First Draft Of Storyboard

8/8/2019 First Draft Of Storyboard

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Edit/Length of Shot

E d i t / ~ e n g t h of Shot

Edit/Length of Shot

Edit/Length of Shot

Shot No.ffype of Shot/CameraMovement




Shot No.lType of Shot/CameraMovement-

'c: ( \ , -st \ \ ;Dialogue - Sound

Dialogue - Sound

Dialogue - Sound

Dialogue - Sound

,.

Dialogue - Sound

Our film begins withthe title sequenceand a long or wide

shot in order toestablish the settingand introduce themain characters.


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At this point we useasynchronous soundwhile Nabil is lookingat Lilly whilst Sarahcontinues talking. Weuse this to create theeffect that he isn'tlistening to Sarah.

At this point we createthe technique of veryslow moving imagesbetween the shotreverse shot of Nabiland Lilly.

As Nabil's Point ofview shot we decidedto create two shots andsee which one works

better. Either a mid-shot or a close up, atthe stage editing wewill use both andcompare them.


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We to create anotherscene inbetween shotnumber 11 and 12. Wehave to create a shotof Sarah and Aldo

which will show whatNabil is looking at.

We decided to cut ofthese particular shotsas we thought it was tolong. This scene would

make the control of the180 degree rule verydifficult to do.


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Instead of a mid-shotwe decided to use aclose up on Aldo inoder to emphasize theword "jeeez" as itcreates the fact thatAldo is stronger thanNabil. Despite the agedifference

Instead of Sarahstanding on the bench

we decided to use awide shot of herstanding in front ofNabil in order to blockhis view.

Again, we decided toadd an extra shotinbetween shot

number 24 and 25 inorder to show Nabil'sreactions to Sarah'sand Aldo commentsabout him.


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7/18

Once again, inbetween

shot number 31 and 32we decided to addanother shot inorder toshow Sarah's and Aldoreactions to what Nabilsays.


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We cut this shot outbecause it wasn'tnecessary as wepreviously we alreadyhad a two shot ofSarah and Aldo.


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13/18

We removed this shotas we made changes toour script so thereforethis shot was notneeded.


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In this shot instead ofhaving a long shot ofust Sarah we decidedto use a wide shotinoder to show three ofthem sitting at the

bench. we also madethis change due to thereason that we changedmost of the script.

Once again, inbetween shot number64 and 65 we add anextra shot which is areaction shot of Sarah

and Aldo with theirthumbs up.

In order to emphasize Nabil's bucklewe decided that the technique slowmotion will create a comic effect.hen we have non-diegtic sound of a

girl asking Nabil if he's okay and thenwe see a shot of the girl face, only to

see that it's Lilly.


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These shots are allcut off due to thedifference in thestoryboard


17/18

We've cut out all theprevious shots of Lillyand Nabil having aconversation due tothe idea that webelieve it was to long,

instead we create ashot of Sarah and Aldocurious to know what'sgoing on with Nabiland Lilly.

In this shot, we haveLilly and Nabil continuetalking and walking offhand by hand.


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We cut the dialoguebut still keep the longshot of them walkingoff. Instead the musicin the background

begins.

Instead of thisdialogue wedecide to endthe film with atwo shot Aldoand Sarah

This Shots are allcut off.

Documents

First Draft Of Storyboard