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Contents
Pressrelease 3
ForewordbycreatorsPaulRutmanandNatashaNarayan 5
Charactersynopses 7
InterviewwithArchiePanjabi 9
InterviewwithJackDavenport 15
InterviewwithShabana Azmi 19
InterviewwithViveikKalra 24
InterviewwithClaireSkinner 27
EpisodeSynopses 29
CastCredits 30
ProductionCredits 31
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EmmyAwardwinnerandGoldenGlobenominee,ArchiePanjabi(TheGoodWife,TheFall),andrenownedactor,JackDavenport(PiratesoftheCaribbean,Smash),starinMammothScreen’sfast-pacedfamilythriller,NextOfKin.
Thecontemporarydramafollowswhip-smartdoctorMonaHarcourt(Panjabi)wholivesinLondonwithpoliticallobbyisthusbandGuy(Davenport).WhenabombgoesoffinLondononthesamedaythatherbrother,Kareem,isabductedandmurderedinPakistan,Mona’scharmedlifeisshakentoitscore.
ThesituationescalateswhenMonarealises thatherbrother’ssonDanish– knownasDanny– hasvanishedfromuniversityandisbeinglinkedtoboththebombingandthemurderofhisfather.Withthefamilyfacingaccusationsandbecomingembroiledinatangledwebofbetrayalandconspiracy,Monafindsherselfconfrontedwiththeultimatedilemma:howfarwouldyougotokeepyourfamilysafe?
CreatedbyBAFTA-nominatedPaulRutman (IndianSummers,Vera)inhisfirstcollaborationwithauthorandwife,NatashaNarayan,theseriesisdirectedbyEmmyAwardandBAFTAAward-nominatedJustinChadwick(Mandela:LongWalkToFreedom,BleakHouse).
ARCHIEPANJABIANDJACKDAVENPORTSTARINNEWITVDRAMA,NEXTOFKIN
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NextOfKinwascommissionedbyITV’sHeadofDramaPollyHill,whosays:“Theseriestellsanincrediblyimportantandpertinentstoryforourtime,promisingtogripaudiencesandexploresonemother’sdilemmatoprotectherlovedones.”
TheseriesisproducedbyoneoftheUK’sleadingdramaindies,MammothScreen,knownforshowsincludingVictoria,Endeavour andFearlessforITV,PoldarkandTheWitnessForTheProsecution forBBC1andNWandTheCityAndTheCity forBBCTwo.
NextOfKin isproducedbyRebeccaFerguson(ColdFeet)andexecutiveproducedbyMammothScreen’sPreethi Mavahalli (NW)andManagingDirector,DamienTimmer (Victoria).
Preethi Mavahalli said:“WithabrilliantcastledbyArchiePanjabiandJackDavenport,NextOfKinissettobeapowerfulandtensefamilydramathatwillsparkdebateinhomesacrosstheUK.”
TheserieswillbedistributedbyITVStudiosGlobalEntertainment.
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PaulRutman &Natasha Narayan,Creators
NextofKinisashowaboutanordinaryfamilyunderextraordinarypressure.Mona’sfamilyarealarge,extendedclan– closedespitegeographicaldistances.The Londonmembersofthefamilytendtoliveineachother’spockets.Yetwhenthingsgowrong,thesilencesandmisunderstandingsintheirlivesthreatentotearthemapart.
Thisstoryissetagainstasadlyfamiliarbackdrop.Abombing,thedeathofinnocents,griefandoutrage,momentsofsilence,wordsofresilienceandangerfrompoliticians.Likeeveryoneelsewe’vewatchedthenews,appalled.Itwasafteronesuchatrocitythatwewondered,whatwoulditbeliketoslipbehindtheheadlines?Whatwoulditbeliketoexperienceanactofterrorfromtheinside?Tobeafamilyunwittinglycaughtuponthewrongside?
Therehavebeenshowswhichhavecoveredterrorismfromtheperspectiveofthesecurityservices.Wefelttheexperienceofafamily– atthecentreofsuchaninvestigation–wassomethingwehadn’tseen.
OurheroineMonaisadoctor,whoseparentsemigratedtoBritainfromPakistanwhenshewastwo.HerolderbrotherKareemisalsoadoctor,thoughonewhochoosestospendmuchofhistime
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runningacharitableclinicbackinPakistan.MonaismarriedtoGuyHarcourt,alobbyist,withconnectionstotheworldofWestminster.
ThisisamodernBritishfamily:messyandcomplicated,withitsshareofsecretsandfailedmarriages.Someofitsmembers– likeMona’smotherMrsShirani– aredevoutMuslims.Others–likeheryoungersiblingsAniandOmar– don’tgivemuchofathoughttothemosque.
TheworldofKalashnikovsandJihad,ofAnasheedvideosandapostasy,hasasmuchtodowiththisfamilyastheSalemWitchTrialshavetowithamodernAnglican.Sowhenthisworldcollideswiththeirown,theirreactionsquicklyturnfromgrieftodenial:thiscan’tbehappening, itcan’tbehappeningtous.
AcrosstheWestandbeyond,largeminorityMuslimpopulationsfindthemselvescaughtinthiscrossfire.Theymaydenythatthereisaproblem,theymayproclaimnotinmyname.Stillthey’reindanger– andnotjusttotheresurgentfarright– ofbeingviewedasathreat.Thisseemstousastorywithuniversalovertones.LiketheJapaneseinAmericawhenPearlHarbourwasbombed,Muslimscancometobeseenastheenemywithin.
NextofKin issetwithinthisterritory,butitisfirmlyashowwithfamilyatitsheart.Ittrackstheliving,breathingexperienceofpeoplewhofindthemselvescaughtupinamaelstrom.Asthestoryprogress,itopensuptowiderterritory,butalwaysretainstheperspectiveofanordinaryfamilytryingtodotherightthingbythemselves,eachother,andtheircountry.
Duringtheextensiveresearchforthisshowwe’vetalkedtomanyexpertsinthefield.We’vebeenparticularlyhelpedbytwocourageouswomenwho’vedevotedmuchoftheirlivestocombattingradicalisationamongyoungpeople:SaraKhanofInspireandtheMuslimChaplain,KalsoomBashir.We’realsohugelyindebtedtoCommanderRichardWalton,formerlydirectorofCounterTerrorismCommand.Hisdetailedandpainstakingadvicehasbeenincrediblyhelpful.
FinallyourthankstotheteamatMammothandITVcommissionerPollyHill– whoofferedusunwaveringsupportinthisefforttotellanuncomfortablestory.
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ArchiePanjabi playsMona Harcourt
Smartandsociabledoctor,Mona,livesinWestLondonwithherhusbandGuy,sonSammi andmother,MrsShirani.Highlyambitiousandfiercelyloyal,shehasahappyhomelifeandacloserelationshipwithherextendedfamily.
Thesecondoffoursiblings,shewasborninPakistanbutmovedtoLondonwithherfamilywhenshewasyoung.Astheoldestfemalesibling,sheispronetoadoptingthemotherfigureroleandsheistheonewhoralliesthefamilywhenKareemdiesandwhotheylooktoforguidance.
Thoughshe’snotDanny’smother,Mona’sincrediblymaternaltowardshimandisfacedwithanunimaginabledilemmaofhowfarshewillgotoprotectanddefendhim.
Jack Davenportplays GuyHarcourt
GuyisalobbyistworkinginWestminsterandmarriedtoMonawithwhomhehasason,Sammi.
Hecomesfromamiddleclassfamily,withamotherwhoencouragedhimtoappreciatethefinerthingsinlife,butheisn’toverlyinterestedinthatlifestyle.Heisverylaidbackandavoidsconfrontationatallcosts,butisverygoodathisjobandhighlysuccessful.
Lifeisnotacompletebreezethough,andheandMonahavetobattletolivethelivestheyaspiretolive.Guy’sprofessionallifeisaboutconstantlystrugglingtostayafloat,fightingforwork,contactsandinfluence.
Shabana Azmi playsMrsShirani
MrsShirani isMona’smotherwholiveswithherandGuyinWestLondon.
Sheappearstobeasimple,traditionalsoulbutthere’smoretoherbecauseshe’sfiercelyproudofherchildrenandnotabovealittlescheming.LikeMona,she’swittyandsmart,butoftenunderestimatedbyherfamilyandunderstandsmorethanherchildrenoftengivehercreditfor.
Physically,she’salittlefrailbutcertainlynottobedismissedassheisaproudandopinionatedwomanwhoknowshermind.
CHARACTER BIOGRAPHIES
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Viveik Kalra plays DannyShirani
Dannyisatypical,19-year-oldathleticteenagercurrentlyatUniversitypursuingasportingcareer.
HeisKareem’ssonfromapreviousmarriagebuthismotherhassincepassedaway.HeispartoftheShirani familyunit,buthefeelsslightlyseparatetoeveryoneelse.However,MonahasastrongrelationshipwithDannyandhastakenonamotherfigureroleinhislife.
CHARACTER BIOGRAPHIES (cont’d)
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ARCHIEPANJABIPLAYSMONAHARCOURT
WhatattractedyoutoNextOfKin?
“IwasfilminginNewYorkatthetimewhenIreadthefirstscriptforNextOfKin.Myfirstreactionwas,‘Iwanttoreadepisodetwo.I’mtotallygrippedbythisscript.’It’sveryintelligentlywritten,timelyandIwastotallycaptivatedbythecharacterofMonaandthejourneysheencounters.”
WhoisMona?
“MonaisaverygoodGPandworkswellwithherpatients.That’salottodowiththepersonsheis.She’sverysociableanddefinitelyapeopleperson.SheisalsoverysupportiveofherhusbandGuyandhiswork.
“She’sasecondgenerationimmigrantwhoconsidersherselftobeveryEnglishbutalsoholdsquitetraditionalvalues.MonahaslivedinWest
Londonwithherfamilyformostofherlife,andforher,familyisthebeallandtheendall.Shefeelsveryprotective,loyalandresponsibleforthem.”
“It’savaluesheinheritedfromherparents,inparticularherfather.Hiswasaclassicstoryofthemarrivinghereinthe1970sandhimhavingtoworkinunskilledjobsbecauseofbeingunabletogetajobthathewasproperlyqualifiedforbackhome.HeencourageshischildrentoassimilateintoBritishsocietyandtoworkhard;tomakesureyoulookafterthefamily.
“Idon’tthinkthereisadistinctionforMonaintermsofthenuclearandtheextendedfamily.Theyareonebigfamilyandshehastolookafterthem.”
WhatisNextOfKinabout?
“Forme,thecentre ofthedramaisaboutthisveryclose-knitmoderndayBritishfamily.They’reveryhappy,livinganormallifeandcontentwithit.Thenthenewsturnseachoneoftheirlivesupsidedownandoneoftheyoungestmembersofthefamily,Danny,issuspectedofbeingradicalised.
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“ThestoryfollowsMona’sfighttoprovehernephew’sinnocence,whilstatthesametimetryingtokeepthefamilyunitintactbecausethoserelationshipscomeunderimmensestrain.It’sprobablythemostemotionallychallengingmomentofMona’slifehavingtodealwithitall.”
“Oneofthegreatthemesofthestoryisfamily,loveandloyalty.Itasksthequestion,‘Howfarwouldyougotoprotecttheonesyoulove?’Peoplewatchingwillaskthemselves,‘WhatwouldIdointhatsituation?Whatdecisionswouldyoumake?’ThedilemmaMonaisfacedwithinvolvesheartbreakinglydifficultdecisionsalongtheway.Eachofthosechoicesanddecisionsshemakeshasanimpactonamemberofherfamily,includingherrelationshipwithherhusbandGuy.
HowwouldyoudescribeMona’srelationshipwithherhusbandGuy?
“Monaisverytactilebutnotgoodatexpressingherselfverballyordiscussingproblems.SomethingGuyisverygoodat.Guyisveryhard-working,family-oriented,caring,loyal,supportive.Heisherrock.
“WhenyoufirstmeetMonaandGuyyoumightthinkmaybeculturallytheyarequitedifferent,buttheyhavemoreincommonthannot.Hermotherwouldhaveprobablywantedtomarryherofftoalocalbusinessmaninthecommunity,andI’msurehismotherwouldhavelikedtohaveseenhim
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marriedtosomebodyfromBerkshire.Butbothofthemhavecometorealisethereisaverysolidrelationshipthere.Overthecourseoftheserieswegettoseewhetherthatrelationshipisstrongenoughtosustainthestrainoftheeventsthataffectthefamily.”
MonahasanelderbrothercalledKareem.Aretheyclose?
“Monadefinitelyhasastrongerrelationshipwiththemeninherfamily.SheisveryclosetoKareem.Theybothwitnessedtheirparents’strugglesowerealotmoremotivatedtoworkharderandstudyandtheybothbecamedoctors.
“Thereisalotoflovebetweenthem.Theywereverysupportiveofeachothergrowingup.Includingthecultureclashissuesintermsoftheirparentsbeingquiteeasternandthenhavingtoassimilateintoawesternsociety.Theyhelpedeachotheroutandwerethereforeachother.
“Outofallthesiblingsshe’sdefinitelyclosesttoKareembecauseoftheagesimilarity.AndhiseldestsonDanish,knownasDanny,wouldhavebeenthefirstborn,somethingverypreciousinthathousehold.Soshe’shadaverystrongrelationshipwithDannyfromthemomenthewasborn,andheisstillayoungkid.”
HowdoesDanny’sdisappearanceimpactonthefamily?
“Dannyissuspectedofbeingradicalisedandthereisthisbiginvestigationthatintensifiesoverthecourseoftheseries.It’sinterestingtoseehowitimpactseachoneoftheirlivesfordifferentreasons.Wedon’tevenknowwhetherhe’sradicalisedornot,butthemerefactheissuspectedaffectseachoneoftheirlives.Monacarriestheweightofthatmostbecauseshe’stheonefightingtoothandnailforhim.Andthatdoeshaveconsequencesforher.”
WhatcanyoutellusaboutMona’smotherMrs Shirani?Comingfromanoldergeneration,howdoesshereacttopresentdayevents?
“That’soneofthethingsIlikedaboutthescript.Thefamilyrepresentsthedifferentgenerations.SoyouhaveMona’smother,aswellasGuy’smother,beingquitetraditional.They’reobviouslyfromdifferentculturalbackgroundsbutstillquitetraditional.
“Idon’tthinktheynecessarilyapprovedofthemixedmarriagewhenMonaandGuygottogether.Andthenyou’vegotMonaandGuy’sgenerationwheretheculturalgapbetweenthemisalotsmallerthan,say,itwouldhavebeenintheseventiesoreighties.He’sgrownupbeingexposedtoawidercultureandMonahaslivedmostofherlifeinEngland.
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“Whatmakesitsopowerfulisthisisadramaultimatelyaboutafamily.Peoplewatchingwillaskthemselves,what
wouldIdointhatsituation?”
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“Monaandhermotherarenotverygoodattalkingaboutproblemsorissues,almostseeingitasaweakness.Theydon’topenupaboutthings,andIthinkthat’sareallycommonqualityoffirstgenerationAsiansandpossibleevensecondgeneration.Ifyoutalkaboutaproblemyou’reacceptingthereisaproblem,soit’sbettertojustgetup,dustthedirtoffyourshoulderandmoveon.Butthatdoesn’treallyhelp.”
Howimportantisittoyouthatpeopleofallrace,religionsandbackgroundsarerepresentedinTVandfilm?
“WhenIreadNextOfKin,IneverreallythoughtofitasbeingaMuslimfamily.GuyisEnglish,hersonisEnglish,MonaevencallsherselfEnglish.Hermotherisquitetraditional,theyoungerkidsarealotmore outspokenandmodern.Itjustfeelslikeamoderndayfamily,asopposedtoamoderndayBritishMuslimfamily.
“It’safamilythatisfun,loving,warmandaccessible.Theirethnicity,forme,doesn’treallycomeintoitall,whichIthinkisthewayforward.We’renotdenyingwhattheirreligiousbackgroundmaybe,butwe’renotnecessarilyhoninginonthat.They’rejustafamilylivinginEngland,affectedbyevents.”
AsadoctorMonawalkstowardsdangerwhileothersarerunningawayfromit.Whatwouldyousayaboutdoctors,nurses,paramedics,police,firecrewandotherswhodothatinreallife?
“OneofthethingsI’vealwaysstruggledwithinthisindustryistoanswerwhycelebritiesarelookeduponasheroes.Becausereallyit’speoplelikethatwhoaretheultimateheroes,aswesawinrecentevents.Theyaretherealheroesofoursociety.
“Somebodyaskedmetheotherday,‘Whatwouldyoudoifyouweren’tdoingthis?’AndIsaidmaybesomethinglikebeingaparamedic.Thefactyouhavetheabilitytosavelife,that’slikethemostpreciousgiftintheworld.WheneverIhearaboutthosejobsorseepeopledothem,I’malwaysinaweofthembecauseitissuchanincredibleskilltheyhave.”
AlthoughNextOfKindealswithaserioussubject,therearelightermoments.Whyisthatimportant?
“Therearesomanythingsgoingonintheworldrightnowandthisisaseriousdrama,butpeopleneedtohaveanelementofhumour.It’salsoverytruetolife.Inbadsituationsinlifethereisalwayshumour,particularlyfortheBritish.Ithinkit’sacopingmechanism.Beingironicorsarcasticisawayofdealingwithlife.Thosemomentsareimportanttohave.”
HowdoyoureflectbackonthemakingofNextOfKin?
“It’sbeenaveryexciting,educationalandchallengingexperienceforme.Playingaleadinadramawith
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suchasensitivesubjectmatter,butalsoacharacterthatgoesthroughareallybigemotionaljourney.It’swhatanyactorwouldlookforinaleadingrole.I’vereallyenjoyeditandbeeninvolvedinamuchbiggerwaythanIwouldbeonotherprojects.
“I’vealsolearnedalotaboutbeingontheothersideofthecamera,whichisultimatelywhatIwanttodo.Soit’sbeenaneducationfromthedayIwassentthescripttothefinalcut.That’sbeenexciting.It’sgivenmeaninsightintohowmuchworkgoesintomakingsomething.
“NextOfKinisfictitiousandtouchesuponasubjectwhichisverytimely,butitneverpretendsorattemptstoexplainitorunderstandit.It’sastrongaspectofthenarrativebutitneverreallyzoomsintryingtoshowthatitunderstandsitorwantstoexplainit.
“It’sabouttheimpactithasonthefamily,andIthinkthatwillprovokediscussion.It’sreflectingtheworldweliveintodayandithastobetalkedabout.Itisverydifficulttounderstandandcomprehend.Butwehavetotalkaboutit.”
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JACKDAVENPORTPLAYSGUYHARCOURT
WhatfirstattractedyoutoNextOfKin?
“Whetherwelikeitornot,thisisasubjectthatisn’tgoingaway.Itmakespeopleuncomfortableandreactive,andisdifficulttocomprehend.Yet,unlesswefindawaytocomeatitfromananglethatallowsustoevenbegintodothat,therepercussionsoftheseincidentswillgetmoreandmorepronounced.
“IwasverystruckfromthebeginningthatwritersPaulRutmanandNatashaNarayanhavefoundawaytolookatthissubjectbythinkingaboutthewiderhumanityoffamilieswhobecomeinvolvedsimplybecausetheyarerelatedtosomeonewhomayhavemadecertaindecisions.Thatstruckmeasaveryintelligentandinterestingwaytoapproachtheunapproachable.
“NextOfKinisafamilydramafirstwithapsychologicallyintenseconceptplaceduponit.That’swhatwefocuson.Thereisnootherwaytotryandbenotsympatheticbutempathetic.Theyareverydifferentthings.Hopefullythat’swhatpeoplewilltakeawayfromit.”
WhoisGuyHarcourt?
“GuyisaWestminsterpoliticallobbyistwhoworksforoneofthoselobbyingfirmswithfingersinallsortsofpies.InourstoryyouseehimworkingastheliaisonbetweentheBritishgovernmentandvariousformsofoutsideforeigninvestmentintobiginfrastructureprogrammes.”
GuyismarriedtoMonaandappearstobeverymuchpartofherbiggerfamily?
“Ithoughtitwasratherthrillingthatwhenwewereshootingscenesatthefamilyhome,Iwastheonlynon-Asiancharacter,whichIthoughtwasgreat,becausethisiswhatsomeofBritainlookslike.”
“Beingtheslightlystiff,publicschool,somewhatemotionallyconstipatedtypeofpersonhecouldbe,whatGuygetsisthisextendedverynon-HomeCountiesfamily.It’ssomethingsooutsideprobablyanyofhisexperiencesgrowingup,inmanywaysit’slikethemakingofhim.ItopensuppartsofhimselftohimselfthatI’mnotsureheevenknewwerethere.
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“Obviouslywhenthesituationstartstogobad,Guyandthefamilyfindthemselvesinalivingnightmare.ThewriterswereverysmartaboutshowingthewayGuyalmostunconsciouslyreacts.AndwheredoeshiswifeMona’sloyaltieslie?Theyhaveachildwhoisinnocentinallofthis.It’saveryinterestingtensiontoexplore.”
NextofKinisverytopicalandclosetosomerecentreallifeevents.Howdidthecastfeelaboutthat?
“Werespondedwithnomoreorlessdismayandalarmthananybodyelse.Thenafteracertainamountoftime,likeeveryoneelseinthecountry,yousay‘Wehavetocontinueasbefore.Getonwithlifeasusual.’Otherwisetheterroristshavesucceededonsomelevel.
“Sometimesmasscommunication,intheformofafictionaltelevisiondrama,isagoodwayofreachingalargenumberofpeopleinashortspaceoftimetopresentareallycomplicatedideainawaythatspeakstopeople’shearts.
“Soitjustmademethink,‘Ihopewedothisaswellasthewritingmakesmethinkwecould.’Otherthanthatthereactiontorecenteventsisthesame.There’snodifferencebetweenabusdriverinWidnes oranactorinsouthLondon.”
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“Whenwewereshootingscenesatthefamilyhome,Iwastheonlynon-Asiancharacter,whichIthoughtwasgreat,becausethisiswhatsomeofBritainlookslike.”
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EventhoughthesubjectmatterinNextOfKinisveryserious,therearelightermomentsofhumour.Whyaretheyimportant?
“Certainlyatthestart,wedidourbesttoshowthisfamilyasbeingwarmandsometimesquitesillywitheachother.That’swhat,inpart,anormalfamilylookslike.Untilthingsoutsideofitscontrolhappen.
“Thatwas,inmanyways,togivecontexttowhatgetsdamagedwhencertainmembersofafamilypossiblymakethedecisionstheydo.Hopefullytherewillbeanechointheaudience’smindofhowthefamilyusedtobe:anoisy,playfulgroupofpeoplejustgettingonwiththeirlives.”
WhatwasitlikeworkingwithArchiePanjabi?
“I’veknownofArchieforyearsandalwaysthoughtshewasamazing.Iknewfromthestartshewasplayingthisroleandthought,‘That’salottoaskofanyactor.’It’squiteajourneyshehastogoon.It’shardenoughforanactortobein95percentofthescenes,butitmakeseveryone’slifemuchmoreenjoyablewhentheyarealsojoyfullyandlightlythecaptainoftheshipinthatregard.Shesetthetone.
“There’salsothiswholegroupofamazingyoungBritishAsianactors.BecauseIhaven’tlivedintheUKforalongtimetheywereallchildrenwhenIleft.SoIhadn’tbeenawareofthembefore,andIwaslike,‘Theseguysaregood.’It’sbeenfuntobearoundalotofyoungactorsI’dnevermetbefore.
“ThenShabana Azmi,whoplaysmymother-in-lawMrs Shirani,therearen’tthatmanyactorsintheworldifyoulookattheirIMDbpage,she’sbeeninsomethinglike175films.Sheisalegend.It’salwayskindofcooltobearoundsomeonewhohasjustdoneeverythinginafilmworldyoudon’tknowthatmuchabout.”
DidNextOfKinrevealmoreaboutthisissuetoyouthanyouknewbefore?
“Idefinitelyhadanawarenessthatthevictimsinthesesituationstendtobeawiderpoolofpeoplethanyoumightinitiallythink.Buthavingbeenpartofmakingadrama,thankfully,andnotinvolvedinarealway,IdofeelIhaveadeeperunderstanding.
“Iabhorreactionarypolitics,butIsupposeInowfeelbetterequippedtoargueagainstthereactionarypositionthatsituationslikethiscan,understandably,provokeinpeople.”
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SHABANAAZMIPLAYSMRS.SHIRANI
Howdidtherolecomeabout?
“IjusthappenedtobeinLondonatthetimewhenmyagenttoldmeaboutthepart.ImetthedirectorJustinChadwickandbeforeIknewit,Iwaspartoftheproduction.ItookanimmediatelikingtoJustinso,knowingwhatthedramawasabout,itwasaprettyeasydecisionformetomake.”
YouareknownforIndianfilmsamongmanyotherthings.HaveyoualsoworkedintheUKbefore?
“I’veworkedonalotoffilmsinBritain.ThefirsttimeIworkedintheUKwasasfarbackas1988oppositeShirleyMacLaineinafilmcalledMadameSousatzka directedbyJohnSchlesinger.I’vealsodonefilmsforBBC,includingCapital,andChannel4plustheatre.”
WhatattractedyoutoNextofKin?
“IthoughtitwasaveryimportantstoryandIlikedmypart.Mrs Shirani isaveryfeistywomanandyetquitegentle.Iinitiallyreadthefirstthreeepisodesveryquickly.Ifounditaveryinterestingstory.
“ItwasaverypleasurableexperiencebecauseIgotonverywellwiththedirectorJustin.He,himself,wasanactorandheisveryrespectfultoactorsandworksverycloselywiththem.Hetookhistimeandwaiteduntilhegotexactlywhathewanted.Hewasveryencouraging.
“IalsogotalongextremelywellwithArchiePanjabi,JackDavenportandtherestofthecast.Itveryquicklybecamelikearealfamily.
“ThewholeexperiencewasalsodifferentbecauseIwaslivingonmyowninLondon.WhenI’minIndiaworkingIhaveahugestaffthatfollowsmearoundeverywhere.Ihavemyownhairdresser,make-upperson,mymanager,mydriveralltravelwithme.ButIwasliterallyonmyowninLondon.Thatexperiencewasveryprecious.
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WhoisMrs Shirani?
“WhatisniceaboutMrs Shirani isthatononelevelyouwouldthinksheisthestereotypicalAsianmother,butyou,infact,discoversheisnotso.Shehasapersonalitywhichisverymuchherownandisaveryimportantfigureinthehouse.
“Thefirsttimeweseeherisamilliondollarscene.Theliftdooropensandsheissatontheflooroftheelevator.Whichisanamazingvisualtobeginwith.I’veneverbeentrappedinaliftforreal,butifIamevernowitwillnotbesuchaterrifyingexperience.
“Shegrumbles,disapprovesandhasherfamilyfavourites,butshereallyisthepersonwhopullsthefamilytogether.Sheisabeliever.Shesaysherprayers.Andyetsheisfarremovedfromthiscrazyworldoffundamentalism.”
Whyisthisanimportantstorytotell?
“Thisstoryissoclosetohome.Ithinkit’sveryimportantforcinema,television,theatre,literature,arttoreflectthat.Youcan’tpushconflictsofthiskindunderthecarpet.Thisdramashowswhathappenstohumanbeingsinthesekindsofsituations.
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“Thisstoryissoclosetohome.Ithinkit’sveryimportantforcinema,television,theatre,literature,arttoreflectthat.Youcan’tpushconflictsofthiskindunderthecarpet.Thisdramashowswhathappenstohumanbeingsinthesekindsofsituations.”
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Doesthisdramalookbeyondtheheadlines?
“Weseethehumansideofhowtheperceptionofradicalisation touchesafamily;torturesafamilywhentheyareinnowayresponsibleforit.Andthenyouseethelargerpicturethroughthesmallerpicture.Thathumanises it.It’snotdoneinadidactic,propagandistway.Itisdonethroughrelationshipsandemotionalconnectionswhicharecompletelyuniversal.
“Islamophobiaisspreadingsowidelyintheworld.Youneedtogiveitahumanfaceandtrytounderstandwhataretheforcesthatareworkingandhowitimpactsonpeople.Artmustreflectthat.
“I’mveryproudofITVforproducingthisdrama.ThetimehascomewhenweneedtoworktounderstandcultureswithintheirownparadigmsratherthanyardsticksoftheWestimposedontheEast.That’sveryimportant,becauseastheworldshrinksandbecomesaglobalvillage,it’sveryimportanttounderstandeachother’scultures.
“Thereisstillalotthatneedstobedoneintermsofthevariouscommunitiesbeingrepresentedinthemedia,anddemonstratinghowsimilarhumanbeingsare.Embracingofmulti-culturalismandanattempttounderstandcultureswithintheirownparadigms. Lookatthewarmth,allthequirks,thestupidities.Lookatthemasrealpeople.ThatisimportantandthatiswhyIcongratulateITVforthis.”
Whatareyourownviewsonreligiousextremism?
“Whatisveryimportantisweneedtounderstandtheseschismsarenotschismsofreligionastheyareprojected.Theyareschismsofideology.Soitisthetolerantliberalononesideagainsttheintolerantradicalisedoftheother.
“It’snotChristiansversusMuslims.It’snotHinduversusMuslims.ItisaboutHindus,Muslims,ChristiansonthesamesideagainsttheHindu,Muslim,Christianfundamentalistsoftheother.
“Itisoneofideologyandofworldviewoftoleranceandintolerance.It’sveryimportanttoseethat.Otherwisewealwaysfallintosayingitisacivilisationalwar.”
Arepoliticalleadersinthewestandeastbeinghonestaboutwhatneedstobedone?
“No,ofcoursenot.It’snotinthenatureofelectoralpoliticstobecompletelyhonestaboutit.Butartmustdomorethanthat.Artshouldbeabletoprovideamorecomplex,morehumanandsensitiveversionofit.
“In2001afterthe9/11attackstheBookerPrizewinnerArundhatiRoywroteanessayinwhichshesaid,‘Box-cutters,penknives,andcoldangeraretheweaponswithwhichthewarsofthenew
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centurywillbewaged.Angeristhelockpick.Itslipsthroughcustomsunnoticed.Doesn'tshowupinbaggagechecks.’Ithinkthatissuchanamazing,stunningline.”
“Surelywehavetofinddifferentwaysofdealingwithterror?Becausewhateverthesystemsbywhichwearecombattingittodaydon’tappeartobeworking.Wehavetofindwaystodealwithit.I’mnotsayingIhavetheanswers.It’snoteasy.ButIdon’tthinkdialogueshouldeverstop.”
Doyouthinkpeopleofallraces,religionsandbackgroundsarefairlyrepresentedinWesternTVandfilm?
“Alotmoreneedstobedone.Wereallyareaglobalvillagetodayandwearelivinginamulticulturalworld.Pluralismisthecalloftheday.Actorshavebeensayingforalongtimethatweneedtohavecolour blindcasting,butlookatthebattlethatithastaken.InHollywood,forinstance,blackpeoplehaveonlyjuststartedbecomingwidelyvisible.ThefactisthatAsiansshouldbemorestronglyrepresentedbecausetheyareaverystrongpartofthecommunity.
WhyshouldwewatchNextofKin?
“Watchitbecauseit’sahumanstoryandit’sinteresting.Fornootherreason.Itisastoryaboutafamilywhichhasuniversalresonance.IthinkNextofKinisanextremelyimportantseries.”
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VIVEIKKALRAPLAYSDANNYSHIRANI
Howdidtherolecomeabout?
“I’mastudentattheRoyalWelshCollegeofDramaandhadn’tdoneanyfilmorTVbeforeNextofKin.SothisismyfirstTVjob.Isentinatapeandwastheninvitedtoaudition.ThenIauditionedagainandgotthepart.Whichwasamazing.Madlyexciting.”
WhoisDanny?
“He’sanathleticyoungmanatuniversitypursuingsports.ThesonofKareemShirani fromKareem’spreviousmarriage.Hismotherhasdied,sohe’spartoftheextendedfamilybutthereisafeelingofseparationfromthatfamily.”
WhatisNextofKinabout?
“Dannyisayoungmanwhomay,ormaynot,havebeenradicalised.Thesubjectmatterisimportantandneedstobetalkedabout.Youhavetoapproachitwithagreatdealofsensitivity.ThewritersPaulRutmanandNatashaNarayanhavedealtwiththatreallybeautifully.Thescriptsaresowellwritten.”
Didyougainaninsightintohowyoungpeoplecanfindthemselvesinthissituation?
“TheveryfirstthingIdidwassitdownwiththedirectorJustinChadwick,ArchiePanjabi,whoplaysMonaHarcourt,andaculturaladvisor.Wehadadiscussionfortwohoursabouthowthingslikethiscancomeaboutinyoungpeople’slives.
“WhetherDannyisradicalisedornotisrevealedintheseries.But,forme,itwasanimportantissuetotackle.Heisveryyoungbutnotbyanymeansstupidorunintelligent.Ingeneralterms,it’sscarythethingspeoplecanbedrawnto.”
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WhatimpactdoesDanny’sdisappearancehaveonhisfamily?
“Thedramashowstheimpactsomethinglikethiscanhaveonafamily.Onthenewsyouseeaheadlinebutyoudon’tseetheimpactonafamily.Attheheartofthisstoryisanordinary,normal,modernBritish-Pakistanifamilythrustintothiswhirlwindofalmostinsanity.Andweseehowordinarypeopledealwithextraordinarycircumstances.
“Ourstoryisfiction.ButIliketorefertoitasafictionalised reality,because,asweallknow,thesethingsarehappeningintherealworld.It’sanimportantandrelevantthingthatneedstobeairedanddiscussed.”
Whateverdecisionayoungpersonmakes,cantheyenduptrapped?
“Ayoungpersoncanmakeonedecisionandthenfindthemselvesknee-deepinsomethingtheyneverimaginedorthoughtaboutbeingapartof.
“Icouldtotallyunderstandhowpeoplecanfindthemselvesinthatposition.It’sascarysituation,bothforDannyandthewholefamily.Theyhavetobeartheweightofthethingsthathappen.”
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Didyoufeeltheneedtodoanyofyourownresearch?
“Asidefromthescripts,IdiddomyownresearchforthischaracterbecauseIwantedtoconveyasaccuratelyasIcouldwhatheislike– heisarealhumanbeing.Asaresult,IwasabletobemorespecificabouthowDannywouldthinkandact.”
Wereyousurprisedaboutthewaytechnologycanbeusedtofollowanindividualacrosstheglobe?
“Iwasawareofhowtechnologycanbeusedtotrackpeoplewherevertheyare,buttheextentofitisquitescary.Eventhethingsyoucanfindonlinenow.Justbyinvestigatingsocialmediayoucanfindoutahugeamountofinformationaboutpeople.”
TherearelightermomentsinNextofKin.Whyaretheyimportant?
“Thelightermomentsgivemoredepthandtexturetotheserious,weightierscenes.It’snecessarybecauseyouneedthatlightandshade.Someoftheeventsinthisworldarebeyondthewildestimaginationsofmostnormalindividuals.Soyouneedthoselightertouches.”
HowdoyoureflectonyourfirstTVrole?
“Itwasgreatfun.WhenIgotthereIjustthought,‘Wow,thisisanincredibleopportunity.’Toworkwithsuchatalentedcast,includingArchiePanjabiandJackDavenport.Theentiredramahasbeencastsoperfectlyandtheywerejustapleasuretoworkwith.AtnopointdidIfeeloverwhelmedoruncomfortable.
“ThedirectorJustinChadwickwasalsoamazing.Hewasverythoughtfulandwasonceanactorhimself.Youreallyfeltheunderstoodyourcharacter.HefeltthestruggleofwhatDannywasgoingthrough.
“WorkingwithArchiewasalsoamazing.Shewasarealmentor.Obviouslysuperexperienced.It’soddtowatchsomeoneonTVwhoissogoodandthenthenextthingyouareworkingwiththem.”
Whatwasitlikegoingbacktodramaschoolafterfilming?
“I’vegotjustoverayearofmycoursetogo.Itwasweirdgoingbackatfirst.ThefirstdayfeltabitoddbutI’mverygladtobeback.
“IlearnedsomuchonNextofKinandmadereallygoodfriends.It’saprivilegetobeinvolvedinsomethingthatis,Ithink,soimportant.There’ssomethingreallyspecialaboutthisdrama.”
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CLAIRESKINNERPLAYSDCIVIVIENBARNES
WhatattractedyoutoNextofKin?
“Itwasthecharacter.It’salwaysnicetoplayawomaninchargeandinapowerfulrole.She’snotahugelyoutwardlysympathetictypeofcharacter.Iveerbetweenplayingveryexpressivepeopleandimplacablepeople.Idoseemtoplayoneortheother.Afterdoingcomedy,it’squitenicetoplaysomeonethat’sholdingalotofstrategyinherhead.Ienjoyedthat.”
Didyoudoanyofyourownresearch?
“Ilookedattheresearchavailabletomewithintheproduction.Theyhadtheirownpoliceandanti-terroradvisors.SoIusedthoseresources.”
WhatchallengesdoesVivienBarnesfaceinleadingthepolicecounterterroroperation?
“Shehassomanythingstobalance.Icannotimaginehavingtobesointernalwithyourthoughtprocesses.Therealsomustbealotofdistrust.Especiallywhenitcomestopoliticians,strategicleaksandleaksmadebymistake.Thereissomuchtoconsider.Itmustbeexhausting.Vivienhastotakecalculatedrisksanddoesn’talwaysgeteverythingright.”
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Weonlyhearaboutsomeoftheterrorattacksstoppedbyourpoliceandsecurityservices.Whatareyourthoughtsaboutthat?
“Thefiguresonthenumberofattacksthepoliceandsecurityservicesstoparesobering.Butweareonlytoldaboutafewofthose.And,ofcourse,asweknowtheycan’tstopeverything.
“It’sdifficulttoimaginehowsomeonelikeViviendealswiththehugeresponsibilitiesinvolved.Havingtomakelifeanddeathdecisions.Youseeamorehumansidetoherasthingsunfold.”
Thedramafeelsverytopical.Doyouagree?
“Thescriptwasveryprescientintermsofcurrentevents.Thedramadoesnotcommentonanythingbutitdoesreflecttheatmospherewe’relivingintoday.
“AsLondoners,youlearnhowtolivewithit.IrememberduringthedaysoftheIRAthreatwhentheychangedthebinsontheLondonUndergroundtoseethroughbags.Youthinkyou’rehardenedtoitbutperhapsnot.”
NextofKinshinesalightonafamily.WhyisthisanimportantstorytotellinaTVdrama?
“Thedomesticangleofthisstoryallowsustoseetheconsequencesforasinglefamily.It’saveryusefulwayintothewiderissues.Thatdomesticprisminvolvesusthinkingaboutmothers,brothers,daughters.Ithinkthat’swhenpeoplestarttounderstandthings.”
HowwouldyoudescribeVivien’srelationshipwithGuyHarcourt,playedbyJackDavenport?
“ShehasapersonalrelationshipwithGuywhichshehastomanage.
“Shetriestohelphimasmuchasshecan,butthenshecanbequitetoughwhensheknowsshehastobe.Shehastostepoutsideherofficialboxsometimeswithhim.”
Doestherehavetobeanelementofruthlessness,aswellassecrecy,inthejobshedoes?
“Iwouldimagineyouhavenochoicebuttobetough.Youwouldhavetoberuthlessattimes.Andhowwouldyouliveanoutsidelife?I’msurepeopleinthesejobsdo,butit’snotasifyoucangohomeandtalkaboutwhathappenedinyourday.
“Icouldn’tbearthat.IwouldneedeveryonetoknowallthefabulousthingsI’vebeendoing.Butthat’swhyI’manactor,Iguess!”
Doyouthinkpeoplearefullyawareofjusthowcloselytheyaremonitoredtoday?
“It’ssuchaweirdparadox.Peopleareawareofhowmuchtheyaremonitored,buttheyjustdon’tseemtovaluetheirprivacyatall.
“WearetrackedbyCCTVcamerasalmosteverywherewego.That’sextraordinary.Wejustacceptthat.Thesamewithallofthedetailswehandoverforonlineshopping.It’slikeatradeoff.It’sforexpedience.Wejustwantsomethingnow,straightawayandwillgiveallofourdetailstogetit.”
What’snext?
“I’mplayingMrs Sedley,Amelia’smother,inthenewITVadaptationofVanityFair,whichhasanotheramazingcast.”
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EpisodeOne
OnthesamedaythataterroristattackbringsLondontoastandstill,GPMonaHarcourtreceivesthedevastatingnewsthatherbrotherKareemhasbeenkidnappedonhiswayhometotheUKfromhischarityclinicinLahore.
Monaandherfamily’shorroris aggravatedbytheattentionsofthepolicecounterterrorismunitandtheirinterestinKareem’steenagesonDanny.Dannyhasnotbeenseenatuniversityforsixweeks,andMonaisdeterminedtofindhimbeforethepolicedo.
EPISODE SYNOPSES
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MonaHarcourt ARCHIEPANJABI
GuyHarcourt JACKDAVENPORT
Mrs Shirani SHABANAAZMI
DannyShirani VIVEIKKALRA
Kareem Shirani NAVINCHOWDRY
Sammi Shirani DANTEPATEL
Rahana Shirani FARZANADUAELAHE
AniShirani KIRANSONIASAWAR
OmarShirani MAWAANRIZWAN
ElspethHarcourt JANFRANCIS
ACCVivienBarnes CLAIRESKINNER
Detective Townsend ENZOCILENTI
Saira Shirani SHANTIDEEN-ELLIS
TakTakShirani RITIKHARIWAL
DSStanleyHart SOPEDIRISU
Shania SHALISHAJAMES-DAVIS
CraigKowalski HALFOWLER
ImogenKowalski HANNAHBOURNE
RichardPayne DOMINICTIGHE
Hamoud ELLIEHADDAD
SheikhAlmasi MUNIRKHAIRDIN
Khan WAHEBSHEIKH
MrKhalid NASSERMEMARZIA
Carla LOLAPETTICREW
Simon CHRISLARKIN
Preacher WASIMZAKIR
Sarah KYLIEHUTCHINSON
AnnabelGhillies DOROTHYATKINSON
AbuMaaz JOEBLAKEMORE
MrPearson SIMONTREVES
Fatima MYRIAMARCHARKI
CASTCREDITS
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Creator,Writer&ExecutiveProducer PAULRUTMAN
Creator,Writer&ExecutiveProducer NATASHANARAYAN
MDofMammothScreen/ExecutiveProducer DAMIENTIMMER
ExecutiveProducer PREETHIMAVAHALLI
Director (Block1)&ExecutiveProducer JUSTINCHADWICK
Producer REBECCAFERGUSON
Director(Block2) JAMIECHILDS
DirectorofPhotography PAULDONACHIE
ProductionDesigner DICKLUNN
ArtDirector (UK) ANDREAMATHESON
ArtDirector (India) SAMHARLEY
CostumerDesigner EMMAFRYER
MakeUpDesigner JENNAWRAGE
LocationManager(Block1) GRANTCUMMINGS
LocationManager(Block2) TONYHOOD
SoundRecordist WILLIAMWHALE
CastingDirector SAMJONES
Editor HAZELBAILLIE
ScriptEditor PAULTESTAR
PRODUCTION CREDITS
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