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PORTFOLIO Z Z Z GRAPHIC DESIGNER

Front Page (Beta) - Panda Designs - Home... · calligraphy art form. ... intriguing, rewarding and captivating. I believe that by adding an image, typography and the right colour

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PORTFOLIO

ZZZ

GRAPHIC DESIGNER

PG(3 - 6)Japanese Art

PG(7 - 10)Futuristic Art

PG(11 - 13)Logo Design

PG(1)Phone Poster

PG(2)Typography

CONTENTS

CONTENT IMAGE

DESIGNERS REPUBLIC STYLE POSTER

Pg.1/13

TYPOGRAPHY

Pg.2/13

UPPERCASE

LOWERCASE

NUMBERS

LOGO

DEVELOPMENT

Rensis is the name of a unique rotary enigine which was invented by Mazda. I took the name and created a logo for it, turning it into a company that specialises, creates and sells rotary enigines. While making this logo I took the diagram of the rotary enigine and used that a the symbol for the logo. The typeface was something I quickly made to see how it would look but it turned out the typeface was an original idea. The way I designed this typoface was by only using a rectangles to sculpt out the letter and by using vertical or horizontal lines (No diagonal lines). The hardest letters was V and X only because the V could look like a U which I didn’t want and the X, well it was hard not using diagonal lines while trying to not make it look like pixelated art.

JAPANESE ART

Pg.3/13

浅井氏

織田氏

島津氏

桜氏

細川氏 北

条氏

武田氏

三好氏

SAKURA

ODA

HOJO

TAKEDA

SHIMAZU

ASAI

HOSOKAWA

MIYOSHI

尼子氏AMAGO

朝倉氏ASAKURA

長宗我部氏CHOSOKABE

今川氏IMAGAWA

毛利氏 MORI

里見氏SATOMI

松田氏MATSUDA

畠山氏HATAKEYAMA

酒井氏 SAKAI

吉川氏KIKKAWA

JAPANESE ART

Pg.4/13

JAPANESE ART

Pg.5/13

Within this genre, I have used a unique colour palette to create the illusion of Japanese art. To further develop this illusion I have incorporated the symbolic elements to capture the beauty of Japan.

JAPANESE ART

Pg.6/13

The Japanese culture has been fasciating for me to research, especially their art style. What I’ve tried to accomplish is to use comtemporay techniques and old techniques to better my style within this art form. An old characterisitic which I’ve started using is their calligraphy art form. The Kimono Lady is a prime example of using calligraphy within my work. It makes the object look like it was painted with a calligraphy brush. While comtemporay styles I’ve tried out drawing Japanese ‘anime’ characters, ‘Chibis’ and using their symbolic colour palette.

JAPANESE ART DESCRIPTION

FUTURISTIC ART

Pg.7/13

Eat, Sleep, Design & Repeat...

FUTURISTIC ART

Pg.8/13

FUTURISTIC ART

Pg.9/13

Futuristic has been my inspiration since I started graphic design. The art form just has a unique and new feel to it like it hasn’t been done before which is what I find interesting about it. Another two influences which have made me come to love futuristic art is one WipEout (computer game) and the second one is the Designers Republic who did the graphics for WipEout. I’ve tried to incorporate the Designers Republic into my work because they have a simple, symbolic and futuristic theme to their artwork. This is the result.

harimau

FUTURISTIC ART

Pg.10/13

Eat, Sleep, Design & Repeat...

LOGO DESIGN

Pg.11/13

武士道

BushidoWD

武士道

BUSHIDOWD

武士道

BushidoWD

武士道

BUSHIDOWD

武士道

BUSHIDOWD

武士道

BUSHIDOWD

武士道

BUSHIDOWD

武士道

BUSHIDOWD

武士道

BUSHIDOWD

武士道

BUSHIDO

WD 武士道

BUSHIDOWD

武士道

BUSHIDOWD

武士道

BUSHIDO

WD

武士道

Bushido

WD

武士道

BushidoWD

武士道

BushidoWD

武士道

BUSHIDOWD

LOGO DESIGN

Pg.12/13

Obey GRavity

EroDynamikAchieving Higher Speeds

WE’ve got a krush on your waste

WE’ve got a krush on your waste

Excelling in Medicine

Logo design in the world of graphics has always been one of my passions. The variety and creativity of a logo is something I find intriguing, rewarding and captivating. I believe that by adding an image, typography and the right colour brings a logo to life. To develop a logo’s identity I create a small animation to assess its potential in the world of branding.

LOGO DESIGN

Pg.13/13