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Friday, February 17, 2017, at 8:30 pm Jamie Lidell & The Royal Pharaohs Shonka Dukureh, Vocals Brian Girley, Saxophone Marion “OJ” Ross, Horns Marcus Machado, Guitar Gerald Jenkins, Keyboards Owen Biddle, Bass Daru Jones, Drums This evening’s program is approximately 75 minutes long and will be performed without intermission. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. The Program Please make certain all your electronic devices are switched off. The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall

Friday, February 17, 2017, at 8:30 pm m r Jamie Lidell & o ...€¦ · bassist Pino Palladino, Pat Sansone, Kudisan Kai, Traci Brown-Bailey, and Tiffany Smith; production from Justin

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Page 1: Friday, February 17, 2017, at 8:30 pm m r Jamie Lidell & o ...€¦ · bassist Pino Palladino, Pat Sansone, Kudisan Kai, Traci Brown-Bailey, and Tiffany Smith; production from Justin

Friday, February 17, 2017, at 8:30 pm

Jamie Lidell & The Royal Pharaohs

Shonka Dukureh, VocalsBrian Girley, SaxophoneMarion “OJ” Ross, HornsMarcus Machado, GuitarGerald Jenkins, KeyboardsOwen Biddle, BassDaru Jones, Drums

This evening’s program is approximately 75 minutes long and will be performed without intermission.

Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella.

Endowment support provided by Bank of America

This performance is made possible in part by the Josie Robertson Fund for Lincoln Center.

The

Prog

ram

Please make certain all your electronic devices are switched off.

The Appel RoomJazz at Lincoln Center’s Frederick P. Rose Hall

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American Songbook

We would like to remind you that the sound of coughing and rustling paper mightdistract the performers and your fellow audience members.

In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces. Flash photography and the use of recording equipment are not allowed in the building.

Additional support for Lincoln Center’s American Songbook is provided by Meg and BennettGoodman, Rita J. and Stanley H. Kaplan Family Foundation, Inc., The DuBose and DorothyHeyward Memorial Fund, Jill & Irwin B. Cohen, The Shubert Foundation, Great PerformersCircle, Chairman’s Council, and Friends of Lincoln Center.

Public support is provided by the New York State Council on the Arts with the support ofGovernor Andrew M. Cuomo and the New York State Legislature

American Airlines is the Official Airline of Lincoln Center

Nespresso is the Official Coffee of Lincoln Center

NewYork-Presbyterian is the Official Hospital of Lincoln Center

Artist catering provided by Zabar’s and Zabars.com

UPCOMING AMERICAN SONGBOOK EVENTSIN THE APPEL ROOM:

Saturday, February 18, at 8:30 pmSantino Fontana

Wednesday, February 22, at 8:30 pmIndia.Arie

Thursday, February 23, at 8:30 pmBuffy Sainte-Marie

Friday, February 24, at 8:30 pmWilliam Bell

Saturday, February 25, at 8:30 pmRicky Skaggs & Kentucky Thunder

Wednesday, March 8, at 8:30 pmThe Songs of Elizabeth Swados

Thursday, March 9, at 8:30 pmTanya Tagaq

Friday, March 10, at 8:30 pmJosé González

The Appel Room is located in Jazz at Lincoln Center’s Frederick P. Rose Hall.

For tickets, call (212) 721-6500 or visit AmericanSongbook.org. Call the Lincoln Center InfoRequest Line at (212) 875-5766 or visit AmericanSongbook.org for complete program infor-mation.

Join the conversation: #LCSongbook

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With the release of his criticallyacclaimed new album, Building aBeginning, British-born, Nashville-based singer-songwriter JamieLidell seems to have completed astunning metamorphosis. Where -as his previous effort, the self-titled Jamie Lidell, was a full-bodyimmersion into strident electroand pop sounds, Building aBeginning, his sixth studio album,is Mr. Lidell’s most personal workto date, a meditation on love and

family brought on by the birth of his first child.

Mr. Lidell has worked with some of the best players in the game, includingbassist Pino Palladino, Pat Sansone, Kudisan Kai, Traci Brown-Bailey, andTiffany Smith; production from Justin Stanley (Beck, Prince, Leonard Cohen,Paul McCartney) and Ben Ash; mixing from Jake Aron; and Lindsey Rome,who was deeply involved in co-writing lyrics for Mr. Lidell’s albums. Recentyears have seen him collaborating with new friends and artists, resulting ina Grammy nod for his work with Lianne La Havas and a hit single for his fea-tured vocals on A-Trak’s “We All Fall Down.” “Walk Right Back,” the firstsingle to be shared from the new project on Mr. Lidell’s new label and ownimprint, Jajulin Records, is now available.

In 2016 Mr. Lidell and drummer/songwriter Daru Jones formed The RoyalPharaohs, an American soul band. The Royal Pharaohs are a collective of all-star musicians who have toured Europe with Mr. Lidell to perform Buildinga Beginning. The band has also performed the live music for the SmokeDZA /Pete Rock–produced album Don’t Smoke Rock. Members of the RoyalPharaohs include Jones on drums (Jack White, Talib Kweli), Owen Biddle onbass (The Roots), Marcus Machado on electric guitar, Marion “OJ” Ross onhorns, and vocalist Shonka Dukureh.

American Songbook I Meet the Artists

Mee

t the

Artists Jamie Lidell & The Royal Pharaohs

LINDSEY ROME

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American Songbook

American Songbook

In 1998, Lincoln Center launched American Songbook, dedicated to the cele-bration of popular American song. Designed to highlight and affirm the cre-ative mastery of America’s songwriters from their emergence at the turn ofthe 19th century up through the present, American Songbook spans all stylesand genres, from the form’s early roots in Tin Pan Alley and Broadway to theeclecticism of today’s singer-songwriters. American Songbook also show-cases the outstanding interpreters of popular song, including established andemerging concert, cabaret, theater, and songwriter performers.

Lincoln Center for the Performing Arts, Inc.

Lincoln Center for the Performing Arts (LCPA) serves three primary roles: pre-senter of artistic programming, national leader in arts and education and com-munity relations, and manager of the Lincoln Center campus. A presenter ofmore than 3,000 free and ticketed events, performances, tours, and educa-tional activities annually, LCPA offers 15 programs, series, and festivals includ-ing American Songbook, Great Performers, Lincoln Center Festival, LincolnCenter Out of Doors, Midsummer Night Swing, the Mostly Mozart Festival,and the White Light Festival, as well as the Emmy Award–winning Live FromLincoln Center, which airs nationally on PBS. As manager of the LincolnCenter campus, LCPA provides support and services for the Lincoln Centercomplex and the 11 resident organizations. In addition, LCPA led a $1.2 billioncampus renovation, completed in October 2012.

Lincoln Center Programming DepartmentJane Moss, Ehrenkranz Artistic DirectorHanako Yamaguchi, Director, Music ProgrammingJon Nakagawa, Director, Contemporary ProgrammingJill Sternheimer, Director, Public ProgrammingLisa Takemoto, Production ManagerCharles Cermele, Producer, Contemporary ProgrammingMauricio Lomelin, Producer, Contemporary ProgrammingAndrew C. Elsesser, Associate Director, ProgrammingRegina Grande Rivera, Associate ProducerNana Asase, Assistant to the Artistic DirectorLuna Shyr, Senior EditorOlivia Fortunato, Programming AssistantMary E. Reilly, Program Content Coordinator

For American SongbookMatt Berman, Lighting DesignScott Stauffer, Sound DesignJanet Rucker, Company Manager

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Matt Berman

Matt Berman is the resident lighting designer for Lincoln Center’s AmericanSongbook. He most recently designed the lighting for Kristin Chenoweth’s MyLove Letter to Broadway at the Lunt-Fontanne Theatre, and for “Meow Meow’sPandemonium” with the London Philharmonic Orchestra and ThomasLauderdale of Pink Martini at Royal Festival Hall. Mr. Berman continues hisdesign work for Chenoweth, Liza Minnelli, Alan Cumming, Meow Meow, BrianStokes Mitchell, and Elaine Paige on the road. Through his work with ASCAP andseveral U.S.-based charities, he has designed for a starry roster that includesBernadette Peters, Barbra Streisand, Reba McEntire, Melissa Errico, DeborahVoigt, Michael Urie, Stevie Wonder, India.Arie, Garth Brooks, Billy Joel, and Sting.His international touring schedule has allowed him to design for iconic venuessuch as Royal Albert Hall, Paris Opera, Royal Theatre Carré in Amsterdam, theSporting Club in Monte Carlo, the Acropolis, the famed amphitheater in Taormina,Sicily, as well as Luna Park in Buenos Aires, and the Sydney Opera House. Closerto home, he has done work for the Hollywood Bowl, Alice Tully Hall, and CarnegieHall. Other Broadway credits include the Tony Award–winning Liza’s at thePalace, Bea Arthur on Broadway at the Booth Theatre, Nancy LaMott’s Just inTime for Christmas, and Kathy Griffin Wants a Tony at the Belasco Theater.

Scott Stauffer

Scott Stauffer has been the sound designer for Lincoln Center’s AmericanSongbook since 1999. His Broadway design credits include A Free Man of Color,The Rivals, Contact (also in London and Tokyo), Marie Christine, Twelfth Night,and Jekyll & Hyde. Off-Broadway Mr. Stauffer has worked on Subverted,Promises, Hereafter, A Minister’s Wife, Bernarda Alba, Third, Belle Epoque, BigBill, Elegies, Hello Again, The Spitfire Grill, Pageant, and Hedwig and the AngryInch. His regional credits include productions at the Capitol Repertory Theatre,University of Michigan, Hanger Theatre, Berkshire Theatre Festival, ChicagoShakespeare Theater, and Alley Theatre. His concert credits include manyLincoln Center galas, as well as the Actors Fund concerts of Frank Loesser,Broadway 101, Hair, and On the Twentieth Century. At Carnegie Hall he hasworked with Chita Rivera and Brian Stokes Mitchell. As a sound engineer, Mr.Stauffer has worked on The Lion King, Juan Darién, Chronicle of a DeathForetold, Carousel, Once on This Island, and the original Little Shop of Horrors.

American Songbook

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UPCOMING EVENTSJazz at Lincoln Center’sFrederick P. Rose Hall

February 2017VARIS LEICHTMAN STUDIO

The Science of JazzMusic & The Structure of the UniverseFebruary 23 at 6:30pmFor the third year, Jazz at Lincoln Center presentsone of our most popular events: Science of Jazz.This unique and intimate lecture series exploresthe dynamic connection between the sciencesand jazz. This year’s edition will feature physicistand musician Stephon Alexander in conversationwith saxophonist and composer María Grand.Alexander and Grand will use musical samples toillustrate how a physicist—or a jazz musician—approaches the process of experimentation.Attendees will discover how some leaps inphysics operate like jazz solos.

March 2017THE APPEL ROOM

Dave Douglas MetamorphosisMarch 3–4 at 7pm & 9:30pmTrumpeter Dave Douglas is a prolific composer anda powerful performer of improvised music. His out-put as a bandleader is one of the most eclectic in his-tory, featuring dozens of groups on over 50 uniquerecordings. Metamorphosis marks a bold new con-ceptual approach to organizing music for improvis-ers and features an all-star gallery of legendaryvoices. For this special engagement, Douglas hasenlisted some of the most influential modern impro-visers: trumpeter Wadada Leo Smith, saxophonistOliver Lake, drummer Andrew Cyrille, guitarist MarcRibot, pianist Myra Melford, bassist Mark Dresser,and percussionist Susie Ibarra. All of these artistsare known for their uninhibited approach to improvi-sation and for being highly responsive team players,as well as leaders in their own right. Come witnessthe warmth and spontaneity in person as these mas-ters create new music on the spot. These AppelRoom concerts will be the very first live perfor-mances of this bold new music.Free pre-concert discussions at 6pm and 8:30pm.

ROSE THEATEREddie Palmieri: Celebrating 80 YearsMarch 3–4 at 8pmEddie Palmieri is an incomparable performer andbandleader of some of the most energetic con-certs in Jazz at Lincoln Center’s history. This sea-son, the NEA Jazz Master and nine-time GrammyAward-winner continues his fast-paced career inRose Theater for an 80th birthday blowout. Oneof the finest pianists of the past 50 years, Palmieriis a bandleader, arranger, and composer knownfor skillfully fusing complex jazz harmonies withthe rhythms of his Puerto Rican heritage and ofvarious Afro-Latin and Afro-Caribbean fusions. 80years young, Palmieri remains an engaging inno-vator whose ideas explode from the stage with anirresistibly kinetic energy.Free pre-concert discussion at 7pm.

Free To Be: Jazz of the ‘60s & BeyondMarch 17–18 at 8pmThe 1960s was a time of national soul-searchingthat brought our country closer to its true identityand expanded our belief in freedom. The Jazz atLincoln Center Orchestra with Wynton Marsalis willperform some of the decades most powerful andthought-provoking pieces, many with messagesthat remain relevant today. The JLCO will performmasterpieces by Ornette Coleman, John Coltrane,Dave Brubeck, and Charles Mingus, and musicdirector Walter Blanding will debut a big bandarrangement of Sonny Rollins’ historic “FreedomSuite.” Another centerpiece of the program will bethe premiere of Blanding’s The Happiness of Being,a sprawling musical reflection on the meaning offreedom. This soulful new piece asks us, inBlanding’s words, “What comes to mind when wethink about freedom? Do we think about the civilrights movement? Or slavery? Or does it bring tomind other things, such as the freedom to think,speak, and act without fear? The Happiness ofBeing explores all of these thoughts. Perhaps free-dom is also simply the joy of being oneself.” Thisambitious piece is a powerful addition to the JLCO’scollection of expertly crafted original works, and theevening as a whole will be an important reflectionof jazz’s ever-present role in the pursuit of America’smost sacred right: freedom.Free pre-concert discussion at 7pm.

Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor.

Tickets starting at $10.To purchase tickets: Visit jazz.org or call CenterCharge: 212-721-6500. The Jazz at Lincoln Center Box Officeis located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.

For groups of 15 or more: 212-258-9875 or jazz.org/groups.For more information about our education programs, visit academy.jazz.org.

For Swing University and WeBop enrollment: 212-258-9922.Find us on Facebook (jazzatlincolncenter), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and

Instagram (jazzdotorg).

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UPCOMING EVENTS

Jazz at Lincoln Center’sFrederick P. Rose Hall

In deference to the artists, patrons of Dizzy’s Club Coca-Colaare encouraged to keep conversations to a whisper during the performance.

Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York.

Reservations: 212-258-9595 or jazz.org/dizzys; Group Reservations: 212-258-9595 or jazz.org/dizzys-reservationsNightly Artist sets at 7:30pm & 9:30pm.

Late Night Session sets Tuesday through Saturday; doors open at 11:15pm

Cover Charge: $20–45. Special rates for students with valid student ID. Full dinner available at each artist set.

Rose Theater and The Appel Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.

Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theaterand The Appel Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.

Dizzy’s Club Coca-Cola gift cards now available.

Find us on Facebook (DizzysClubCocaCola), Twitter (@jazzdotorg), YouTube (jazzatlincolncenter), and Instagram (jazzdotorg).

February 2017Benny Green Trio with David Wong and Rodney GreenFebruary 17–197:30pm & 9:30pm

Juilliard Jazz EnsemblesFebruary 207:30pm & 9:30pm

Jason Marsalis Vibes QuartetWith Austin Johnson, William Goble, and DavidPotterFebruary 21–227:30pm & 9:30pm

The Music of Dexter Gordon: A CelebrationDexter Gordon Legacy EnsembleFebruary 23–267:30pm & 9:30pm

William Paterson University Big Band andEnsemblesFebruary 277:30pm & 9:30pm

A Gotham Kings Mardi Gras CelebrationFebruary 287:30pm & 9:30pm

March 2017Nicole Henry: A Time for Lovewith David Cook, Ben Williams, Jonathan Barber,and Avi RothbardMarch 1–27pm & 9:30pm

MVP Jazz Quartet: Remembering JamesWilliams and Mulgrew MillerFeaturing Donald Brown, Ray Drummond,Marvin “Smitty” Smith and Bobby WatsonMarch 3–57pm & 9:30pm

Monday Nights with WBGO: Loston Harriswith Gianluca Renzi and Mike LeeMarch 67pm & 9:30pm

Tessa SouterMarch 77pm & 9:30pm

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JAZZ.ORG@jazzdotorg

venuefrederick p. rose hall

box o�cebroadway at 60th st., ground fl.

centercharge212-721-6500

2017 JAZZ & POPULAR SONG SERIESMICHAEL FEINSTEIN, DIRECTOR THE UNFORGETTABLE NAT “KING” COLEAPR 5, 7PM • APR 6, 7PM & 9PM

THE MUSIC OF MEL TORMÉMAY 3, 7PM • MAY 4, 7PM & 9PM

ELLA ON MY MINDJUN 7, 7PM • JUN 8, 7PM & 9PM

THE APPEL ROOM

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