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From Still Life to the Camera to Abstract Expressionism How did this happen?

From Still Life to the Camera to Abstract Expressionism How did this happen?

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Page 1: From Still Life to the Camera to Abstract Expressionism How did this happen?

From Still Life to the Camerato Abstract ExpressionismHow did this happen?

Page 2: From Still Life to the Camera to Abstract Expressionism How did this happen?

Abstract Expressionism

Art I

Page 3: From Still Life to the Camera to Abstract Expressionism How did this happen?

World War II:

- The United States recovered much quicker that most of Europe in an economic sense after WWII but the emotional damage was severe

-The horrors of WWII surpassed those of WWI, horrors that we cannot even fathom

- The human loss was profound more than 30 million people lost their lives, and a further 40 million were displaced

- The inhumanity of the German concentration camps as well as, the horror of the dropping of nuclear bombs shook all of humanity to its very core

- Many European artists right after the war used art to try to come to terms with what had happened

Page 4: From Still Life to the Camera to Abstract Expressionism How did this happen?
Page 5: From Still Life to the Camera to Abstract Expressionism How did this happen?

Mark Rothko and Jackson Pollock Mark Rothko 1906-1970 Jackson Pollock 1928-1956 Both lived around the same time and left a big

impression on the world. Pollock became famous after his death, died

young. Pollock sold his canvases for about $1,500

during his life time, after death they are worth $3 million +

Rothko had fame during his life, more painting jobs called commissions

Page 6: From Still Life to the Camera to Abstract Expressionism How did this happen?
Page 7: From Still Life to the Camera to Abstract Expressionism How did this happen?

Abstract Expressionism

Period: Late 1940s , early 1950’s Locale: New York, East Hampton Aim: Express inner life through art Technique: Free application of paint, no

reference to visual reality Theory: Image not result of a preconceived

idea , but of creative process

Page 8: From Still Life to the Camera to Abstract Expressionism How did this happen?

Action Painting

“Jack

the

Dripper”

Page 9: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jackson Pollock

Page 10: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jackson is best known for the huge paintings he made by splattering, throwing, and dripping paint onto his canvases.

Page 11: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jackson used old, hardened brushes,

sticks, and anything else he could find

that would splatter on paint the way he

liked.

Page 12: From Still Life to the Camera to Abstract Expressionism How did this happen?

Because Jackson moved around a lot and used so much energy while he painted, he preferred to call his style Action Painting.

Jackson Pollock wanted people to feel and see the energy he felt while painting.

Page 13: From Still Life to the Camera to Abstract Expressionism How did this happen?

Even though you can’t recognize any objects in Jackson’s most famous paintings, they are filled with expression, movement, and rhythm.

Page 14: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jackson usually tacked his canvas to the barn floor. He liked to walk all around and be in his painting while he worked. This way, Jackson felt that he was really part of his work.

Page 15: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jackson Pollock died in a car accident in 1956 when he was only 44 years old.

Important people from all over the world loved to talk and write and argue about his exciting new paintings, but hardly anyone bought his work until years later.

Page 16: From Still Life to the Camera to Abstract Expressionism How did this happen?

Review Questions

Describe Jackson Pollock’s painting style. What is another name for Abstract

Expressionism? How did Jackson Pollock paint? Do you think Jackson Pollock’s paintings are

art? Would you buy a Jackson Pollock Painting?

Page 17: From Still Life to the Camera to Abstract Expressionism How did this happen?

The Classic Years of Colour Field Painting50s and 60s

“A painting is not about experience. It is an experience.” (Rothko)

RIGHT: Orange and Yellow 1956

Page 18: From Still Life to the Camera to Abstract Expressionism How did this happen?

The emotional and spiritual quality of Rothko’s art Rothko did not want to be seen as merely a

colourist “I’m not an abstractionist… I’m not interested

in the relationship of colour to form… I’m interested only in expressing basic human emotions – tragedy, ecstasy, doom and so on… the people who weep before my pictures are having the same religious experience I had when I painted them.”

Page 19: From Still Life to the Camera to Abstract Expressionism How did this happen?

Titles – numbers and colours

Like Pollock, Rothko stopped using descriptive titles for his works

Used numbers and colours to distinguish them

Stopped explaining his work

Felt words would paralyze the viewer’s imagination

Untitled 1949

Page 20: From Still Life to the Camera to Abstract Expressionism How did this happen?

LATE WORKS: Seagram Mural 1958

commissioned for the Four Seasons restaurant inside the Seagram building – but Rothko had misgivings about the setting of a restaurant (would make works seem merely decorative) and later withdrew from the project. He said any body that will pay that much for food will not look at my art.

palette of red, maroon, brown, and black Open shapes suggest windows or portals Offered $35,000 for the job which means $2.5 million today

Page 21: From Still Life to the Camera to Abstract Expressionism How did this happen?

On the size of his paintings

“I paint very large pictures. I realize the historically the function of painting large pictures is painting something very grandiose and pompous. The reason I paint them, however… is precisely because I want to be very intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However, you paint a larger picture, you are in it. It isn’t something you command.”

Page 22: From Still Life to the Camera to Abstract Expressionism How did this happen?

The Rothko Chapel (1964-67)

commissioned by John and Dominique de Menil for the University of St. Thomas in Houston, Texas

Darker palette – more subtle visual effects, difficult to see forms on ground

Seem to glow from within

• Used canvases to create a an environment that would invite meditation within chapel

Page 23: From Still Life to the Camera to Abstract Expressionism How did this happen?

The Rothko Chapel, Houston

“[The paintings] are intimate and timeless. They embrace us without enclosing us. Their dark surfaces do not stop the gaze… we can gaze right through these purplish browns, gaze into the infinite.” (Dominique de Menil)

Central panel has a glow

Paintings seem to mirror the melancholy and loneliness Rothko felt in the last years of his life.

Page 24: From Still Life to the Camera to Abstract Expressionism How did this happen?

The Rothko Room at the Tate Gallery Rothko provides very specific instructions to galleries about how his works are to be viewed. He asked for particular lighting conditions and benches to be put in front of works to invite contemplation.

Page 25: From Still Life to the Camera to Abstract Expressionism How did this happen?

STOP STOP STOP STOP STOP STOP

Page 26: From Still Life to the Camera to Abstract Expressionism How did this happen?
Page 27: From Still Life to the Camera to Abstract Expressionism How did this happen?

Wassily KandinskyComposition VIII

Page 28: From Still Life to the Camera to Abstract Expressionism How did this happen?

Kandinsky Contrasting Sounds

Page 29: From Still Life to the Camera to Abstract Expressionism How did this happen?

Wassily Kandinsky

Page 30: From Still Life to the Camera to Abstract Expressionism How did this happen?

Influence: Wassily Kandinsky Russian painter, whose exploration of the

possibilities of abstraction make him one of the most important innovators in modern art.

Impressed by the works of the Fauves and Post Impressionists, his paintings became more highly colored and loosely organized.

Around 1913 he began working on paintings that derived their inspiration and titles from music.

Page 31: From Still Life to the Camera to Abstract Expressionism How did this happen?

Review Questions

Describe Jackson Pollock’s painting style. What is another name for Abstract

Expressionism? How did Jackson Pollock paint? Do you think Jackson Pollock’s paintings are

art? Would you buy a Jackson Pollock Painting?

Page 32: From Still Life to the Camera to Abstract Expressionism How did this happen?

Wassily Kandinsky

Page 33: From Still Life to the Camera to Abstract Expressionism How did this happen?

Kandinsky In 1911, along with Franz Marc and other

German Expressionists, Kandinsky formed Der Blaue Reiter (The Blue Rider) group (so called for Kandinsky's love of blue and Marc's love of horses).

Wrote Concerning the Spiritual in Art, the first theoretical treatise on abstraction, which spread his ideas through Europe. He also taught at the Moscow Academy of Fine Arts from 1918 to 1921 and at the Bauhaus in Dessau,

Paved the way for abstract expressionism, the dominant school of painting since World War II (1939-1945).

Page 34: From Still Life to the Camera to Abstract Expressionism How did this happen?

Abstract Expressionism

The center of the art world shifted to New York.

Not just the product of artistic creation but the active process of creating it.

Discovered the act of anarchy from the Dadaists and Surrealists.

Page 35: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jackson Pollock

Page 36: From Still Life to the Camera to Abstract Expressionism How did this happen?

Influences

Took the concept of “Automatism” that they learned from Dadaists one step further; relying on instinct to shape the works of art that were not only irrational but unpremeditated accidents.

Page 37: From Still Life to the Camera to Abstract Expressionism How did this happen?

Action Painting

“Jack

the

Dripper”

Page 38: From Still Life to the Camera to Abstract Expressionism How did this happen?

Willem De Kooning

“Old Master of Abstract Expressionism” Worked in a realistic style until 1948 Developed a mature style of slashing brush

strokes Until other AE, he kept his interest in the

human figure and is known for a series of “Woman” paintings

Page 39: From Still Life to the Camera to Abstract Expressionism How did this happen?

Willem De Kooning

Woman

Page 40: From Still Life to the Camera to Abstract Expressionism How did this happen?

Willem DeKooning

Whose Name Was Writ in Water, 1975. Oil on canvas, 76 3/4 x 87 3/4 inches. Solomon R. Guggenheim Museum. 80.2738. © 2007 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York.

Page 41: From Still Life to the Camera to Abstract Expressionism How did this happen?

Willem DeKooning

Untitled, 1958. Oil on paper, mounted on Masonite, mounted on wood, 23 x 29 1/8 inches. Peggy Guggenheim Collection. 76.2553.158. © 2007 The Willem de Kooning Foundation/Artists Rights Society (ARS), New York.

Page 42: From Still Life to the Camera to Abstract Expressionism How did this happen?

Hans Hofmann

What element of the paintings seems to be closest to the viewer?

Page 43: From Still Life to the Camera to Abstract Expressionism How did this happen?

Hans Hofmann

Page 44: From Still Life to the Camera to Abstract Expressionism How did this happen?

Hans Hofmann

Early advocate of the freely splashed pigment Highly influential teacher Push / pull method (repulsion/ attraction of

certain colors) First to experiment with pouring paint German –American painter known for

rectangles of high-key contrasting colors that seem to collide.

Page 45: From Still Life to the Camera to Abstract Expressionism How did this happen?

Color Field Painters

Page 46: From Still Life to the Camera to Abstract Expressionism How did this happen?

Helen Frankenthaler

Nature Abhors a Vacuum, 19738 feet 7 1/2 inches wide by 9 feet 4 1/2 inches tal

How do you think Frankenthaler applied this paint?

Page 47: From Still Life to the Camera to Abstract Expressionism How did this happen?

Helen Frankenthaler

Student of Hans Hofmann Saw the work of Pollock and watercolor artist

John Marin and combined their methods to make “stain paintings”.

Used diluted oil paint on sailcloth to create paintings- guided the paint with sponge and wipers.

Page 48: From Still Life to the Camera to Abstract Expressionism How did this happen?

Helen Frankenthaler

Jacob’s Ladder

Page 49: From Still Life to the Camera to Abstract Expressionism How did this happen?

Mark Rothko

Untitled (Violet, Black, Orange, Yellow on White and Red), 1949    

Page 50: From Still Life to the Camera to Abstract Expressionism How did this happen?

Mark Rothko

“Multiforms" developed into the signature style; by early 1949 Rothko exhibited these new works.

For critics, the paintings were nothing short of a revelation.

Striking symmetrical rectangular blocks of two to three opposing or contrasting, yet complementary colors

Wanted people to view the images from 18 inches away to create intimacy

Page 51: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jasper Johns

His work is often described as a 'Neo-Dadaist' Johns played with and presented opposites,

contradictions, paradoxes, and ironies, much like Marcel Duchamp

Though the Abstract Expressionists disdained subject matter, in the end it could be said that they simply changed subjects. Johns neutralized the subject, so that something like pure paint--painted surface--could declare itself

Page 52: From Still Life to the Camera to Abstract Expressionism How did this happen?
Page 53: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jasper Johns

Page 54: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jasper Johns

Page 55: From Still Life to the Camera to Abstract Expressionism How did this happen?

Jasper JohnsThree Flags