a pine tree

14cm long£300-500

27CARVED WOOD BRUSH WASHERcarved all over with flowers and pine treebranches

6cm high£300-500

29HUANGHUALI BRUSH POT, BITONGQING DYNASTY, 19TH CENTURYof cylindrical form with a central circular plugto the base, the wood of a warm honey tone

17.7cm high£300-500

30BAMBOO CARVED ‘THIRTY-SIXSTRATAGEMS’ BRUSH POT19TH/20TH CENTURYof cylindrical form, the exterior carved inshallow relief with the Chinese essayelaborating political and military stratagems,reputedly written by Sun Tzu (Spring andAutumn Period)

16.5cm high£1,200-1,800

31TIBETAN TULKU CEREMONIALLACQUERED HATQING DYNASTY, 18TH/19TH CENTURYthe wide rim decorated with five roundelscontaining coiled dragons above waves,reserved on a ground with floral scrolls andbelow Tibetan characters and further foliage

36cm wideProvenance:Private Collection, Edinburgh

£200-300

32CARVED CINNABAR LACQUER INCENSESTANDQING DYNASTY, 19TH CENTURYthe top of rectangular outline, carved all overwith floral motifs

39.5cm high£200-400

28Y

HARDSTONE AND IVORY INLAIDHARDWOOD BRUSH POT19TH/20TH CENTURYof cylindrical form, decorated in multi-coloured hardstone inlays around the exteriorwith a bird perched upon a branch of peoniesissuing from rockwork, the reverse with apoem

15.5cm high£400-600

26CHENXIANG WOOD CARVED ROSARYformed with 108 beads, each measuring1.2cm in diameter; together with a GREENISH-WHITE JADE OPENWORK THUMB RING, carvedwith three deer among trees, 2.8cm high, bothwithin a circular bronze box and cover, thethumb ring enclosed in a separate centralcompartment (2)£500-800

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Furniture & Works of Art 13

36CARVED CINNABAR LACQUERCIRCULAR BOX AND COVERthe cover crisply carved with a centralshou medallion surrounded by five batsflying amongst lingzhi-shaped clouds, allreserved on a dense leiwen ground, therounded sides of the cover and the box decoratedwith fruiting and blooming sprays, the base incisedwith an apocryphal Qianlong mark

25.3cm diam£400-600

33CARVED WOOD FIGURE GROUPQING DYNASTY, 19TH CENTURYone figure carved standing draped in flowingrobes, two peaches hanging from his belt, theattendant at his feet with one arm raised andholding a basket of peaches with the other,both on a rocky base

35cm high£500-800

34BAMBOO CARVED BRUSH POTQING DYNASTY, 18TH/19TH CENTURYof irregular form imitating the cliffs of amountain, carved in high relief with a villagewith houses built upon craggy rocks and halfhidden behind pine trees with gnarledbranches

12cm high£500-800

37CARVED CINNABAR LACQUER FOLIATEDISHKANGXI MARK BUT LATERthe interior intricately carved with a landscapescene depicting scholars and attendants inpavilions or on a terrace, the scenesurrounded by a border of flowers, theexterior similarly decorated with a band offlowers, six-character apocryphal mark to theunderside

11.7cm diamProvenance:Private English Collection

£800-1,200

35CARVED BAMBOO BRUSH WASHERQING DYNASTY, 19TH CENTURYnaturalistically carved to resemble a rockformation, a large flower, leaves andbranches, a spider resting over its top

13cm wide£350-450

38CINNABAR LACQUER BOX ANDCOVERQING DYNASTY, 19TH CENTURYin the form of a peach, the cover decoratedwith peaches hanging from leafy andblossoming branches on a diaperbackground, the sides with peonies andchrysanthemums amongst scrolling leaves

4.5cm high£400-600

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14 Lyon & Turnbull

39LARGE CINNABAR LACQUER ‘PEONY’ VASEof bulbous form with wide, cylindrical neck, finelycarved with a design of peonies all over on a leafyground, the crazed base with faint six-characterQianlong mark on the black ground

59cm highProvenance:Private Irish Collection

£10,000-15,000

41LACQUER BOX AND COVERQING DYNASTY, 18TH CENTURYof circular form, the cover decorated with apavilion within a landscape with trees androcks, the sides decorated with floral motif

8cm diamProvenance:Ex Sackler Museum Collection, de-accessioned 2009.

Note:This lot includes a fitted Japanese box.

£200-300

40CINNABAR AND BLACK LACQUER BOXAND COVERQING DYNASTY, 19TH CENTURYof circular form, the black lacquer decorationon the cover depicting two elderly figures anda child surrounded by pine trees and rocksand within a mountainous landscape, thesides decorated with flower baskets borne onribbons alternating with archaic leiwen motif,all on a cinnabar diaper ground

13cm diam£500-800

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Furniture & Works of Art 15

42CANTON EMBROIDERED SILK PANELQING DYNASTY, 19TH CENTURYfinely embroidered on a cream ground with abasket of flowers in the centre, framed by aborder of bouquets, butterflies and birds

136cm wide, 125cm high£300-500

43TWO CREAM SILK CASUAL ROBESEARLY 20TH CENTURYembroidered with dragons and flaming pearl, one grey and one black (2)

134cm longProvenance:The collection of Admiral William Heriot Maitland-Dougall (1819-1890), who served inthe China station of the Royal Navy as a lieutenant. Thence by descent.

£200-300

44BLUE-GROUND SILK INFORMAL DAY ROBELATE QING DYNASTY, EARLY 20TH CENTURYembroidered with roundels of peonies and finger citrons above a waveand rock border

116cm longProvenance:The collection of Admiral William Heriot Maitland-Dougall (1819-1890).

£200-300

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48Y

CARVED IVORY WRIST RESTQING DYNASTY, 18TH/19TH CENTURYof typical form with curving sides, the decorationin high relief to the underside depicting a villagescene with houses amongst pine trees and peopleengaged in various activities, the top carved in lowrelief depicting the Eight Immortals crossing thesea

35cm longProvenance:A Private Glaswegian Collection

Note:The scene of the Eight Immortals crossing the sea is basedon a Ming work by an anonymous writer which tells thestory of the Eight Immortals’ journey to the Conference ofthe Magical Peach. On the way, they encounter an ocean,but instead of crossing with the help of the clouds, theydecide to each exercise their unique power. The Chineseproverb “The Eight Immortals cross the sea, each reveals itsdivine power” refers to this tale and suggests that it is wiseto utilise the skills and expertise of each member of agroup in order to achieve a common goal.

£700-900

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47Y

PAIR OF MOTHER-OF-PEARL-VENEERED DUCK VESSELS AND COVERSQIANLONG MARK BUT 19TH CENTURYmodelled standing, the ivory webbed feet and beakpointing forwards, the body covered in mother ofpearl inlay emulating feathers, the back with smallconcealed cover revealing a hollowed interior,apocryphal four-character seal mark to the undersideof the cover (2)

9cm high£3,000-5,000

45SINO-TIBETAN RITUAL CONCH SHELLQING DYNASTY, 18TH/19TH CENTURYinscribed with auspicious phrases, dated mid-autumn, the 45th year of the reign of EmperorQianlong (1780), together with a beaded multi-coloured silk streamer

18cm long£300-500

49Y

CARVED IVORY, WOOD AND PAINTEDJARDINIERE

QING DYNASTY, 19TH CENTURYof rectangular form supported on scrolling feet, the flared sidesdecorated with carved ivory in a geometric pattern with octagonalreserves painted with gold fish swimming in a pond, some coveredwith glass, the interior and base in plain wood

37cm long£3,000-5,000

46AMBER CARVED STANDING FIGURE OF GUANYINQING DYNASTY, 19TH CENTURYfinely modelled as the Goddess of Mercy wearing longrobes falling in thick folds and holding a ruyi-sceptre, herface with a serene expression, the material of a reddishorange tone

22.5cm high (excluding stand)Provenance:Private Scottish Collection

£4,000-6,000

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Furniture & Works of Art 17

50Y

CARVED IVORY FIGURE OF KUI XINGMING DYNASTYthe figure carved with the body turned backwards and theleft leg raised, the right hand held high and the leftholding an ingot, the horned head with bushy hair,wearing loose pantaloons tied at the waist with a ribbonand the celestial scarf blowing in the wind, on wood stand

16cm highNote:Kui Xing is the patron deity of those taking jinshi examinations.

£1,500-2,500

51Y

CARVED AND PIERCED IVORY BRUSH POTQING DYNASTY, 18TH/19TH CENTURYthe body carved with a continuous scenedepicting scholars engaged in various leisurepursuits including Go game and calligraphydemonstration, raised on a carved and piercedbase

16cm high£2,500-3,500

52Y

STAINED AND CARVED IVORY FIGUREOF GUANYINQING DYNASTY, 19TH CENTURYstanding with her robe falling in deep foldsaround her

27.5cm£1,200-1,800

53Y

CARVED IVORY FIGURAL GROUPQING DYNASTY, 19TH CENTURYfinely carved as a water buffalo with two girlsat play with each other on its high-humpedback, a smaller water buffalo on its sidecarrying a boy with a whip

7cm high£1,000-1,500

54Y

EXPORT CARVED IVORY SNUFF MULLQING DYNASTY, FIRST HALF OF THE 19TH CENTURYof typical form, the lower body and scrolling tip finelycarved with elongated superimposed leaves below anintricate carving of a village scene with men andwomen engaged in various activities amongst pinetrees and pavilions, the cover with centralchrysanthemum surrounded by two concentricalbands of scrolling leaves

10cm long£1,500-2,500

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55Y

PAIR OF CANTONESE CARVED IVORY LETTER RACKSQING DYNASTY, 19TH CENTURYeach finely carved with a backplate supporting four slantedshelves, the front of the shelves carved in shallow relief with fourdifferent scenes of a family and their attendant’s travel across awater landscape, the backplate carved in high relief with scholarsengaged in various leisure pursuits, all on a dense ground of leafytrees and floral sprays (2)

34cm high£8,000-12,000

56Y

EXPORT IVORY AND SILVER MOUNTEDWALKING CANELATE QING DYNASTY/REPUBLIC PERIODthe ivory handle realistically carved as aseated lady holding a fan, the silver ferruledecorated in relief with two scenes of scholarsat leisure flanking a central coat of arms

89cm long£200-300

57Y

BAMBOO AND IVORY EATING SETLATE QING DYNASTY/REPUBLIC PERIODconsisting of a pair of ivory chopsticks, anivory toothpick and a knife, the handle of theknife and the case finely carved with peonyblossoms on leafy scrolls

28cm long£200-300

58SMALL BUFFALO HORN LIBATION CUPQING DYNASTY, 19TH CENTURYthe flared vessel resting on a circular foot, thesides decorated with archaistic motifs withthree chilong crawling on the sides and overthe rectangular handle with scrolling ends, therim and foot with keyfret border

9cm high£200-300

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Metalwares

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61SILVER VASE FRAMEWANG HING, 19TH CENTURYthe vase frame of flared form, everted lip, thereticulated body with engraved bamboo detail,stepped tapered column, textured collar andspreading foot, hallmarked WH 90 Qiji

Weight: 11.5oz, height: 30cm£200-300

59SILVER STEM CUPPOSSIBLY TANG DYNASTYthe sides engraved with four scenes depicting mountedhunters, all reserved on a finely textured ground andbetween two bands of flower scrolls, the pedestal footsimilarly decorated with floral scrolls

8cm high£500-800

60ENGRAVED PEWTER BOX AND COVERYAN HE SHUN MARK, LATE QING DYNASTYthe cover finely engraved with a lady and a fortuneteller in a garden, the underside stamped with ‘Yan HeShun Pewter Swatow’ mark

23cm long£300-400

62TWO DISHES WITH INSET SILVER COINSREPUBLIC PERIODone inset with a seven-mace and two-candareenscoin from Kiang Nan Province, the other with aone-dollar coin in the centre surrounded by atwenty-cent coin and four ten-cent coins (2)

9.5cm diamProvenance:Private Collection, Glasgow

£200-300

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64CLOISONNÉ ENAMEL DOUBLE-GOURD-SHAPED BOXAND COVERQING DYNASTY, 18TH CENTURYthe top decorated with a central lotus flower and two auspicioussymbols, surrounded by two bats amongst scrolling flowerheads,the underside similarly decorated with two large lotus flowersamongst scrolling leaves and a central four-character Kangximark, all on pale turquoise ground

13cm longProvenance:The Gauhar Collection

£1,200-1,500

65PAIR OF CLOISONNÉ ENAMEL BUFFALO-FORMVESSELSQING DYNASTY, 19TH CENTURYthe two animals realistically modelled standing foursquarewith their heads turned to the side, decorated throughoutwith scrolling leaves on blue ground, each carrying threesmall vessels on their back, the square-shaped vessel withapocryphal four-character Qianlong mark to the side, onlater rectangular stands (2)

18.5cm highProvenance:The Gauhar Collection

£1,200-1,500

63CLOISONNÉ ENAMEL TRIPOD CENSERQIANLONG MARK AND OF THE PERIODof flattened globular form with two upright handles, the bodydecorated throughout with lotus flowerheads amongstscrolling leaves on turquoise ground and ruyi headsdecoration along the shoulder, four-character Qianlong markto the underside

9.5cm highProvenance:The Gauhar Collection

£1,200-1,500

66PAIR OF ENAMELLED ENDLESS KNOTSQING DYNASTYof typical form, the metal structure covered in darkblue enamel and decorated with gilt blossomingand leafy scrolling branches (2)

21cm wide£1,200-1,800

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69PAIR OF CLOISONNÉ ENAMEL VASES, GUQING DYNASTY, 19TH CENTURYthe bulbous mid-section rising from a spreading footto a trumpet neck flaring towards an everted mouth,decorated with large lotus blossoms and scrollingfoliage, the central section applied with four verticalflanges below three raised rings (2)

34.5cm high£1,500-2,500

67LARGE CLOISONNÉ ENAMEL ‘LOTUS’BOTTLE VASEQING DYNASTY, 19TH CENTURYthe globular body enamelled with multi-coloured lotus blossoms borne on scrollingstems, the long slightly waisted neck similarlydecorated, a band of lappets encircling theshoulder, all reserved on a turquoise ground

59cm high£3,500-4,500

68CLOISONNÉ ENAMEL INCENSE BURNER AND COVER,FANG DING18TH/19TH CENTURYof archaistic fang ding form, the rectangular-sectioned bodyenamelled in blue, yellow and red with taotie masks and lotusflowers, the rim surmounted on the shorter sides by a pair of archedhandles, supported on four splayed legs in the shape of stylizeddragons, the cover cast in openwork with lotus sprays below aBuddhist lion finial

16.5cm high£2,000-3,000

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70CLOISONNÉ ENAMEL MOON FLASKMING DYNASTYthe flattened body supported on a short oval foot andrising to a cylindrical neck, decorated on each side incoloured enamels on a turquoise ground with a taijitusurrounded by lotus blooms borne on leafy scrolls, theshoulders set with two cloud-shaped handles

12.5cm high£10,000-15,000

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72PAIR OF CLOISONNÉ ENAMEL MODELS OFCOCKERELSQING DYNASTY, 19TH CENTURYmodelled crouching on a rocky base with floraldecoration on red background, the turquoise-enamelled body with gilt pattern to emulate feathers,the neck, wings, crest and tail with further elaboratepolychrome enamel decoration (2)

21cm high£2,000-3,000

71PAIR OF CLOISONNÉ ENAMEL MODELS OFQUAILSQING DYNASTY, 19TH CENTURYmodelled standing with heads looking forwards,the beaks and feet gilt, the bodies finely incised allover with gilt feathers on a turquoise background,the wings and tails with black ends (2)

12cm high£2,500-3,500

73CLOISONNÉ ENAMEL MODEL OF ACOCKERELQING DYNASTY, 18TH CENTURYthe body richly decorated with multi-colouredfeather design with gilded beak and comb ona wooden base

17.5cm high£1,000-1,500

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76PAIR OF CLOISONNÉ ENAMEL VASESQING DYNASTY, 19TH CENTURYof rectangular form with rounded sides, eachside decorated with archaic motifs onturquoise ground and reserves depictingBuddhist lions fighting over a brocade ball,apocryphal Xuande mark to the base (2)

26cm high£700-1,000

75CLOISONNÉ ENAMEL AND GILT-BRONZE‘CHAMPION’ VASEQING DYNASTY, 19TH CENTURYeach cylindrical section decorated with large lotusflowerheads amongst scrolling leafy branches on aturquoise ground, the foot with lappets, the rim and footring with keyfret border, the two sections joined on oneside by a gilt-bronze eagle with outstretched wings, on theother side with a four clawed-dragon, both atop a Buddhistlion joining the two sections at the base

19cm highNote:Champion Vases are twin vases modelled on bronze arrowcontainers which were given as rewards for military valour.

£800-1,200

74CLOISONNÉ ENAMEL ‘LOTUS’ CIRCULAR BOXAND COVERQING DYNASTY, 18TH/19TH CENTURYthe box enamelled in red, blue, yellow, white, greenand turquoise with four large lotus blossoms borneon scrolling stems, the cover similarly decorated withlotus and white prunus blooms

19.5cm diam£600-800

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A Private Sheffield Collection

77CLOISONNÉ ENAMEL DOUBLE-VASEQIANLONG MARK AND OF THE PERIODthe conjoined vases of baluster form, the larger one decoratedwith endless knots below bats in flight and flanked by lotusblossoms, the smaller one with further lotus blossoms amidscrolling stems, the base incised with four-character mark inregular script and dated bingwu year (1786)£15,000-20,000

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78CLOISONNÉ GOBLETQIANLONG PERIODthe bowl with flared sides raised on a knopped stem anddomed foot, the sides enamelled in blue with large lotusflowers amongst scrolling leaves and ruyi border on aturquoise ground, the stem with further lotus andscrolling leaves, the foot with blade-shaped motif, the giltrim with keyfret border

22cm high£8,000-12,000

Metalwares 27

79THREE-PIECE CLOISONNÉ ALTARGARNITUREQIANLONG MARKS BUT 19TH CENTURYcomprising: a flattened globular censer withscrolling gilt handles, a small baluster vasewith decorative gilt fan ornaments, and asmall circular box and cover, all on fittedstands, all decorated with lotus flowers amongst scrolling leafybranches, all with apocryphal four-character mark within a giltsquare to the base (3)

censer 12cm tall (including stand)£6,000-8,000

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80CLOISONNÉ ENAMEL BOWL AND STANDMING DYNASTYthe interior of the bowl decorated with a central roundelcontaining a large lotus bloom highlighted in red, surroundedby bands of scroll motif, the exterior enamelled with peonysprays, supported on a matching stand with dragons andfurther floral ornament

bowl 11cm diam£4,000-6,000

81CLOISONNÉ ENAMELARCHAISTIC VESSEL ANDCOVER, FANG DINGQING DYNASTY, 19TH CENTURYof rectangular section and supportedon four blade-shaped legs, the coverand the vessel decorated inpolychrome enamels with lotus blossoms and foliageborne on undulating bands, the cover further decoratedwith two pierced panels containing a pair of dragons

22cm high£4,000-6,000

83CLOISONNÉ ENAMEL TRIPODCENSER FOR THE ISLAMICMARKETQING DYNASTY, 19TH CENTURYthe exterior decorated with twolobed cartouches containing Arabicinscription, reserved against apolychrome enamelled ground with lotus issuingscrolling tendrils, four-character apocryphal Qianlongmark to the underside

14.5cm wide£3,000-5,000

82CLOISONNÉ ENAMEL TRIPODCENSER, DINGQING DYNASTY, 19TH CENTURYthe exterior decorated with twopairs of confronting dragons with alotus stem issuing from the mouth,below a zigzag band five-petalledflowers, the tall columnar legs and the undersidedecorated with lotus on scrolling stems, four-characterapocryphal Qianlong mark to the underside

19.5cm high£3,000-5,000

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84CLOISONNÉ ENAMELINCENSE BURNER, GUIQING DYNASTY, 19THCENTURYimitating the form of an archaicbronze vessel, with compressedglobular body raised on a flaring circular foot, theshoulder applied with twin loop handles issuing fromdragon masks, decorated on a blue ground with theauspicious Shou character flanked by a pair of bats

19cm wide£2,500-3,500

85CLOISONNÉ CENSER FOR THEISLAMIC MARKETQIANLONG MARK BUT 19THCENTURYof flattened globular form, with giltrim, foot ring and elephant maskhandles, the sides and base decorated with lotusflowers and blossoms amongst scrolling leaves on aturquoise ground, the rim with ruyi border, the sideswith lobed reserves depicting Arabic letters on abackground of gilt scrolling motifs, the base with four-character Qianlong mark within gilt square

12cm diam£2,000-3,000

87CLOISONNÉ BOX ANDCOVERQING DYNASTY, 19TH CENTURYof circular form with domed cover,decorated with archaistic stylisedphoenix motifs, lotus flowers andscrolling leaves, apocryphal four-character Qianlongmark to the base within a gilt square

7cm high£800-1,200

86RECTANGULAR CLOISONNÉ BOXAND COVERQING DYNASTY, 19TH CENTURYthe cover decorated with a writhingfront-facing five-clawed dragon pickedout in red, surrounded by stylizedclouds, the sides of the cover and ofthe box enamelled with lotus blooms borne on scrollingstems, four-character apocryphal Qianlong mark to thebase

14cm long£1,000-1,500

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(reverse)

89CANTON ENAMEL DISHQING DYNASTY, 19TH CENTURYdecorated with a central round paneldepicting a group of men and twoladies by the banks of a river, all withina border of scrolling leaves, the sideswith peonies, lotus, citrus fingers andpeaches within floriform reserves androundels on a diaper background, thereverse with stylised dragons andfurther scrolling leaves and peonydecoration

28.5cm diam£3,500-4,000

88CANTON ENAMEL DESK SETQING DYNASTY, 19TH CENTURYcomprising two bowls and covers and a lobed tray,the bowls of circular form decorated with twoshaped reserves depicting plum blossoms on oneside and a peony and butterfly on the other, thecovers with a central peony amongst furtherflowerheads and butterflies, the same decorationrepeated on the sides of the bowl and on the tray,all on pale yellow ground (3)

tray 27cm long£300-500

90SMALL CANTON ENAMEL BOWLQING DYNASTY, LATE 19TH CENTURYthe flared sides richly decorated to the interiorand exterior with peonies and auspicioussymbols amongst scrolling leaves, the exterioron a yellow ground, the interior centralroundel featuring pomegranate and peach,apocryphal Qianlong mark to the base

6cm high£1,000-1,500

91CANTON ENAMEL TEAPOT AND PAIR OFTEA CADDIESQING DYNASTY, LATE 18TH/EARLY 19TH CENTURYthe round body with domed cover and bamboohandle decorated with two lobed reserves withlotus flowers amongst scrolling leaves on yellowground, the rest of the body with further scrollingbranches on blue, black, and pink ground, thecover with peony decoration, the tea caddies ofrectangular form, repeating the decoration on theteapot (3)

teapot 20cm high overall£1,500-2,500

Other Properties

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92PAIR OF CANTON ENAMEL WALL VASESQIANLONG PERIODflat on one side and of baluster form with long flared neck on theother, the rounded sides decorated with a reserve depicting largepeonies within a lush landscape and a butterfly flying overhead, allwithin a scrolling ribbon-like border with stylised flowers and dragonheads, the shoulder with small lobed reserves with lotus flowersalternating with stylised lappets, with keyfret border to the rim,shoulder and foot, all on a delicate pink background with peoniesand lotus flowers amongst scrolling leafy branches, on a carvedwooden stand (2)

22cm high overall£7,000-9,000

93PAIR OF CANTON ENAMEL YELLOW-GROUND BOWLS20TH CENTURYthe exterior and the interior of the flaring mouth rim luxuriantlydecorated on a yellow ground with floral blooms on leafy scrolls,the centre of the interior and of the bottom decorated with apomegranate fruit (2)

15.2cm diam£300-500

94CANTON ENAMEL BOX AND COVERQING DYNASTY, 19TH CENTURYdecorated in bright colours to the exteriorwith flowers and double-gourds borne onleafy scrolls reserved on a yellow ground, theinterior enamelled white

1.5cm diam£200-300

95CANTON ENAMEL ‘EUROPEANSUBJECT’ BOWLQING DYNASTY, 18TH/19TH CENTURYthe central reserve depicting two foreigners,one sitting underneath a tree, the otherwalking towards him and carrying a vase withflowers, both within a landscape with a churchin the background, the sides decorated withpeonies and peaches amongst scrolling leaves,the base with two gourds and a blossomhanging from a branch

19cm diam£200-300

96CANTON ENAMEL RECTANGULAR BOXAND COVERQING DYNASTY, 18TH CENTURYthe graduated cover decorated in polychromeenamels with a rectangular panel depictingblossoming peonies and chrysanthemum,further shaped cartouches to the sides withsimilar decoration

11.5cm wide£300-500

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99CANTON ENAMEL TEA BOWL ANDSTRAINERQING DYNASTY, EARLY 19TH CENTURYthe floriform bowl and strainer decorated withbutterflies, peaches, peonies, plum blossomsand gourds on a light green enamel ground,the strainer pierced with geometric pattern

14cm wide£1,500-2,500

98CANTON ENAMEL BOX AND COVERQING DYNASTY, 19TH CENTURYthe floriform body decorated all over withblue enamelled peonies, lotus andchrysanthemums amongst scrolling leaves onwhite ground, the cover with a centralauspicious shou symbol surrounded by bats,with eight further auspicious symbols, four tothe cover and four to the sides, the feet withkeyfret decoration

25.5cm wide£600-800

100CANTON ENAMEL LOBED BRUSH WASHERQING DYNASTY, EARLY 19TH CENTURYdecorated with peonies, chrysanthemums andother blossoms on a floral diaper green ground,one side with a small reserve decorated with a batwith open wings, the reverse with a gourd andfinger citrus on a purple ground

21cm long£600-800

97PAIR OF GREEN CANTON ENAMELVASESLATE 19TH/EARLY 20TH CENTURYof baluster form, the globular body supportedby a tapering foot and elongated flared neck,decorated with peonies and lotus blossomsamongst scrolling leafy branches, the base ofthe neck with alternating upright leaves andblossoms, the rim with ruyi border (2)

25.5cm high£400-600

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101BRONZE ‘BAGUA AND ZODIAC’ MIRROREARLY QING DYNASTYthe knob in the shape of a turtle encircled by a border ofthe eight trigrams of Taoist cosmology and a furtherborder with the twelve animals of the zodiac, the outerfield inscribed with a twenty-character poem

27.5cm diamProvenance:A Private Scottish Collection. For further information see lot 163.

£300-500

102ARCHAISTIC BRONZE TRIPOD INCENSEBURNER, DINGQING DYNASTYthe cylindrical body with three verticalnotched flanges, the rim surmounted by twoarch handles attached on the lipped rim, theexterior decorated in key-fret patternfeaturing a raised dragon wearing a taotiemask

23cm high£400-600

106COPPER ‘FENGSHUI’ LUBAN RULERinscribed on all sides with auspicious phrasesto ward off negative geomantic forces

45cm long£200-300

107MING STYLE BRONZE FIGURE OF QILINQING DYNASTYthe mythical beast modelled with its headturned to the side, the face cast with fierceexpression with bulging eyes and roaringmouth

9.5cm wide£200-400

103BRONZE ORDOS FIGURE OF AKNEELING DEER6TH - 2ND CENTURY BCcast with legs bent and head tilted upwards,the body covered in verdigris, on later woodenstand

9cm high (excluding stand)£1,500-2,500

105BRONZE BANKNOTE PRINTING PLATEREPUBLIC PERIODtogether with a BANKNOTE ISSUED BY FUXIANG YONG, dated the sixth year of theRepublic Period (1917)

plate 17cm high£200-300

104BRONZE ORDOS ORNAMENT6TH - 2ND CENTURY BCthe hollowed figure cast as a mythical beaststanding four square, head looking forwards,the tail hanging straight, the reverse with twoeyelets for mounting, the body covered inverdigris, on a perspex stand

11cm long (excluding stand)£1,500-2,500

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111BRONZE FIGURE OF AN ELEVEN-HEADED AVALOKITESVARAQING DYNASTY, 18TH CENTURYthe figure cast standing with eight arms andeleven crowned heads, dressed in looselydraped scarves flowing upwards at the endsand a dhoti tied at the waist and hung withbeaded chains, the principal hands clasped infront, the other hands holding variousattributes, on later wooden stand

17cm high (excluding stand)£4,000-6,000

110SMALL BRONZE ‘ELEPHANT FOOT’CENSERQING DYNASTY, 18TH CENTURYof cylindrical form, the flared sides withrectangular handles decorated with knots,supported on three elephant-head shapedfeet, apocryphal Xuande mark

8.5cm high£2,000-4,000

108ARCHAIC BRONZE WINE VESSEL, ZUNthe pear-shaped body cast in low relief with threebands of stylized birds with long upturned tails, thebirds in the middle band flanking two animal masks,all reserved on a dense leiwen ground, the patina ofmottled green and brown with extensiveencrustation

16.5cm high£1,600-2,000

109TWO BRONZE MIRRORSTANG DYNASTY, SONG DYNASTYthe one from the Tang dynasty octolobed,the reverse decorated in high relief with themythological moon hare under anosmanthus tree, the one from the Songdynasty in the shape of a lotus flower, thereverse decorated with four immortals,with fitted box inscribed with a poem byDong Gao (2)

largest 12cm diamNote:The cover of the box bears the trade label of M.F.Langweil, Paris.

£600-800

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114GILT-BRONZE FIGURE OF AMITAYUSQING DYNASTY, 18TH CENTURYcast seated in dhyanasana on a double-lotusbase, wearing long flowing robes incised withscroll borders, beaded necklaces, armlets andbracelets inset with various hardstones, hisface with a serene expression surmounted byan elaborate tiara, the hands joined togetheron his lap

11cm high£2,500-3,500

112ARCHAIC BRONZE ‘MONKEY’ BELT BUCKLEDIAN KINGDOM, 278 BC-115 ADcast in the shape of a disc encircled by a ring of ten crawlingmonkeys in high relief, the centre of the disc incised with aroundel enclosing an eight-pointed star, surrounded byinterlinked cloud scrolls, all against a hexagonal-diaper ground

12.8cm diamProvenance:Private English Collection

Note:For a very similar belt buckle, see Sotheby’s sale in their New York rooms on19th-20th March 2007, Lot 533

£2,000-3,000

113ARCHAIC BRONZE ‘STAG’ BELT BUCKLEDIAN KINGDOM, 278 BC-115 ADcast as a circular shield surrounded by a ring of tenstag heads, the shield boss encircled by geometricizedornament in low relief, the bronze of greyish-browntone with areas of malachite encrustation

15.2cm diamProvenance:Private English Collection

£2,000-3,000

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117SINO-TIBETAN TSA-TSA MOULD OFBUDDHA VAIROCANAmoulded with a negative relief of the historicalBuddha meditating below a bodhi tree,inscribed with apocryphal Qianlong mark tothe reverse of the cover and to the undersideof the mould

10cm high£1,000-2,000

115BRONZE INCENSE BURNERKANGXI PERIODof circular form, the curving sides raised on aslightly flaring foot, flanked by elephant maskhandles, a raised line cast around thecircumference of the piece, incised ‘Yong BaoYong’ mark to the base

11cm diam£2,000-4,000

116GILT BRONZE FIGURE OF A DANCINGDAKINIwith the head of a dog and ferocious facialexpression, dancing on her right leg, her righthand held aloft, wearing a tiger-skin skirt

27cm high£1,200-1,800

118SMALL GILT AND PATINATED BRONZEVASEQING DYNASTYof tapered circular form, the sides with fourgilt reserves decorated in relief with birdsperched on branches of plum blossoms andpine trees and chrysanthemums, the flaredneck ending in a gilt chrysanthemum-shapedmouth, on a gilt domed foot

11cm high£500-800

119SMALL GILT AND PATINATED BRONZEBOX AND COVERof rectangular form, the cover decorated inrelief with a gilt reserve depicting a Buddhistlion playing near a branch of peonies, with agilt underside and interior

6cm long£500-800

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121BRONZE FIGURE GROUP OF A MANPUNISHING HIS SON19TH/20TH CENTURYcast as a man bent over his son and about tostrike the latter’s bare buttocks with sandalsas punishment

18cm highProvenance:Private English Collection

£300-500

120BRONZE CENSER IN THE SHAPE OF ABUDDHIST LIONMING DYNASTYfinely cast with its head turned, the mouthfiercely open and resting its left forepaw on abrocade ball

20cm longProvenance:Private English Collection

£400-600

123POLISHED BRONZE TRIPOD CENSERQING DYNASTY, 18TH CENTURYthe compressed globular body raised on threeconical legs, the rim applied with two outsweptloop handles, apocryphal six-character Xuandemark to the base

12.3cm high£1,000-1,500

122GILT BRONZE FIGURE OF AN ARHATthe figure cast standing on a lotus base,wearing monk’s robes, the hem incised withfloral border, the hands held at the chest invitarka mudra, the face with eyes open andflanked by elongated earlobes

25cm high£1,500-2,500

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125BRONZE TRIPOD INCENSEBURNERKANGXI PERIODthe compressed globular body withtwo loop handles rising at a slightangle from the rim to the waistedneck, supported on three feet, six-character Xuandemark to the base

12.5cm diam£1,000-1,500

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124BRONZE CENSER AND COVERQING DYNASTY, 18TH CENTURYof bombé shape, raised on a slightly splayed shortcircular foot, the shoulder applied with two loop handles,the silver-inlaid pierced wood cover surmounted by anagate lingzhi finial, apocryphal six-character Xuande markto the base, 10cm diam; together with a BLUE ANDWHITE PORCELAIN CENSER AND COVER, 12cm diam, withfitted wood box (2)Provenance:Private Japanese Collection

£12,000-15,000

126BRONZE DOOR KNOB REPUTEDLYFROM THE TEMPLE OF HEAVENQING DYNASTYheavily cast and shaped as a nail with ahemispherical head and a tapered shank witha sharp end

22.5cm long£200-300

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128SINO-TIBETAN GILT BRONZE FIGUREOF A SEATED BUDDHAQIANLONG MARK BUT LATERthe figure draped in robes and with elongatedearlobes, seated in dhyanasana on a doublelotus base, the face with a peacefulexpression, both hands in vitarkamudra, withQianlong mark to the front of the lotus base

16cm high£3,000-5,000

127ENAMELLED BRONZE BOWLQING DYNASTY, 19TH CENTURYof flattened globular form, carved all over withblossoms amongst leafy branches, theexterior decorated in polychrome enamelsand with ruyi border to the rim

24cm wide£300-500

129SINO-TIBETAN GILT BRONZE FIGUREOF A TARAQING DYNASTY, 19TH CENTURYthe figure depicted seated in dhyanasana on adouble lotus base, wearing a heavy jewelledcrown, long earrings and a beaded necklace,one hand lifted and holding a sword, the otherin vitarkamudra

12.5cm high£1,000-1,500

130SINO-TIBETAN BRONZE FIGURE OFPELDEN LHAMOQING DYNASTYthe wrathful Goddess depicted seated on amule with an eye on its left rump, wearing agarland of severed human heads and holdinga halberd in her arm, accompanied by herattendant Makaravaktra, all raised on a lotusthrone depicting crusty waves of the sea

15cm high£2,500-3,500

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133BRONZE FIGURE OF A MYTHICAL BEASTQING DYNASTY, 19TH CENTURYthe animal cast in a crouching position with headturned to the left, with a ferocious expression andmouth open in a roar, the body decorated withscrolling motif with traces of gilt

8cm high£600-800

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131BRONZE ‘DRAGON’ BELLQING DYNASTY, 18TH/19TH CENTURYof typical form with scalloped rim, decoratedto the sides in relief with dragons chasing theflaming pearl amongst mountains and incisedclouds, the top with low relief styliseddecoration and apocryphal Xuande mark, withdouble-headed dragon handle and arectangular panel with an auspicious phrase

37cm high£500-800

132BRONZE CENSER IN THE FORM OF A GOOSEMING DYNASTYthe animal cast standing on the two webbed feet,with neck turned slightly to the left and beak openand tilted upwards, the body finely incised on thewings and tail to resemble feathers, the wings liftingto reveal hollowed interior

18.5cm high£1,200-1,800

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136SQUARE-SECTIONED BRONZE CENSERQING DYNASTY, 18TH/19TH CENTURYof square section and indented corners, raisedon four short feet and applied with twohandles, Li Qu Jiang Zhi mark to the base

9cm high£800-1,200

137PARTLY GILT BRONZE VASE, MEIPINGthe rounded sides with gilt relief decoration oftwo birds perched on a blossoming plum tree,further decorated in plain relief with largepeonies hanging off leafy branches, inscribedwith a poem to the reverse, four-characterapocryphal Xuande mark to the underside

20cm high£200-300

134BRONZE INCENSEBURNER, GUIQING DYNASTY, 18TH/19THCENTURYof archaistic circular form,resting on a short foot, theglobular body rising to a splayed rim, with twocurving loop handles to the sides, Xuande mark tothe base

12cm diam£1,000-1,500

135GILT METAL MODEL OF A TEMPLELATE QING DYNASTYresting on a circular base decorated with turquoiseenamelled peaches and flower buds, surrounded byscrolling leaves, the temple resting in circularenclosure and made of fine gilt mesh, comprising offour doors and rising to a six tiered roof surroundedby hanging bells and flags

22cm high£2,000-3,000

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Glass

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138 tIMPERIAL OPAQUE YELLOW GLASS MALLET-SHAPED VASEQIANLONG FOUR-CHARACTER MARK AND OF THEPERIODthe body of beehive-domed form rising to a tallcylindrical neck with a lipped mouth rim, the glass of asmooth lemon-yellow tone, four-character mark inregular script within double squares to the base

18cm highProvenance:Formerly in a private European collection.

Note:For a similar vase, also from the Qianlong period, see Christie’ssale in their New York rooms on 18th-19th September, 2014,lot 1146.

£30,000-50,000

Glass 43

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139 tRARE IMPERIAL TRANSLUCENT RUBY-RED GLASS FLUTED VASE FROM THE PALACE WORKSHOPSYONGZHENG FOUR-CHARACTER MARK AND OF THE PERIODthe rounded body standing on a high foot and rising to a slightlytapered neck, fluted into ten facets, the base incised with a four-character mark in regular script within a square

14.5cm highProvenance:Formerly in a private European collection.

Note:For a comparable vase, also from the Yongzheng period, see Bonhams sale in theirHong Kong rooms on 24th November, 2010, lot 234.

£40,000-60,000

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140 IMPERIAL OPAQUE YELLOW GLASS TRIPOD CENSERQIANLONG FOUR-CHARACTER MARK AND OF THE PERIODthe compressed body raised on three conical feet, applied with a pair ofarched handles rising from the rim, the glass of soft milky yellow hue,the base incised with four-character mark in regular script within doublesquares

8cm highProvenance:Formerly in a private European collection.

Note:For a similar censer in turquoise colour, see Sotheby’s sale in their Hong Kongrooms on 8th October, 2010, lot 2193.

£25,000-30,000

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143Y

BLUE OVERLAY PEKING GLASS SNUFFBOTTLE19TH/20TH CENTURYof flattened rounded shape and inlaid on bothsides with a clock flanked by lotus sprays onthe shoulders

6.5cm high£400-600

146FINE PEKING GLASS BLUE-OVERLAYGOLD-SPLASHED BRUSH WASHERQIANLONG MARK AND POSSIBLY OF THEPERIODof compressed cylindrical form, finelycarved in high relief through a layer ofsapphire-blue glass to an amber groundwith carp swimming in a lotus pond, the ground denselyincised with waves, the glass spotted with gold splashes, four-character Qianlong mark to the base

21cm diam£3,000-5,000

142Y

RED AND WHITE OVERLAY SNUFFBOTTLE19TH/20TH CENTURYrichly overlaid in red and white with adragonfly amongst blooming lotus above atranslucent ground with fine white speckle

7cm high£400-600

141REVERSE PAINTED GLASS SNUFFBOTTLEATTRIBUTED TO SUN XINGWU, DATED 1892of baluster form, the rounded sides decoratedwith figures within a mountainous landscapewith plum blossoms, the inscription identifyingthe scene as ‘Visiting a Friend’, signed and withone seal of the artist, dated summer, renchenyear (1892), with hardstone stopper

8.5cm high£200-300

144Y

INSIDE PAINTED ‘GUANYIN’ SNUFF BOTTLEDATED 1936of elongated rounded rectangular form, decoratedon both sides with Guanyin with Thousand Armsseated on a lotus throne, signed Wen Fang anddated bingzi year (1936)

7.5cm high£450-650

145Y

RED OVERLAY PEKING GLASS SNUFF BOTTLEof flattened globular form, each side decorated in redoverlay, one side depicting an old man with a childadmiring a magician as he stands over a floating cloudissuing from a large vase, on the other side two furtherfigures opening a covered basket to reveal a scrollingcloud of smoke whilst two bats fly overhead, bothscenes flanked by large pine trees, with celadon jadestopper

7cm high£1,000-1,500

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147MONOCHROME BLUE PEKING GLASSARCHAISTIC BOWLthe globular body with relief archaic-styledecoration and a keyfret border along the rim,the flared sides with qilin handles, apocryphalQianlong mark to the base

13cm high£300-500

148MONOCHROME BLUE PEKING GLASSVASEof ovoid form, the sides reeded to theshoulder with neck plain, with apocryphalQianlong mark to the base

23cm high£500-800

149GREEN-OVERLAY PEKING GLASSBRUSH POTof cylindrical form, decorated on a purple-tinted ground with two scholars in a boatdrifting across a lotus pond below willowtrees, apocryphal Qianlong mark to the base

15cm high£400-600

151PAIR OF GREEN OVERLAY PEKINGGLASS JARS AND COVERSof globular form with domed covers, the greenoverlay decoration depicting ducks swimmingin a pond amongst lotus flowers and leaves (2)

18cm high£800-1,200

150ENAMELLED ‘THREE FRIENDS OFWINTER’ GLASS VASEQING DYNASTY, 19TH CENTURYof baluster form, decorated in enamel withoverlapping blossoming plum tree, pine andbamboo, with apocryphal Qianlong mark

24cm high£500-800

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152TWO-COLOUR PEKING GLASS BRUSH WASHERof flattened globular form, the overlay decoration inpale blue depicting lotus flowers amongst scrollingbranches over a darker blue ground, with lappetsaround the footring

23cm wide£1,000-1,500

154MONOCHROME DARK BURGUNDYPEKING GLASS VASEof baluster form, the globular body and flaredneck supported on a rounded foot withdecorative flattened circular sections

25cm high£350-450

155PINK PEKING GLASS VASE18TH/19TH CENTURYof baluster form, the pale pink body withdarker violet highlights around the neck

11.5cm high£100-150

157PAIR OF YELLOW MONOCHROMEPEKING GLASS VASES19TH/20TH CENTURYeach carved to the exterior with a scholar andhis young attendant in a landscape withmountains, pine and pavilion, the glass of aneven opaque yellow tone (2)

23cm high excluding stand£600-800

153MONOCHROME DARK BURGUNDYPEKING GLASS VASE19TH CENTURYof bottle form, with globular body andelongated neck

11.5cm high£500-800

156MONOCHROME AMBER PEKING GLASS VASEthe gold-speckled amber body decorated in reliefwith goldfish, carps and ducks amongst large lotusflowers and leaves amongst waves, with lappets atthe neck and faux mask handles, apocryphalQianlong mark to the base

30cm high£1,200-1,500

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162HEXAGONAL RED AND BLUEGLASS BRUSH POTQIANLONG MARK AND POSSIBLY OFTHE PERIODthe sides decorated with fruiting spraysof peaches and pomegranates, the glassof a translucent purple tone, four-character mark to thebase

11.5cm high£1,500-2,000

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158NEAR PAIR OF MONOCHROME REDPEKING GLASS VASESof bottle form, the globular body decoratedwith reserves depicting mountainouslandscapes and butterflies (2)

20cm high£500-800

159PINK OVERLAY PEKING GLASS VASEof bottle form, the pink overlay decorationdepicting dragons chasing the flaming pearlamongst ruyi clouds, the rim with key fretborder

19cm high£600-800

161PAIR OF MONOCHROME TURQUOISEPEKING GLASS BOTTLE VASESof globular body and elongated neck on ashort straight foot (2)

18.5cm high£800-1,200

160MONOCHROME COBALT-BLUE PEKINGGLASS VASEof bottle form with oviform body andcylindrical neck, apocryphal Qianlong mark tothe base

24.5cm high£300-500

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Ceramics

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163LONGQUAN CELADON BOWLMING DYNASTYwith rounded sides and lipped rim raised on a short foot, theinterior incised with a central floral spray, applied overall with asea-green glaze apart from the underside burnt orange

16.3cm diamProvenance: A Private Scottish Collection

Note:Spanning early wares to 19th century blue and white porcelain, this collection has beenthoughtfully assembled over a period of more than 30 years by a Scottish gentleman who travelled toChina in the first decade of the 20th century. Before long this collector became a dedicated sinophile,immersing himself in the culture of China and becoming devoted to the Chinese people among whom heworked in a remote region of Western China. Indeed, whilst in Asia he married and his children were born.Prior to his departure in the mid 1940s he steadily grew a diverse collection of artworks as mementos of histime there, often making descriptive notes, many of which are still intact with the items.As a marker of quality, many of the pieces collected during this period were loaned to the British museum forhistorical interest, and as excellent examples of their kind. Some items still bear museum loan labels. Since itsreturn to Scotland, the collection has remained in the same family to the present day.

£300-500

164CELADON CRACKLE GLAZED HEXAGONAL VASEQING DYNASTYof tapered hexagonal form, the body covered overall with athick celadon green crackled glaze

37cm highProvenance:A Private Scottish Collection. For further information, see lot 163.

£400-600

165DING-TYPE INCISED BOWLSONG DYNASTYthe curved sides rising to a slightly flared rim, freelycarved to the centre of the interior with a waterweedpattern, covered with a pale blue glaze, 16cm diam;together with a CELADON STONEWARE BOWL,14.5cm diam (2)Provenance:Private Scottish Collection

£300-500

166DING WARE LOBED BOWLSONG DYNASTYthe deep sides flaring towards the lobed rim andresting on a straight tall foot, moulded to theinterior with stylised flowers, the body covered onthe exterior and interior in a creamy-white glaze

16.5cm diamProvenance:By repute formerly in the collection of Robert H. Ellsworth.

£400-600

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168PURPLE-SPLASHED JUNYAO BOWLYUAN DYNASTYthe body covered in a thick glaze of a milkylavender tone, stopping short of the foot toexpose the pale brown stoneware, one richpurple splash in the interior

19cm diam£400-600

167PURPLE-SPLASHED JUN-TYPE TRIPOD CENSERAND COVERQING DYNASTYthe globular body with short neck and everted rim,applied with two handles and supported on threeshort legs, covered with a thick lavender-blue glazesplashed with three purple blushes, with piercedwood cover and stand

13cm high (excluding stand)£2,000-3,000

171JIANYAO BOWLSONG DYNASTYwith rounded sides rising to a slightly invertedrim, the body covered in rich dark brown glazestopping short of the foot and thinning to alighter brown colour on the rim

13cm diam£300-500

169SMALL JUN WARE PURPLE SPLASH‘BUBBLE’ BOWLthe straight sides curving to a slightly spreadfoot rim, in lavender and pale blue glaze, theinterior with a single purple splash

6cm diam£500-700

170JUNYAO BOWLYUAN DYNASTYof conical form with a slightly inverted rim andsplayed foot, covered to the interior andexterior with a thick fine-crackled glaze oflavender tone, falling short of the foot rim,one purple splash to the interior

14.8cm diam£3,000-5,000

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173CELADON ‘TWIN FISH’ CHARGERYUAN/MING DYNASTYthe large dish with low relief cavetto flutingmould rising to a barbed everted rim, thecentral roundel with two fish swimming inopposite directions encircled by a swirling vineband

31cm diam£600-800

174GE-TYPE CRACKLE-GLAZED ALMS BOWLQING DYNASTY, 19TH CENTURYof globular form, the tapering sides withinverted rim covered overall in a celadon glazesuffused with a network of grey and goldcrackles, on wooden stand

16cm high (excluding stand)£2,500-3,500

175PAIR OF DING-TYPE CUPS AND STANDSPOSSIBLY SONG DYNASTYeach cup with rounded sides and a short foot,supported on a stand with a gently rising trayand a slightly splayed foot, all covered in apale cream glaze with a fine crackle (2)

6cm high including stand£400-600

172ARCHAISTIC GE-TYPE BALUSTER VASEQING DYNASTY, LATE 19TH CENTURYthe globular body with flared neck and lobedrim all covered in grey glaze suffused with anetwork of dark grey crackles, with archaic-style brown-glazed decoration of lappets tothe neck and foot, ruyi border to the shoulder,keyfret collar to the neck, and mask handles,impressed brown-glazed seal mark to the base

52cm high£300-500

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177POTTERY JAR AND COVERof globular form, supported on three feet,with upswept handles, the body with traces ofpale cream glaze, the cover with polychromestylised floral decoration

14cm high£300-500

178HENAN BROWN-GLAZED POTTERY JARwith twin lug handles, the dark-brown glazefalling short of the foot and the centre of theinterior to reveal the buff pottery

13.5cm diamProvenance:Ex Sackler museum, deaccessioned 2009

£600-800

180EGG AND SPINACH GLAZEDPOTTERY DISHPOSSIBLY LIAO DYNASTYthe floriform dish with moulded decorationand covered in green, yellow and creamglaze to form petals surrounding a centralblossoming peony, the foot unglazed

12.5cm diamNote:Bears label of Toguri Museum of Art to theunderside.

£700-1,000

176PAIR OF PAINTED POTTERY PACK HORSESmodelled standing foursquare on a rectangularwood base carrying across its back a pair of saddlebags, the surfaces showing remains of redpigments

17cm long£2,000-3,000

179EGG AND SPINACH GLAZED POTTERYJAR AND COVERof tapered cylindrical form, with thin raisedband encircling the middle and the base

9cm high£300-500

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182YELLOW-GLAZED POTTERY TRIPOD JARTANG DYNASTYof globular form on three paw supports, the lower partof the body unglazed, the upper part covered in thickdark yellow glaze crackling around the neck, with twolines of darker glaze below the shoulder, museum-typemark 921:40

15cm highProvenance:Ex St Luis Art Museum

£1,000-1,500

184POTTERY MODEL OF A DUCKPOSSIBLY HAN DYNASTYthe animal modelled standing and lookingstraight ahead, the body green glazed andhollowed

21cm high£400-600

185PAIR OF CIZHOU POTTERY BOWLSof ogee form, partially covered in pale creamcrackling glaze, the foot and central ring to theinterior unglazed, the exterior decorated withstylised floral motif (2)

15.5cm diam£100-150

186QINGBAI POTTERY BOWLSONG DYNASTYthe thinly potted flared sides covered in pale cream glaze, thecentral roundel moulded with two fish

16.5cm diam£1,000-1,500

181EGG AND SPINACH GLAZED POTTERY TAZZAPOSSIBLY TANG DYNASTYthe unglazed flared foot supporting a circular dishwith flared sides, splashed with brown, green andcream glaze

7cm high£1,500-2,500

183PAIR OF DINGYAO STONEWARESAUCER DISHESPOSSIBLY SONG DYNASTYthinly potted with a central roundelcontaining a swan goose surrounded by awide band of peony and chrysanthemumsprays across its curving well below a key-fret border, with fitted wood box (2)

17cm diam£400-600

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188SANCAI POTTERY FIGURE OF A CAMELTANG DYNASTYrealistically modelled standing foursquare ona rectangular base, the neck arched, its backcovered in rich green and ochre glaze and witha large pack moulded on each side as masksatop a saddle cloth amongst the two bumps

39cm highProvenance:The Gauhar Collection

£3,000-5,000

187JIZHOU WHITE-SPOTTED BLACK-GLAZED BOWLSONG DYNASTYof flared conical form, decorated to theinterior with rows of white spots on blackground, the foot unglazed

16cm diamProvenance:The Gauhar Collection

£400-600

189CRACKLE-GLAZED GLOBULAR JARKANGXI PERIODwith a bulbous body and an inverted rim,decorated with two bands of protruding ‘grainseed’ patterns and two mythical beast maskhandles to imitate an archaic bronze vessel,covered overall with a crackled glaze of olive-yellow tone stopping above the foot, withcarved Zitan wood stand

27cm diamProvenance:Private English Collection

£2,000-3,000

190SMALL GREEN-ENAMELLED DOUBLE-GOURD VASEQING DYNASTY, 18TH/19TH CENTURYwith bulbous lower body, the smaller upperbody tapering to a narrow neck, the exteriorcovered in a glaze of soft apple-green colourending slightly short of the unglazed foot

9cm highProvenance:Private Japanese Collection

£1,200-1,500

191CLAIR DE LUNE DRAGON BOTTLE VASEYONGZHENG MARK, 18TH/19TH CENTURYthe rich light blue glaze draping over the bodyand a qilong dragon on the shoulder, the basewith six-character seal mark

34.5cm high£1,500-2,500

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195BLANC DE CHINE FIGURE OF GUANYINQING DYNASTY, 18TH CENTURYthe figure depicted seated atop a Buddhistlion, with one hand held in vitarkamudra andthe other holding a scroll, the lion standingfour square with head turned to one side, ona fitted carved wood stand

21cm high (excluding stand)£3,000-5,000

196BLANC DE CHINE SEATED FIGURE OFGUANYINseated in the Water Moon position with theright knee raised and the left leg crossedbefore the body, the two acolytes Sudhanaand Dragon Daughter standing below herthrone with hands folded in worship

25cm high£500-800

192PAIR OF SMALL DING WARE BOWLSPOSSIBLY SONG DYNASTYof circular form, the cream-glazed bodymoulded to the interior with tapered petals,with fitted box (2)

9.5cm diam£400-600

193WHITE GLAZED ‘PEONY’ BRUSHPOT, BITONGQING DYNASTY, 19TH CENTURYcarved to the exterior with peonyscrolls with large blossoms and densescrolling leaves below a key-fret border, six characterKangxi mark to the underside in underglaze blue

16.7cm high£800-1,200

194BLANC DE CHINE FIGURE OF SEATEDGUANYIN19TH/20TH CENTURYthe Goddess carved seated with sereneexpression, her hair in a high chignon andcovered with a long veil falling over theshoulders, the hands gently joined in her lapholding a pearl

31.5cm high£300-500

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201PEACHBLOOM-GLAZED BRUSH WASHER, TANGLUO XIQING DYNASTY, LATE 19TH CENTURYthe compressed globular body covered on the exterior with a richpeachbloom glaze with green mottling, the interior and baseglazed white, supported on a short foot, with Kangxi underglazeblue six-character mark

12cm diam£200-300

197FLAMBÉ-GLAZED VASE, HUQING DYNASTY, 18TH CENTURYthe pear-shaped body of typical form, each side of theneck applied with a lug handle, covered overall with aglaze of red tone streaked with darker shades of redand burgundy, thinning to a clear pale-blue and creamcolour at the rim, lobed edges and handles, the baseunglazed

28cm high£2,000-3,000

198LARGE LANGYAO BALUSTER VASEQING DYNASTY, 19TH CENTURYcovered with a glaze of deep strawberry-redcolour falling in a thick line above the foot andthinning to a pale tone below the white rim,the interior partly covered with a mottledglaze also thinning at the rim

56cm high£800-1,200

199SANG-DE-BOEUF BOTTLE VASEQING DYNASTY, 18TH/19TH CENTURYthe pear-shaped body rising from a short footto the cylindrical neck, covered with a rich redglaze thinning over the neck and stopping atthe foot

27cm high£1,000-1,500

200FLAMBÉ-GLAZED BALUSTER VASEQING DYNASTY, 19TH CENTURYthe ovoid body with short flared neck coveredin rich raspberry glaze thinning to creamy-white at the rim and streaked with lavender-blue inclusions at the neck

32cm high£400-600

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202PAIR OF FLAMBE-GLAZED BALUSTERVASESLATE QING DYNASTY, EARLY 20TH CENTURYthe exterior and part of the interior covered inrich strawberry-red glaze thinning to creamy-white at the rim and suffused with lavender-blue streaks (2)

54cm highProvenance: Private Collection, Glasgow

£1,000-1,500

205RED-GROUND BALUSTER VASEQING DYNASTY, 18TH CENTURYof square form, the rounded sides and flared neck coveredin red glaze and with yellow-glazed stylised chilong handles,decorated with leaf-shaped reserves to the body depictingscholars meditating in the garden and butterflies in flightamongst peonies and plum blossoms, with further floralreserves to the neck, the rim with keyfret border, the footwith auspicious symbols amongst peonies, peaches andleaves on yellow ground and a green-glazed diaper border

37cm high£2,500-3,500

203FLAMBÉ-GLAZED BRUSH WASHERQING DYNASTY, 18TH/19TH CENTURYof compressed circular form, the exterior andinterior glazed with shades of copper red andlavender, raised on a circular foot

10cm diamProvenance:The Gauhar Collection

£300-500204SANG DE BOEUF DOUBLE GOURD VASEQING DYNASTYthe glaze stopping short of the rim, the basewith reign mark of Qianlong in underglazeblue within a double square

25cm high£500-800

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209TWO YIXING TEAPOTS20TH CENTURYone carved with a bamboo issuing from theside of the spout, signed Wu Jiyun; the othermoulded as a cluster of bamboo, the coverwith a duck finial, signed Jiang Yuxi, thestoneware of a dark brown coffee tone (2)

largest 10cm high£200-300

210JIANYAO TEABOWLSONG DYNASTYthe body covered in rich black glaze stoppingshort of the foot, with dark brown rim

11cm diamProvenance:The Gauhar Collection

£200-300

206YIXING STONEWARE ‘HUNDRED-FRUIT’ TEAPOT AND COVERLATE QING DYNASTY/EARLYREPUBLIC PERIODshaped as a pomegranate with awater-caltrop handle and a lotus-rootspout, the cover in the form of anupturned shiitake mushroom, the bodydecorated with fruits and nuts, 12cm wide; together with a YIXINGSTONEWARE ‘PUMPKIN’ TEAPOT with ten lobed sides, with stems of vinesissuing from the loop handle and the spout, 17cm wide (2)

largest 17cm wideProvenance:Private Scottish Collection, purchased in Japan in the early 20th century and thence bydescent

£300-500

207SET OF FOUR YIXING TEAPOTSQING DYNASTYof globular form of three sizes, enamelled with an arrayof colourful chrysanthemums, birds, butterflies, peoniesand auspicious symbols (4)

tallest 9.5cm high£1,500-2,500

208TWO YIXING STONEWARE TEAPOTSLATE QING DYNASTY/REPUBLIC PERIODthe clay of a rich reddish tone, each enamelled with aBuddhist lion chasing a ribbon-tied brocade ball, one ofcylindrical form and with seal of You Lan to theunderside of the cover, the other with lobed sides andbearing Yi Xing Zi Sha (yixing stoneware) mark to thebottom

largest 14.5cm high£300-500

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213YIXING TRIPOD TEAPOTKANGXI PERIODof globular form, the maroon-glazed body onthree supports, decorated with moulded scrollingleafy and lotus branches, the cover with cloudpattern along the rim and loose finial of adragon’s face emerging from swirling waves

9cm high£800-1,200

214YIXING STONEWARE TEAPOT AND COVERQING DYNASTY, 18TH CENTURYthe red clay body decorated with four lotus petalshaped panels overlaid with blooming peonysprays, the flat lid applied in low relief with a crab,a bat and a three-legged toad

10cm high£4,000-6,000

215JIANYAO HARE’S FUR TEABOWLSONG DYNASTYthe flared sides covered in rich dark brownglaze finely streaked with russet ‘hare’s fur’markings flowing from the russet band belowthe rim, the foot unglazed

12cm diamProvenance:The Gauhar Collection

£200-300

216TWO YIXING TEAPOTSQING DYNASTY, 19TH/20TH CENTURYthe first with a chilong-shaped handle and adragon spout, the exterior decorated with twogroups of dragons chasing a flaming pearl,12.5cm high; the second painted with prunusand peony, the spout, handle and finialenamelled green, 9.5cm high, the base of bothpots impressed with the artist’s seal (2)£200-300

211PIERCED YIXING TEAPOTKANGXI PERIODof globular form, the flattened sides with centralcircular reserve with pierced floral decoration, thebody of typical colour

14cm high£1,000-1,500

212YIXING STONEWARE TEAPOT AND COVERQING DYNASTY, 17TH/18TH CENTURYthe body of circular section and slightly taperingtowards the base, with a loop handle and a domedcover

16cm high£800-1,200

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218BLUE-GLAZED ‘JOURNEY TO THEWEST’ FIGURE GROUPQING DYNASTY, 19TH/20TH CENTURYcovered in turquoise glaze, depictingXuanzang on his horse, travelling on apilgrimage accompanied by Sun Wukong,Zhu Wuneng and Sha Wujing, all modelledwith their attributes, on a base of rocksand clouds

35cm high£1,500-2,500

219ORMOLU-MOUNTED TURQUOISE-GLAZEDINKSTANDTHE PORCELAIN QING DYNASTY, 18TH CENTURYformed of three ink pots, the central one raised on threemask feet, the other two decorated with chilongs to thesides, all with French ormolu hinged lids and joinedtogether by elaborate gilt scrolling foliage and tendrils, allon a demilune base on three tall mask feet, the toppalisaded with a gilded arcade

16cm high overall£4,000-6,000

217PALE BLUE-GLAZED VASE, MEIPINGKANGXI MARK AND POSSIBLY OF THEPERIODwell potted with high rounded shoulders,tapering to the gently spreading foot,covered with an even pale-blue glazestopping neatly above the foot, six-character Kangxi mark inunderglaze blue to the base

14cm high£300-500

220FLAMBÉ-GLAZED COMPRESSED BOTTLE VASEQING DYNASTY, 18TH/19TH CENTURYwith compressed globular body and a tall slender columnarneck, covered overall in a reddish-purple glaze mottled withmilky pale blue and lavender, stopping neatly at the footringexposing the biscuit body, the recessed base glazed white

11cm highProvenance:Private Scottish Collection

£500-700

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221SPECKLED GREEN-GLAZED DISHQING DYNASTY, 19TH CENTURYcovered overall except the base with a bright speckled greenglaze transmuting to a mottled peachbloom red, all suffusedwith a fine crackle, apocryphal six-character Xuande mark inunderglaze blue to the base

23.5cm diamProvenance:Private Collection, Edinburgh

£300-500

223RARE CIZHOU-STYLE YUHUCHUN BOTTLE VASEQING DYNASTY, KANGXI MARKof typical form, glazed in a dark brown glaze on thebiscuit painted with two five-clawed dragons flyingamongst clouds and flames above fish peeking out of thewaves, above them a scroll border, the neck with uprightstylised leaves and beneath the rim a geometrical diaperpattern, the base, neck and foot left unglazed, apart froma glazed six character mark of Kangxi in underglaze blue

28.5cm highProvenance:The Danish linguist Vilhelm Ferdinand LarsenM. A. (1867-1960) and thence by descent

£400-600

222POWDER BLUE AND GILT COVERED JARKANGXI PERIODof baluster form, the body covered in soft blue glazeand decorated in gilt with reserves depicting variousscenes including a Buddhist lion, a tiger and deer, aswell as birds amongst lush floral landscapes and largepeonies, the shoulder with ruyi cloud border, the neckwith blossoming branches, the domed cover withbulbous finial and barbed rim with further giltdecoration, with underglaze blue double ring to thebase

43cm high£2,000-3,000

224STONEWARE FIGURE OF JI GONGQING DYNASTY, 19TH CENTURYthe Chinese Buddhist monk depicted restingon a rock, wearing a soft cap and a loose robethat opens to reveal his chest, eyes wide open,right hand possibly holding a fly wrist that isnow lost, with seal mark, on wood base

24cm high£400-600

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228EIGHT BLUE AND WHITE SAUCERSKANGXI PERIOD AND LATERall of circular form, with various decorativefeatures, including boys at play, phoenix, craband peonies (8)

largest 14cm diam£500-800

225PAIR OF BLUE-GLAZED ‘WATER MARGINFIGURES’ DISHESQING DYNASTY, 19TH CENTURYone decorated with the ‘Faceless’ Jiao Ting, theother with the ‘Resourceful Star’ Wu Yong withina medallion to the interior, the exterior glazedblue, six-character Xuande mark to the base (2)

17.7cm diamProvenance:The Gauhar Collection

£700-900

226BLUE AND WHITE ‘KLAPMUTS’ BOWLKANGXI MARK AND OF THE PERIODdecorated to the exterior with figuresoutside of Buddhist temple setamongst ruyi clouds and trees withinterior roundel of boy dancing, theeverted rim decorated on the exteriorwith kites and to the interior a bandof pine trees, six character markwithin double rings to the base

16.8cm diam£800-1,200

(one of eight illustrated)

227BLUE AND WHITE DRAGONBOTTLE VASEQING DYNASTY, 19TH CENTURYof squat globular form with tall neck,decorated with dragons chasing theflaming pearl amongst clouds

32cm high£1,000-2,000

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230BLUE AND WHITE LOBED-RIMCHARGERKANGXI PERIODpainted to the interior with a centralroundel enclosing a large lotusflowerhead, surrounded by twobands of lappet-shaped cartoucheswith further floral sprays

38cm diam£400-600

229PAIR OF BLUE AND WHITE VASESKANGXI PERIODof baluster form, the sides decorated withrectangular reserves depicting the leafybranches of a tree with mountains in thebackground, artemisia leaf mark within doublering to the base (2)

20cm high£500-800

231LARGE BLUE AND WHITE JARQING DYNASTY, 18TH CENTURYdecorated with ladies in a garden with canopies, plantsand birds flying above, all between pointed lappets ofvarious flowers on the shoulder, below multiple cashand keyfret diaper pattern and ruyi collar

44.5cm high£2,000-3,000

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232RARE BLUE AND WHITE JARJIA JING MARK AND OF THE PERIODof ovoid form, the rounded body decorated with the Eight Treasureshanging from jewelled chains, all suspended from a band of ruyi-headsaround the shoulder, the tapered cylindrical neck decorated with lotusscroll, the lower part of the body painted with five horses leaping amongstswirling waves and above a band of clouds, six-character mark to the base

25.5cm highNote:For similar jars of this shape and pattern see “Selected Masterpieces from the Collectionof the Nezu Art Museum”, 1968, no. 310; the Palace Museum Collection, Beijing,illustrated in “Blue and White Porcelain with Underglaze Red (II), The Complete Collectionof Treasurers from the Palace Museum, Hong Kong, 2000, p. 112, no. 102.A very similar vase from the Yiqingge Collection and formerly from Hirano Kotoken wassold by Christie’s Hong Kong, 1st June, 2011, lot 2862.The lot includes a fitted Japanese box.

£15,000-25,000

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233ORMOLU-MOUNTED BLUE ANDWHITE PORCELAIN CACHE-POTTHE PORCELAIN KANGXI PERIODof bulbous form with mouldedreeded sides, decorated withroundels enclosing plum blossoms, peonies, lotus andchrysanthemums above further blossoming branches, theFrench gilt-bronze reeded rim above a hinge with a lionmask on each side with a ring in its jaws, above a taperingpierced Berainesque style mount terminating in a circulargilt-bronze reeded base

21cm high£7,000-9,000

235BLUE AND WHITE BOWLXUANTONG MARK AND OF THEPERIODdecorated with the eight trigramsand flying cranes interspersed withruyi-head clouds, above undulatingwaves, the interior with a wavemedallion and diaper border, the base with six-character mark in underglaze blue

13.4cm diameter£2,000-3,000

236GROUP OF BLUE AND WHITE WARESQING DYNASTY, 18TH CENTURYcomprising: a sand shaker, the circular rounded pierced topand foot with floral design, the waisted middle decorated withscrolls, books and other auspicious symbols, 6.5cm high; asmall children’s mug, painted on all sides with a landscape,6.5cm high; a circular saucer with prunus decoration on blueground, 11.5cm diam; and a pair of rectangular dishes paintedwith central lotus flower surrounded by chrysanthemums,peonies, and other blossoms amongst scrolling leaves, 13cmwide (5)Provenance:Private Scottish collectionThe sand shaker formerly with Solveig & Anita Gray, bears label.

£300-500

234BLUE AND WHITE BRUSHPOTKANGXI PERIODof circular form, the gently flared sides decorated with tworectangular reserves, one depicting a fisherman travellingby boat on a lake surrounded by mountains and pinetrees, the other two men walking within a rocky landscape

17cm high£1,000-1,500

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239BLUE AND WHITE KRAAK DISHWANLI PERIODof circular form with barbed rim, painted tothe centre with two deer in a wild landscapewith birds in flight and prunus trees, within acash diaper border, the sides decorated withshaped panels depicting lotus flowers,peonies, butterflies, and a fan and peach, theemblems of Zhongli Quan, the Chief of theEight Daoist Immortals, the reverse withfurther panels depicting blossoms

30cm diamProvenance:Private Scottish collectionFormerly with Solveig & Anita Gray, bears label.

£200-300

240BLUE AND WHITE BOX AND COVERKANGXI MARK AND OF THE PERIODof circular form, depicting an old man and boystanding by a pine tree, six-character Kangximark in underglaze blue to underside;together with a BLUE AND WHITE BOWL QINGDYNASTY, 18TH CENTURY, decorated to theinterior with a diaper border around the rim,to the exterior with a figure walking cross abridge in a mountainous landscape, 19cmhigh; a BLUE AND WHITE TEA BOWL,decorated with similar diaper border to theinterior and to the exterior with a figuresailing toward a temple on an otherwise wildisland, 11cm diam; and a BLUE AND WHITESAUCER of similar design, 17.5cm diam (4)

4.5cm diam£200-300

241BLUE AND WHITE MOON FLASKof flattened circular form on a gently taperedfoot and with chilong resting on the shoulder,decorated with a central roundel on each sidedepicting courtiers in a garden engaged invarious pursuits, on a background of scrollingvine leaves, with lappets around the neck andfoot

32cm high£200-300

237FOUR BLUE AND WHITE ‘DRAGON’ DISHESKANGXI PERIODof circular form, decorated to the interior with centralcoiling four-clawed dragon chasing the flaming pearlwithin double ring, the rim with wave and prunusdecoration, the reverse with some of the Eight PreciousThings (Babao), one with jue mark, the others withapocryphal Chenghua mark within double ring (4)

largest 16cm diamProvenance:Private Scottish collection

£1,000-1,500

238TWO BLUE AND WHITE KENDIKANGXI PERIODboth of globular form with flared rim, one witha decoration of peonies amongst scrollingbranches, the other with phoenix and stylisedlotus scroll decoration and with metal spoutand metal collar at the rim (2)

largest 22cm high£400-600

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243PAIR OF BLUE AND WHITE SAUCERDISHESKANGXI PERIODthe deep rounded sides painted in the centrewith a scene of hunters riding horses in a wildlandscape in pursuit of wild beasts, the rimwith a border of shaped floral panels on ageometric diaper ground, decorated to theexterior with a riverscape, shell mark withindouble ring to underside (2)

23cm diam£200-300

242MASSIVE BLUE AND WHITE JARDINIÈREQING DYNASTY, 19TH CENTURYthe sides decorated with scrolling lotus withinruyi and stiff leaf bands

62cm diam, 55cm high£5,000-8,000

244BLUE AND WHITE BALUSTER VASEKANGXI MARK BUT LATERwith slender neck and flaring mouth,decorated with a lady and two boys in agarden scene set amongst rocks and plantaintree, with two flying bats to the reverse,Kangxi mark to the base

30cm high£200-300

245BLUE AND WHITE JAR AND COVERQING DYNASTY, 19TH CENTURYthe rounded body glazed in powder blue withtwo large reserves depicting Buddhist lionsamongst flames and swirling and crashingwaves, the domed cover with cloud decoration

26.5cm high£200-300

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246GREEN-GLAZED BLUE AND WHITE‘DRAGON’ DISHYONGZHENG MARK BUT LATERdecorated to the centre of the interior witha green and blue outlined five-claweddragon chasing a flaming pearl amongstswirling clouds, two additional dragonsaround the sides of the exterior, six-character mark to the base

17.3cm diam£300-500

247BLUE AND WHITE ‘MASTER OF THE ROCKS’ DISHKANGXI PERIODskilfully painted in the central well withtwo figures walking along the shore ofa river beneath lofty pines and craggyrocks, all surrounded by three floralsprays on the rim, the exterior and thebase decorated with further fruit andflower sprays

21.8cm diam£500-700

248BLUE AND WHITE BRUSH POTATTRIBUTED TO WANG BU (1898-1968), REPUBLIC PERIODof cylindrical shape, the exterior finelypainted in varying shades of blue withbirds perched upon pine and bamboo,six-character mark to the base reading ‘Yuan Wen Wu GuoZhi Yin’

13.2cm highProvenance:Private Japanese Collection

£3,000-5,000

249BLUE AND WHITE TRANSITIONALEWERLATE MING DYNASTYof globular form with slightly flared lip, earshaped handle and upright spout attached toslender neck on raised ridge by scroll strut,the body decorated with sprawlingchrysanthemum flowers with depiction of abird and insects

18cm high£400-600

250SMALL BLUE AND WHITE BOTTLE VASEQING DYNASTY,18TH CENTURYthe globular body decorated with a bloomingprunus tree and a fruit vendor below a band ofstylised plantain leaves on the neck, circulardouble rings to the recessed base

12.5cm highProvenance:The Gauhar Collection

£100-200

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254BLUE AND WHITE SEAL PASTE BOX AND COVERQING DYNASTY, 18TH/19TH CENTURYof compressed circular form, the cover decorated in acentral medallion with a pair of butterflies above flowersprays, encircled within a border of scrolling foliage andflowerheads, the pattern repeated on the sides of the box,six-character Qianlong mark to the underside

8.8cm diamProvenance:Private English Collection

£300-500

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253PAIR OF BLUE AND WHITE BOTTLE VASESQING DYNASTY, 19TH CENTURYthe globular body painted with a pair of five-clawed dragonsbelow a foliate scroll band on the shoulder and a band ofupright leaves on the waisted neck, six-character Qianlong sealmark to underside (2)

17cm highProvenance:Private English Collection

£400-600

252BLUE AND WHITE OPIUM PILLOWQING DYNASTY, 18TH/19TH CENTURYof rectangular form, with floral aperture on one sideand pierced cash decoration surrounded by fourbats on the other, the decoration depicting figuresby a lake and mountainous landscapes, all withindelicate flower diaper pattern

28cm long£500-800

255BLUE ANDWHITE‘DRAGON’ DISHGUANGXU MARKAND POSSIBLY OF THEPERIODpainted with a central roundel enclosing a sinuous dragon amidstclouds and flames in pursuit of a flaming pearl, the motif repeatedon the interior and exterior of the rounded sides, all reserved on ablue ground, six-character mark in underglaze blue to the base

18.8cm diam£1,200-1,800

251BLUE AND WHITE ‘KINGFISHER’ JARLETQING DYNASTY, 18TH/19TH CENTURYthe globular pot finely painted around the sides inunderglaze blue with a pair of kingfishers perched uponrockwork in a garden with prunus and plantain, allbeneath a lingzhi-band at the neck

4cm high£800-1,200

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259THREE EXPORT BLUE AND WHITEDISHESQING DYNASTY, LATE 18TH CENTURYpainted in the style of Maria Sybille Merian,imitating her design of a central iris andanemone within a stylised scrolling borderwith gilt highlights (3)

largest 26cm diam£150-250

256NEAR PAIR OF EXPORT BLUE AND WHITE LOTUS FORM DISHESQING DYNASTY, 18TH CENTURYthe rounded sides rising to a barbed rim in the form of nine lotus petals,the interior decorated with panels enclosing sprays of peonies, lilies,chrysanthemums and prunus blossoms, the exterior decorated with furtherfloral sprays (2)

largest 25cm diam£300-500 257

SMALL EXPORT BLUE AND WHITE TUREEN,COVER AND STANDQIANLONG PERIODof oval form moulded with shallow lobes conforming tothe barbed rim of the cover and the deep walls of thetureen, the body decorated with floral compositionswith a central peony amongst branches, a narrow diaperband surrounding the flared foot, the handles in theshape of branches, the cover with peach-shaped handleand decorated with blossoming branches and the rimbordered with flowers, grass and cash, the samepatterns repeated on the stand

14cm diam£250-350

258PAIR OF EXPORT BLUE AND WHITE‘BURGHLEY HOUSE’ TUREENS AND COVERSQIANLONG PERIOD, CIRCA 1745of circular form with interlaced handles, the sides decoratedwith a view over Burghley House amongst a lush landscapewith trees and birds in flight, the covers with a scroll bandbelow a spearhead border encircling the peach finial (2)

17.5cm diamLiterature:Howard & Ayers, ‘China for the West’, p.261

£1,500-2,500

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260LARGE BLUE AND WHITE AND PEACHBLOOM‘GRAPEVINE’ CHARGERQING DYNASTY, 19TH CENTURYdecorated with clusters of grapes and vine leaves onscrolling and twining branches within a double ring atthe rim

46.5cm diam£600-800

261LARGE BLUE AND WHITE ‘PEONY’ CHARGERQING DYNASTY, 19TH CENTURYdecorated with five large peonies amongst scrollingleaves and further blossoms within a double ring,apocryphal Qianlong mark to the base

53cm diam£800-1,200

Vernon Walker was a Scottish railway engineer, who arrived in Hong Kong in 1921 tojoin the Hong Kong Tramways as an assistant workshop superintendent. He thenworked his way up to become Chief Engineer in 1939, thus contributing directly tothe construction of this city icon. By family repute he put together a collection ofChinese works of art between the two Wars. However he was then interned in thePOW camp in Stanley together with his wife Doris and daughter Veronica, and had toleave most of his collection behind. Only a few objects, among them the porcelainoffered in this sale, were saved and brought back to the United Kingdom, and havebeen treasured by his descendants since.

The Collection of Vernon Walker

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265LARGE BLUE AND WHITE BOWLMING/QING DYNASTYthe interior decorated with a horse in a wild landscape, thesides with flowers amongst scrolling branches, the rimwith scrolling leaves on blue ground

28.5cm diam£600-800

262SMALL BLUE AND WHITE OPIUM PILLOWQING DYNASTY, 19TH CENTURYof rectangular form, with elongated aperture to one sideand with cash-form pierced decoration on the other, theremaining sides painted with lake scenes with boats,villages and birds in flight over the mountains

16.5cm long£300-500

264PEACHBLOOM BOWLLATE QING DYNASTY/REPUBLIC PERIODcovered in a soft peachbloom glaze falling short ofthe rim, six-character apocryphal Kangxi mark tothe base in underglaze blue, with pierced woodstand

11cm diam£200-300

263BLUE AND WHITE ‘SHOU’ BOWLKANGXI MARK AND OF THE PERIODwith slightly flared rim, depicting to the interior twowarriors dressed in armour, with the Eight Treasuresaround the rim, the exterior decorated withrepeated shou symbols above a band of scrollingbranches, six-character Kangxi mark within doublering in underglaze blue to the base

20.5cm diameter£800-1,200

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269BLUE AND WHITE QUATREFOIL BOX ANDCOVERQING DYNASTY, 19TH CENTURYthe cover painted with four large lotus flowers borne onscrolling vines, the finial shaped as a sprig of peach fruit,the box with five compartments painted with four batssurrounding three peaches in the centre; together withTWO BLUE AND WHITE SAUCER DISHES (3)

largest 16cm diam£200-300

266PAIR OF BLUE AND WHITE CANDLESTICKSLATE QING DYNASTY, 19TH CENTURYthe interior of the tray painted with three largeflowerheads borne on scrolling leafy vines, the stem withsimilar decoration above a lappet band (2)

27cm high£300-500

267BLUE AND WHITE ‘DRAGON’ BOWL ANDCOVERQING DYNASTY, 19TH CENTURYdecorated all over with dragons chasing the flamingpearl amongst swirling clouds, the foot with a borderof crashing waves, the metal handles with porcelainmask finials, Guangxu six-character mark inunderglaze blue to the base

19cm diam£300-500

268TWO BLUE AND WHITE BOWLSMING DYNASTYthe first decorated with a large peony to the interiorand a dense pattern of peonies amongst scrollingleaves to the exterior, the other with an alternatingpattern of lotus and phoenix to the exterior and ablossom amongst leaves to the interior (2)

largest 16.5cm diam£200-300

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271IMARI SHELL-SHAPED DISHQING DYNASTY, 18TH/19TH CENTURYmoulded as a scallop shell and painted in the centre withthree hares galloping above waves below a shaped panelenclosing a pair of mandarin ducks flanked by stripes ofalternating colours and floral patterns

22.5cm wide£100-150

273GROUP OF LEAF-SHAPED BLUE ANDWHITE PICKLE DISHESQING DYNASTY, 19TH CENTURYthe interior painted with pavilions in a riverlandscape, enclosed within a border of twodragons chasing the flaming pearl, raised on asmall foot (qty)

19cm long£100-150

A Private Scottish Collection270FAMILLE ROSE GINGER JAR AND COVERYI XING LONG MARK, REPUBLIC PERIODof globular shape and decorated with butterflies flyingamongst or perched upon leafy and flowering branches,the small lid painted with further floral sprays

25cm high£300-500

272TWO BLUE AND WHITE ‘HUNDREDANTIQUES’ JARDINIÈRESQING DYNASTY, 19TH CENTURYone of rectangular, the other of square shape,decorated around the sides with the HundredAntiques design including vases of flowers onstands and further auspicious symbols (2)

largest 19.5cm wide£200-300

274GROUP OF BLUE AND WHITE EXPORTPORCELAINQING DYNASTY, 19TH CENTURYcomprising: a soup tureen of lobed ovaloutline, painted with a river landscape withpavilions both to the interior and the cover;two smaller platters with barbed rim anddecorated with a riverside village; two largerplatters with lobed rim and painted each witha pair of deer in a garden (5)

largest 33cm wide£200-300

275GROUP OF BLUE AND WHITE FOOTEDBOWLS19TH/20TH CENTURYdecorated to the interior with a medallionenclosing a house, a willow tree andmountains in the distance, the exteriorpainted with the Three Star Gods of TaoismFu, Lu and Shou under pine trees (qty)

17.5cm diam£200-300

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276BLUE AND WHITE BROAD BALUSTER JARQING DYNASTY, 19TH CENTURYthe jar decorated with Chinese cabbages and various kinds ofinsects including butterflies, dragonflies and mantises, withunassociated cover painted with blooming peonies issuingfrom rocks and inscribed with a Chinese proverb (2)

23cm high£100-150

279GROUP OF BLUE AND WHITEPROCELAINQING DYNASTY, 18TH/19TH CENTURYcomprising: three bird feeders; two seal pasteboxes and covers; two circular boxes andcovers, one of which South East Asian; onerectangular box and cover (8)

largest 9cm long£200-300

280GROUP OF ELEVEN BLUE ANDWHITE EXPORT PLATESQING DYNASTY, 18TH CENTURY ANDLATEReach similarly painted with a basket offlowers across the floor of well, the rimdecorated with a pattern reminiscent ofthe cracked ice and prunus motif, theunderside bearing a underglaze bluedouble-ring (qty)

19cm diam£200-300

278PAIR OF VELVET MOUNTED BLUE AND WHITEPANELSQING DYNASTY, LATE 19TH CENTURYdecorated with a central lotus bloom flanks by leafyscrolls, red velvet mounted (2)

6cm high, 14.3cm wide (excluding frames)Note:One of the frames bears on the back label of Wah Cheong, framemaker of Wellington Street, Hong Kong, Est. 1902

£100-150

277YTWO BLUE AND WHITE SNUFF BOTTLESLATE QING DYNASTYone of cylindrical form and decorated with twogalloping horses in a landscape, the other ofrectangular form and painted on the one side withthe fourth-century female poet Su Hui and inscribedon the other side with a poem, dated to the year JiHai (corresponding to the year 1899), both with acoral stopper (2)

largest 8.3cm high£100-150

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281PAIR OF BLUE AND WHITE BOWLSMING DYNASTYeach painted on the exterior with four men onhorseback, the interior decorated a fish within doublerings (2)

14.5cm diam£150-250

282PAIR OF BLUE AND WHITE SWEATMEAT DISHESQING DYNASTYof triangular shape, each decorated to the interior withthe Hundred Treasures design with a bronze censer inthe centre surrounded by vases of flowers (2)

19cm long£100-150

283GROUP OF BLUE AND WHITE EXPORTPORCELAINQING DYNASTY, KANGXI AND LATERcomprising: an ovoid-shaped vase decoratedwith three ladies in a garden; a miniaturebottle vase painted with a seated lady and adancing boy; a vase with elongated neck andtwo dragon handles, painted with four ladiesconversing in front of a garden parapet; alarge cup and handle painted with fourBuddhist monks around the sides and a manfishing in a lake to the base (4)

largest 18cm high£200-300

284GROUP OF BLUE AND WHITE EXPORTDISHESQING DYNASTY, 18TH/19TH CENTURYone decorated in the interior with a scholar-official playing Qin in a pavilion while twoladies are engaged in a conversation in thegarden, the other two each decorated withvarious flowers and plants including prunus,bamboo and musa, the bases bearing aprovincial kiln mark or an apocryphal Xuandemark (3)

largest 21.7cm diam£200-300

285GROUP OF BLUE AND WHITE EXPORTDISHESQING DYNASTY, KANGXI PERIOD AND LATERpainted with a roundel across the floor of thewell featuring floral sprays and floweringbranches to the canted rim (qty)

largest 22.8cm diam£100-150

286GROUP OF BLUE AND WHITE EXPORTTEAWAREQING DYNASTY, 18TH/19TH CENTURYcomprising: one rectangular-sectioned andone square-sectioned tea caddy with floralspray decoration; three tankards painted withhouses on the riverside; a teapot of globularshape and decorated with different floral andgeometrical pattern in roundels (6)

largest 14cm high£200-300

287COLLECTION OF BLUE AND WHITEEXPORT PORCELIANQING DYNASTY, 19TH CENTURYcomprising: three tea bowls, one with cover,two painted with the twelve zodiac animals,one with horses; three saucers painted withnumerous horses; together with twominiature jars, one painted with lotus flowersamongst scrolling leaves, the other with awrithing dragon amongst clouds (qty)

largest 11.5cm diam£100-150

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289FAMILLE ROSE PLATEAFTER WANG XILIANG (B.1922)painted with a lady under a blooming prunus tree in agarden, her right hand holding a hoe, encircled by a ruyi-head band, inscribed, signed and with one seal of the artist

21.8cm diam£400-500

290LARGE BLUE-GROUND FAMILLE ROSE BOWLGUANGXU MARK AND OF THE PERIODthe exterior decorated with three roundels each containing adragon and a phoenix chasing the flaming ball, reserved on ablue-enamelled ground with lotus flowers and double-gourdsamid dense scrolls, the interior painted with a coiled dragon,six-character iron-red mark to the base

26cm diamProvenance:Private Collection, The Netherlands

£1,000-1,200

Other Properties

288FAMILLE ROSE EGGSHELL ‘PEACOCK’ DISHQING DYNASTY, 18TH CENTURYpainted with a peacock perched upon rockworkissuing sprays of large peony blooms within a shapedcartouche, all reserved upon a diaper ground withgilt-decorated peony and prunus flowers

20cm diam£800-1,200

291FAMILLE ROSE BOWLQING DYNASTYthe exterior polychrome enamelled with multiplegourds, a pair of swallows and a pair of butterflies,four-character signature to the base, with woodbox

10.8cm diamProvenance:The Gauhar Collection

£100-200

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293PAIR OF FAMILLE ROSE PLAQUESATTRIBUTED TO PAN TAOYU (1887-1926),REPUBLIC PERIODeach depicting a pair of swallows, with twoseals of the artist reading ‘Tao Yu’ and ‘GuHuan’ (2)

37cm wide£300-500

292SET OF FAMILLE ROSE ‘FOUR LOVES’ PLAQUES,SI AI TUATTRIBUTED TO WANG DAFAN (1888-1961)each depicting a famous scholar from the Chinesehistory and his love for a particular plant or animal,including Tao Yuanming’s love for chrysanthemums,Wang Xizhi’s love for geese, Lin Bu’s love for cranes andZhou Dunyi’s love for lotus, each plaque inscribed,signed and sealed (4)

37.3cm high, 24.5cm wide (excluding frame)£3,000-5,000

294FAMILLE ROSE ‘ARHATS’ PLAQUEATTRIBUTED TO WAN YUNYAN (1910-1952),DATED 1934depicting arhats, inscribed with a poem,signed and with one seal of the artist, datedwinter, jiaxu year (1934)

36.5cm high, 24cm wide (excluding frame)£300-500

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296PAIR OF FAMILLE ROSE TEABOWLSGUANGXU MARK AND POSSIBLY OF THE PERIODfinely potted with steep flaring sides, the exterior delicatelypainted with a pink and a purple peony bloom borne on leafybranches beside double-gourds hanging from bamboo supports(2)

10.6cm diam£400-600

297NEAR PAIR OF FAMILLE ROSE PLATESIN THE STYLE OF WANG LONGFU (B. 1931), 1950Sone decorated with Jiao Baoyu and Lin Daiyu, the two main charactersof the novel Dream of the Red Chamber, four-character apocryphalQianlong mark to the base; the other painted with two ladies playingGo in a garden accompanied by their attendants (2)

32.8 cm diamProvenance:Private Scottish Collection

£200-300

295PAIR OF FAMILLE ROSE ‘PEACH’ BOWLSGUANGXU MARK AND OF THE PERIODeach finely potted with gently rounded sides rising from a lowfoot, the interior painted with five ripe peaches borne on a leafybranch, beside three iron-red bats forming together with the twofurther bats on the exterior the Wu Fu (Five Luck), six-charactermark to the base (2)

15.8cm diamProvenance:Private Japanese Collection

£3,000-5,000

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298FINE FAMILLE ROSE TEA CUPPORCELAIN YONGZHENG, DECORATION LATERthinly potted with deep rounded sides rising from a shortsplayed foot, the exterior intricately enamelled with two birdsperched upon rocks and bamboo above sprays of small purpleflowers, inscribed with a five-character poem, four-characterreign mark to the recessed base, with wooden box

5.2cm diamProvenance:Private Japanese Collection

£18,000-22,000

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301FAMILLE ROSE ‘LOTUS’ LIBATION CUP1906the cup modelled as a lotus blossom with the piercedgreen-enamelled stem acting simultaneously as thehandle and the drinking straw, the reverse of the stembearing the inscription ‘A commemorative cup of theAutumn Manoeuvres near Lake Tai in Anhui Province inthe 32th year of Guangxu of the Great Qing Dynasty’

18cm longProvenance:Private Collection, Edinburgh

£300-500

299FAMILLE ROSE ‘RICE PLANTING’ PLATESIGNED ZHENG SHOUMEI, 20TH CENTURYpainted in coloured enamels with a terrace of ricefields surrounded by mountains and trees, the farmersin the mid-ground planting rice seedlings while thosein the foreground stopping for a break, inscribed witha poem and signed Zheng Shi Shou Mei, artist’s seal tothe base

32.5cm diamProvenance:Private Scottish Collection

£800-1,200

300FAMILLE ROSE ‘MANDARIN PALETTE’ TEAPOTQING DYNASTY, 18TH CENTURYthe globular body finely enamelled with two ovalmedallions of a lady pausing from her calligraphyexercise, reserved on a gilt ground, the handle and spoutreserved with white-ground cartouches carved in shallowrelief with sprays of flowers

11.5cm highProvenance:Private Scottish Collection

£300-500

302FAMILLE ROSE ABSTINENCE PLAQUE,ZHAI JIE PAIQING DYNASTY, 19TH CENTURYof quatrefoil shape with a central ellipticalpanel to each side, one side inscribed ‘zhai jie’(abstinence) in relief and the other in Manchuscript, surrounded by a faux-bois glazebetween gilt borders

5.6cm high£3,000-5,000

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305PAIR OF FAMILLE ROSE TEACUPSYONGZHENG SIX-CHARACTER MARKAND OF THE PERIODdelicately potted with gently flaring rim,the exterior painted with boys at play ina garden by a lake, a bridge leading to a small island with apavilion, all set in a mountainous landscape (2)

6.2cm diam£500-800

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303PAIR OF HEXAGONAL CANTON VASESQING DYNASTY, 19TH CENTURYeach side decorated with raised hexagonal cartouches, theneck with lobed cartouches, all depicting compositions ofpeonies and rockwork, some birds in flight above or perchedon branches, all on a green ground with small raised repetitivestar pattern, each side with a border of flowerheads andscrolling branches on gilt ground, the shoulder with keyfretborder (2)

31cm high£400-600

304DOUBLE-GOURD-SHAPED PORCELAINSNUFF BOTTLEQIANLONG MARKshaped as a double-gourd, decorated withfurther smaller gourds and leaves rendered inrelief, all set against a white ground paintedwith a dense network of red scrolling tendrils,four-character gilt seal mark to the base

6.5cm high£2,000-3,000

306FAMILLE ROSE FLORIFORM BOWLJIAQING MARK AND OF THE PERIODpotted with rounded sides rising from ashort base with floriform rim, the exteriorenamelled with ten raised petal panelscontaining flowers in alternating coloursbelow peaches, pomegranates and lycheesborne on leafy branches, the interior covered in a turquoiseglaze, six-character seal mark to the base in iron red

18cm diam£400-600

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309LARGE FAMILLE ROSE ‘PEACH’ VASE,TIANQIUPING20TH CENTURYof bottle form, the globular bodydecorated with nine fruiting peaches andflowering blossoms issuing from sinuousbranches, apocryphal Yongzheng sealmark to underside

55cm high£800-1,200

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308FAMILLE ROSE DOUBLE GOURD VASEQING DYNASTY, 19TH CENTURYthe sides decorated with two court scenes of theemperor receiving tributes from courtiers and soldiers,the shoulder with small shaped reserves depicting birdson floral diaper ground, the neck with a boy playing witha toad and another with a bird, the space between thetwo gourd sections decorated with a gilt ribbon fallingover the shoulder

30cm high£300-500

310FAMILLE ROSE OGEE-FORM BOWLYONGZHENG SIX-CHARACTER MARK ANDOF THE PERIODfinely potted with gently rounded sidesrising to an everted rim, the exteriorpainted with leafy stems bearingchrysanthemum, peony, lotus and camelliablooms, six-character mark in underglaze blue to the base

17.3cm diamProvenance:Private Scottish Collection

£2,000-3,000

307FAMILLE ROSE EXPORT OCTOGONAL DISHQING DYNASTY, 18TH CENTURYpainted in polychrome colours with two ladies engaged ina conversation, one standing in a pavilion, the other infront of a parapet by the side of a lotus pond, all below aband of stylized flames and a multitude of gilt-decoratedflowers and fruits around the rim

37.8cm wide£1,800-2,500

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311PAIR OF FAMILLE ROSE PLAQUESREPUBLIC PERIODpainted in soft colours with threebeauties beside a window with a viewinto the bamboo garden

24cm high, 15.4cm wide£600-800

312FAMILLE ROSE FISH BOWL AND MARBLE TOP STANDQING DYNASTY, 19TH CENTURYthe bowl of deep U shape decorated to the interior andexterior with carp; the low hardwood stand with a lobed topwith pink marble insert, raised on cabriole legs headed bydragon masks and ending on claw and ball feet

Bowl 36.5cm diameter, 31cm high; stand 39cm high, 42cm high£800-1,200

313CANTON VASEQING DYNASTY, 19TH CENTURYof baluster form, the body decorated with phoenix,peonies and peaches above fret decoration, thereserves depicting the arrival of a dignitary to thecity wall and palace, with Buddhist lion handlesand chilong resting on the shoulders

63cm highProvenance:A Private Glaswegian Collection

£300-500

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314FAMILLE ROSE ‘LOTUS ANDHERON’ PLAQUEATTRIBUTED TO CHENG YITING(1895-1948), DATED 1936of near square form, painted withtwo herons wading in water belowblooming lotus flowers and lushfoliage, inscribed, signed and withtwo seals of the artist, dated bingziyear (1936), wood frame

39cm highProvenance:Private English Collection

£8,000-12,000

315FAMILLE ROSE ‘CICADA AND WILLOW’PLAQUEATTRIBUTED TO LI MINGLIANG, DATED 1948depicting a cicada with meticulously painteddetails perched on a branch of willow, titled,inscribed, dated autumn, wuzi year (1948),signed and with one seal of the artist

32cm high, 19.5cm wide (excluding frame)Provenance:Private English Collection

£1,500-2,000

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316TWO PAINTED PORCELAIN PLAQUESREPUBLIC PERIODeach depicting the peak of a mountain withpine, a pavilion or a pagoda, inscribed with apoem, one signed Meng Lin, the other MengDao Ren (2)

12cm high, 10cm wideProvenance:Private Scottish Collection

£500-800

317NEAR PAIR OF FAMILLEROSE WALL PLATESSIGNED WANG LONGFU (B.1931), DATED 1953each finely enamelled withtwo ladies in a garden, thoseof the first plate playing Qin, ofthe second reading a book,surrounded by a border of floralsprays on a lime-green groundand encircled within a rim of ruyi-heads, each signed and dated ‘gui sidong yue’ (winter of the year 1953) (2)

26.8cm diamNote:Wang Longfu, one of the most prominent Chineseceramic painters of the 20th century, was born into afamily dedicated to the art of porcelain making. Hisgrandfather Wang Changbin oversaw the productionof the imperial kiln in Jingdezhen during the Guangxuand Xuantong reign of late Qing dynasty. WangLongfu’s painting is known for drawing from ClassicalChinese literature and for combining the Gongbi(detailed brushwork) and Xieyi (expressive brushwork)techniques of traditional Chinese painting.

£400-600

318FAMILLE ROSE ‘SNOWSCAPE’ ROULEAU VASEIN THE STYLE OF HE XUREN (1882-1940)REPUBLIC PERIODdelicately enamelled around the body with acontinuous landscape of snow covered mountains,trees and terraced pagodas surrounding a lakepopulated by boats sailing ashore, all between bandsof floral designs, a band of ruyi to the mouth rim anda key-fret border to the foot rim, four-character iron-red apocryphal Qianlong mark to the underside

34cm highProvenance:Private Scottish Collection

£3,000-5,000

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321FAMILLE ROSE ‘LOTUS LEAF’ DISHQING DYNASTY, 19TH CENTURYmodelled as a lotus leaf issuing from a stem tied to the underside withlotus buds and further smaller leaves, the interior finely painted withtwo large blooming lotus flowers and a mantis perched on a thin leaf

20.5cm wideProvenance:Private Scottish Collection

£400-600

(one of fourillustrated)

322FAMILLE ROSE FOOTED BOWLDAOGUANG SEAL MARK AND POSSIBLY OF THE PERIODof square form, the interior and base covered in turquoise glaze, thesides decorated with scenes of elderly men and children in a fencedgarden with the children offering flowers and drink to the elders andfeeding birds, the foot with a motif of lotus flowerheads and scrollingbranches, iron-red Daoguang seal mark to the base

7cm high£500-800

324YFAMILLE ROSE SNUFF BOTTLE19TH/20TH CENTURYof slightly tapering ovoid form, painted with acontinuous scene of a lady resting under atree and being served with peaches by youngboys, apocryphal Qianlong mark to the base

6.5cm high£200-300

323TWO CANTON FAMILLE ROSE DISHESQING DYNASTY, 19TH CENTURYone delicately enamelled with a pheasant perched on arocky outcrop beside flowering peony andchrysanthemum branches, the other decorated with amantis clinging to an ear of corn, surrounded bybutterflies, flowers and fruits (2)

19.5cm diamProvenance:Private Scottish Collection

£200-300

319FAMILLE ROSE DISHQING DYNASTY, 18TH/19TH CENTURYfinely enamelled to the interior with various floral sprays includingpeonies and chrysanthemums among stems and leaves, underglazeblue double ring to base

28.5cm diamProvenance:Private Scottish Collection

£400-600

320FOUR FAMILLE ROSE ‘BIRDS AND FLOWERS’ PLATESSIGNED DING JINGCHUN, 20TH CENTURYpainted with various scenes of birds and flowers, including peacock andpeonies, magpies and prunus blossoms, swallows and chrysanthemums,pheasants and roses, all inscribed with a poem and signed (4)

24.5cm diamProvenance:Private Scottish Collection

£300-400

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325FINE FAMILLE ROSE GREEN-GROUND‘LOTUS’ MEIPINGDAOGUANG MARK BUT LATERthe baluster body rising from a slightly splayedfoot to a short waisted neck, painted with fourlarge blossoming lotus beneath a bat andamidst secondary lotus blooms borne on leafyscrolls, all against a yellow ground and between a band of ruyi-heads around the neck and a band of stylised lappets at the foot

23cm high£10,000-12,000

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326PAIR OF FAMILLE ROSE YELLOW-GROUND‘BUTTERFLY’ JARDINIÈRESXUANTONG FOUR-CHARACTER MARK AND OF THEPERIODraised on four short supports, enamelled and gilt aroundthe sides with auspicious double-happiness symbolsamongst a multitude of brightly coloured butterflies inflight, all reserved on a rich yellow ground, the interiorand the base covered in a soft turquoise glaze (2)

26.5cm high£10,000-15,000

327PAIR OF PORCELAIN MODELS OF GEESEQING DYNASTY, LATE 19TH CENTURYthe large animals realistically modelled in a crouchingposition, the necks bent and heads facing forwards, withdetailed feathers painted on the wings and body, restingon dappled rock surface (2)

31cm high£300-500

328YELLOW-GROUND GREEN-ENAMELLED‘NINE DRAGON’ MEIPING VASEKANGXI MARK BUT LATERof tapering form with high shoulders,enamelled in vivid green with nine five-claweddragons in various postures among clouds,six-character Kangxi mark to the base

34.5cm high£200-300

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333FAMILLE ROSE ‘ONE HUNDREDBATS’ BOTTLE VASELATE QING DYNASTYpotted with compressed bombébody and tall neck, enamelled withiron-red bats and colourful cloudsbetween a band of ruyi-head at themouth and floral lappets at the foot, six-character Guangxu mark to the base

33cm high£300-500

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332FAMILLE ROSE ‘CHRYSANTHEMUM’ VASE20TH CENTURYpainted with a bird on a branch of floweringchrysanthemum with bamboo, base with sealmark of Qianlong, bears signature and seal ofChen Yiting

19.5cm high£400-600

329FAMILLE ROSE PLAQUEAFTER WANG XILIANG (B.1922)depicting three scholars gathered at aevening banquet in a garden, one scholarengaged in calligraphy exercise, one femaleattendant serving wine, inscribed, signedand with one seal of the artist, dated 1947

36.5cm high, 24.5cm wide (excluding frame)£400-600

331FAMILLE ROSE ‘THREE FRIENDS OFWINTER’ BALUSTER VASE AND COVER19TH CENTURYthe exterior painted with pine, bamboo andblossoming prunus, the motif repeated on thecover, apocryphal six-character Kangxi mark tothe base

25cm high£500-800

330FAMILLE ROSE ‘HUNDREDBUTTERFLIES’ VASEXUANTONG MARK AND OF THE PERIODdecorated with butterflies in different coloursbetween bands of ruyi encircling the mouth,lotus and shou characters on the shoulderand flower petal lappets around the base, six-character mark in iron-red to the base

39.5cm high£600-800

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334CELADON-GROUND IRON-RED‘DRAGON’ SQUARE BRUSH WASHERQIANLONG MARK AND POSSIBLY OF THEPERIODof square section with indented corners andraised on four short feet, the exterior paintedin iron-red with four pairs of stylised dragons below a band ofruyi-heads encircling the mouth rim, six-character seal mark tothe underside

7cm wide£800-1,200

335PAIR OF BLUE GLAZED ‘DRAGON’ CUPSQING DYNASTY, 19TH CENTURYdecorated with green enamelled dragonschasing the flaming pearl on an underglazeblue ground, the interior similarly decorated,the base with six-character Kangxi mark inunderglaze blue within double ring (2)

10.5cm diameter£500-1,000

336DOUCAI ENAMELLED BARBED-RIMBOWLGUANGXU MARKthe rounded walls delicately painted on bothsides in underglaze blue and enamelled in thedoucai technique with lotus, chrysanthemumand peony sprays, the interior decorated with a centralmedallion enclosing further floral sprays, six-characterGuangxu mark to the underside

14.8cm diamProvenance:Private English Collection

£400-600

337DOUCAI SCALLOP-RIMMED BOWLGUANGXU MARKthe interior and exterior painted inunderglaze blue and enamelled in thedoucai technique with multiple floralsprays, six-character Guangxu mark tothe underside

14.5cm diamProvenance:Private English Collection

£400-600

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338PAIR OF SQUARE-SECTIONED QIANJIANGCAIDECORATED VASESREPUBLIC PERIODthe tall square-sectioned body raised on a splayed footand rising to a flaring mouth, applied with twoelephant head shaped handles, the front and the backelaborately painted with a landscape, the sidesinscribed with a poem, all against an iron-red groundwith floral scrolls, apocryphal Daoguang mark to thebase (2)

36.2cm high£400-600

339LARGE PAIR OF CHINESE CANTONFAMILLE ROSE PORCELAIN VASES19TH CENTURYeach of baluster form with a flared neck andmoulded handles, decorated with figuralpanels amongst scholarly symbols andflowers (2)

61cm high£1,000-1,500

340PAIR OF EXPORT ‘MANDARIN PALETTE’PUNCH BOWLSQING DYNASTY, 18TH CENTURYthe exterior decorated with shaped panels depictinga mandarin family and attendants gathered ongarden terraces, reserved on an iron-red geometricground with floral sprigs, the interior with apomegranate shaped panel enclosing a lady and herattendant (2)

35cm diamProvenance:Private London Collection

£4,000-6,000

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341FAMILLE ROSE RETICULATED MILLE FLEUR HEXAGONALLANTERNQING DYNASTY, 19TH CENTURYeach side decorated with a pierced panel with a central medallionof young boys at play in a garden, all against a dense ground withchrysanthemum, lotus, peony and hibiscus flowers, apocryphal six-character Qianlong mark to the underside of the stand

40cm high (including stand)Provenance:From the Estate of Frank Roy Dorrington and Lillian Grace Dorrington.

Note:Roy Dorrington was employed by the Foreign and Commonwealth Office foralmost thirty years. Between 1920 and 1938 he was based for periods of timeat the British High Commission in Canberra, Australia. He was sent to HongKong for periods between 1925-1927 when it was suffering considerablepolitical upheaval, and it was during this period that he acquired and wasgiven gifts of Chinese Ceramics which now form part of the survivingcollection.

£1,500-2,000

342SMALL FAMILLE ROSE VASEJIAQING SIX-CHARACTER MARK BUT POSSIBLYOF THE REPUBLIC PERIODdecorated with a parakeet catching an insectsuspended from a flowering tree by a gilt chain,the rim gilt, the base with seal mark inunderglaze blue

17cm highProvenance:From the Estate of Frank Roy Dorrington and Lillian Grace Dorrington.

£5,000-8,000

343SMALL FAMILLE ROSE DISHDAOGUANG MARK BUT REPUBLIC PERIODwith rounded sides and an unusual doublebarbed and scalloped rim, finely decorated tothe interior with bamboo and scrolling vinesfrom which hang plump red fruits and yellowblossoms, the reverse decorated withauspicious red bats, six-character mark in iron red to thebase

16cm diamProvenance:From the Estate of Frank Roy Dorrington and Lillian Grace Dorrington.

£1,000-1,500

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344FAMILLE VERTE ‘BUDDHISTLION’ DISHKANGXI PERIODwith scalloped rim and decorated tothe centre with two Buddhist lionsencircled by a diaper borderinterspersed with floral spray panels

27cm diamProvenance:Private Collection, Scottish Borders

£300-500

346FAMILLE VERTE DISHKANGXI PERIODpainted with a central roundelcontaining a spray of flowers,encircled by a continuous gardensetting with a mythical beast besideclusters of flowers and rockwork, thebase with an underglaze blue censer mark within doublecircles

27.2cm diamProvenance:Private Collection, Scottish Borders

£300-500

347PAIR OF FAMILLE NOIRE ‘WATER MARGIN’ VASESKANGXI MARK BUT 19TH CENTURYwith a circular sectioned trumpet neck and elongated bodyof square section, the walls painted in green, yellow andmanganese with scenes from the novel ‘The Water Margin’centred on the character Zhuge Liang, six-characterapocryphal mark on a square recess to the base (2)

50cm highProvenance:Private Scottish Collection

£1,500-2,500

345BISCUIT-GLAZED FAMILLE VERTE BUDDHISTLIONQING DYNASTY, 19TH CENTURYlying on its back and playing with the brocade ball inbetween its upturned legs, with ferocious facialexpression, the body enamelled in vivid green and themane in yellow and greyish-aubergine

9cm highProvenance:Private Collection, Scottish Borders

£300-500

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349FAMILLE VERTE PORCELAIN CHARGERKANGXI PERIODof circular form with barbed rim, the central decorationdepicting fishermen on a lake, some throwing their nets inthe water, others resting and drinking tea by the rocks,the shores of the lake with a tall pagoda and anotherbuilding, all within a mountainous landscape, the basewith double ring mark

37.5cm diam£1,500-2,500

348PAIR OF FAMILLE VERTEDISHESKANGXI PERIODeach decorated with acentral roundel containing ablooming prunus treeissuing from rockwork,surrounded by eight lotus petal shaped panelsdepicting peony sprays, six-character Kangxi markto the base (2)

21.8cm diamProvenance:Private English Collection

£700-900

350FAMILLE VERTE TEAPOT AND COVERKANGXI PERIODpainted and gilt with blossoming prunus,lotus, peony and chrysanthemum, beneath afoliate and geometric pattern collar

9.5cm high£800-1,200

351LARGE FAMILLE VERTE BALUSTER VASEQING DYNASTY, 19TH CENTURYthe body decorated with two large cartouchesdepicting a pheasant and other birds perchedon a pine tree growing from rockwork andamongst peonies, with smaller leaf and peach-shaped reserves in between, all on abackground of chrysanthemums amongstscrolling leaves, the neck with similardecoration, the foot and shoulder withflowerheads on diaper ground, with keyfretborder to the rim, with hardwood stand

61cm highProvenance:Private Collection, Scottish Borders

£200-300

352TRUMPET-NECK BALUSTER VASEthe bulbous body rising to a tall trumpet neckwith wide flaring rim, painted with stylizedelephant masks on a key-fret ground, betweenbands of wave-pattern, spiral scrolls andlappets, six character Kangxi mark to the base

34cm high£200-400

353FAMILLE VERTE VASELATE QING DYNASTY/REPUBLIC PERIODthe ovoid body decorated with two largepanels each depicting a lady in her study andon a garden terrace with three boys, reservedon a ground with dragons, flowers and bats,below a band of plantain lappets on the neck

23cm high£200-300

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355PAIR OF FAMILLE NOIRE MILLEFLEUR PLATESGUANGXU MARK AND OF THE PERIODeach painted with a mille-fleur pattern on black ground,six-character mark to the base, with carved wood displaystand (2)

22cm diam£400-600

354FAMILLE VERTE BUDDHIST LIONQING DYNASTY, 18TH/19TH CENTURYwith head turned to the side and ferociousexpression, one front paw resting on abrocade ball, the body enamelled in vividgreen, the ears in yellow, the mane in greenand greyish-aubergine, on a rectangular plinth

42.5cm high£400-600

357PAIR OF POLYCHROME MALLET FORM VASESQING DYNASTY, 19TH CENTURYpainted with a design of various flowers and leafy fronds on ayellow ground, the necks with flowers in iron red (2)

25cm high£300-500

356GROUP OF FIVE SNUFF BOTTLESLATE QING DYNASTY/REPUBLIC PERIODof various shapes, including one of glass and modelled as aboy holding a lotus leaf, one decorated on both sides with amantis perched on leaves upon a yellow-enamelled ground,one of rouleau form and painted with mounted warriorswithin a continuous landscape, one with polychromelandscape; together with a MINIATURE QINGBAI BOWL (6)

largest 11.5cm high£500-800

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359PAIR OF LARGE WUCAI JARSLATE QING DYNASTYdecorated in polychrome enamels and underglazeblue, depicting a scene of ladies playing with childrenin a terraced gardens, all within spearhead anddiaper borders, with carved hardwood covers andstands (2)

44cm high (excluding cover and stand)£1,500-2,500

358GREEN AND YELLOW ENAMELLED ‘DRAGON’BOTTLE VASEQIANLONG MARK BUT LATERthe globular body rising to a slender cylindrical neckwith a lipped mouthrim, the exterior incised with awrithing five-clawed dragon in pursuit of a flamed pearlamidst clouds and flames, all against a yellow ground,six-character mark to the base

25cm highProvenance:Private Collection, Northeast England

£1,000-2,000

361QIANJIANG RECTANGULAR PLAQUEATTRIBUTED TO YANG YAFAN, DATED 1979depicting Jingdezhen, titled, inscribed, datedjiwei year (1979), with two seals of the artist

21.5cm high, 30cm wide£800-1,000

360LARGE TRIPOD BRUSH WASHER,SANZUXIQIANLONG MARK BUT LATERthe compressed body supported on threeelephant heads with their curved trunks formingthe legs, the everted rim decorated in shallowrelief with pairs of stylized kui dragons, coveredin a thick aubergine glaze and with turquoise and gilt highlights, six-character seal mark to the underside

30cm diam£3,000-5,000

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366FAMILLE NOIRE DISHKANGXI PERIODthe shallow interior enamelled with plum blossoms, lotusflowers, chrysanthemums and peonies stemming from a smallcentral roundel of peony and ruyi decoration, delicate bamboofoliage on a pale green ground encircling the exterior to thebase

27cm diam£2,000-3,000

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363FAMILLE VERTE COVERED PUZZLE JUGKANGXI PERIODthe spout set at right angles to the scrollhandle and above a pierced neck, the balusterbody painted with panels of landscapesalternating with flowering plants

24cm highProvenance:Ex Leonard Gow Collection

£800-1,200

364FAMILLE VERTE COVERED PUZZLE JUGKANGXI PERIODthe spout set at right angles to the scrollhandle and above a pierced neck, the balusterbody painted with panels of landscapesalternating with flowering plants

24cm highProvenance:Ex Leonard Gow Collection

£1,000-1,500

365PURPLE-GLAZED HEXAGONALVASEthe facetted sides boldly painted withbranches of blossoming prunus andpeony, the neck applied with a pair ofhandles each in the shape of twoplayfully confronting dogs

60.5cm high£200-300

362STEM BOWL WITH DRAGONDECORATIONQING DYNASTY, 19TH CENTURYraised on a spreading stem foot and paintedon the rounded sides with a pair of five-clawed dragons facing a flaming ball below aband of ruyi-heads

13cm highProvenance:Private English Collection

£300-500

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368FAMILLE VERTE CHARGERKANGXI PERIODof circular form with barbed rim,the central roundel depicting awalled garden with compositions offlowers and plants within vases onstands and a deer overlooking thescene, the rim decorated with intertwining reserves withplum blossom

38cm diam£3,000-5,000

367PAIR OF FAMILLE VERTE CHARGERSKANGXI PERIODcentrally painted with a basket of flowers withauspicious symbol surrounded by shapedcartouches reserved on a green ground, eachenclosing flowers and plants, the rim withcash and floral diaper border, underglaze-bluefloral mark to the base (2)

36cm diam£4,500-6,500

369FAMILLE VERTE TEAPOT AND COVERQING DYNASTY, 19TH CENTURYof square section, decorated with four largepanels depicting a scholar with his attendantand the ‘hundred treasures’, reserved on adense trellis ground with red prunus flowers

18cm high£400-600

370LARGE IMARI DISHQING DYNASTY, 18TH/19TH CENTURYdecorated in the central reserve with two largepeonies and leaves, the rounded sides withfurther red enamelled peonies within a thickborder of blue enamelled scrolling leafybranches, the reverse with plum blossoms

36cm diam£250-350

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371PAIR OF UNDERGLAZE BLUE ANDRED-DECORATED CELADON-GROUND CUPSQIANLONG MARK BUT LATERdelicately potted with lobed sides risingto an everted foliate mouth rim,supported on a short splayed foot repeating the same foliatepattern, covered overall with a celadon glaze and decoratedon the sides with a poem and a landscape scene (2)

6.8cm highProvenance:Private Scottish Collection

£400-600

372DOUCAI ENAMELLED ‘LOTUS’DISHQIANLONG MARK AND OF THEPERIODwith shallow rounded sides rising to aslightly everted rim, enamelled with acentral medallion of a lotus blossomand four buds borne on curling stems, below a band ofsmall chrysanthemum and prunus flowers encircling therim, the exterior similarly decorated with five large lotusblooms amongst scrolling tendrils, six-character sealmark in underglaze blue to the base

26.2cm diam£4,000-6,000

373GREEN-ENAMELLED ‘DRAGON’DISHQING DYNASTY, 19TH CENTURYof circular form, the decoration in thecentre depicting three greenenamelled dragons chasing theflaming pearl amongst swirling purple clouds on a whitebackground, the exterior with similar decoration to thesides, Jiaqing seal mark to the base

23.5cm diam£500-800

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374 tYELLOW-GROUND BLUE AND WHITE ‘FRUITS’ VASEYONGZHENG PERIOD OR LATERof baluster form with flared neck, the globular body painted incobalt blue with leafy sprays of ripe peaches andpomegranates, all within stylised spear decoration, theshoulder with keyfret border, the neck with lappets, the footwith scrolling pattern, underglaze blue six-character Yongzhengmark within double ring to the base

21cm highNote:In our opinion, the body of the blue and white vase is of the Yongzhengperiod whereas the yellow enamel is most likely to have been appliedlater.

£80,000-120,000

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375FAMILLE VERTE FOLIATERIM CHARGERKANGXI PERIODthe interior finely enamelled tothe centre with a pheasant on arocky outcropping issuing spraysof peonies, surrounded by aband of twelve panels each containing furtherflowers, Kangxi provincial kiln mark to the base withindouble squares

36cm diamProvenance:Private London Collection, purchased from Grosvenor HouseAntique Fair, circa 1960.

£2,500-3,500

377PAIR OF EXPORT DUCK TUREENSQING DYNASTY, LATE 19TH CENTURYmodelled recumbent with the head facingforwards, the bodies enamelled in red andbrowns with polychrome decoration on thewings and gilt beak, the upper body lifting toreveal the hollowed interior (2)

16cm high£2,000-3,000

376CARP TUREEN AND COVERQING DYNASTY, 19TH CENTURYfinely modelled as a carp lying on its side withgilt seaweed trailing from its mouth, the bodyrealistically painted in iron-red with scales andfins, the interior and the base covered in aturquoise glaze

35cm longProvenance:Private Scottish Collection

£1,500-2,500

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378TWO CARVED AGATE PENDANTSone of russet colour in the shape of a gourdwith a large leaf and scrolling branches, theother of black and grey colour carved as twored pandas crawling over a round-shapedhollowed rock (2)

largest 6cm longProvenance:From the Estate of Frank Roy Dorrington and LillianGrace Dorrington.

£2,000-3,000

380Y

YELLOW AGATE SNUFF BOTTLE20TH CENTURYof ovoid shape and flanked by two mythicalmasks carved in relief, inlaid with a lady with aboy on one side, the reverse decorated in giltwith lines from the fable ‘Stories of TheEmperor Wu of Han’

8cm high£800-1,000

381Y

MACARONI AGATE SNUFF BOTTLELATE QING DYNASTY/REPUBLIC PERIODof rounded rectangular profile and raised on ashort oval foot, the semi-translucent ochrestone marked with white striations

6.2cm high£400-600

379Y

WHITE AGATE ‘PEANUT’ SNUFF BOTTLE19TH/20TH CENTURYrealistically carved as a peanut, the area closeto the base with purple coloured inclusionsskilfully shaped into a seated squirrel, ivorystopper with an amber finial

6.5cm high£1,300-1,500

382Y

QUARTZ CONGLOMERATEPUDDINGSTONE SNUFF BOTTLE19TH/20TH CENTURYof bulbous ovoid shape, carved from amottled dark green stone with numerouspebble-like brown inclusions

7cm high£300-500

383Y

STRIATED AGATE SNUFF BOTTLE19TH/20TH CENTURYof flattened ovoid form and with naturalwhite, blue and brown striations, the coralstopper with a jadeite finial and metalworkcollar

7cm high£500-600

384ROCK CRYSTAL VASE AND COVERQING DYNASTY, LATE 19TH CENTURYthe vase carved to the exterior with a craneperched upon rockwork, flanked by two peonyblooms born on leafy stem, the coversurmounted by a finial in the shape of amandarin duck

11.5cm highProvenance:Private Scottish Collection

£200-300

385GROUP OF FIVE WHITE JADE ANDGREENISH-WHITE JADE CARVINGS19TH/20TH CENTURYa monkey, a boy, a leaf and two cicadas (5)

largest 4.5cm long£200-300

386CARVED LAPIS LAZULI VASEQING DYNASTY, 19TH CENTURYthe cylindrical body carved with birds perchedon flowering prunus branches, with rock andlingzhi fungus to the back, on carved woodstand

15.5cm high (excluding stand)£200-300

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387SCHOLAR’S ROCK ON STANDQING DYNASTY, 19TH CENTURYthe square-form pink stone streaked with whiteand russet highlights resting on a rectangularcarved and gilt wood double lotus base

15.5cm high£300-500

389LAPIS LAZULI VASE AND COVERthe flattened body modelled in the shape of amythical beast, supported by four paws, thehandles with stylised ruyi pattern, the coverwith lion finial

15.5cm high£1,000-1,500

388AGATE AND LAPIS LAZULI ‘MANDARIN’SCOURT’ NECKLACE, CHAOZHUQING DYNASTY, 19TH CENTURYstrung with one-hundred and eight agate beadsseparated by four blue glass jiezhu, one leading to thebeiyun with blue glass pendant, with three strands ofancillary lapis lazuli beads, within a circular box withcentral aperture, the cover decorated with two dragonschasing the flaming pearl on a gilt diaper patternedground, the sides with further dragons within lobedreserves and floral roundels on a cash diaperbackground£400-600

390LAPIS LAZULI FIGURE OF A RAMAND YOUNGthe animal realistically modelled in arecumbent position, the head turned toone side and all four legs tucked under,with a young in a similar position restingto its backside, on wood stand

9cm long£500-800

391CARVED LAPIS LAZULI BOULDERQING DYNASTY, 19TH CENTURYcarved with two figures, one riding a waterbuffalo, travelling within a lush landscapeamongst rocks and pine trees, with apavilion to the background, to the backcarved with another pavilion, pine tree andbamboo amongst rocks, on wood stand

12cm high (excluding stand)£1,000-1,500

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395CELADON JADE FIGURE OF AVALOKITESVARAthe four-armed figure carved seated in dhyanasana,wearing loose trousers, a long beaded necklace and anelaborate two-tiered crown, the two principal handsjoined together in a praying position, the other twohands lifted by the shoulders, one holding a lotusflower, the other a small fruit, the face with a sereneexpression, on a double lotus spinach green jade base,with fitted box

17cm high overall£2,500-3,500

392CARVED JADEITE BOULDERwith russet and spinach green highlights, carved as a rocky mountain toone side with a man inside a pavilion by a large pine tree and two furtherfigures approaching the building, a crane flying above, the other side carvedwith another pavilion, two sheep and another crane in flight overhead,inscribed with a poem written by Emperor Qianlong and with an apocryphalQianlong seal, on a wooden stand

13.5cm high (excluding stand)£1,000-1,500

393BLACK AND WHITE JADE CARVEDFIGURE OF A BOYQING DYNASTY, 19TH CENTURYcarved in the shape of a young boy holding adouble-gourd stemming from a leafy stalk, abat perched upon the fruit, the colour divisionof the stone cleverly incorporated into thecarving with the black section forming thebody of the boy

6cm wide£1,500-2,500

394IMITATION JADE CARVED WHITE GLASSFIGURAL GROUPQING DYNASTYfinely carved in the form of an elephantstanding foursquare with two boys clamberingplayfully on its back£600-800

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396ROCK CRYSTAL AND CARVED WOOD CENSERYONGZHENG MARK BUT LATERof octagonal form with stylised scrolling leaf handles, thepierced wood cover with ruyi pattern and lingzhi fungifinial, on a carved wooden stand with spinach greenhardstone archaic-style decoration around the sides, giltYongzheng seal mark to the base, with fitted box

15cm high overall£800-1,200

397YELLOW-BROWN JADE TABLE SCREENthe jade panel of ovoid form depicting twocoiled dragons chasing the flaming pearlamongst scrolling branches of lotus and aboveswirling waves, on a carved wooden stand

18cm high£1,000-1,500

398CARVED CELADON JADE GROUP OF A PAIROF DEER19TH CENTURYthe two animals carved in a recumbent position, themale looking forwards and the female tilting its headbackwards, their snouts touching and both holdingthe same ruyi branch in their mouths

8.5cm long£500-800

400CARVED AND INSCRIBED HARDSTONE‘MYTHICAL BEAST’ TALLYdivided into two matching halves that combine toform a recumbent tiger with five characters in sealscript carved to the bottom, the interior of each halfincised with four characters, the stone with orange-brown inclusions (2)

5cm long£400-600

399WHITE JADE CARVED FIGURAL GROUPvividly carved depicting a seated Buddhist monkconversing with his younger disciple, the latterbowing devoutly towards him with a branch oflingzhi fungus in the left hand, the smoothlypolished stone with a pale green tone

9cm wide£500-800

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401CARVED WHITE JADE BOX AND COVERof cylindrical shape rising from three splayedfeet, the cover decorated in relief with twoMandarin ducks swimming beneath aflowering lotus

3.5cm high£600-800

402LIGHT BROWN JADE ‘LOTUS’ BRUSHWASHERwith russet inclusions carved as a large lotus leaf,the sides curled inwards, a small frog resting on itssurface, the flowing stems underneath it bearinglotus buds

14cm long£800-1,200

403LARGE JADEITE BOULDERcarved in the form of a mountainous landscape bymoonlight, the figures of three elderly gentlemensocialising under the blossoming branches of aprunus tree, on carved hardwood stand

14cm high (excluding stand)£2,000-3,000

404GREENISH-WHITE JADE CARVED‘DRAGON’ SEALQING DYNASTY, 18TH/19TH CENTURYof square section and surmounted by acoiling dragon finial, the base carved withfour characters in seal script reading ‘Tong ZhiZhi Bao’

4.4cm high£800-1,200

405PALE GREEN JADE CARVING OF AGOOSE AND ITS YOUNGQING DYNASTY, 18TH/19TH CENTURYthe two birds tightly nestled togetheron a base with scrolling waves fromwhich two lotus flower buds issue, the stone smoothly polished and with russet inclusions

7.5cm wide£2,000-3,000

406GREEN JADE CARVED FIGURE OF A RECUMBENTHORSEPOSSIBLY MINGthe horse carved in a recumbent position with head turnedbackwards, the tail flicked onto the left rear haunch, thestone of a grey-green tone with russet and brown inclusions

6cm wide£600-800

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408GREY-GREEN JADE CARVED FIGURE OFA HORSEcarved in a recumbent position with three legstucked under the body while the right forelegis raised, the head turned backwards, thestone of a grey-green tone with some browninclusions

14cm long£3,000-4,000

409CELADON JADE WASHERthe vessel carved in the shape of a ruyi headsupported by braches at the base anddecorated to the sides in relief withpomegranate and lingzhi fungus

11cm high£3,000-5,000

410WHITE JADE VASE AND COVERof baluster shape and with stylized dragonhandles to the neck, the body carved inshallow relief with taotie masks betweenbands of kuilong dragons and birds, thecover carved with further taotie masks, thestone of an even pale tone

25.5cm high£7,000-9,000

407CELADON AND RUSSET JADE MONKEYcarved in a crouched position with head andbody turned to the left, with one arm raisedand the hand scratching the head, the otherjoined to the knee and resting by the foot

14.5cm high£500-800

411CELADON JADE TEAPOT AND COVERof flattened rectangular form with lobed sidesand rounded corners

13cm long£1,500-2,000

412CARVED JADE VASE AND COVERthe ovoid body gently tapering to a long neckthat rises to a slightly flared rim, the neckapplied with a pair of qilin handles, the bodycarved in shallow relief with pairs of stylizedkui dragons, the stone of an even pale tone,with a pierced wood stand

18cm high£4,000-5,000

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415PAIR OF PALE CELADON JADE CENSERSthe globular body carved with a central lotus flower amongstscrolling branches and raised on three feet, the loose ringhandles decorated with flowers and scrolling leaves (2)

13.5cm diam£10,000-15,000

413WHITE JADE CARVED TRIPOD CENSER AND COVERof compressed globular form supported on three legsshaped as animal masks, the shoulders applied with a twolarge helianthus sprigs with scrolling foliage suspendingloose rings, finely carved in shallow relief on each side witha lotus blossom flanked by long curling leaves, the coverdecorated with further floral sprays, the stone of a paleceladon tone

13cm high£7,000-9,000

414CELADON JADE EWER AND COVERof flattened ovoid form with scrolling handle andspout, the body decorated with central lotus floweramongst scrolling branches, the cover with similardecoration and bulbous finial

19.5cm high£4,500-6,500

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416WHITE JADE BRUSH POTwith russet highlights, the cylindrical body onthree geometrical supports and carved withfigures in a landscape with pine trees andbamboo

13.5cm high£2,000-3,000

418FINE YELLOW-GREEN JADE FIGURE OFSEATED LUOHANQING DYNASTYdelicately carved with elongated earlobes andeyes downcast in a serene, meditativeexpression, seated in dhyanasana with handsjoined together in front of the belly, thesmoothly polished stone of a yellow-green huewith areas of russet inclusions

7.5cm highProvenance:Formerly in a private European collection.

£8,000-12,000

417RARE WHITE JADE CARVED AND INCRIBEDARCHER’S RINGQIANLONG MARK AND OF THE PERIODof cylindrical shape, finely carved in regular script with animperial poem by Emperor Qianlong, all between key-fretborders, the stone of an even white tone with minute russetinclusions, dated jimao year (1759), with two one-characterseals reading ‘San’ and ‘Long’

2.6cm diamProvenance:Formerly in a private European collection.

£12,000-15,000

419WHITE AND RUSSET JADE CARVED PLAQUEcarved and pierced in archaic style to depict adragon and a phoenix writhing amongst scrollingclouds, the stone of a mottled tone with brown-redinclusions

9cm highProvenance:Formerly in a private European collection.

£10,000-15,000

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420CARVED LAPIS LAZULI BOULDERQING DYNASTY, 19TH CENTURYboth sides exquisitely carved depicting a multi-layered mountain withpine and pavilions, on the front decorated with a miniature figure of aShoulao in white jade standing on a river bank, incised and gilt with afour-line poem, on the reverse decorated with a sage riding a buffalo,followed by his attendant and encountering a scholar with hands heldup in awe, with carved wood stand

24cm wide£15,000-25,000

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421HARDSTONE RED PALM TREE AND GLASSENAMELLED JARDINIÈREQING DYNASTY, 19TH CENTURYthe circular jardinière decorated with rectangular glasspanels with auspicious symbols within faux ropeborders in blue and gilt enamels, the plant withelongated jade leaves spreading horizontallyunderneath a cluster of agate berries

43.5cm high£7,000-9,000

422FINE JADE CHRYSANTHEMUM BOWLQING DYNASTYfinely carved as a single open flower headwith overlapping petals rising from the centreup to the scalloped rim, resting on a gnarledstem issuing further flowers and leaves, adragonfly suspended near the rim and twofurther insects near the base, the stone ofpale celadon with white and light browninclusions, with hardwood stand finely carvedwith sprays of chrysanthemum on leafy stems

16cm high, 21.5cm long£8,000-12,000

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423 tSPINACH-GREEN JADE CARVED FIGURE OF A WATER BUFFALOQING DYNASTY, 19TH CENTURYcarved from a massive boulder, the animal naturalistically carvedrecumbent with legs tucked beneath the muscular body and tail flickedto one side, the head turned sidewards with a spray of corn in its mouth,the stone of rich green colour, with some celadon mottling

18.5cm longProvenance:Formerly in a private European collection.

£30,000-50,000

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424 tMAGNIFICENT CELADON JADE CARVED FIGUREOF A FISHERMANREPUBLIC PERIODthe bearded figure well carved wearing a straw hat anda long straw cloak, holding a hand net in the left hand, ahuge carp in the right which he is trying to squeeze intothe basket, the stone of a pale-green tone with areas ofrusset inclusions

21.5cm highProvenance:Formerly in a private European collection.

£30,000-50,000

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425FINELY CARVED WHITE JADE ‘DRAGON’WASHERQIANLONG MARK AND OF THE PERIODof rectangular section rising to straighteverted sides and raised on a short foot,carved on the shorter sides with two dragonsclambering up the side and peering over therim, incised four-character mark to the base,the stone of celadon-white colour

7.5cm wide£18,000-20,000

426CARVED SHOUSHAN TIANHUANG ‘BUDDHISTLION’ SEALZHAO ZHICHEN (1781-1852), EARLY 19TH CENTURYof square section, surmounted by a finely carvedrecumbent lion with head turned backwards, the sealface inscribed with a nine-character poem in seal script,the stone of a warm honey-amber tone, incised Ci Xian(the studio name of Zhao Zhichen) to one side

2.4cm wide£8,000-12,000

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427THREE JADE CARVINGS OF MYTHICAL BEASTScomprising: one modelled as a single-horned beastcarved in a recumbent position, on hardwood stand,11cm long; another carved in a recumbent position, itsmouth open to show its teeth, on hardwood stand, 6.5cmlong; and the third recumbent animal carved with itshead tilted backwards, its forepaws crossed, 10cm long(3)Provenance:A Private Glaswegian Collection

£500-800

428GROUP OF THREE JADE CARVINGSQING DYNASTYthe first a boy reclining on a lotus leaf; the second arectangular plaque with an openwork carved dragon;the third three shiitake mushrooms issuing from astem (3)

largest 6.2cm long£400-600

429CARVED SOAPSTONE FIGURE OF A LUOHANLATE QING DYNASTYcarved in a seated position, his right arm resting onhis bent knee, dressed in loose robes left open atthe chest, the stone of a light beige tone with greyinclusions

10cm highProvenance:Private Collection, Edinburgh

£200-300

431JADE ARCHER’S RINGQING DYNASTY, 18TH/19TH CENTURYof cylindrical form, the stone of a pale celadontone with red-purple inclusions

3.2cm diamProvenance:Private Collection, Edinburgh

£200-300

430PALE GREEN JADE PENDANTQING DYNASTY, 18TH/19TH CENTURYof rectangular form, one side carved with twoboys under a pine tree, the other side with apoem, framed by a pair of confronting kuidragons

5.7cm highProvenance:Private Collection, Edinburgh

£300-500

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432WHITE JADE CENSERQING DYNASTY, 19TH CENTURYof compressed globular form and raised on a short foot, with a pairof handles carved as chrysanthemum sprays and suspending looserings, the stone of a pale celadon colour mottled with icy streaks

16.5cm wide£800-1,200

433WHITE JADE CARVED TRIPOD CENSER AND COVERraised on three short supports and with two upright handles, theglobular body carved with pairs of stylized dragons and phoenixeswith tails intertwined, the stone with a pale celadon tone£500-800

434CARVED CELADON JADE ‘BUDDHIST LION’ SEALQING DYNASTYcarved with a recumbent Buddhist lion on top, with headturned sideways, the bottom uncarved, the stone of aslightly mottled celadon hue

10.2cm wideProvenance:Private English Collection

£500-800

435WHITE JADE CARVED RAM GROUPwell carved in the form of a recumbentbearded ram with two youngsters at its side,jointly eating from a lingzhi fungus with aTaijitu, the stone of white tone with somerusset inclusions

6.5cm high£600-800

436SMALL CELADON JADE BOULDERwith russet highlights, carved as a rocky mountain,to one side with steps in the rocks leading to apavilion with a figure inside, at the bottom of thesteps further figures walk amongst pine trees, tothe other side with two bats flying above a pinetree, on a spinach green jade stand

9cm high (excluding stand)£800-1,200

437 No lot

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440FINE PAIR OF SPINACH JADE ANDFRENCH ORMOLU MOUNTED EWERS19TH CENTURY, THE JADE POSSIBLY EARLIEReach body composed of a spinach jade winecup mounted with a finely cast and chasedormolu gadrooned cover with a lion mask castspout and double scrolled laurel leaf handle,raised on an ormolu foliate cast socle foot andsquare base (2)

17cm high£700-1,000

438PAIR OF HARDSTONE BOWLSthe mottled dark green and black stone modelledwith flared sides and a short straight foot

15cm diam£500-800

439PAIR OF HARDSTONE BOWLSthe mottled dark green and black stone modelledwith flared sides and a short straight foot

12.5cm diam£400-600

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442WHITE JADE ‘CRANE’ BRUSH WASHERnaturalistically carved in the shape of a cranewith detailed plumage, the head turnedsideward with a branch of peaches in its beak

12.3cm wide£800-1,200

441GREEN JADE CARVED QILINQING DYNASTY, 18/19TH CENTURYcarved recumbent with its legs tuckedunderneath the body, its head detailed with apair of horns and bulging eyes

7.3cm longProvenance:Private English Collection

£600-800

444WHITE JADE CARVED DOUBLE-GOURDSNUFF BOTTLE19TH CENTURYwell carved in the shape of a large double-gourd, the exterior decorated with a furthergourd carved in high relief above a bat, thestone of even white colour with two areas ofpale russet colour

7cm high£1,500-2,500

446CELADON JADE CARVING OF AMYTHICAL BEASTQING DYNASTY, 17TH/18TH CENTURYthe animal carved in a recumbent positionwith the head turned sharply towards therear, the softly polished stone with russetinclusions well incorporated into the carving,with pierced wood stand

6.2cm wide£3,000-5,000

445WHITE JADE RECTANGULAROPENWORK ‘DRAGON’ PENDANTQING DYNASTYcarved on all six sides to depict a writhingdragon holding a pearl in its mouth and flyingamid stylized lingzhi-shaped clouds

4cm long£1,500-2,500

443WHITE JADE BRUSH POTof cylindrical shape with thick walls and base,carved in half-relief with three boys playing Gounder a pine tree within a mountainouslandscape, the semi-translucent stone of evencolour with some icy-white inclusions

9.3cm highProvenance:Private English Collection

£800-1,200

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Paintings & Works on Paper

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448LIANG HANCAO (1989-1975)CALLIGRAPHY IN CURSIVE SCRIPT, 1958hanging scroll, ink on paper, signed and withone sign of the artist, dated wuxu year (1958),dedicated to Tseng En Po and his wife

131.5cm high, 65cm wide£1,500-2,500

449FANG XIANGCALLIGRAPHY AND PAINTINGthe calligraphy in running script, ink on paper, with onecollector’s seal; the painting depicting a scholar reading abook in a landscape, ink and colour on paper, signed andwith one seal of the artist, dedicated to Fang Yin (the wifeof Tseng En Po) (2)

each 36.5cm high, 25.5cm wide£200-300

447WEI JINGMENG (1907-1982)CALLIGRAPHY IN RUNNING SCRIPT, 1974handscroll, ink on paper, Li Bai’s poem Jiang Jin Jiu (Wine Will BeServed), signed, with one seal of the artist, dated winter, jiayin year(1974), dedicated to Tseng En Po who travelled to Taipei during his59th birthday and met the calligrapher, mounted

23.5cm high, 89cm wideThe Collection of Eddie Tseng En Po (1915- 1989)

£400-600

Tseng En Po led his life in the centre of enormous world events. As a topnewsman he reported those events to the world with only a typewriterand basic telephone systems. His notebooks attest to those worldchanging times, before the days of the Internet.

Born on 10 November 1915 in Canton, Tseng En Po studied journalismat Yenjing University in Peking. In 1941, whilst working for Central NewsAgency in Hong Kong, he escaped the Japanese invasion and walked toChungking to join Chinese forces. From there he reported on the Sino-Japanese war and became associated with the future President of ChinaChang Kai Shek and Madame Chang.

During the Pacific War, Mr Tseng witnessed the aftermath of theHiroshima bombing on the first reconnaissance plane into the area, andwas the first reporter to broadcast the Japanese surrender from the USSMissouri in Tokyo Bay.

Mr Tseng was based in occupied Japan after the end of the Second WordWar and covered the Korean War before moving first to Taiwan in 1951,and then to London in 1958 to become CNA Bureau Chief, Europe. Inthis post, he became associated with the European and Americanpolitical elite and Taiwanese diplomatic corps. Mr Tseng and his wifeBetty Fang Yin were genial hosts, entertaining their guests with greatfood cooked by Betty, who was much the ‘hostess with the mostess’. It

was during this time that Mr Tsengmet and befriended a range ofprominent Chinese artists, whopresented him with many of theartworks offered in this sale.

Mr Tseng moved to Hong Kong in 1965to become Far East Bureau Chief ofCNA, progressing to Editor of the HongKong Times during the ChineseCultural revolution in China and RedGuard activity in Hong Kong andleading up to the Hong Kong handoverto China. Twice President of the HongKong Foreign Correspondents Club, MrTseng undertook diplomatic roles onbehalf of the Republic of Chinagovernment in Taiwan in theirrelationship with the American andBritish governments.

Tseng En Po died after a struggle with cancer in 1989. He was given anear state funeral in Hong Kong and a second one, with militaryhonours, in Taiwan.

The Collection of Tseng En Po

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452WEI JINGMENG (1907-1982)CALLIGRAPHY IN CURSIVE SCRIPTink on red paper, signed and with one seal ofthe artist, dedicated to Tseng En Po

145cm high, 47.5cm wide£300-500

453ZHANG QIANYING (1913-2003)CALLIGRAPHY IN RUNNING SCRIPT, 1963ink on paper, signed and with three seals ofthe artist, dated spring, guimao year (1963),dedicated to Tseng En Po and his wife, framed

38cm high,133cm wide (excluding frame)£500-800

450GU QINGYAO (1896-1978)BAMBOO AND ORCHIDink on paper, signed and with three seals of the artist,dated the seventh month of gengxu year (1970),mounted and framed, 53cm high, 34cm wide(excluding frame); together with BAMBOO, hangingscroll, ink on paper, signed and with three seals of theartist, dated jiyou year (1969), 67cm high, 33.5cmwide (2)£600-800

451ATTRIBUTED TO ZHA SHIBIAO (1615-1698)LANDSCAPEhanging scroll, ink on silk, inscribed, signedand with two seals of the artist, dated spring,jiaxu year (1694)

183cm high, 44cm wide£1,000-1,500

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456TAO SHOUBO (1902-1997)BLOOMING PRUNUSink on paper, signed and with three seals ofthe artist, dated to the sixth month, summer,of dingwei year (1967), dedicated to Tseng EnPo, mounted and framed

33cm high, 52cm wide (excluding frame)£800-1,200

454WEN QIANGUANG (MING DYNASTY)CALLIGRAPHY IN RUNNING SCRIPTfan leaf, ink on gold paper, imitating the styleof Sheng Jiao Xu Stele, inscribed and signed,with one seal of the artist, mounted andframed

54cm wide£2,500-3,500

455FEI CHENGWU (B. 1914)PEKINGESEink and colour on paper, signed, with one sealof the artist, inscribed to the reverse “Fei’s giftto Zhang Qianying, 1995”, framed

29.5cm high, 38.5cm wide (excluding frame)£2,000-3,000

457FENG HANSHU (1908-?)LANDSCAPEInk and colour on paper, inscribed by HeShuxiang (politician of the Kuomintangparty), with one seal of the painter, two sealsof the calligrapher, dated layue (last year ofthe Chinese lunar calendar), yimao year(1975), dedicated to Tseng En Po tocongratulate him on moving into a new home

49cm high, 91cm wide (excluding frame)£3,000-5,000

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Paintings & Works on Paper 131

460ZHOU JUELIANG (1916-1992)CALLIGRAPHY IN REGULAR SCRIPT, 1978album leaf, with one seal of the artist, datedthe eleventh month of wuwu year (1978)

41.5cm high, 33cm wide£200-400

459XIE SHOUKANG (1897-1973)BAMBOOink on paper, signed and with three seals ofthe artist, dedicated to Tseng En Po

60.5cm high, 30cm wide£200-400

458JAPANESE SCHOOLTIGERhanging scroll, ink and colour on silk, signedand with two seals of the artist

125cm high, 50cm wide£800-1,200

461MASTERPIECES OF CHINESE PAINTING FROMDA FENG TANG COLLECTION4 volumes, Linking Publishing, Taipei, 1978; togetherwith two copies of ZHANG DAQIAN’S COPIES OFDUNHUANG FRESCOES, Da Feng Tang, 1947; ZHANGDAQIAN’S COPIES OF DUNHUANG FRESCOESPOSTHUMOUSLY PUBLISHED, National PalaceMuseum, Taipei, 1983; THE PAINTINGS ANDCALLIGRAPHIES OF ZHANG DAQIAN VOL. 5, NationalMuseum of History, Taipei, 1983; THE PAINTINGS OFCHANG DAI-CHIEN (ZHANG DAQIAN), NationalMuseum of History, Taipei, 1976; two copies ofZHENG QI GE BY WEN ZHENMING, with paintings byZhang Daqian, Hanhua Publishing, Taipei, 1969 (8)£400-600

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462FANG XIANGGIRLS UNDER PEACH TREESink and colour on paper, entitled, inscribedand with one seal of the artist, dated 1996,mounted and framed

38.5cm high, 44.8cm wide (excluding frame)£200-300

463HE SIKETHOUSAND CHARACTER CLASSIC, 1982calligraphy in cursive script, ink on paper,inscribed, signed and with two seals of theartist, dedicated to Tseng En Po and his wife

44cm high, 116cm wide£150-250

464LANDSCAPES, ORCHID, BAMBOO ANDFLOWER PAINTINGS BY MADAMECHIANG KAI-SHEKNational Palace Museum, Taipei, 1979;together with ORCHID PAINTINGS BY MADAMECHIANG KAI-SHEK, Central Monthly, Taipei,1971; THE ESSENCE OF CHINESE CALLIGRAPHYSINCE SHANG DYNASTY, 2 Volumes, Anti-Communist Corporation, Taipei, 1969 (4)£150-250

465COLLECTION OF REFERENCECATALOGUESincluding Memorial Catalogue of Paintings byZhang Shanzhi, Modern China Publishing,Taipei,1982 and Four Monks of the Late Ming,National Museum of History, Taipei, 1978 (qty)£300-500

466LARGE JAPANESE IMARI CHARGERMEIJI PERIODdecorated to the centre with a composition offlowerheads and leaves, surrounded by scenes ofImmortals, birds perched on blossomingbranches, and scrolling and diaper patterns, theborder with peonies, chrysanthemums andbutterflies amongst scrolling leaves, the reversewith further floral decoration

55.5cm diam£300-500

467LARGE IMARI ‘PHOENIX’ CHARGERQING DYNASTY, 19TH CENTURYdecorated with a phoenix to the centre, surroundedby fan-shaped reserves depicting birds in the shadeof a pine tree, lobed reserves with dragons, andother shaped reserves with diaper decoration,scrolling leaves, and flowerheads, the reverse withfurther floral decoration

45cm diam£200-300

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468CHEN WEN HSI, SINGAPOREAN(1906-1991)RICE FIELDpastel on board, depicting a group ofSoutheast Asian farmers entering therice field during sunrise, outside a villageof red-roofed houses, against a backdropof mountains, the sky of a delicate rosytone reflected by the ground, signedCHEN WEN HSI in pinyin (lower right),framed and glazed

49.5cm high, 61.5cm wide (excludingframe)Provenance:Acquired by Dr Iain Glen (1930-2013) in 1955-1956. Thence by descent.

Note:Dr Glen was based in Hong Kong in the 1950sduring his service for the Royal Navy. Duringthis time in the Far East he was asked topurchase artworks on behalf of the Navy todecorate the Officers’ Mess, and he acquiredthese two examples by Chen Wen Hsi. Howeverhe did not succeed to impress the otherofficers, who did not appreciate the artist’scontemporary and abstract style. Dr Glen thusbought the paintings off the Navy and tookthem back home to the United Kingdom uponhis return.

£15,000-25,000

Other Properties

469CHEN WEN HSI, SINGAPOREAN(1906-1991)BOAT QUAYpastel on board, swiftly executed in vibrantcolours, depicting a Southeast Asian boatquay, the pictorial composition dominated bybamboo docking poles rising out from thewater, a fishing boat sailing in, a womanspreading a fishing net that echoes the warmorange and yellow colours of the sky, signedCHEN WEN HSI in pinyin (lower right), framedand glazed

26cm high, 36cm wide (excluding frame)Provenance:Acquired by Dr Iain Glen (1930-2013) in 1955-1956.Thence by descent.

£6,000-9,000

470ALBUM OF PHOTOGRAPHS OF DOWAGEREMPRESS CIXILATE QING DYNASTYcomprising ten photographs of the Empress at differentages and in a variety of settings, including one showing herin a sedan-chair carried by male attendants

15cm high, 10cm wide£200-300

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472ANCESTOR PORTRAITQING DYNASTY, 19TH CENTURYink and colour on silk, depicting a female dressed ina sumptuous red robe decorated with five dragons

130cm high, 69cm wide£300-500

474CHINESE SCHOOLCHINA TRADE, 19TH CENTURYoil on wood, depicting European trading shipsarriving in Canton, signed, framed

15.5cm high, 26.5cm wide£300-500

(one

of s

ix il

lust

rate

d)

471CERTIFICATE OF PROTECTION FORAPOSTATE CHINESE CHRISTIANS1900a certificate issued by the magistrate of YangQu County to the seven member of FamilyGuo for renouncing the Christian faith inobedience to the government, dated 6thmoon, 29th day of the 26th year of Guangxuperiod (corresponding to 25th July 1900),with one official seal

23.5cm high, 14.5cm wideProvenance:Private Collection, Edinburgh

Note:During the Boxer Rebellion towards the end of theQing Dynasty, foreign missionaries and their Chineseconverts became targets of the rioters. Largenumbers of Chinese Christians were forced to fleefrom their houses and rumours went around thatthey were going to retaliate in alliance with theforeigners. In order to restore order, the Chinesehigh official Yuxian issued a proclamation calling onChinese Christians to renounce their faith. Thosewho agreed to apostatise were awarded “Certificates of Protection” by local magistrates andwere guaranteed official protection. This particular certificate is referred to by E. H. Edwards:Fire and Sword in Shansi; The Story of the Martyrdom of Foreigners and Chinese Christians,Fleming H. Revell Company, London and Edinburgh, p. 110.

£1,000-1,500

473SET OF SIX RICE PAPER PAINTINGS OF BIRDSQING DYNASTY, 19TH CENTURYdepicting different species of birds including pheasant,parrot and mandarin duck, some amongst rockwork,some perched upon branches, four in gilt frames, twoin Hongmu frames (6)

largest 22cm high, 34cm wideProvenance:Private Collection, London

£200-300

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475CHINESE SCHOOLQING DYNASTYtwo hanging scrolls, ink and colour on silk, thefirst signed Kang Xiu and with three seals ofthe artist, dated winter, jiashen year (possibly1824), the second signed Huang Yan and withtwo seals of the artist, dated jiazi year(possibly 1804), both dedicated to the motherof Mr Feng (2)

153cm high, 46cm wide£600-1,000

476ATTRIBUTED TO WANG JIAN (1598-1677)LANDSCAPE AFTER ZHAO MENGFUhanging scroll, ink and colour on paper,inscribed, signed and with one seal of theartist, dated the fifth month of wushen year(1668), further inscribed by Jin Chen (1878-1926) relating the story that he exchanged apainting by Emperor Huizong of Song for thispainting with Guo Shiwu (1867-1940) inbingchen year (1916), with two collector’sseals

156cm high, 63cm wide£3,000-5,000

477ZHANG ZHAOXIANG (1852- 1908)CALLIGRAPHY AND PAINTINGone calligraphy in running script, fan leaf, inkon paper, copying Li Bu Chen Gong Shi Tie(Poem by Chen from the Ministry ofPersonnel) by Su Shi (1037-1101), 51.5cmwide; one painting depicting redcurrant, inkand colour on paper, unsigned, 65cm high,15.5cm wide; one further painting depictingredcurrant and white peony, round fan leaf,ink and colour on paper, signed and with oneseal of the artist, dedicated to Xiu Qing, 26cmdiam (3)£3,000-5,000

479AFTER QI BAISHI (1864-1957)LUFFAfan leaf, ink and colour on paper, inscribed onboth sides, signed and with three seals of theartist

47cm wide£200-300

478ROBERT MORRISON’S TRANSLATIONOF VOLUME 4, THE GOSPEL OF JOHN,THE NEW TESTAMENTCIRCA 1840

17.3cm high, 12.3cm wide£150-250

480GROUP OF TEN ALBUM LEAVESPOSSIBLY LATE QING DYNASTYpainted with animals and famous historicalfigures including Zhou Gong Qie and DongFang Shuo, three of the leaves painted onboth sides, the leaf depicting a chicken familywith two seals of the artist reading Guo Chao(10)

largest 40.5cm high, 28cm wide£200-300

(one

of t

wo

illus

trat

ed)

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482GAO TIANXIANG (B. 1935)MORNING DEWhanging scroll, ink and colour on paper,signed and with one seal of the artist

96cm high, 33cm wide£500-700

481EXPORT GOUACHE PAINTINGQING DYNASTY, 19TH CENTURYdepicting a lady and her twoattendants in the courtyard of acomplex of buildings beside a lake,a mountainous landscape beyond,framed and glazed

44cm high, 54cm wide (excludingframe)£1,000-1,500

483CHEN YUPU (B.1946)ORCHID, 1979hanging scroll, mounted, ink and colour on paper,inscribed and signed, with two seals of the artist,dated summer, jiwei year (1979)

78cm high, 45cm wideNote:The cylindrical wood bar bears a ‘Zhong Xin C.A.C’ label

Provenance:Private Scottish Collection

£600-800

484LIN CHAOJUNLEGENDS OF IMMORTALSink and colour on silk, depicting differentChinese immortals and their legends,including the Eight Immortals, the FourHermits of Shang Mountain and theReunification of Niulang and Zhinü on theMagpie Bridge, signed, dated and framed(7)

largest 43cm high, 28cm wideNote:The reverse of all seven paintings bears the labelof “Experienced Picture Liners Atken Dottson,Carvers & Gilders, 26 So. Castle St. Edinburgh, May1842” and an inscription explaining the depictedstory in English

£800-1,200 (one of seven illustrated)

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487THANGKA OF SHAKYAMUNI BUDDHA18TH/19TH CENTURYdistemper on cloth, the Buddha depicted indhyanasana, his left hand holding an alms bowland his right hand displaying the bhumisparsamudra, surrounded by arhats, Tsongkhapa, thegreen and the white Tara

58cm high, 43cm wide (excluding mounting)Provenance:Private Collection, Edinburgh

£800-1,200

488GROUP OF THREE THANGKAS19TH CENTURYdistemper on cloth, the first depictingTsongkhapa, the second a Mandala enclosingdeities, the third Buddha Shakyamuni with analms bowl (3)

largest 77cm high, 57cm wideProvenance:Private Scottish Collection

£400-600

486AFTER WANG DUO (1592-1652)20TH CENTURYcalligraphy in cursive script, inscribed andsigned, with two seals of the artist

134cm high, 38cm wide (excluding mounting)Provenance:Private Collection, Edinburgh

£300-500

(one of three illustrated)

485HUANG DASHENG (19TH CENTURY)MOTHER AND CHILDoil on canvas, depicting a young lady reclining ona bed and breastfeeding the baby at her side,behind her a young female and threedreamstone marble panels, signed and with oneseal of the artist, framed and glazed

43.5cm high, 64cm wide£600-800

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490THANGKA OF MAHAKALAQING DYNASTY, 19TH CENTURYdistemper on cloth, depicting the deitywearing a string of severed human heads andframed by billowing flames; together with aTHANGKA DEPICTING MACHIG LABDRÖN, inthe form of a dakini, with a drum in her righthand and a bell in her left (2)

largest 69cm high, 48cm wide£1,000-1,600

489ATTRIBUTED TO QIAN HUI’AN(1833-1911)FOUR ALBUM LEAVES OF BEAUTIESink and colour on paper, inscribed and signed,with one seal of the artist, one dated wuchenyear (1868), three dated wushen year (1908)(4)

23cm high, 31cm wideProvenance:Private Collection, The Netherlands

£800-1,200

491ANCESTOR PORTRAITQING DYNASTYink and colour on paper, depicting four deceasedmembers of the Family Lu from Hu Feng dressed inornate robes, inscribed with their names and dates ofbirth and death, framed and glazed

158cm high, 92cm wide£400-600

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Japanese Works of Art

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495BLUE AND WHITE PORCELAIN FIVE-CASE INROMEIJI PERIODof typical form, each side decorated with ashaped reserve, one depicting two travellerswalking in a mountainous landscape, theother with a rice farmer resting in a wildlandscape, both on a dense diaperbackground with floral motifs, with circularnetsuke with peony decoration on one sideand a mountainous landscape on the other

inro 7.5cm long£200-300

496LARGE JAPANESE SATSUMA BOWL20TH CENTURYthe tall rounded sides decorated with afestival scene, with villagers dancing andcarrying fans and banners, the interior withcentral roundel depicting phoenix perched onbranches amongst peonies, leaves andbutterflies

37.5cm diam£200-300

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493JAPANESE KATANAwith cord bound white ray skin grip, with largemenuki in the form of a gilt metal mythicalcreature on each side, the tsuba pierced witha series of apertures and inlaid gold scrolleddecoration on both sides, ferrule and pommelwith raised sea shells and sea urchins, thehabaki engraved with scrolling tendrils, singleedge, single hole unsigned tang, curved blade(re polished ) with fuller (groove) running thelength of the blade, in plain black lacquerscabbard with new cord binding

27.5 inch (70cm) bladeProvenance:Private Scottish Collection

£1,500-2,500

494JAPANESE KATANAwith cord bound white ray skin grip withmenuki in the form of a gilt metal mythicalcreature on each side, the tsuba pierced withtwo apertures and inlaid gold figure of an oldman beside some rocks, ferrule and pommelwith raised plants with flower heads in gold,single edge, single hole unsigned tang curvedblade with fuller (groove) running the lengthof the blade with fine wavy hamon in texturedblack lacquer scabbard decorated on bothsides with gilt flower head and tendrils withnew cord binding

26.5 inch (67cm) bladeProvenance:Private Scottish Collection

£1,500-2,500

492JAPANESE KATANAwith cord bound white ray skin grip with largemenuki in the form of a gilt metal triple lotusflower head on each side, the tsuba piercedwith a series of apertures and decorated withcast flower heads sides, ferrule and pommelwith single edge, single hole unsigned tangcurved blade with length of the blade, in plainpainted scabbard and with scabbard knot

27.5 inch (70cm) blade£400-500

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497LARGE JAPANESE SATSUMA VASEMEIJI PERIODof octagonal form, the sides decoratedwith alternating reserves depictingelegant ladies and travelling processionsand dramatic landscape scenes with mountains, rocks andluxurious vegetation, the shoulder decorated with roundelsdepicting flowers, crickets and insects on a gilt geometricalpatterned ground, partial signature to the base

32cm high£5,000-8,000

Japanese Works of Art 141

498IMARI PUNCH BOWLMEIJI PERIODthe body curving to a scalloped rim, decorated to theinterior with a central lobed medallion depicting ageisha in a seaside pavilion and to the exterior withthree reserves each depicting a geisha with herattendant, the underside bearing a six-characterapocryphal Chenghua mark (taimin seika nensei)

37cm diam£300-500

499TWO SATSUMA FOLIATE-RIMMED BOWLS20TH CENTURYfinely decorated in enamels and gilt, the interior decorated withchickens, various flowers and trees on the bank of a mountainsidelake, the exterior with further flowers and trees (2)

30cm diamProvenance:Private Scottish Collection

£300-500

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501JAPANESE IMARI ‘BLACK SHIP’ BOWL19TH CENTURYdecorated in the typical palette, the central roundel enclosing a black ship at sea,surrounded by four pairs of standing Dutchmen amongst two smaller panelsenclosing a similar ship and two faux coats-of-arms, all on floral diaper patternground, decorated to the exterior with two rectangular panels depicting furtherships and two round panels depicting a man and boy, all connected by scrollingpeonies and leaves, the base with auspicious Shou character

38cm diamProvenance:The Gauhar Collection

Note:For similar examples see Christie’s sale in their Amsterdam rooms, 20th November 2002, lot93, and Bonhams sale in their London rooms, 15th May 2014, lot 490.

£300-500

502JAPANESE IMARI DISHMEIJI PERIODof circular form, decorated with two scenes separated by alobed blue-glazed border, to one side with ladies in agarden picking blossoms from a plum tree, with amountainous landscape and pavilion in the background, tothe other with peonies and irises, the reverse with prunus,peonies and chrysanthemums, with six-character Wanlimark to the underside

31cm diam£300-400

500JAPANESE CONTEMPORARY CERAMIC VASEYASUDA ZENKO (1926-)of cuboid shape and with irregular surface, coveredwith a thick feldspathic glaze stopping neatly at thebase, signed on the base and with fitted wood box

33cm high£400-600

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503TWO JAPANESE PAINTED PORCELAIN PLAQUESMEIJI PERIODone depicting a soldier getting dressed with the aid of anattendant at a military encampment, the other depicting anight scene of two figures waiting under the rain in thewilderness, with wooden frames (2)

33.5cm high, 23.5cm wide (excluding frame)£500-800

504JAPANESE CLOISONNÉ VASEMEIJI PERIODof rectangular section, the globular bodydecorated with dragons on a background ofturquoise clouds, each panel with border offurther polychrome clouds, with mask handles inthe shape of mythological creatures

45.5cm high£400-600

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507JAPANESE CLOISONNÉ KORO AND COVERMEIJI PERIODof globular form and supported on three short feet,decorated with two phoenix in flight amongst exoticflowers, scrolling leaves and butterflies on a darkgreen and gold ground, all underneath a silver overlaydecoration in the form of scrolling leaves, the coverwith petal design and floral finial

10cm high£300-500

505JAPANESE CLOISONNÉ PLAQUEMEIJI PERIODof rectangular form, the central reserve depictinga butterfly and bird flying around a blossomingbranch on blue background, all within a border ofbutterflies and floral scrolls

18cm high, 29cm wide£250-350

506PAIR OF JAPANESE CLOISONNÉDISHESANDO MARK, MEIJI PERIODof circular form, one dish decoratedwith a pair of parrots and the otherwith a pair of phoenix, all amongstblossoming flowerheads andscrolling branches on a cloud diaperpatterned background, the rim withstylised ruyi border, all on paleturquoise ground, Ando mark to thebase (2)

26cm diam£2,000-3,000

508JAPANESE CLOISONNÉ BOX AND COVERMEIJI PERIODof rectangular form, decorated with a view ofMount Fuji on a pale green background

5cm high£2,000-3,000

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509JAPANESE CLOISONNÉ PLAQUESIGNED AND SEAL OF KINZAN, MEIJI PERIODin the style of Namikawa Sosuke (1847-1919), of squareform, depicting two pigeons amongst blossomingbranches within a border of stylised lotus flowersamongst scrolling leaves, the reverse with large centralflowerhead and compositions of leaves at each corner,with scrolling tendrils to the background

28cm high£7,000-9,000

510JAPANESE CLOISONNÉ AND PLIQUE-À-JOUR VASEMEIJI PERIODof globular form and raised on a tapered foot,decorated with three plique-à-jour panelsdepicting roses, chrysanthemums and otherblossoms on a pale blue cloisonné ground

12cm high£2,000-3,000

511JAPANESE CLOISONNÉ BOX ANDCOVERMEIJI PERIODof circular form, the cover decorated with acockerel on a blue background

8cm diam£200-300

512JAPANESE CLOISONNÉ VASEMEIJI PERIODof baluster form, the pale blue body decorated toone side with blossoming chrysanthemums andfoliage

18cm high£300-500

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516JAPANESE CLOISONNÉ VASEMEIJI PERIODof baluster form, the turquoise body with acomposition of lily, peony and butterfly

15cm high£500-800

513JAPANESE CLOISONNÉ WINE VESSELMEIJI PERIODof typical Chinese archaistic ding form, theglobular body with tall flared neck and ringhandles resting on three supports, decoratedwith two large reserves on each side of theneck depicting dragons and phoenix, withfurther reserves with blossoms and butterfliesto the body, all on a background of blossomsamongst scrolling branches and decorativeroundels, with keyfret borders

24.5cm high£1,000-1,500

514JAPANESE CLOISONNÉ VASESIGNED SUZUKI, MEIJI PERIODthe oviform body decorated with anauspicious flock of red-capped Manchuriancranes depicted mid-flight and amongst reedson black ground, with lappets to the neck andfoot, capped on the rim and foot ring withwhite-metal bands inscribed Suzuki

25cm high£3,000-5,000

515JAPANESE CLOISONNÉ VASEMEIJI PERIODthe body decorated with leafy branchescovered in blossoms on a pale green ground

13cm high£500-800

517PAIR OF JAPANESE BRONZE VASESMEIJI PERIODthe globular body cast in high relief with three minogameemerging from swirling waves, the cylindrical tall neck alsocast in relief with two coiling dragons on a background ofincised clouds, the rim with keyfret border, the tripodglobular stand with a border of pointed leaves (2)

37.5 cm high£300-400

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519JAPANESE MIXED METAL BOXAND COVERSIGNED MASATOSHI, MEIJI PERIODof rectangular form, the reliefdecoration on the cover depicting abasket of fruit and flowers and a vasecontaining two ruyi sceptres, the sides with lotus flowershanging off branches, the base with a lotus and scrollingleaves motif enclosing the artist’s signature

11cm wide£5,500-6,500

Japanese Works of Art 147

521JAPANESE MIXED METAL VASESIGNED ICHIYOSAI UMEDA TOKUMITSU KOKU ANDSEALED KINSEIDO SEI, MEIJI PERIODof ovoid form, decorated in chiselled and inlaid gold,silver, copper and shakudo with three cranes in flightabove swirling waves crashing into rocks, signed tothe reverse and sealed to the base

32cm high£6,000-8,000

518JAPANESE GILT-DECORATED BRONZE CENSER ANDCOVER, KOROMEIJI PERIODthe bulbous body set on four scrolling feet and applied withtwo scrolling handles imitating tendrils, decorated in twoshaped panels with birds and flowers, all raised on a tall standwith further floral decorations, the cover surmounted by ashishi finial

40cm high£7,000-9,000

520JAPANESE MIXED METAL BOX AND COVERSIGNED YOSHIMITSU, MEIJI PERIODof rectangular form, decorated with a view ofMount Fuji amongst clouds, signed to the lowerright corner

6cm wide£400-600

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523JAPANESE BRONZE TIGERSIGNED WATANABE, MEIJIPERIODthe muscular beast depicted infull stride and roaring, the tailoutstretched, signed to the belly

47cm wideProvenance:Private Collection, Scottish Borders

£300-400

148 Lyon & Turnbull

522JAPANESE SILVER AND MIXED METAL VASESIGNED AMEYA YUMIN, MIYAMOTO COMPANY MARK, CIRCA1910of ovoid form, decorated in gold, pink-gold, silver, shakudo andshibuichi with a cockerel and hen by a bamboo fence withchrysanthemums and vine leaves, the ground worked inishiarashi, all below the mon of the royal Kitashirakawa familyin the form of a stylised chrysanthemum blossom, signed tothe reverse, with company mark and jungin (pure silver) markto the base, with stand and original wooden box

34cm highNote:Ameya Yumin was born in Toyama prefecture in the late 19thcentury and died in 1939. He was a pupil of Unno Shomin andlater studied at Ida Yukoku’s studio. He was commissioned by theMiyamoto company in Tokyo, which specialised in finemetalwork and was often commissioned for presentationpieces during the Meiji period.Ishiarashi is a technique in which a polished surface is veryslightly dulled by repeatedly dropping garnets onto it tocreate the contrast against the polished background.The Kitashirakawa family was one of the oke or “PrincelyHouses”, branches of the Japanese Imperial Familycreated from branches of the Fushimi-no-miya house.The Fushimi-no-miya is the oldest of the four shinnoke,branches of the Imperial Family of Japan which wereeligible to succeed to the Chrysanthemum Throne inthe event that the main line should die out.This lot includes a Japanese wooden box.

£20,000-30,000

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524JAPANESE BRONZE FIGURE OF AGEISHASIGNED YOSHIMITSU, MEIJI PERIODthe figure depicted walking and dressed in akimono, holding a shamisen with one handand fixing her hair with the other, signatureincised on the obi

38.5cm high£400-600

527PAIR OF JAPANESE BRONZE VASESMEIJI PERIODthe globular body with long cylindrical neck andstepped foot and mouth decorated in relief with aneagle attacking a crane in flight amongst clouds, theneck with rectangular reserves with stylised doublephoenix amongst clouds, the elaborate handles castas a squirrel eating grapes off a vine branch (2)

42.5cm high£400-600

526JAPANESE BRONZE FIGURE OFFUKUROJUKUMEIJI PERIODthe laughing God of Wisdom and Longevitydepicted standing atop a bixi above a base ofswirling waves, holding a peach in one handand a staff with dragon-head finial on theother, dressed in robes adorned with cloudand floral pattern

40cm high£300-400

525BRONZE HANGING MIRROR AND HATRACK INTHE SHAPE OF A LIONSIGNED MITSUMASA, 20TH CENTURYcast in the shape of the head of a lion, with mouthfiercely open to reveal the teeth, the hollow of the mouthinset with a mirror, the elongated chin curves to form ahatrack, eyes inlaid with glass

35cm highProvenance:Private English Collection

£1,500-2,500

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531Y

TWO CARVED IVORY OKIMONO AND ONENETSUKEMEIJI PERIODone okimono depicting a seated Geisha holding a fan,signed ‘Masanobu’ to the underside; one carved as astanding merchant of musical instruments, signed to thebottom; the netsuke portraying an elderly femalepeasant with a sugegasa (3)

tallest 10.3cm high£400-600

530Y

FOUR CARVED IVORY NETSUKE19TH CENTURYone carved as a pair of dogs; one depicting a monkey,a frog and a crab; an OKIMONO of a duck biting the tailof a koi fish, signed ‘Tomomasa’; one SEAL surmountedwith a lion (4)

largest 7cm wide£300-500

528Y

THREE CARVED IVORY NETSUKE19TH CENTURYone depicting a group of monks engaged in differentscholarly activities; one showing Sofu seated beneath apine tree, surrounded by four children, signed ‘Ryuchin’;one portraying a group of animals under a roof formedby a coiling dragon, signed ‘Toshimasa’ (3)

largest 4.8cm high£400-600

529Y

TWO CARVED IVORY NETSUKE AND ANOKIMONO19TH CENTURYthe okimono carved in the shape of an apple, inlaidwith insects in Shibayama style; one netsuke ofcircular shape, inlaid with precious objects; onenetsuke carved in the shape of a drum with maskrelief (3)

largest 5.5cm wide£400-600

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536Y

JAPANESE IVORY SNUFF BOTTLE FORTHE CHINESE MARKETCIRCA 1900decorated on the red lacquered ground with alady playing Qin in the centre of a garden andsurrounded by female attendants, fourcharacter apocryphal Qianlong mark to thebottom

9.5cm high£300-400

537Y

JAPANESE CARVED IVORY OKIMONOMEIJI PERIODrealistically carved as a nest of mice crawling on afragment of wooden log

12cm long£400-600

532Y

SIX NETSUKE19TH CENTURYfive carved of ivory, the first a seated ladyholding a mirror, signed ‘Keimin’; the seconddepicting Urashima Taro sitting in a largeSakazuki, signed ‘Choun’, the third painted andinlaid depicting an old geisha with a fan; thefourth a seated elderly geisha, signed ‘Yasuaki’;the fifth a peasant woman with her son playingwith a turtle; the sixth lacquered depicting a boyholding a large basket which he struggles tokeep upright (6)

largest 4cm high£600-1,000

533Y

TWO CARVED IVORY OKIMONO19TH CENTURYone depicting two fishermen fighting two thiefkappas; one in the form of a banana with theskin peeled to reveal a miniature figural groupunder a pine tree, signed (2)

largest 13.5cm long£400-600

534Y

TWO CARVED IVORY ‘MASKS’ NETSUKE19TH CENTURYthe fist a group of nine masks includingMannya, Oni, Okame, Beshimi, Daikoku andOkina, signed ‘Kikugawa’, the second a groupof seven masks, signed ‘Tadachika’ (2)

largest 4.3cm wide£200-400

535Y

SHIBAYAMA INLAID IVORY ZUSHIMEIJI PERIODof typical pagoda form raised on a tiered base,the cylindrical body inlaid with sprays offlowers and leafy vine, the sloped roomdecorated with cranes in flight, the hingeddoors opening to reveal a geisha, crowned bya pavilion housing the seated BuddhaShakyamuni

19cm high excluding stand£200-400

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542JAPANESE WOODEN NETSUKESIGNED SHINZAN, MEIJI PERIODcarved as a coiled snake, signed to theunderside

3cm high£1,000-1,500

152 Lyon & Turnbull

540JAPANESE WOOD NETSUKESIGNED MINKO, MEIJI PERIODcarved as a small child seated and holding a mask in front of hisface, signed to the figure’s back

3cm high£1,000-1,500

538Y

JAPANESE INRO IN THE FORM OF ATHREE-LEGGED TOADSIGNED NISSHO, MEIJI PERIODthe recumbent animal carved with its legsunderneath its body, the mouth opening toreveal the hollowed interior, with ivory eyes,signed to the underside within a mother ofpearl reserve, with a netsuke carved in theshape of a coiled snake

inro 8cm long£200-300

539JAPANESE WOOD NETSUKESIGNED NAOMITSU, MEIJI PERIODcarved as a group of six actors, some standing, otherscrouching, some holding masks, and one holding a fan,signed to the underside

3cm high£1,000-1,500

541JAPANESE WOOD NETSUKESIGNED GYOKUSAI, MEIJI PERIODcarved as two figures, one standing and holding a fan, the other crouching infront and holding a large melon in his arms, signature incised on the fruit

4.5cm high£1,500-2,500

543JAPANESE WOOD NETSUKEMEIJI PERIODcarved as a toad with a young on its back andlying on a large leaf, signed to the underside

4cm long£200-300

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547Y

JAPANESE WOOD NETSUKE OF A TIGERMEIJI PERIODcarved in a crouching position with its tail overits body, the head tilted backwards to lick theback paw, with ivory inlaid eyes

4cm long£1,500-2,500

548JAPANESE WOODNETSUKESIGNED SHOGYOKU, MEIJIPERIODcarved as an oni pulling a strawhat over his crouching body to hide, signed tothe underside

4cm long£1,000-1,500

549JAPANESE WOOD NETSUKEMEIJI PERIODof globular form, the top carved in openworkwith two birds amongst thick foliage, the basecarved with a stylised chrysanthemum flower

4cm long£600-800

Japanese Works of Art 153

545JAPANESE WOOD NETSUKEEDO PERIOD, 18TH CENTURYcarved as a shishi lion crouching and with itsforepaw over a brocade ball

3cm high£1,000-1,500

544JAPANESE WOOD NETSUKEOF A SHISHI LIONSIGNED MASAYOSHI, MEIJIPERIODthe animal carved with a fierceexpression and in a crouchingposition with both front paws overa brocade ball, signed to underside

3.5cm long£500-800

546JAPANESE WOOD NETSUKEOF A TIGERSIGNED TOMO, MEIJI PERIODthe animal modelled climbingover a rock with neck bentforwards and the snout almosttouching the soil, its tail wrappedover its back, signed to underside

4cm high£600-800

550WOODEN THREE-CASE INROMEIJI PERIODof rectangular form, carved all over withturtles of various sizes, with figural ojime

inro 8cm long£500-800

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552JAPANESE BLACK AND GILT LACQUERTEAPOTMEIJI PERIODof globular form, the rounded sides and coverdecorated with gilt floral roundels on a blackground, the interior in red lacquer, the cover withmetal floral finial

5cm high£500-800

551JAPANESE LACQUER NETSUKEMEIJI PERIODcarved as a standing child wearing an elaborategilt and black lacquered robe with cloud pattern,tied at the waist with a red ribbon holding a smallpouch to the boy’s back, and carrying two vaseson a small tray decorated with scrolling motif

5.5cm high£2,500-3,500

553FINE JAPANESE LACQUER BOXMEIJI PERIODdivided into three compartments and in theform of a fan, finely decorated in takemaki-ewith cranes in flight amongst trees towards alarge waterfall within a rocky mountainlandscape, the sides decorated with a floral andgeometrical motif, roundels and waves

17cm wide£2,000-3,000

554JAPANESE GILT LACQUER BOX AND COVERMEIJI PERIODof globular form, the upper part of the box and thecover decorated with geometrical sections enclosingpeonies, lotus, butterflies and scrolling leaves, theneck and sides of the cover with a faux cord tied in abow to the side, the maki-e interior with fitted circulartray decorated with shells

9cm high£1,500-2,500

555JAPANESE LACQUER CUP STAND, TENMOKU-DAIMEIJI PERIODthe tall flared foot supporting a round dish and globularcup-shaped receptacle, the exterior of the vessel and thetop of the dish with figures and vases, the underside ofthe dish and foot with peonies amongst scrolling leaves,all on maki-e ground continuing to the hollowed interiorand underside of the foot

12cm high£500-700

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556PAIR OF JAPANESE LACQUER SAKE BOTTLES ANDCOVERSMEIJI PERIODthe rounded body decorated with chrysanthemums, blossomsand scrolling leaves amongst clouds on a maki-e ground, withsome details inlaid with mother of pearl (2)

22cm high£2,000-3,000

557JAPANESE RED AND GILT LACQUER TEAPOTMEIJI PERIODof circular form, the rounded sides and flat coverdecorated with gilt roundels, each containing threestylised lotus flowers pointing inwards and within apeach-shaped reserve

14.5cm high£300-500

558CINNABAR LACQUER FIVE-CASE INROMEIJI PERIODof typical form, each case decorated to thesides with carved flowerheads amongststylised scrolling leaves, with leaf-shapedwood ojime and wooden netsuke carved as acomic mask

inro 8.5cm long£400-600

560JAPANESE GILT AND BLACK LACQUERTEAPOTMEIJI PERIODof cylindrical form with hinged handle,decorated with gilt lotus flowers and scrollingleaves, interior with red lacquer

11.5cm (excluding handle)£400-600

559GILT AND BLACK LACQUER FIVE-CASEINROMEIJI PERIODcovered in gold speckles, one side decoratedwith a rooster and chick and the other with ahen and chick, with fitted holder in blacklacquer trellis work, with rabbit-shaped glassojime

inro 8cm long£1,000-1,500

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562SMALL JAPANESE BLACK AND GILT LACQUER TEAPOTMEIJI PERIODof circular form supported on three small feet, the sides and cover giltwith fans amongst scrolling leaves on a black background, the coverwith metal floral finial, the square metal handle with incised scrollingleaf decoration, the interior in red lacquer

12.5cm high (including handle)£500-800

561JAPANESE LACQUERED YUTO JUGMEIJI PERIODof cylindrical form resting on three feet, the handle running base totop, with circular lid, with gilt jagged pattern and cherry blossom treeson a black ground

17.5cm high£1,000-1,500

565JAPANESE RED, BLACK AND GILT LACQUERED ‘TEBAKO’ BOXMEIJI PERIODof rectangular form with rounded sides, the red lacqueredbody partially covered by a layer of black maki-e lacquerdecorated with gilt scrolling leaves and flowers, leaving heartshape cut outs on each side, the front and reverse withcircular metal handles, the interior decorated in maki-e

23.5cm high, 36cm wide£1,500-2,500

564INK STONE IN A CARVED WOOD BOXAND COVERBOX SIGNED NISSHO, MEIJI PERIODthe stone of square form with roundedcorners, the box of oval shape, the sides andbase carved in basketweave, the cover incisedwith leaves to the top to form a nest for arecumbent crane with a minogame on itsback, signed to the underside within a motherof pearl reserve

9.5cm long£200-300

563FINE GOLD LACQUER WRITING BOX,SUZURIBAKOEDO PERIOD, 18TH/19TH CENTURYof rounded rectangular shape, decorated on the coverwith a bird above chrysanthemum sprays in gold andsilver foils on a dense nashiji ground, the underside ofthe cover decorated with a torii amidst a river landscapewith forests of pine, the pine trees repeated on theinterior of the removable tray, fitted with a rectangularink stone, a suiteki (water-dropper) and a brush

25cm long£1,500-2,500

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569TWO INRO AND A SET OF TOSOGU19TH CENTURYa gold lacquer four-case inro signed ‘Shokosai’on nashiji ground in gold relief, attached to ita wood netsuke of two go players opposite ago board; a three-case cloisonné inrodecorated with stylized floral scrolls; twosigned kozuka; a fuchi (5)

largest 8cm high£500-800

566Y

TEN CARVED NETSUKE19TH CENTURYa spherical shaped horse, signed ‘Toho’; a wood carved rat, signed‘Masakazu’, two conjoined chestnuts, signed ‘Ryoshu’; a chick coming outof an egg, signed ‘Kogyoku’, a boy wearing the mask of a monster; twoivory carved conjoined gourds; a stag antler netsuke in the form of ahollow cube; a cube that opens to reveal three miniature figurines,signed ‘Masamitsu’; a hornbill ivory carved netsuke with shagreentexture; a fishing bait box (10)

largest 4.2cm wide£600-1,000

567Y

SIX CARVED IVORY, NUT OR WOOD NETSUKE19TH CENTURYthe first of corozo nut, study of Okame, signed‘Mazakazu’; the second a carved wood mask of Shikamiwith inset ivory eyes and teeth; the third a red-lacquered wood mask of a Hotei; the fourth carved as anut opening in the middle to reveal a seated miniaturelady, signed ‘Ichiwa’; the fifth a pumpkin with a ratsitting on top; the sixth naturalistically carved in theform of a human skull, signd ‘Teruyuki’ (6)

largest 6.2cm long£500-800

568Y

FIVE CARVED NETSUKE19TH CENTURYthe first a fisherman with his catch, inlaid in Shibayamastyle, signed ‘Ryugyoku’; the second a young man and hisbride, with a loop around them to symbolize their eternalbond; the third three boys playing with a Noh theatre mask,signed ‘Gyokumin’; the fourth a man holding his child; thefifth an old man holding a lampion, signed ‘Gyokusho’ (5)

largest 5.8cm wide£600-1,000

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571KAJIYASHIKIHIROSHI YOSHIDA (1876-1950),DATED 1929woodblock print, 24.5 x 18.5cm;together with BIG WINTER TREE,YAMAMOTO SHOUN (1870-1965),woodblock print, 35.4 x 10.5cm; aWOODBLOCK PRINT FROM THE SERIES‘SNOW, MOON AND FLOWERS’ AFTERTOYOHARA CHIKANOBU (1838-1912),20.5 x 30.5cm; a PAINTING, ink andcolour on silk, signed Naoyuki, 25.5 x20cm (4)£300-500

570HIROSHI YOSHIDA (1876–1950)BUDDHIST TEMPLE AT OMURO, 1940woodblock print in horizontal ôban format,sealed Hiroshi, pencil signed Hiroshi Yoshida,with a jizuri seal, dated Showa 10 (1935)

24.7cm high, 37.5cm wide (excluding frame)Provenance:Private Collection, Edinburgh

£400-600

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572ATTRIBUTED TO UTAGAWA HIROSHIGE (1797-1858)THE LANDING OF THE SEVEN-RI FERRY AT ATSUTASTATION, MIYAno. 42 from the series ‘Pictures of the Famous Placeson the Fifty-three Stations’, depicting men andwomen gathered under a torii on the shore againstthe backdrop of the sea bustling with boat traffic,framed

34cm high, 22cm wideNote:The reverse bearing the label of ‘Tokyo M. Nakazawa, BlockPrints, Scrolls, Curios, OPP Imperial Hotel’

Provenance:Private Scottish Collection

£400-600

573PAIR OF JAPANESE WATERCOLOURSS. HODO, MID 19TH CENTURYwatercolour on paper, realistically painteddepicting an elderly Japanese couple, thewoman sweeping the ground, the manstanding with walking cane, framed andglazed (2)

45.5cm high, 14cm wide (excluding frame)Provenance:Private Collection, Scottish Borders

£150-250

574SIX UKIYO-E WOODBLOCK PRINTAFTER UTAGAWA KUNISADA (1786-1865) ORUTAGAWA YOSHIHARU (1828-1888)depicting geishas in a garden or in an interior,four signed ‘Kochoro Toyokuni” (UtagawaKunisada), two signed Yoshiharu (6)

35cm high, 24cm wide£200-300

575JAPANESE SILK PAINTING19TH CENTURYink, colour and gilt on silk, divided into twelvefields depicting geisha, daimyo and a boy,framed and glazed

44.5cm high, 40cm wide (excluding frame)£200-300

576MIZUNO TOSHIKATA (1866-1908)CATCHING FIREFLIES & STREET GIRLSwoodblock prints from the series Sanjuroku ikurabe (The Thirty-six Beauties Compared) (2)

31.5cm high, 21cm wide (excluding frame)Provenance:Private Collection, Edinburgh

£200-300

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Korean & South East Asian Works of Art

578KOREAN CERAMIC EWER AND COVERKORYO DYNASTYelegantly potted and covered in white glaze,the bulbous body with delicate elongatedspout and flat handle, the thin necksupporting the large circular mouth, with knotdecoration on the cover and stylised leafpattern around the spout and handle

22cm highProvenance:Ex Cleveland Museum of Art, Worcester Reed WarnerCollection

Literature:“Selections from Oriental Objects of Art Collected byWorcester Reed Warner”, Tarrytown, New York, 1921.

£2,500-3,500

577HWANG JEONG HA, KOREAN (1887-1952)TIGER, 20TH CENTURYink and colour on silk, depicting the animal withfinely painted mane, his mouth open to roar,signed and with two seals

112cm high, 49.5cm wide£400-600

580THREE KOREAN STONEWARE JARLETSJOSEON DYNASTYone covered in an olive-green crackled glaze,one applied with celadon glaze and carvedwith floral pattern (3)

largest 6cm diamProvenance:Private English Collection

£300-500

579KOREAN STONEWARE TENMOKU-GLAZED HONEY COVERED JARJOSEON DYNASTYthe globular body with a wide centre band often facets and covered with an iron oxideglaze (tenmoku), all on a short foot ring, withflat circular cover

20.5cm highProvenance:The Gauhar Collection

£200-300

581INDIAN STONE CARVING OF ANELEPHANT19TH CENTURYthe animal carved in a recumbent positionwith one hind leg tucked below thevoluminous body, the head turned sidewards,the ears applied with a pair of trumpets, withtraces of paint

10.5cm high£800-1,200

END OF SALE

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The Thornhill Stem CupAsia Week Hong Kong | May/June 2016

Enquiries

Lee Young +44 (0)7825 [email protected]

Ling Zhu +44 (0)131 557 [email protected]

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

A HIGHLY IMPORTANT BLUE AND WHITE‘DRAGON’ STEM CUPXUANDE SIX-CHARACTER MARK AND OF THE PERIODthe sides finely painted in dark blue tones with twofive-clawed dragons chasing the eternal flaming pearlamongst clouds, above a sea with crashing wavestipped in white, with rocks around the base, theinterior painted with the six-character reign markwithin double lines and circled by double ringsrepeated on the inside and outside rim, and on the foot.

Height: 10.3cmProvenance: From the Ernest Thornhill CollectionBequeathed to Staffordshire University, 1944 - present

Estimate on Request

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Select Jewellery & WatchesWednesday, 9th December, 2015

Enquiries

Trevor Kyle +44 (0)131 557 [email protected]

Ruth Davis +44 (0)131 557 [email protected]

33 Broughton Place, Edinburgh EH1 3RR l +44 (0)131 557 8844 l www.lyonandturnbull.com

An impressive early 20th century diamondsolitaire ringclaw set with a single round brilliant cut diamond, to aplain white metal shank, unmarked; with anaccompanying report by International GemmologicalReports, dated 29.10.15, numbered 30303370, statingthat the diamond is 14.64cts, VS1 clarity and L/McolourRing size: Q, diamond weight: 14.64cts£120,000-180,000

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1. DEFINITIONSIn these Conditions of Sale (Sellers): “Auctioneer” means Lyon & Turnbull Ltd or itsauthorised auctioneer, as appropriate; “Buyer“ is the person who makes the highest possiblebid or offer accepted by the auctioneer, and/or suchperson’s principal where bidding as agent; “Buyer‘s Premium” is the commission payable by theBuyer on the Hammer Price at the rates set out in theSale Catalogue Guide to Prospective Buyers and anamount in respect of applicable VAT; “Hammer Price” is the highest bid accepted by theauctioneer by the fall of the hammer or in the case of apost-auction sale, the agreed sale price; “Item” means each and every item consigned for salefollowing express written agreement between Lyon &Turnbull and the Seller; “Lot“ means each Item offered for sale by Lyon &Turnbull; “Lower Estimate” means the low estimate provided byLyon & Turnbull to the Seller in relation to each Item, orin relation to any Item which Lyon & Turnbull holds onbehalf of the Seller; “Lyon & Turnbull” means the company which has itsregistered office at 33 Broughton Place, Edinburgh, EHI3RR registered in Scotland No. 191166 “Net Sale Proceeds” are the Hammer Price, lesscommissions and other charges, of the Lot sold, to theextent received by Lyon & Turnbull in cleared funds; “Proposed Sale” means the intended sale through whichthe items will be sold on “Purchase Price” is the Hammer Price and applicableBuyer‘s Premium; “Reserve” means the lowest price below which an itemcannot be sold; “Upper Estimate” means the high estimate provided byLyon & Turnbull to the Seller in relation to each Item, orin relation to any Item which Lyon & Turnbull holds onbehalf of the Seller; “Terms of consignment” means the stipulated terms andrates of commission on which the Auctioneer acceptsinstructions from Sellers or their agents; “You”, “Your” means the seller“Us”, “Our”, “We” etc refers to Lyon & Turnbull LtdThe singular includes the plural and vice versa asappropriate.

2. WARRANTY OF TITLE AND AVAILABILITY

The Seller warrants:-(a) that you are the true owner of the propertyconsigned or are properly authorised by the true ownerto consign it for sale and are able to transfer good andmarketable title to the property free from any third partyclaims.(b) that all requirements have been complied with, legalor otherwise, relating to any export or import of theproperty consigned, all duties and taxes in respect ofthe export or import of the lot have (unless agreed inwriting with us) been paid and, so far as you and anyprincipal for whom they are acting in relation to the lotare aware, all third parties have complied with suchrequirements in the past.(c) that you have provided Lyon & Turnbull with anyand all information concerning the item’s provenanceor any concerns expressed by third parties concerningits ownership, condition, authenticity, attribution, andexport or import history; and(d) Unless the Seller advises Lyon & Turnbull in writingto the contrary on delivery of the item to Lyon &Turnbull, there are no restrictions on Lyon & Turnbullrights to reproduce photographs or other images of theitem in connection with the sale or any other marketingwhich will be done in accordance with good taste anddecency.

3. PREPARATION FOR SALE(a) Lyon & Turnbull shall decide the way in which a lotmay be included in the sale, how any lot is describedand illustrated in the catalogue or any report, and themarketing, promotion, date, place and conduct of thesale.

(b) Lyon & Turnbull will instruct, consult with, and relyon, any outside experts or restorers, agents or otherthird parties, and carry out such other due diligence,inquiries, research or tests in relation to the propertyor its provenance, either before the Proposed Sale as itmay deem appropriate in its reasonable discretion.(c) Any oral or written estimate or evaluation or reportprovided by Lyon & Turnbull is a genuinely heldopinion only. It may not be relied on as a prediction ofthe selling price or value of the Item, and may in Lyon &Turnbull’s absolute discretion be revised from time totime.(d) The Seller acknowledges that attribution of Items is amatter of opinion and not of fact, and is dependentupon (amongst other things) information provided bythe Seller, the condition of the property, the degree ofresearch, examination or testing that is possible orpractical in the circumstances, and the status ofgenerally accepted expert opinion at the time ofcataloguing

4. TERMS OF SALEThe Seller acknowledges that lots are sold subject tothese Conditions and on the Terms of Consignment asnotified to the consignor at the time of the entry of thelot.

5. STANDARD SELLER FEES AND CHARGES (Subject to VAT)(1) Commission: 15% is charged on the selling price ofeach lot, (subject to a minimum charge of £30). Loss anddamage warranty: 1.5% on value of lots sold.Photography: min charge £30. Online Listing: £10 perlot.(2) Transport: Items for sale must be consigned to thesale room by any stated deadline and at your expense.We may be able to assist you with this process. Whenorganised on the Seller’s behalf the provision oftransport will be contracted to third parties. Fees fortransport will be deducted at the initial settlement. (3) Illustrations: The cost of any illustrations will beborne by the Seller , unless agreed otherwise prior. Thecopyright in respect of such illustrations shall be theproperty of us, the auctioneers, as is the text of thecatalogue.

6. RESERVES(a) You are entitled to place, prior to the auction, areserve on any lot consigned, being the minimumhammer price at which that lot may be sold. Reservesmust be reasonable and we may decline to offer goodswhich in our opinion would be subject to anunreasonably high reserve.(b) Firm reserves may be no greater than lower pre-saleestimate level.(c) A reserve once set cannot be changed except withour agreement.(d) You may not bid or instruct or permit any otherperson to bid on your behalf on your own property. Ifthe Seller breaches this prohibition, Lyon & Turnbullmay treat the Seller as bound as Seller and as Buyerbut without the benefit of Lyon & TurnbullAuthenticity Guarantee or the reserve, and/or pursueother remedies.(e) We may sell lots below the reserve provided weaccount to you for the same sale proceeds as you wouldhave received had the reserve been the hammer price.

7. LOSS & DAMAGE WARRANTY(a) Subject to condition 7(c) below Lyon & Turnbull willassume liability for loss or damage to an item,commencing at the time that item is taken into physicalcontrol and possession by Lyon & Turnbull and ceasingon the earliest date of; (i) when risk passes to the Buyer of the lot following itssale; (ii) for unsold lots, when the lot is released to the Seller,or, within 3 months of the sale;or (iii) 6 months from the date of delivery to Lyon &Turnbull for items still in the possession of Lyon &Turnbull but not consigned for sale (unless part of along-term storage agreement).(b) Lyon & Turnbull shall charge a loss and damagewarranty fee of 1.5% of the hammer price, plus VAT. (c) If any loss or damage should occur to the lot during

the period identified in paragraphs (a) above, Lyon &Turnbull’s liability to compensate the Seller in respect ofthat loss shall be restricted to a maximum of the upperestimate, or actual loss incurred, whichever is lower.This compensation will be subject to a deduction of a1.5% loss & warranty fee (subject to VAT).

8. UNSOLD ITEMS(1) If an item is unsold it may, with your consent, be re-offered at a future sale. Where in our opinion an item isnot suitable for a future sale we may either request (a)you collect such items from the saleroom promptly onbeing so informed. We shall be entitled to charge youfor storage costs, charges shall be made at a reasonabledaily rate;or (b) suggest that the item be transferred to asecondary saleroom for sale without reserve. Alltransferred lots will be sold for the best price on theday, this may not bear any reflection on the item’soriginal estimate. Lyon & Turnbull are not liable for anyitems (whether it be selling price or loss & damage)when transferred. (2) Aftersales: We reserve the right to accept an after-auction offer on a lot on behalf of the seller, at theagreed reserve price or above, for up to 48 hours afterthe original auction. In which case the same charges willbe payable as if such lots had been sold at auction andso far as appropriate these Conditions apply.

9. LOT WITHDRAWAL If a Seller wishes to withdraw a lot organised for sale, awithdrawal fee will apply; (a) if withdrawn over 28 working days prior to the sale,this will be charged at 10% of the mid estimate alongwith any ancillary charges incurred (such asphotography), all subject to VAT at the current rate.(b) if withdrawn within 28 working days of the sale, thiswill be charged at 20% of the mid estimate along withany ancillary charges incurred (such as photography), allsubject to VAT at the current rate.(c) Lyon & Turnbull may withdraw a lot from theproposed sale without any liability if: (i) Lyon & Turnbull reasonably believes that there is anydoubt as to the lot‘s authenticity or attribution; or (ii) it reasonably doubts the accuracy of any of theSeller’s warranties; or (iii) the Seller breaches any provisions of the Conditionsof Sale in any material respect; or (iv) the lot suffers from loss or damage so that it is not inthe state in which it was when Lyon & Turnbull tookdelivery of it. (d) if an item is withdrawn from sale under Condition9(c) (i), or (iv), the Seller shall not be charged awithdrawal fee and the item shall be returned to theSeller or dealt with pursuant to Clause 8, as the Sellerdecides.

10. AUTHORITY TO DEDUCT COMMISSION ANDEXPENSES AND RETAIN PREMIUM AND INTEREST.The Seller authorises us to deduct commission at thestated rate, and all expenses incurred for your accountfrom the hammer price, and consents to our right toretain beneficially the premium paid by the Buyer inaccordance with these Conditions of Sale and anyinterest earned on the sale proceeds until the date ofsettlement.

11. NON-PAYMENT BY THE BUYER(a) Lyon & Turnbull will, where it considers appropriate,take reasonable steps to investigate the ability ofbidders to pay for lots and will use reasonableendeavours, in consultation with the Seller, to enforcepayment of the Hammer Price by any Buyer.(b) Lyon & Turnbull, in consultation with the Seller, willdecide whether to pursue any of the remedies availableto it, including those set out in Condition 10 of theCondition of Sale (Buyers) including the right to cancel thesale and return the property to the Seller. Lyon &Turnbull will inform the Seller of any action which itcontemplates taking against the Buyer.(c) lf the Seller elects to take action against any Buyer onits own behalf Lyon & Turnbull will provide the Sellerwith such assistance as may be reasonably necessary topursue that action.(d) The Seller hereby agrees to inform Lyon & Turnbullof any action which it chooses to take against the Buyer

Conditions of SaleSELLERS

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to enforce payment of the amount due to the Seller.(e) In the event that a Buyer fails to pay for a lot inaccordance with the Conditions of Sale for Buyers, thatlot will be treated in the same way as an unsold orcollected lot.

12. SETTLEMENT PAYMENTSSubject to full payment by the Buyer, payment of the netproceeds of sale due to you will be made over to you 28working days following a sale. Provided we have receivedcleared funds. Payment will be made by cheque orBACS (if requested).

13. SALE BY PRIVATE TREATY(a) The same Conditions of Sale (Sellers) shall apply tosales by private treaty. (b) Private treaty sales made under these Conditions aredeemed to be sales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller ofany offers it receives in relation to an item prior to anyProposed Sale, excluding the normal method ofcommission bids.(d) For the purposes of a private treaty sale, if a lot issold in any other currency than Sterling, the exchangerate is to be taken on the date of sale.

14. THIRD PARTY LIABILITYAll members of the public on our premises are there attheir own risk and must note the lay-out of theaccommodation, safety and security arrangements.

Accordingly, neither the Auctioneer nor our employeesor agents shall incur liability for death or personal injuryor similarly for the safety of the property of personsvisiting prior to, during or after a sale.

15. GENERAL(a) We shall have the right at our discretion, to refuseadmission to our premises or attendance at ourauctions by any person.(b) Any notice to any Buyer, Seller, bidder or viewer maybe given by email, or if not available then first class mail,in which case it shall be deemed to have been receivedby the addressee 48 hours after posting.(c) Notices to Lyon & Turnbull should be in writing andaddressed to Nick Curnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting the reference numberspecified at the beginning of the sale catalogue.(d) Should any provision of these Conditions of Sale beheld unenforceable for any reason, the remainingprovisions shall remain in full force and effect.(e) These Conditions of Sale are not assignable by eitherparty without the other’s prior written consent, but arebinding on the seller’s successor and representatives.No act, omission or delay by Lyon & Turnbull shall bedeemed a waiver or release of any of its rights.(f) The contract between the parties may be varied bythe parties by agreement and in writing.

16. AGENCY Lyon & Turnbull acts as agent solely for and in theinterests of the Seller.  We do not act for Buyers in this

role and does not give advice to Buyers.  When Lyon &Turnbull make a statement about a lot it is doing so onbehalf of the Seller of the lot.  The Auctioneer normally acts as agent only anddisclaims any responsibility for default by Sellers orBuyers.

17. DATA PROTECTIONIn connection with the management and operation ofour business and the marketing and supply of Lyon &Turnbull’s services, or as required by law, we may askthe Seller to provide personal information aboutthemselves or obtain information about the Seller fromthird parties (e.g. credit information). Lyon & Turnbullwill not give out personal information except as may berequired by law. If you would like further information on Lyon & Turnbullpolicies on personal data, or to make corrections toyour information, please contact us on +44 (0)131 5578844.

18. LAW AND JURISDICTION(a) Governing Law: These Conditions of Sale and allaspects of all matters, transactions or disputes to whichthey relate or apply shall be governed by, andinterpreted in accordance with, Scots law (b) Jurisdiction: The Seller agrees that the Courts ofScotland are to have exclusive jurisdiction to settle alldisputes arising in connection with all aspects of allmatters or transactions to which these Conditions ofSale relate or apply.

BUYERS

The Auctioneer carries on business with bidders, Buyersand all those present in the auction room prior to, or inconnection with, a sale on the following GeneralConditions and on such other terms, conditions andnotices as may be referred to herein..

1. DEFINITIONS In these Conditions of Sale (Buyers): "Auctioneer" means Lyon & Turnbull Ltd or itsauthorised auctioneer, as appropriate; "Hammer price" means the level of bidding reached (ator above any reserve) when the Auctioneer brings downthe hammer; "Lot" means each Item offered for sale by Lyon &Turnbull; "Purchase Price" is the Hammer Price and applicableBuyer's Premium; "Reserve" means the lowest price below which an itemcannot be sold; "Total amount due" means the hammer price in respectof the lot sold together with any premium, Value AddedTax or other taxes chargeable and any additionalcharges payable by a defaulting Buyer under theseConditions; “You”, “Your” means the Buyer“Us”, “Our”, “We” etc. refers to Lyon & Turnbull LtdThe singular includes the plural and vice versa asappropriate.

2. AGENCYLyon & Turnbull acts as agent solely for and in theinterests of the Seller. We do not act for Buyers in thisrole and does not give advice to Buyers. When Lyon &Turnbull make a statement about a lot it is doing so onbehalf of the Seller of the lot.

The Auctioneer normally acts as agent only anddisclaims any responsibility for default by Sellers orBuyers.

3. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particularsbefore bidding and to satisfy any security and creditreferences or arrangements before entering the auctionroom to view or bid; (b) High Value Lots and High Cumulative Value ofLots If you wish to bid on any High Value Lot (a lot witha lower estimate of £30,000 or above) or if you arebidding on several lots with a total lower estimate valueof £30,000 or above, you are invited to complete theHigh Value Lot pre-registration. After you havesuccessfully registered as a bidder with Lyon andTurnbull, you should complete the High Value Lot pre-registration before the date of sale by contacting theOffice Manager or on the date of sale at the registrationarea. Unless otherwise agreed by us, you will be

permitted to bid for High Value Lots only if Lyon andTurnbull has confirmed your payment of deposit andyour completion of the High Value Lot pre-registrationbefore the sale. The Deposit required will be 10% of thelower estimate. Upon pre-registration, you should paythe deposit or such other sum as determined by Lyonand Turnbull dependant on circumstances, by way ofbank transfer or credit card(s) acceptable to Lyon andTurnbull. Please note that Lyon and Turnbull does notaccept payment from third parties and this also appliesto agents.If you are not successful in any bid and do not owe Lyonand Turnbull any debt, the deposit will be refunded toyou by way of wire transfer or such other methods asdetermined by Lyon and Turnbull. Please make sure thatyou provide your bank details in the pre-registrationform. The exchange rate provided to us by the bank onthe date of exchange is final. We will arrange to refundthe deposit to you within seven days after the date ofsale, however we do not guarantee when you willreceive the payment due to the variance in time forbanks to process fund transfers.Upon successful pre-registration, you will be given anumbered High Value Lot paddle for identificationpurposes. The auctioneer will usually only accept bidsmade with the High Value Lot paddle or by its HighValue Lot registered bidder. This applies to saleroom,telephone and absentee bids.Lyon and Turnbull has the right to change the HighValue Lot pre-registration procedures and requirementsfrom time to time without notice.(c) The maker of the highest bid accepted by theAuctioneer conducting the sale shall be the Buyer andany dispute shall be settled at the Auctioneer's absolutediscretion. (d) Once made, no bid may be withdrawn. (e) Our right to bid on behalf of Sellers is expresslyreserved up to the amount of any reserve. (e) The right to refuse any bid is also reserved.(g) Commission Bids: While prospective Buyers arestrongly advised to attend the auction and are alwaysresponsible for any decision to bid for a particular lotand shall be assumed to have carefully inspected andsatisfied themselves as to its condition we shall, if soinstructed, clearly and in writing execute bids on theirbehalf. Neither the Auctioneer nor our employees noragents shall be responsible for any failure to do so.Where two or more commission bids at the same levelare recorded we reserve the right in our absolutediscretion to prefer the first bid so made.

(h) Telephone Bids: If a prospective Buyer makesarrangements with us prior to the commencement ofthe sale we will use reasonable efforts to contact themto enable them to participate in bidding by telephone.We do not accept liability for failure to do so or forerrors and omissions in connections.

(i) Online Bidding: We will use reasonable efforts to carryout online bids and do not accept liability for equipmentfailure, inability to access the internet or softwaremalfunctions related to execution of online bids/ livebidding.

4. INCREMENTSBidding increments shall be at the Auctioneer's solediscretion.

5. THE PURCHASE PRICE For each lot purchased a Buyer's Premium of 25% ispayable on the first £50,000 of the hammer price, 20%thereafter. VAT at the appropriate rate is charged on theBuyer's Premium. No VAT is payable on the hammerprice or premium for printed books or unframed mapsbought at auction.Live online bidding is subject to an additional 3%premium (charged by the live bidding service providerInvaluable). This additional premium is subject to VAT atthe appropriate rate as above. 6. VALUE ADDED TAX Value Added Tax is charged at the appropriate rateprevailing by law at the date of sale and is payable byBuyers of relevant lots. (1) Lots affixed with (†): Value Added Tax on thehammer price is imposed by law on all items affixed witha dagger (†). This imposition of VAT maybe because theSeller is registered for VAT within the European Unionand is not operating under a Margin Scheme. (2) Lots affixed with (*): A reduced rate of Value AddedTax on the hammer price of 5% is payable. Thisindicates that a lot has been imported from outwith theEuropean Union. This reduced rate is applicable toAntique items. (3) Lots affixed with [Ω]: Standard rate of Value AddedTax on the hammer price and premium is payable. Thisapplies to items that have been imported from outwiththe European Union and do not fall within the reducedrate category outlined above.

7. DROIT de SUITEThis symbol § indicates works which may be subject tothe Droit de Suite or Artist's Resale Right. Moreinformation on Droit de Suite is available atwww.dacs.org.uk.

8. PAYMENT (1) Within 7 days of a lot being sold you will: (a) Pay to us the total amount due in cash or by suchother method as is agreed by us. We accept cash, banktransfer (details on request), debit cards and Visa orMasterCard credit cards. We do not accept AmericanExpress.(b) Please note there is a surcharge of 2% when usingcredit cards.

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(c) Please note that under The Money LaunderingRegulations 2007 we cannot accept cash payments over€15,000 (euros). (2) Any payments by you to us may be applied by ustowards any sums owing by you to us howsoeverincurred and without agreement by you or your agent,whether express or implied..

9. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any lots purchased shall not passto you until you have made payment in full to us of thetotal amount due. (2) You shall at your own risk and expense take away anylots that you have purchased and paid for not later than7 working days following the day of the auction or uponthe clearance of any cheque used for paymentwhichever is later. We can provide you with a list ofshippers. However, we will not be responsible for theacts or omissions of carriers or packers whether or notrecommended by us. (3) No purchase can be claimed or removed until it hasbeen paid for. (4) It is the Buyer’s responsibility to ascertain collectionprocedures, particularly if the sale is not being held atour main sale room and the potential storage chargesfor lots not collected by the appropriate time.(5) Export of goods: Buyers intending to export goodsshould ascertain (a) whether an export licence isrequired and (b) whether there is any specificprohibition on importing goods of that character, e.g.items that may contain prohibited materials such asivory or rhino horn. It is the buyer’s sole responsibilityto obtain any relevant export or import licence. Thedenial of any licence or any delay in obtaining licencesshall neither justify the recession of any sale not anydelay in making full payment for the lot.

10. REMEDIES FOR NON·PAYMENT OR FAILURE TOCOLLECT PURCHASES (1) If any lot is not paid for in full and taken away inaccordance with these Conditions or if there is anyother breach of these Conditions, we, as agent for theSellers and on their behalf, shall at our absolutediscretion and without prejudice to any other rights wemay have, be entitled to exercise one or more of thefollowing rights and remedies: (a) to proceed against you for damages for breach ofcontract; (b) to rescind the contract for sale of that lot and/or anyother lots sold by us to you; (c) to resell the lot (by auction or private treaty) in whichcase you shall be responsible for any resulting deficiencyin the total amount due (after crediting any partpayment and adding any resale costs). (d) to remove, store and insure the lot in the case ofstorage, either at our premises or elsewhere and torecover from you all costs incurred in respect thereof; (e) to charge interest at a rate not exceeding 1.5% permonth above the current base rate on all sumsoutstanding for more than 7 working days after the sale;(f) to retain that or any other lot sold to you until youpay the total amount due; (g) to reject or ignore bids from you or your agent atfuture auctions or to impose conditions before any suchbids shall be accepted; (h) to apply any proceeds of sale of other lots due orwhich become due to you towards the settlement of thetotal amount due by you and to exercise a lien over anyof your property in our possession for any purpose untilthe debt due is satisfied.satisfied.

11. DESCRIPTIONS AND CONDITION(1) Whilst we seek to describe lots accurately, it may beimpractical for us to carry out exhaustive due diligenceon each lot. Prospective Buyers are given ampleopportunities to view and inspect before any sale andthey (and any independent experts on their behalf) mustsatisfy themselves as to the accuracy of any descriptionapplied to a lot. Prospective Buyers also bid on theunderstanding that, inevitably, representations orstatements by us as to authorship, genuineness, origin,date, age, provenance, condition or estimated sellingprice involve matters of opinion. We undertake that anysuch opinion shall be honestly and reasonably held andonly accept liability for opinions given negligently orfraudulently. Subject to the foregoing neither we theauctioneer or our employees or agents accept liabilityfor the correctness of such opinions and no warranties,whether relating to description, condition or quality oflots, express, implied or statutory, are given. Please notethat photographs/images provided may not be fullyrepresentative of the condition of the lot and should not

be relied upon as indicative of the overall condition ofthe lot. (2) Condition reports: Condition reports are providedon our website or upon request. The absence of areport does not imply that a lot is without imperfections.Large numbers of such requests are received shortlybefore each sale and department specialists andadministration will endeavor to respond to all requestsalthough we offer no guarantee. Any statement inrelation to the lot is merely an expression of opinion ofthe Seller or Lyon & Turnbull and should not be reliedupon as an inducement to bid on the lot. Lots areavailable for inspection prior to the sale and you arestrongly advised to examine any lot in which you areinterested prior to the sale. Our condition reports arenot prepared by professional conservators, restorers orengineers. Our condition report does not form anycontract between Lyon & Turnbull and the Buyer. TheCondition Reports do not affect the Seller’s obligationsin any way. (3) Estimates: Estimates are placed on each lot to helpBuyers gauge the sums involved for the purchase of aparticular lot. Estimates do not include the Buyer’sPremium or VAT. Estimates are a matter of opinion andprepared in advance. Estimates may be subject tochange and are for guidance only and should not berelied upon.(4) Catalogue Alterations: Lot descriptions andestimates are prepared in advance of the sale and maybe subject to change. Any alterations will be announcedon the catalogue alteration sheet, made available priorto the sale. It is the responsibility of the Buyer to makethemselves aware to any alterations which may haveoccurred.(5) Electrical Goods: are sold as “works of art” only andif bought for use must be checked over for compliancewith safety regulations by a qualified electrician first. Useof such goods is entirely at the risk of the Buyer and nowarranties as to safety of the goods are given.(6) Upholstered items: are sold as “works of art” onlyand if bought for use must be checked over forcompliance with current safety regulation. Use of suchgoods is entirely at the risk of the Buyer and nowarranties as to safety of the goods are given. Lyon &Turnbull provide no guarantee as to the originality ofany wood/material contained within the item. (7) Special terms may be used in catalogue descriptionsof particular classes of items (Books, Jewellery, Paintings,Guns, Firearms etc.) in which case the descriptions mustbe interpreted in accordance with any glossaryappearing in the catalogue. These notices and terms willalso form part of our terms and conditions of sales.

12. BOOKS, CLOCKS & WATCHES(1) Books-Collation: If on collation any NAMED item inthe sale catalogue proves defective, in text or illustrationthe Buyer may reject the lot provided he returns itwithin 21 days of the sale stating the defect in writing.This, however, shall not apply in the case of unnameditems, periodicals, autographed letters, music M.M.S.,maps, drawings NOR in respect of damage to bindings,stains, foxing, marginal worm holes or other defects notaffecting the completeness of the text NOR in respect ofDefects mentioned in the catalogue, or at the time ofsale, NOR in respect of lots sold for less than £300. (2) Clocks & Watches: All lots are sold “as seen”, andthe absence of any reference to the condition of a clockor watch does not imply the lot is in good condition andwithout defects, repairs or restorations. Most clocks andwatches will have been repaired during their normallifetime and may now incorporate additional/newerparts. Furthermore, Lyon & Turnbull makes norepresentation or warranty that any clock or watch is inworking order. As clocks and watches often contain fineand complex mechanisms, Buyers should be aware thata general service, change of battery or further repairwork, for which the Buyer is solely responsible, may benecessary. Buyers should also be aware that Lyon &Turnbull cannot guarantee a watch will remainwaterproof if the back is removed. Buyers should beaware that the importing watches such as Rolex, FrankMuller and Corum into the United States is highlyrestricted. These watches cannot be shipped to the USAand only imported personally.

13. CITESPlease be aware that all lots marked with the symbol Yare subject to CITES regulations when exporting theseitems outside the EU. These regulations may be foundat http://www.defra.gov.uk/ahvla-en/ imports-exports/cites/ Lyon & Turnbull accepts no liability for any lots whichmay be subject to CITES but have not be identified assuch.

14. SALE BY PRIVATE TREATY (a) The same Conditions of Sale (Buyers) shall apply tosales by private treaty. (b) Private treaty sales made under these Conditions aredeemed to be sales by auction and subject to ouragreed charges for Sellers and Buyers. (c) Lyon & Turnbull undertakes to inform the Seller ofany offers it receives in relation to an item prior to anyProposed Sale, excluding the normal method ofcommission bids.(d) For the purposes of a private treaty sale, if a lot issold in any other currency than Sterling, the exchangerate is to be taken on the date of sale.

15. THIRD PARTY LIABILITY All members of the public on our premises are there attheir own risk and must note the lay-out of theaccommodation, safety and security arrangements.Accordingly, neither the Auctioneer nor our employeesor agents shall incur liability for death or personal injuryor similarly for the safety of the property of personsvisiting prior to, during or after a sale.

16. GENERAL (a) We shall have the right at our discretion, to refuseadmission to our premises or attendance at ourauctions by any person.(b) Any notice to any Buyer, Seller, bidder or viewer maybe given by email if not available then first class mail inwhich case it shall be deemed to have been received bythe addressee 48 hours after posting.(c) Notices to Lyon & Turnbull should be in writing andaddressed to Nick Curnow at 33 Broughton Place,Edinburgh EH1 3RR, quoting the reference numberspecified at the beginning of the sale catalogue.(d) Should any provision of these Conditions of Sale beheld unenforceable for any reason, the remainingprovisions shall remain in full force and effect.(e) These Conditions of Sale are not assignable by eitherparty without the other's prior written consent. No act,omission or delay by Lyon & Turnbull shall be deemed awaiver or release of any of its rights.(f) The contract between the parties may be varied bythe parties by agreement and in writing.

17. DATA PROTECTION In connection with the management and operation ofour business and the marketing and supply of Lyon &Turnbull's services, or as required by law, we may askthe Buyer to provide personal information aboutthemselves or obtain information about the Buyer fromthird parties (e.g. credit information). Lyon & Turnbullwill not give out personal information except as may berequired by law. If you would like further information on Lyon & Turnbullpolicies on personal data, or to make corrections toyour information, please contact us on +44 (0)131 557 8844.. The Buyer hereby agrees to the release by Lyon &Turnbull of the Buyer’s name and contact details to theseller or the seller’s solicitor in the event of any disputebetween Lyon & Turnbull and the Buyer and/or Lyon &Turnbull and the Seller. Lyon & Turnbull will give priorwritten notice of the release of any such details to theSeller of the Seller’s solicitor.

18. FORCE MAJEURELyon & Turnbull shall be under no liability if they shall beunable to carry out any provision of the Contract of Salefor any reason beyond their control including (withoutlimiting the foregoing) an act of God, legislation, war, fire,flood, drought, failure of power supply, lock-out, strike orother action taken by employees in contemplation orfurtherance of a dispute or owing to any inability toprocure materials required for the performance of thecontract.

19. LAW AND JURISDICTION(a) Governing Law: These Conditions of Sale and allaspects of all matters, transactions or disputes to whichthey relate or apply shall be governed by, andinterpreted in accordance with, Scots law (b) Jurisdiction: The Buyer agrees that the Courts ofScotland are to have exclusive jurisdiction to settle alldisputes arising in connection with all aspects of allmatters or transactions to which these Conditions ofSale relate or apply.

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RegistrationAll potential buyers must register prior toplacing a bid. Registration informationmay be submitted in person at ourregistration desk, by email, by fax or onour website. Please note that all firsttime bidders at Lyon & Turnbull will beasked to supply the following documentsin order to facilitate registration:

1 – Government issued photo ID(Passport/ Driving licence)

2 – Proof of address (utility bill/ bankstatement).

We may, at our option, also ask you toprovide a bank reference and/ or deposit.

By registering for the sale, the buyeracknowledges that he or she has read,understood and accepted our Conditionsof Sale.

t indicates lots on which the High Valuepre-registration procedure will berequired prior to the sale.

BiddingAt the Sale Registered bidders will beassigned a bidder number and given apaddle for use at the sale. Once the firstbid has been placed, the auctioneer asksfor higher bids in increments determinedby the auctioneer. To place your bid,simply raise your paddle until theauctioneer acknowledges you. Pleaseensure that the auctioneer repeats yourbidder number correctly when confirmingthe sale. If there is any doubt at this stageas to the hammer price or buyer it mustbe brought to the auctioneer’s attentionimmediately. All lots will be invoiced tothe name and address given on yourregistration form, which is non-transferable.

By phone A limited number oftelephone lines are available for biddingby phone through a Lyon & Turnbullrepresentative. Phone lines must bereserved in advance. All bid requestsmust be received an hour before thesale. All telephone bids must beconfirmed in writing, listing the relevantlots and appropriate number to becalled. We recommend that a coveringbid is also left in the event that we areunable to make the call. We cannotguarantee that lines will be available, orthat we will be able to call you on theday, but will endeavor to undertake suchbids to the best of our abilities. Thisservice is available entirely at ourdiscretion and at the bidder’s risk.

In writing Bid forms are available at thesale and/or the back of the catalogue.These should be submitted in person, bypost, or by fax as soon as possible priorto the sale and we will bid on yourbehalf up to the limit indicated. In theevent of receiving two identical bids thefirst one received will take precedence.All bids must be received an hour beforethe sale. This service is entirely at thebidder’s risk.

On the internet A fully-illustratedcatalogue is available on our website.Registered bidders may leave absenteebids through the website and willreceive email confirmation of their bid.Live online bidding (powered byInvaluable) is also available, accessibleeither through our website or atwww.invaluable.com. Please note that an additional 3% premium ischarged by Invaluable for this live onlineservice.

PaymentPayment is due within seven (7) days ofthe sale. Lots purchased will not bereleased until full payment has beenreceived. Payment may be made by thefollowing methods:

Bank Transfer Account details areincluded on any invoices we issue orupon request from our accountsdepartment.

Credit or Debit Cards Payment can bemade by Visa Debit, Maestro,Mastercard or Visa Credit cards. Pleasenote there is a 2% surcharge on creditcard payments and we do not acceptAmex.

Online Card Payments We no longeraccept card payments by phone. Pleaseuse our online payment service(provided by Cardstream/Credorax). Youwill find a link to this service in any emailinvoice issued or you can visit thepayments section of our website.

Cheque Cheques should be madepayable to Lyon and Turnbull Ltd. Wereserve the right to wait until chequeshave been cleared by our bankersbefore releasing bought goods. Chequescan be cleared prior to sale on request.Cheques drawn by third parties cannotbe accepted. If paying by post pleaseinclude the slip from your invoice.

Cash Cash payments can be made atthe accounts desk during or after a sale.Cash payments limited to €15,000(approximately £10,600 November2015).

Guide to Bidding & Payment

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BIDDING & PAYMENT 竞拍和付款REGISTRATION 登记竞拍Please note that all first time bidders at Lyon & Turnbull will be asked tosupply the following documents in order to facilitate registration:

请注意所有首次在礼昂腾博拍卖的竞拍者都需要提供以下材料以便进行注册:

· 1 – Government issued photo ID (Passport/ Driving licence)

· 1 – 由政府机关签发的身份证件(护照或者驾照)

· 2 – Proof of address (utility bill/ bank statement

· 2 – 地址证明(水电煤账单或者银行对账单

You may present these documents in person or, alternatively, fax oremail copies to us.

您可以亲自将这些信息递交给我们,或者您可以把信息通过传真或者邮件的形式发送给我们。

We may, at our discretion, also ask you to provide a bank reference and/or deposit.

我们可能根据情况要求您提供银行开具的证明信或者交付押金。

Agents acting on behalf of other parties must provide identificationdocuments for yourself and the other party, together with a signed letterof authorisation.

代表买家参与竞拍的代理人必须提供其本人和买家的身份证明文件,此外,还需提供一封买家签名的授权信。

We encourage new clients to register at least 48 hours in advance of thesale to allow sufficient time to process the information

我们鼓励新客户至少在拍卖前48个小时进行注册,以便您的信息可以被及时处理。

t indicates lots on which the High Value pre-registration procedure willbe required prior to the sale.

t 符号表示该拍品的竞拍需要在拍卖会前进行专门的“高价值拍品登记” 。

BIDDING 竞拍There are a variety of ways to bid at auction

您可通过如下多种方式参与本公司的拍卖:

· At the sale – with a paddle in the room

在拍卖现场举牌竞拍

· By telephone – A limited number of telephone lines are available.Phone lines must be reserved in advance.

电话竞拍 – 请注意我们开通的竞拍热线数量有限,所以您需要提前预定

· In writing – Absentee bids may be placed in writing using the formfound at the rear of the catalogue, online or in the saleroom.

书面缺席竞拍 – 请填写缺席竞拍的表格,表格请见拍卖图录末尾或本公司网站,亦可在本公司柜台索取

· Via our website – Absentee bids may be placed through our onlinecatalogue.

网络缺席竞拍 –您也可以登陆拍卖的网上图录输入您愿出的最高竞投价

· Live online – Live bidding is available with through our website orInvaluable.com. Please note there is an additional 3% premium chargedby Invaluable for this service.

网络实时竞拍 – 您可通过我公司网站或Invaluable.com网站观看拍卖实况并在线参与竞投。请注意Invaluable网站会对在线竞拍者额外征收3%的佣金。

PAYMENT 付款Goods purchased will not be released until we have received fullpayment.

我们只有在收到全额付款之后才能向买家交付货品。

Payment will be accepted by the following methods:

您可以通过以下方式付款:

· Wire Transfer – See your invoice for account details

银行转账—您的发票上有我们的账户信息

· Cash – Please note under The Money Laundering Regulations 2007we cannot accept cash payments over €15,000 (approx. £10,600 Nov2015)

现金—请注意根据英国《2007年反洗钱条例》的规定,我们无法收取15000欧元以上的现金(根据2015年11月的汇率,大约是10,600英镑)

· Visa/ Mastercard Debit Card

借记卡

· Visa/ Mastercard Credit Card - Please note that all credit cardpayments will be subject to a 2% surcharge.

Visa或Mastercard信用卡—请注意所有的信用卡支付将被征收2%的刷卡手续费。

· Online Card Payments – Please visit our website to pay by Visa orMastercard才 online (system provided by Cardstream/ Credorax)

网上信用卡支付 – 请登陆本公司网站使用Visa或Mastercard卡支付(支付系统由Cardstream/ Credorax提供)

· Cheque – All cheques should be made payable to Lyon andTurnbull Ltd. We reserve the right to wait until cheques have clearedbefore releasing goods.

支票—所有的支票的收款人项需填写Lyon and Turnbull Ltd。我们保留在支票兑现之后才发放货品的权利。

Payments made by a third party will not be accepted.

第三方付款不予接受。

COLLECTION 交货

It is the buyer’s responsibility to ascertain collection procedures. Pleasesee the rear of the catalogue or our website for additional informationwith regards recommended carriers.

买家有责任确保拍品的成功交付。请查询拍卖图录末尾或者本公司网站获取我们所推荐的货运公司的联系方式。

CITES 条款Please be aware that lots marked with a Y contain material which may besubject to CITES regulations when exporting outside the EU. For moreinformation visit www.gov.uk/cites-imports-and-exports

请注意标有Y记号的拍品在运往欧盟以外地区时可能受到CITES条款的约束。欲了解更多信息,请查询www.gov.uk/cites-imports-and-exports

EXPORT LICENCES 出口许可证Buyers should always check whether an export licence is required beforeexporting. It is the buyer’s sole responsibility to obtain any relevantexport or import licence. The denial of any licence or any delay inobtaining licences shall neither justify the rescission of any sale nor anydelay in making full payment for the lot.

买家需确认货品是否需要出口许可证。获取相关进出口许可证完全是买家的责任。任何许可证的拒绝签发或出具延迟都不能作为退还拍品或延误全额付款的理由。

Lyon & Turnbull can recommend a specialist to assist in these matters ifrequired. Lyon & Turnbull cannot ensure that a licence will be obtained.Local laws may prohibit the import of some property and/or mayprohibit the resale of some property in the country of importation.

如果需要,礼昂腾博可向您推荐一名专业人士协助您处理这些事宜,但礼昂腾博不能保证许可证的签发。拍品发往目的地的当地法律有可能禁止某些货品的进口或重售。

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Smaller items & Picturesuntil 12 noon on Thursday, 3rd DecemberMail Boxes Etc23 King StreetCambridge CB1 1AHTel: +44 (0) 1223 361 601Fax: +44 (0) 1223 505 445Email: info@mbecambridge .com

The British Shop West MidlandsVillage Inn WorksWindmill StreetWalsall WS1 3EETel: +44 (0) 1895 444 877Fax: +44 (0) 1895 444 878Email:[email protected]

From Wednesday, 9th December onwards:Mail Boxes Etc12 South BridgeEdinburgh EH1 1DDTel: +44 (0)131 556 6226Fax: +44 (0)131 652 3673Email: [email protected]

Furniture and larger items

UK and InternationalConstantineConstantine HouseNorth Caldeen RoadCoatbridgeNorth Lanarkshire ML5 4EFTel: +44(0)1236 750055Fax: +44(0)1236 750077E-mail:[email protected]

UKA Van Man TransportUnit 5, Benridge ParkHolyrood Close, CreekmoorPoole, Dorset BH17 7BDTel: +44 (0)1202 600 012Fax: +44 (0)1202 600 206Email: [email protected]

Aardvark Art Services LtdBirks Farm, Ballam RoadLytham, Lancashire FY8 4NLTel: +44 (0)1253 794673Fax: +44 (0)1253 730580Email: [email protected]

Items to London A Van Man Transport will be offering adirect deliery service from CrosshallManor to London locations. There will bea charge for this service; please contactA Van Man Transport (see left) to enquirefurther or make a booking

Arrangements for Sold Lots All bought items will be held free ofcharge at Crosshall Manor until 12 noonon Thursday, 3rd December.

Thereafter lots will be removed to storein Edinburgh. For items not collectedfrom Edinburgh location by Friday, 11thDecember a charge will be incurred.

Administration fee:£20 + VAT

Storage charges per lot per day are:

Large Items£5 inc. insurance + VAT

Small Items£2.50 inc. insurance + VAT

© Lyon & Turnbull Ltd. 2015. All rights reserved. No part of thispublication may be reproduced, stored in a retrieval system ortransmitted by any form or by any means without the priorwritten permission of Lyon & Turnbull Ltd.

Collection & Shipping

Transport & Couriers 运输公司

Please note that we do not pack or ship items. The following suggested carriers willbe able to arrange packing and shipping; please contact them directly to receive aquote. You may wish to contact an alternative courier.

请注意我公司不包装和派发拍品。如下列举的物流公司将能协助您包装和运输您购得的拍

品。请直接与他们联系获取报价,或联系其他的物流公司。

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33 Broughton Place, Edinburgh EH1 3RRTel. +44 (0)131 557 8844Fax. +44 (0)131 557 8668Email. [email protected]

182 Bath Street, Glasgow G2 4HGTel. +44 (0)141 333 1992Fax. +44 (0)141 332 8240

78 Pall Mall, London SW1Y 5ESTel. +44 (0)20 7930 9115Fax. +44 (0)141 7930 7274

LYON

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FINE ASIAN

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VEMBER, 2015

Monday, 30th November, 2015Crosshall ManorSt. Neots, CambridgeshirePE19 7GB

Fine Asian Works of Art

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