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Page 1: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

for what

it’s worth

OR

Page 2: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

How I learned to stop worrying

and love the paragraph

Jeff Waid

Page 3: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Stolen From

With Special Thanks to

Nick Deligencia

Keri Lew

Richard Cunningham

Jane Schaffer

and

Page 4: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

RichardRichard

gave me my first copy of the graphic organizer.

NickNick and KeriKeri

helped me figure out what goes in it.

Jane Schaffer, well…

Page 5: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Jane Schaffer is an educator who provides curriculum guides and workshops for instructors in the subject of English composition that are used by a number of U.S. secondary schools. In its initial stages, the format of writing is rigid, and has created controversy. It is seen by some as helping those students who simply do not know how to organize an essay; it is seen by others as contrived and limiting the creativity of students who may be able to veer from the formula. Regardless, the Schaffer essay is a popular means of educating late middle school and early high school students in basic components of literary proficiency.

From Wikipedia

Jane Schaffer Scores High On the Webby Alexandra PallasJane Schaffer came to RosArt Multimedia with a personal project, the seedling of a business in need of direction, a promotional strategy, and an online presence. RosArt developed a system of Internet promotions, marketing materials, and database-integrated, optimized web sites to help turn Schaffer's project into a full-blown business with employees, offices, and two separate divisions.

Schaffer teaches teachers how to teach, and she is more than qualified to do so. She not only won the San Diego County Teacher of the Year Award in 1982, but also the California League of High Schools Teacher of the Year Award in 1996. When she began teaching high school English Literature and Composition over thirty years ago, she observed a lack of college preparation in the public school system curriculum, particularly in essay writing. She also felt stymied by the insufficient lesson plan guidance given to teachers in their professional training. In order to help herself and others teach effectively, she developed a series of literature teaching guides which she then began to sell out of her home.

Local interest and demand increased for Schaffer's teaching guides, and she knew she needed a sales and marketing strategy in her venture. RosArt worked with Schaffer over time to shift her focus from executing "basement assembly stapling sessions" to utilizing an affordable, high-traffic e-commerce business website to sell her products.

As Schaffer's expertise, reputation, and web presence grew, she went on to build and scribe a system known as The Jane Schaffer Writing Program. She also began guest-teaching classroom demonstrations of the skills explained in her new workshops. It was clear to the RosArt team that with an appropriate expanded promotional strategy, Schaffer's business would reach the national level. By implementing advanced marketing materials, a direct mail campaign, and a second website to promote her workshops and methodology, this vision steadily grew to become a reality. What was once a personal project was beginning to turn into a well-known educational philosophy and practice.

Schaffer's www.curriculumguides.com site averaged almost 19,000 sessions per month in 2002. Her new site, www.janeschaffer.com, has responded well to promotional efforts, drawing traffic from a network of teacher-specific resources. The amount of visits multiplied six-fold during a three month period, without taking away traffic from her original site. RosArt also currently provides Schaffer with Shopping Cart and Pay-Per-Click Systems to advance online sales of her guides and workshops. Additional branding of her products and services takes the form of an electronic newsletter.

Due to the rapid growth of her business, Schaffer has taken an early retirement from teaching. She continues to provide teachers with a series of curriculum guides for composition and literature, as well as offering customized staff development for schools and districts. Additionally, Schaffer holds coast-to-coast workshops to teach educators the full scope of her philosophy and practice. The documented success of her programs has brought references from all over the country, and entire school districts have adopted her system. As Schaffer's business expands, RosArt constantly develops new strategies to promote her services, products, and reputable educational methods.

What is the bottom line of the successful relationship between Jane Schaffer and RosArt Multimedia? Trust. In her own words, "Did you see.my site.last month?! I am a happy camper. And I don't do mailings any more -- my office manager does. Thanks to you for nagging me to do it." From Roseart Multimedia

Jane Schaffer is

Page 6: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Jane Schaffer is an educator who provides curriculum guides and workshops for instructors in the subject of English composition that are used by a number of U.S. secondary schools. In its initial stages, the format of writing is rigid, and has created controversy. It is seen by some as helping those students who simply do not know how to organize an essay; it is seen by others as contrived and limiting the creativity of students who may be able to veer from the formula. Regardless, the Schaffer essay is a popular means of educating late middle school and early high school students in basic components of literary proficiency.From Wikipedia

Jane Schaffer Scores High On the Webby Alexandra PallasJane Schaffer came to RosArt Multimedia with a personal project, the seedling of a business in need of direction, a promotional strategy, and an online presence. RosArt developed a system of Internet promotions, marketing materials, and database-integrated, optimized web sites to help turn Schaffer's project into a full-blown business with employees, offices, and two separate divisions.

Schaffer teaches teachers how to teach, and she is more than qualified to do so. She not only won the San Diego County Teacher of the Year Award in 1982, but also the California League of High Schools Teacher of the Year Award in 1996. When she began teaching high school English Literature and Composition over thirty years ago, she observed a lack of college preparation in the public school system curriculum, particularly in essay writing. She also felt stymied by the insufficient lesson plan guidance given to teachers in their professional training. In order to help herself and others teach effectively, she developed a series of literature teaching guides which she then began to sell out of her home.

Local interest and demand increased for Schaffer's teaching guides, and she knew she needed a sales and marketing strategy in her venture. RosArt worked with Schaffer over time to shift her focus from executing "basement assembly stapling sessions" to utilizing an affordable, high-traffic e-commerce business website to sell her products.

As Schaffer's expertise, reputation, and web presence grew, she went on to build and scribe a system known as The Jane Schaffer Writing Program. She also began guest-teaching classroom demonstrations of the skills explained in her new workshops. It was clear to the RosArt team that with an appropriate expanded promotional strategy, Schaffer's business would reach the national level. By implementing advanced marketing materials, a direct mail campaign, and a second website to promote her workshops and methodology, this vision steadily grew to become a reality. What was once a personal project was beginning to turn into a well-known educational philosophy and practice.

Schaffer's www.curriculumguides.com site averaged almost 19,000 sessions per month in 2002. Her new site, www.janeschaffer.com, has responded well to promotional efforts, drawing traffic from a network of teacher-specific resources. The amount of visits multiplied six-fold during a three month period, without taking away traffic from her original site. RosArt also currently provides Schaffer with Shopping Cart and Pay-Per-Click Systems to advance online sales of her guides and workshops. Additional branding of her products and services takes the form of an electronic newsletter.

Due to the rapid growth of her business, Schaffer has taken an early retirement from teaching. She continues to provide teachers with a series of curriculum guides for composition and literature, as well as offering customized staff development for schools and districts. Additionally, Schaffer holds coast-to-coast workshops to teach educators the full scope of her philosophy and practice. The documented success of her programs has brought references from all over the country, and entire school districts have adopted her system. As Schaffer's business expands, RosArt constantly develops new strategies to promote her services, products, and reputable educational methods.

What is the bottom line of the successful relationship between Jane Schaffer and RosArt Multimedia? Trust. In her own words, "Did you see.my site.last month?! I am a happy camper. And I don't do mailings any more -- my office manager does. Thanks to you for nagging me to do it." From Roseart Multimedia

Jane Schaffer is

Page 7: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Jane Schaffer is an educator who provides curriculum guides and workshops for instructors in the subject of English composition that are used by a number of U.S. secondary schools. In its initial stages, the format of writing is rigid, and has created controversy. It is seen by some as helping those students who simply do not know how to organize an essay; it is seen by others as contrived and limiting the creativity of students who may be able to veer from the formula. Regardless, the Schaffer essay is a popular means of educating late middle school and early high school students in basic components of literary proficiency.

From Wikipedia

Jane Schaffer Scores High On the Webby Alexandra PallasJane Schaffer came to RosArt Multimedia with a personal project, the seedling of a business in need of direction, a promotional strategy, and an online presence. RosArt developed a system of Internet promotions, marketing materials, and database-integrated, optimized web sites to help turn Schaffer's project into a full-blown business with employees, offices, and two separate divisions.

Schaffer teaches teachers how to teach, and she is more than qualified to do so. She not only won the San Diego County Teacher of the Year Award in 1982, but also the California League of High Schools Teacher of the Year Award in 1996. When she began teaching high school English Literature and Composition over thirty years ago, she observed a lack of college preparation in the public school system curriculum, particularly in essay writing. She also felt stymied by the insufficient lesson plan guidance given to teachers in their professional training. In order to help herself and others teach effectively, she developed a series of literature teaching guides which she then began to sell out of her home.

Local interest and demand increased for Schaffer's teaching guides, and she knew she needed a sales and marketing strategy in her venture. RosArt worked with Schaffer over time to shift her focus from executing "basement assembly stapling sessions" to utilizing an affordable, high-traffic e-commerce business website to sell her products.

As Schaffer's expertise, reputation, and web presence grew, she went on to build and scribe a system known as The Jane Schaffer Writing Program. She also began guest-teaching classroom demonstrations of the skills explained in her new workshops. It was clear to the RosArt team that with an appropriate expanded promotional strategy, Schaffer's business would reach the national level. By implementing advanced marketing materials, a direct mail campaign, and a second website to promote her workshops and methodology, this vision steadily grew to become a reality. What was once a personal project was beginning to turn into a well-known educational philosophy and practice.

Schaffer's www.curriculumguides.com site averaged almost 19,000 sessions per month in 2002. Her new site, www.janeschaffer.com, has responded well to promotional efforts, drawing traffic from a network of teacher-specific resources. The amount of visits multiplied six-fold during a three month period, without taking away traffic from her original site. RosArt also currently provides Schaffer with Shopping Cart and Pay-Per-Click Systems to advance online sales of her guides and workshops. Additional branding of her products and services takes the form of an electronic newsletter.

Due to the rapid growth of her business, Schaffer has taken an early retirement from teaching. She continues to provide teachers with a series of curriculum guides for composition and literature, as well as offering customized staff development for schools and districts. Additionally, Schaffer holds coast-to-coast workshops to teach educators the full scope of her philosophy and practice. The documented success of her programs has brought references from all over the country, and entire school districts have adopted her system. As Schaffer's business expands, RosArt constantly develops new strategies to promote her services, products, and reputable educational methods.

What is the bottom line of the successful relationship between Jane Schaffer and RosArt Multimedia? Trust. In her own words, "Did you see.my site.last month?! I am a happy camper. And I don't do mailings any more -- my office manager does. Thanks to you for nagging me to do it." From Roseart Multimedia

Jane Schaffer is

But this presentation is not about her.

Page 8: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Again, it’s about one way of approaching

one kind of writing.

expository

persuasive

exposisuasive?

perspository?

DOES IT MATTER?

I wondered myself, so I looked it up.

Page 9: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Persuasive writing is used to convince the reader of the writer’s argument. This may involve persuading the reader to perform an action, or simply consist of an argument convincing the reader of the writer’s point of view. Persuasive writers employ many techniques to improve their argument and show support for their claim.

Expository writing is a mode of writing in which the purpose of the author is to inform, explain, describe, or define his or her subject to the reader. Expository text is meant to ‘expose’ information and is the most frequently used type of writing by students in colleges and universities. A well-written exposition remains focused on its topic and provides facts in order to inform its reader. It should be unbiased, accurate, and use a scholarly third person tone. The text needs to encompass all aspects of the subject. Examples of expository writing can be found in magazine and newspaper articles, non-fiction books, travel brochures, business reports, memorandums, professional journal and encyclopedia articles and many other types of informative writing. One of the most familiar and basic forms of expository writing is the five-paragraph essay, which features an introduction with a clear thesis statement, three main body paragraphs and a conclusion.

Traditional Structure in Persuasive Writing

Here is a list of the traditional parts that can be used to strengthen an argument presented in persuasive writing. While these do not have to be followed exactly or in this order, they are helpful in forming the structure in persuasive writing.

Exordium, or introduction

Narratio, or background statement of the facts

Partitio, or forecast of the topics to be presented

Conformatio, or the confirmation of the piece. In contemporary English classes, this would be called the body of the text.

Refutatio, or discussion of alternatives

Peroration, or a conclusion. It’s often helpful to tie the conclusion back to the introduction in order to strengthen your claim.

THANKS WIKIPEDIA

Page 10: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

I guess you could call it

experposisuasivatoryexperposisuasivatory

Pardonnez-moi,

Monsieur de Montaigne!

or just “essays”

Seems to me a distinction without much of a difference.

After all, we’re talking about organizing evidence in support of a position.

Page 11: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

IT IS NOT

ABOUT

THE

GRAPHIC ORGANIZER

Definitel

y

Okay, it is.

SCHOOL WRITING.I’m just going to call it

BUT WHATEVER THIS IS ABOUT,

But please don’t tell anybody.

Page 12: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Con

Page 13: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

But first...

A language for writing

THESIS fact + opinion

CLAIM

assertion

position

CONCRETE DETAIL a fact or quotation that supports the THESIS

COMMENTARY explanation

How does the CONCRETE DETAIL support the THESIS?

CONCLUSION It… well… concludes.

Page 14: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Hey! I thought of a quotation!

“An awful lot of people mistake their opinions for facts.”

I said that.

“How many legs does a dog have if you count his tail as a leg?”

“Four. You can call a tail a leg if you want to, but that doesn’t make it a leg.”

Abraham Lincoln said that.

Page 15: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THE PIZZA STORY

In approaching school writing this way, one of the most crucial steps is practice in distinguishing fact from opinion or inference.

I learned this one day as my students returned from lunch. I asked them what the cafeteria had served, and they told me “pizza!” I saw my opportunity.

“And how was it?”“Good!”

“Why?” I asked, hoping to build a simple defense of their “thesis.”

“’Cause we like it.”“Why?” I continued, undaunted.“’Cause it’s good!”“Why?”‘’Cause it’s our favorite.”“WHY?”“’Cause we LIK E IT.”“WHY?”“’CAUSE IT’S GOOD!”

Page 16: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

We usually start with a question.

How was your lunch?(the pizza story)

Who is the greatest basketball player of all time?

Is this a good school?

I could see we needed some practice.

FACT vs. OPINION

Then we move on to some kind of prewrite.

If you could have any job in the world, what would it be?

Page 17: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

We try to find facts to support opinions.

Page 18: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid
Page 19: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid
Page 20: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

and then...

Page 21: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

THISTHIS

But first...

Page 22: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Con

When Richard gave me my first graphic organizer, this is what it looked like.

Page 23: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Con

___________________________________________________________________________________________

__________________________________________________________________________________________

________________________________________________________________________________________________________________________

_____________________________________________________________________________________________

_____________________________________________________________________________________________

_____________________________________________________________________________________________

_____________________________________________________________________________________________

_____________________________________________________________________________________________

____________________________________________________________________________________________________________________________

Of course, I had to try and make it better.

Page 24: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Con

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________

Conclusion:______________________________________________________________________________________________________________________________________________________________________________________________________________________

First, First of all, At the top, To begin, For example, For instance...

Second, Second of all, In addition, On the other hand, Furthermore, Moreover, Also, Similarly, Conversely, Nevertheless, Next, Equally important...

Fin ally, Most important, Above all, Third, Yet, Still, Last...

So, For these reasons, Thus, In conclusion, Therefore, Hence, Consequently, In short, In any event, To sum up...

And better, until it was unusable.

Thesis:______________________________________________________________________________________________________________________________________________________________________________________________________________________

Page 25: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

So this is where I’ve settled, and it seems to work pretty well. The whole thing goes something like this...

Page 26: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

What is the best job in the world?

We start with a question.

And then...

Page 27: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

facts about being president Good Stuff Bad Stuff

Who I’d be

because

becausebecause

because

Who I’d be

a little prewrite...

And

then

Page 28: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

The president lives in the White House.

The best job in the world would be president of the United States.

The White House would be perfect for giving big parties for all my friends.

The president has Air Force One at her/his disposal.

Airfare can be really expensive, but having my own plane would make it free for me.

I could travel all over the world and see lots of different countries.

The president has the Secret Service to protect her/him.

It would be great having someone watching out for me all the time.

I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff.

In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms.

(( What is the best job in the world? ))

Page 29: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Con

1

2 3

4

56

7

89

10

11

Page 30: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. The president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. The president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. The president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

Page 31: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

From here to there

Transitions

Page 32: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. The president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. The president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. The president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

Page 33: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. _____________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ___________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

Furthermore

Page 34: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. ___________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ___________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

Moreover

Page 35: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. ____________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ______________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

In addition

Page 36: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. ___________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ______________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

Second

Page 37: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. _____________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. Everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ______________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

Furthermore

Finally

Page 38: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. _______________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. _______________ everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ______________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. _______________ I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. _______________ , I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

Furthermore

Finally

Page 39: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. _______________, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. _______________ everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. ______________, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. _______________ I could travel all over the world and see lots of different countries. _______________, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. _____________________ I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

First of all

That way

Furthermore

In Air Force One

Finally

With that kind of protection

Page 40: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

The best job in the world would be president of the United States. First of all, the president lives in the White House. The White House would be perfect for giving big parties for all my friends. That way, everyone I know could come over and have a great time, and they could even spend the night because there are so many bedrooms. Furthermore, the president has Air Force One at her/his disposal. Airfare can be really expensive, but having my own plane would make it free for me. In Air Force One I could travel all over the world and see lots of different countries. Finally, the president has the Secret Service to protect her/him. It would be great having someone watching out for me all the time. With that kind of protection I could go wherever I wanted, whenever I wanted, and nobody would be able to hassle me or jack my stuff. In conclusion, it would be cool to be the president, but after awhile they might actually ask me to do something, and that could get to be too much work.

Page 41: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Thesis:

ConConcrete Detail #1 Commentary

Commentary

Concrete Detail #2

Concrete Detail #3 Commentary

Commentary

Conclusion:

Commentary

Commentary

Hercules may have been the greatest hero of ancient Greece, but he wasn’t perfect. He was often carried away by his emotions, and the consequences could be devastating.

Once, when forced to take music lessons from a teacher he didn’t like, Hercules murdered the teacher with the very lute on which he had been practicing.

Hercules didn’t mean to kill the man.

He acted on impulse and was sorry afterward.

Later, while accompanying Jason on his quest for the Golden Fleece, Hercules deserted his comrades before they had even reached their destination.

He was overcome with grief at the death of his young armor-bearer Hylas, and simply wandered away one day

Hercules’ emotions took over, and he seemed to forget everything and everybody.

Hercules’ brutal murder of his own children is the most horrible example of the way he would act when he was carried away.

Although the Greeks tried to blame Hera, Hercules’ stepmother, for driving Hercules “mad,” this act of careless murder is perfectly consistent with the behavior of Hercules throughout his life.

This greatest of all Greek heroes experienced many moments of “madness,” and during those moments the heroic ideas of right, wrong, loyalty, and duty seemed to have no meaning for him.

Hercules was certainly the strongest man in the world and slew many monsters, but often his emotions were even stronger than he was.

Page 42: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Hercules may have been the greatest hero of ancient Greece, but he wasn’t perfect. He was often carried away by his emotions, and the consequences could be devastating. Once, when forced to take music lessons from a teacher he didn’t like, Hercules murdered the teacher with very the lute on which he had been practicing. He didn’t mean to kill the man. He acted on impulse and was sorry afterward. Later, while accompanying Jason on his quest for the Golden Fleece, Hercules deserted his comrades before they had even reached their destination. He was overcome with grief at the death of his young armor-bearer, Hylas, and simply wandered away one day. Hercules’ emotions took over, and he seemed to forget everything and everybody. Hercules’ brutal murder of his own children is the most horrible example of the way he would act when he was carried away. Although the Greeks tried to blame Hera, Hercules’ stepmother, for driving Hercules “mad,” this act of careless murder is perfectly consistent with the behavior of Hercules throughout his life. This greatest of all Greek heroes experienced many moments of “madness,” and during those moments the heroic ideas of right, wrong, loyalty, and duty seemed to have no meaning for him. Hercules was certainly the strongest man in the world and slew many monsters, but often his emotions were even stronger than he was.

Page 43: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

PREWRITE

DRAFT

CONFERENCE

REVISE

CONFERENCE

FINAL

The rest is simple writing process:

The Graphic Organizer

can come in handy here.

And sometimes

here

Or even here

Rubric-a-brac

Peer conferencing

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PEER CONFERENCE PARAGRAPH Number One

TITLE _________________________________ CONFERENCER __________________________

AUTHOR _________________________________ DATE __________________________

1. Does the piece have a strong and relevant THESIS?

2. What is it?

3. Does the paragraph have three CONCRETE DETAILS (facts or quotes)?

4. List them.

A.

B.

C.

5. How well would you say the CONCRETE DETAILS support the THESIS?a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

6. Does the paragraph have two sentences of COMMENTARY for each of its CONCRETE DETAILS?

7. How well would you say the COMMENTARY explains each CONCRETE DETAIL?

A. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

B. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

C. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

8. Does the paragraph have an interesting and appropriate CONCLUSION?

9. What is the best thing about the paragraph?

10. What is the thing about the paragraph that needs the most work?

11. What else can you say about the paragraph that might help the author improve it?

Page 45: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

PEER CONFERENCE PARAGRAPH Number Two

TITLE _________________________________ CONFERENCER __________________________

AUTHOR _________________________________ DATE __________________________

1. Does the piece have a strong and relevant THESIS?

2. What is it?

3. Does the paragraph have three CONCRETE DETAILS (facts or quotes)?

4. List them.A.

B.

C.

5. How well would you say the CONCRETE DETAILS support the THESIS?a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

6. Does the paragraph have two sentences of COMMENTARY for each of its CONCRETE DETAILS?

7. How well would you say the COMMENTARY explains each CONCRETE DETAIL?

A. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

B. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

C. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

8. Does the paragraph have an interesting and appropriate CONCLUSION?

9. Does the paragraph utilize appropriate transitions?

10. Does the paragraph have perfect mechanics (spelling, punctuation, etc.)? If not, what changes are needed?

11. What is the best thing about the paragraph?

12. What is the thing about the paragraph that needs the most work?

13. What else can you say about the paragraph that might help the author improve it?

Page 46: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

As I said, we usually start with a question:

If you could have any job, what would it be?

What was Hercules like?

Is this a decent room for what we’re doing?

Our answer to the question is our THESIS.

So, is NOW Academy a good school?

Page 47: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Facts about this school

Good Stuff Bad Stuff

Is NOW Academy a good school?

Page 48: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Thesis:

ConConcrete Detail #1 Commentary

. Commentary

Concrete Detail #2

Concrete Detail #3 Commentary

Commentary

Conclusion:

Commentary

Commentary

YOUR ANSWER HERE

CHOOSE ONE OF YOUR FACTS

Explain HOW this fact supports your position.

Extend/deepen your explanation.

Page 49: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

RESPONSES

TO

LITERATURE

Yes, it works.

Page 50: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

I often use

BLACK BOYby

Richard Wright

for example

Particularly the section I call

“KUNGRY”

This approach can work for several different kinds of questions...

Page 51: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

(( Does the mother do the right thing? ))

Page 52: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

(( How does the character of “Richard” change over the course of the selection? ))

Page 53: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

((How does Wright induce his readers to identify with his main character? In what ways does encourage distance?))

Page 54: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

Un paragraphe?

Zis is hardly sufficient!

Page 55: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

From Here to Eternity

Page 56: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

SUPER OUTLINE

THESIS:

FIRST REASON CONCRETE DETAIL #1 supporting first reason

CONCRETE DETAIL #2 supporting first reason

SECOND REASON CONCRETE DETAIL #1 supporting second reason

CONCRETE DETAIL #2 supporting second reason

THIRD REASON CONCRETE DETAIL #1 supporting third reason

CONCRETE DETAIL #2 supporting third reason

CONCLUSION:

CO

NC

RETE D

ETAI #3 for first reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

first

reas

onC

ON

CR

ET

E D

ET

AIL

#3

supp

ortin

g se

cond

reas

onC

ON

CR

ET

E D

ET

AIL

#3

supp

ortin

g th

ird

reas

on

Page 57: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

INTRODUCTION 5 – 7 sentences

Begin with a GRABBER that gets the attention of your readers. ______________________________________________________________________________ __________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________Work GRADUALLY toward a more specific statement of your topic. ______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Finish with your THESIS. _____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________.

Indent!

Page 58: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

CONCLUSION 5 – 7 sentences

Work from the SPECIFIC to the GENERAL.

_______________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Don’t say the SAME OLD THING. No clichés.__________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Don’t introduce new ideas, but leave your readers with a NEW UNDERSTANDING._____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________.

Page 59: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

THIRD REASON CONCRETE DETAIL #1 supporting third reason

CONCRETE DETAIL #2 supporting third reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

thir

d re

ason

Second “Chunk”

SECOND REASON CONCRETE DETAIL #1 supporting second reason

CONCRETE DETAIL #2 supporting second reason

CO

NC

RE

TE

DE

TA

I #3

for first reaso

n

CO

NC

RE

TE

DE

TA

IL #

3

sup

po

rtin

g se

con

d rea

son

FIRST REASON CONCRETE DETAIL #1 supporting first reason

CONCRETE DETAIL #2 supporting first reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

firs

t re

ason

Page 60: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

FIRST REASON CONCRETE DETAIL #1 supporting first reason

CONCRETE DETAIL #2 supporting first reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

firs

t re

ason

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

This first reason from the Super Outline

Goes here, at the thesis/topic sentence for the first body paragraph.

This concrete detail

Goes

Here

This one

Here

And this one

Goes

Here

Page 61: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

IN

OTHER

WORDS

Page 62: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

FIRST REASON CONCRETE DETAIL #1 supporting first reason

CONCRETE DETAIL #2 supporting first reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

firs

t re

ason

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

AB

C

D

Page 63: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

FIRST REASON CONCRETE DETAIL #1 supporting first reason

CONCRETE DETAIL #2 supporting first reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

firs

t re

ason

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

B

C

D

A

Page 64: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

SUPER OUTLINE

THESIS:

FIRST REASON CONCRETE DETAIL #1 supporting first reason

CONCRETE DETAIL #2 supporting first reason

SECOND REASON CONCRETE DETAIL #1 supporting second reason

CONCRETE DETAIL #2 supporting second reason

THIRD REASON CONCRETE DETAIL #1 supporting third reason

CONCRETE DETAIL #2 supporting third reason

CONCLUSION:

CO

NC

RE

TE

DE

TA

I #3 for first reason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

firs

t re

ason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

seco

nd re

ason

CO

NC

RE

TE

DE

TA

IL #

3 su

ppor

ting

thir

d re

ason

A

BC

D

E

F

G

H

I

J

K

L

M

N

Page 65: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

INTRODUCTION 5 – 7 sentences Begin with a GRABBER that gets the attention of your readers. _____________________________________________________________________________________________________________________________________________________________________________________________ __________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ______________________________________________________________________________Work GRADUALLY toward a more specific statement of your topic. ________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Finish with your THESIS. _____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________.

Indent!

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

THESIS:

First Concrete Detail Commentary for CD #1

Commentary for CD #1

Second Concrete Detail Commentary for CD #2

Commentary for CD #2

Third Concrete Detail Commentary for CD #3

Commentary for CD #3

CONCLUSION:

CONCLUSION Work from the SPECIFIC to the GENERAL. 5 – 7 sentences

____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Don’t say the SAME OLD THING. No clichés. ____________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________Don’t introduce new ideas, but leave your readers with a NEW UNDERSTANDING._________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________________ ________________________________________________________________________________________________________________________________________.

A

B

C

D

E

F

G

H

I

J

K

L

M

NNNNNNNNNNN

Page 66: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

PEER CONFERENCE ESSAY Number One

TITLE _________________________________ CONFERENCER __________________________

AUTHOR _________________________________ DATE __________________________

1. Does the piece have a strong and relevant THESIS?

2. What is it?

3. Does the essay have five paragraphs? Are there three body paragraphs?

4. Does each body paragraph have a good THESIS and a good CONCLUSION?

5. List them.

A. First Body ParagraphThesis:Conclusion:

B. Second Body ParagraphThesis:Conclusion:

C. Third Body ParagraphThesis:Conclusion:

6. Does each body paragraph have three CONCRETE DETAILS (facts or quotes)?

7. List them.

A. First Body Paragraph1.2.3.

B. Second Body Paragraph1.2.3.

C. Third Body Paragraph1.2.3.

8. How well would you say the CONCRETE DETAILS support the THESIS?A. First Body Paragraph

a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALLB. Second Body Paragraph

a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALLC. Third Body Paragraph

a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

Page 67: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

9. Does the paragraph have two sentences of COMMENTARY for each of its CONCRETE DETAILS?

10. How well would you say the COMMENTARY explains and supports each CONCRETE DETAIL?

BODY PARAGRAPH NUMBER ONE

A. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

B. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

C. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

BODY PARAGRAPH NUMBER TWO

D. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

E. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

F. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

BODY PARAGRAPH NUMBER THREE

G. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

H. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

I. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

11. Does the essay have an interesting and appropriate CONCLUSION?

12. What is the best thing about the essay?

13. What is the thing about the essay that needs the most work?

14. What else can you say about the essay that might help the author improve it?

Page 68: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

PEER CONFERENCE ESSAY Number Two

TITLE _________________________________ CONFERENCER ________________________________

AUTHOR _________________________________ DATE _____________________________________

1. Does the piece have a strong and relevant THESIS?

2. What is it?

3. Does the essay have five paragraphs? Are there three body paragraphs?

4. Does each body paragraph have a good THESIS and a good CONCLUSION?

5. List them.

A. First Body ParagraphThesis:Conclusion:

B. Second Body ParagraphThesis:Conclusion:

C. Third Body ParagraphThesis:Conclusion:

6. Does each body paragraph have three CONCRETE DETAILS (facts or quotes)?

7. List them.

A. First Body Paragraph1.2.3.

B. Second Body Paragraph1.2.3.

C. Third Body Paragraph1.2.3.

8. How well would you say the CONCRETE DETAILS support the THESIS?A. First Body Paragraph

a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALLB. Second Body Paragraph

a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALLC. First Body Paragraph

a. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

Page 69: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

9. Does the paragraph have two sentences of COMMENTARY for each of its CONCRETE DETAILS?

10. How well would you say the COMMENTARY explains and supports each CONCRETE DETAIL?

BODY PARAGRAPH NUMBER ONE

A. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

B. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

C. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

BODY PARAGRAPH NUMBER TWO

D. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

E. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

F. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

BODY PARAGRAPH NUMBER THREE

G. CONCRETE DETAIL Number One – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

H. CONCRETE DETAIL Number Two – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

I. CONCRETE DETAIL Number Three – COMMENTARY explains ita. VERY WELL b. PRETTY WELL c. NOT WELL d. NOT AT ALL

11. Does the essay have an interesting and appropriate CONCLUSION?

12. Does the paragraph utilize appropriate transitions?

13. Does the paragraph have perfect mechanics (spelling, punctuation, etc.)? If not, what changes are needed?

14. What is the best thing about the essay?

15. What is the thing about the essay that needs the most work?

16. What else can you say about the essay that might help the author improve it?

Page 70: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

RESPONSES

TO

SCHAFFER

RESTRICTIVE!

FORMULAIC!RIGID!

STIFF!

STILTED!DOGMATIC!

Page 71: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

To which I say...

Sure, it can be.

It’s not magic.

But it can be as flexible as the teacher, and a big help to students looking for a way to understand their writing.

It’s just a GRAPHIC ORGANIZER.

Page 72: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

About this presentation

Good Stuff Bad Stuff

Bad ideas

Good ideas

Better ideas

Page 73: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

I wanted to sound really smart...

Thanks for your time. I’ll try to deserve it.

At first I thought about trying to impress you.

Page 74: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

But I don’t have a ton of RESEARCH

or a BUSHEL OF COOL BOOKS

to show you .

And I’m terrible at quotes.

Vygotsky!

Piaget!

Gardner!!

Foucault!!!

Derridaaaaahhhhh!!!!!

Page 75: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

But I’m afraid I don’t know very much about

So I was going to look up some lingo.

I’d love to be able to dazzle you

in the

vernacular.

Page 76: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

AASAABCABEACEACSAACTADAADAAFDCAFTAPAPEARCATCAVID BCLADBTSA CACCALCALSSDCAPCAPCCASBOCBEDSCBESTCFIERCHARGECHSPECIFCISICLADCLASC-LERNCLMSCLRECOLACPEECPSCSBACSEA

CSEACSFCSISSCSRCSUCSUSCTACTBSCVC DEARDHSDBAC EAPECEEEREIAELDELLELSERIPESLETAC FBLAFEBFT&FFTE GATEGED HAHSC IAIASAIBICTIEPILSIMCISPAACITBS

JPAJTPA LASLDSLEALEAD

PALSPERBPERSPHPIEPIECESPLUSP/PPPSPTAPTCPTOPTSA R&ERFPROCROPROTCRSVP SARBSARCSASSATSATSAT/9SBCPSBMSBMTSCOESDAIESDCSDESEDSELFSELPASHSIASIP

LEEDLEPLH MESAM&OMSCMTP NCADDNCENEANSBA PACE

SJAASJTASJUSDSPACSTCSTRS TAGTESATUPE UCUCBUCDUCLAUSC VEAVERS WASCWEAVE

SJAASJTASJUSDSPACSTCSTRS TAGTESATUPE UCUCBUCDUCLAUSC CA VEAVERS WASCWEAVE

It turned out to be a little scary.

Page 77: for what it’s worth OR How I learned to stop worrying and love the paragraph Jeff Waid

And it’s not like it was my idea, anyway.

I’d like to sound smartbut now I’d settle for funny.

For what it’s worth.

And anyway, it doesn’t really matter. What I’d like to share with you isn’t magic.

It’s just something I’ve found useful in my own classroom.