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Flatpicking Guitar StylesPioneers and Legends:

Maybelle Carter Style: Wayfairing StrangerCarter Style, by Dan Huckabee, Volume 4, Number 1, page 21 Jimmy Brown the Newsboy, arranged by Earl Scruggs, Volume 4, Number 1, page 57 Jimmy Brown the Newsboy, arranged by Maybelle Carter, Volume 4, Number 1, page 60 Jesse James, arranged by Dix Bruce, Volume 4, Number 2, page 45 Shady Grove, arranged by Orrin Star, Volume 4, Number 6, page 46 Storms Are On The Ocean, arranged by Dix Bruce, Volume 5, Number 1, page 46 Grandfathers Clock, arranged by Dix Bruce, Volume 5, Number 6, page 50 Will The Circle Be Unbroken, arranged by Harold Streeter, Volume 9, Number 3, page 56 Worried Man Blues, arranged by Dan Miller, Volume 9, number 4, page 46 You Are My Flower, arranged by Maybelle Carter, transcribed by Dix Bruce, Volume 9, number 4, page 49 You Are My Flower, arranged by Earl Scruggs, transcribed by Dix Bruce, Volume 9, Number 5, page 47 Farther Along, arranged by Dix Bruce, Volume 10, Number 1, page 51 More Pretty Girls Than One, arranged by Dix Bruce, Volume 10, Number 4, page 44 Storms Are On The Ocean, arranged by Kathy Barwick, Volume 11, Number 3, page 33 Little Darlin/This Land, arranged by Dix Bruce, Volume 11, Number 6, page 50 Red River Valley, arranged by Adam Granger, Volume 11, Number 6, page 62 Worried Man Blues, arranged by Orrin Star, Volume 12, Number 1, page 38

Doc Watson Style: Texas Gales, arranged by Doc Watson, Volume 2, Number 6, page 11 Way Downtown, arranged by Doc Watson, Volume 2, Number 6, page 49 Beaumont Rag, arranged by Doc Watson, Volume 2, Number 6, page 73 Way Downtown, arranged by Doc Watson, Volume 2, Number 6, page 49 Way Downtown, arranged by Doc Watson, transcribed by Dix Bruce, Volume 3, Number 5, page 45 Way Downtown, arranged by Doc Watson, transcribed by Dix Bruce, Volume 3, Number 6, page 47 The Watson Feeling, by Steve Kilby, Volume 6, Number 4, page 16 Doc Watson Tribute (Cover Story), by Dan Miller, Volume 16, Number 6, page 6 Jack Lawrence, On The Road with Doc, by Dan Miller, Volume 16, Number 6, page 41 Blind But Now I See: The Doc Watson Biography, by Dan Miller, Volume 16, Number 6, page 65 The Passing of Doc, by Dan Crary, Volume 16, Number 6, page 72 Billy In the Lowground, arranged by Tim May, Volume 16, Number 6, page 15 Lonesome Road Blues, arranged by Doc Watson, transcribed by Dan Miller, Volume 16, Number 6, page 18 Way Downtown Fill Licks, arranged by Joe Carr, Volume 16, Number 6, page 24 Jail House Blues, arranged by Doc Watson, Volume 16, Number 6, page 27 Ragtime Annie, arranged by Doc Watson, Volume 16, Number 6, page 29 Whistlin Rufus, arranged by Doc Watson, transcribed by John Carlini, Volume 16, Number 6, page 32 Beaumont Rag, arranged by Brad Davis, Volume 16, Number 6, page 36

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All Back Issues are Available for Download at www.flatpickdigital.com

Black Mountain Rag, arranged by Jeff Troxel, Volume 16, Number 6, page 38 Blackberry Rag, arranged by Kathy Barwick, Volume 16, Number 6, page 46 Billy In The Lowground, arranged by Orrin Star, Volume 16, Number 6, page 51 Little Sadie, arranged by Dix Bruce, Volume 16, Number 6, page 55 Black Mountain Rag, arranged by Steve Pottier, Volume 16, Number 6, page 68

Tony Rice Style: Nobody Loves Me, arranged by Tony Rice, transcribed by Joe Carr, Volume 1, Number 4, page 16 St. James Hospital, arranged by Tony Rice, Volume 3, Number 1, page 15 Little Beggarman, arranged by Tony Rice, Volume 3, Number 1, page 14 Tony Rice and the Consequences of Greatness, by Orrin Star, Volume 2, Number 2, page 38 Tony Rice, by Chris Jones, Volume 3, Number 1, page 39 The Rice Style, by Mike Maddux, Volume 3, Number 1, page 53 Homage to TR, by John Carlini, Volume 5, Number 2, page 37 The Riceolian Mode, by John Carlini, Volume 5, Number 4, page 34 Muleskinner Blues, arranged by Tony Rice, transcribed by John Carlini, Volume 9, Number 1, page 28 Sladess Guitar, by Peter Rowan, guitar solos arranged by Rowan and Rice, Volume 9, Number 2, page 12

Clarence White Style: Clarence White Style #1, by Steve Pottier, Volume 1, Number 1, page 48 Clarence White Style #2 (Crawdad Song), by Steve Pottier, Volume 1, Number 2, page 48 Clarence White Style #3: The Rest Stroke (Carters Blues), by Steve Pottier, Volume 1, Number 3, page 50 Clarence White Style #4 (Wildwood Flower), by Steve Pottier, Volume 1, Number 4, page 54 Clarence White Style #5 (Fire On The Mountain), by Steve Pottier, Volume 1, Number 5, page 54 Clarence White Style #6 (Flop-Eared Mule), by Steve Pottier, Volume 1, Number 6, page 53 Clarence White Style #7, by Steve Pottier, Volume 2, Number 1, page 53 Clarence White Style Rhythm Guitar, by Joe Carr, Volume 2, Number 5, page 16 Huckleberry Hornpipe, arranged by Clarence White, Volume 2, Number 5, page 29 Ron Block on Clarence White, by Chris Jones, Volume 2, Number 5, page 32 A Fool Such As I, arranged by Clarence White, Volume 2, Number 5, page 44 Clarence Revisited (Fly Around Pretty Little Miss), by Steve Pottier, Volume 2, Number 5, page 56 Confessions of a Clarence Collector, by Joel Stein, Volume 2, Number 5, page 58 John Delgatto, Sierra Records and Legacy of Clarence White, Volume 4, Number 2, page 57 Shuckin The Corn, arranged by Clarence White, Volume 4, Number 2, page 65 Yellow Rose of Texas, arranged by Clarence White, Volume 4, Number 3, page 61 Clarence Classics (Eight More Miles), arranged by Clarence White, Volume 5, Number 5, page 64 Clarence Classics (New River Train), arranged by Clarence White, Volume 5, Number 6, page 66 Clarence Classics, (I Might Take You Back), arranged by Clarence White, Volume 6, Number 2, page 65 Clarence Classics (Farewell Blues), arranged by Clarence White, Volume 6, Number 3, page 61 In The Pines, arranged by Clarence White, transcribed by Steve Pottier, Volume 7, Number 1, page 66

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All Back Issues are Available for Download at www.flatpickdigital.com

A Tribute to Clarence White, by Beppe Gambetta, Volume 7, Number 5, page 75 Chug-A-Lug, arranged by Clarence White, transcribed by Steve Pottier, Volume 7, Number 6, page 66 Crazy Creek, arranged by Clarence White, transcribed by Steve Pottier, Volume 9, Number 3, page 64 Sally Goodin, arranged by Clarence White, transcribed by John Carlini, Volume 11, Number 6, page 26 Clarence White and the Roots of Bluegrass Guitar in Southern California, by Wayne Erbsen, Volume 17, Number 5, page 66

Norman Blake Style: Arkansas Traveler, arranged by Norman Blake, Volume 1, Number 5, page 9 Bonapartes Retreat, arranged by Craig Vance, Volume 4, Number 5, page 11 Cricket on the Hearth, arranged by Craig Vance, Volume 9, Number 2, page 15 Done Gone, arranged by Craig Vance, Volume 8, Number 6, page 13 Elzics Farewell, arranged by Craig Vance, Volume 6, Number 1, page 12 Forked Deer, arranged by Craig Vance, Volume 4, Number 1, page 19 Marquis of Huntley, arranged by Craig Vance, Volume 6, Number 4, page 11 Millers Reel, arranged by Craig Vance, Volume 4, Number 6, page 12 Molly Bloom, arranged by Craig Vance, Volume 9, Number 4, page 12 Old Brown Case, part 1, arranged by Craig Vance, Volume 11, Number 2, page 11 Old Brown Case, part 2, arranged by Craig Vance, Volume 11, Number 3, page 11 Picking Flat 2, arranged by Norman Blake, Volume 1, Number 5, page 10 White Oak Swamp, arranged by Craig Vance, Volume 4, Number 4, page 12

Solo Flatpicking (Dan Crary Style): The Loneliness of the Solo Flatpicker, by Dan Crary, Volume 6, Number 5, page 38 Between the Lines in G, by Dan Crary, Volume 6, Number 6, page 41 The Fundamentals of Chord Change Runs, by Dan Crary, Volume 7, Number 1, page 40 Explorations in E, by Dan Crary, Volume 7, Number 2, page 38 Explorations in A, by Dan Crary, Volume 7, Number 3, page 39 Crosspicking, by Dan Crary, Volume 7, Number 4, page 40 Crosspicking, Part II, by Dan Crary, Volume 7, Number 5, page 36 Things to Do in D, by Dan Crary, Volume 7, Number 6, page 37 The Quiet Beauty of the Church Lick, by Dan Crary, Volume 8, Number 1, page 32 From Struggler to Player, by Dan Crary, Volume 8, Number 3, page 57 When You Get There, There is There There, by Dan Crary, Volume 8, Number 5, page 38 Fatten Up A Melody Line, by Dan Crary, Volume 8, Number 6, page 64 Fatten Up A Melody Line II, by Dan Crary, Volume 9, Number 1, page 65 The Third Presidential Debate Should Have Been a Jam Session, by Dan Crary, Volume 9, Number 2, page 65 Polish It, Make It Shine, by Dan Crary, Volume 9, Number 3, page 71 Paints a Picture, Dont It, by Dan Crary, Volume 9, Number 4, page 66

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All Back Issues are Available for Download at www.flatpickdigital.com

X-treme Git-Tar Thrashing (and its cure), by Dan Crary, Volume 9, Number 5, page 63 Tunes and Variations, by Dan Crary, Volume 9, Number 6, page 68 Cowboys and Waltzes, by Dan Crary, Volume 10, Number 2, page 76 Accompaniment Bits & Pieces, by Dan Crary, Volume 10, Number 3, page 69 The Old Plectrosaurus, by Dan Crary, Volume 15, Number 2, page 21 A Lesson from Jacquelin du Pre, Flatt & Scruggs, and Don Sullivan, by Dan Crary, Volume 15, Number 4, page 50 Across the Tracks in E, by Dan Crary, Volume 15, Number 6, page 58 Beginning the Guitar, by Dan Crary, Volume 16, Number 1, page 67 Not Just Anothern, by Dan Crary, Volume 16, Number 2, page 57 Things I (Accidentally) Did Right, by Dan Crary, Volume 16, Number 3, page 53 Tone, by Dan Crary, Volume 16, Number 4, page 56 The Passing of Doc, by Dan Crary, Volume 16, Number 6, page 72 The Other Stuff 1 20-20 Hands, by