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Learn the history of the drums What is? From Blues to Fusion is a travel "by drums" from the origin of the Blues to the Modern Jazz. who are the teachers? José Antonio García Guerra and José Manuel Torrego Osuna, experienced drummers in teaching and in alive situations. How is? It can be managed in clinic, master class or seminary format. Who is it for? To all kinds of musicians and lovers of these styles, particularly drums students. Whatever your age and musical training.
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FROM BLUES TO FUSION2012
Two drummers on stage, sharing with
you their long musical experience
A rhythm travel trough afroamerican musical roots.
LEARN THE HISTORY OF THE DRUMS
WHAT IS?From Blues to Fusion is a travel "by drums" from the origin of the Blues to the Modern Jazz.
WHO ARE THE TEACHERS?José Antonio García Guerra and José Manuel Torrego Osuna, experienced drummers in teaching and in alive sutuations.
HOW IS?It can be managed in clinic, master class or seminary format.
WHO IS IT FOR?To all kinds of musicians and lovers of these styles, particularly students of drums. Whatever your age and musical training.
Shuffle, Second Line, Slow Blues, Afro Beats, Half
Time Shuffle, Swing, Be-Bop, Fusión, Rock,
Country, Zydeco...
Número XVIIC O N T A C T :
JOSÉ ANTONIO GARCÍA GUERRA
JOSÉ MANUEL TORREGO OSUNAP H O N E0034629060078 P H O N E0034646756558
José Antonio García Guerra José Manuel Torrego Osuna
FROM BLUES TO FUSION PAGE 2
INTRODUCTIONIn the early twentieth century the
drums comes as a result of joining in one instrument and one interpreter, the whole rhythm section. In the street bands, jug bands, brass band or rhythm section is comprised of two or more percussionists and offered his concerts outdoors. The need to give concerts in closed rooms and smaller, promoted the development of this wonderful instrument.
The drummers that began playing drums had to evolve the rhythms played on a single percussion instrument, and adapt to the different elements of the set: kick, snare, hi hat, cymbals, toms ...
The drum joined the African roots, adopted the rudiments of the Central European tradition of the snare and were mixing with new styles that were creating the result of miscegenation: blues, country, rock, jazz, be bop ...
It remains exactly the same. We continue to evolve, fusing, developing new blends, without losing sight of the benchmark.
FROM BLUES TO FUSIONIn this experience that we have
developed we start from the roots of American music. We honor the blues, the African rhythms , as a source of black American music; we honor John Bonham, Bernard Purdie, Jeff Porcaro or Tony Williams as great exponents of evolution.
We show how are the different types of shuffle, how to interpret a blues in 12/8 or slow blues, how to play one afrobeat, how to play the half time shuffle, or how to play a second line.
We show through hemiola (ratio 3:2 or three pulses of equal value in the time normally occupied by two pulses) connects with African roots and we can play all the styles: shuffle, second line, ..
We show how are the different types of shuffle, how to interpret a blues,
and afrobeat rythm, or how to play the second
line.We show through
hemiola we interpret all these
styles.
FROM BLUES TO FUSION PAGE 3
CONTACT:José Antonio García Guerra
Phone: 00 34 629060078Mail: [email protected]
José Manuel Torrego OsunaPhone: 00 34 646756558Mail: [email protected]
Photos and Video: Jorge [email protected]
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