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FRS 123: Technology in Art and Cultural Heritage. Color. Color. Two types of receptors: rods and cones. Rods and cones. Cones in fovea. Rods and Cones. Rods More sensitive in low light: “scotopic” vision More dense near periphery Cones - PowerPoint PPT Presentation
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FRS 123: Technology inFRS 123: Technology inArt and Cultural HeritageArt and Cultural Heritage
ColorColor
ColorColor
• Two types of receptors: rods and Two types of receptors: rods and conescones
Rods and conesRods and cones Cones in foveaCones in fovea
Rods and ConesRods and Cones
• RodsRods– More sensitive in low light: “scotopic” visionMore sensitive in low light: “scotopic” vision
– More dense near peripheryMore dense near periphery
• ConesCones– Only function with higher light levels:Only function with higher light levels:
“photopic” vision“photopic” vision
– Densely packed at center of eye: foveaDensely packed at center of eye: fovea
– Different types of cones Different types of cones color vision color vision
Color PerceptionColor Perception
• 3 types of cones: L, M, S3 types of cones: L, M, S
Tristimulus theory of color
S
LM
Tristimulus ColorTristimulus Color
• Any distribution of light can be summarized Any distribution of light can be summarized by its effect on 3 types of conesby its effect on 3 types of cones
• Therefore, human perception of color is aTherefore, human perception of color is a3-dimensional space3-dimensional space
• MetamerismMetamerism: different spectra, same : different spectra, same responseresponse
• Color blindness: fewer than 3 types of conesColor blindness: fewer than 3 types of cones– Most commonly L cone = M coneMost commonly L cone = M cone
Color ModelsColor Models
• RGBRGB
• CMYCMY
• HSVHSV
• XYZXYZ
• ……etcetc
Color ModelsColor Models
• Different ways of parameterizing 3D Different ways of parameterizing 3D spacespace
• RGBRGB– Official standard: Official standard:
R = 645.16 nm, G = 526.32 nm, B = 444.44 R = 645.16 nm, G = 526.32 nm, B = 444.44 nmnm
– Most monitors are some approximation to Most monitors are some approximation to thisthis
RGB Color ModelRGB Color Model
R G B R G B Color Color 0.00.0 0.00.0 0.00.0 BlackBlack1.01.0 0.00.0 0.00.0 RedRed0.00.0 1.01.0 0.00.0 GreenGreen0.00.0 0.00.0 1.01.0 BlueBlue1.01.0 1.01.0 0.00.0 YellowYellow1.01.0 0.00.0 1.01.0 MagentaMagenta0.00.0 1.01.0 1.01.0 CyanCyan1.01.0 1.01.0 1.01.0 WhiteWhite0.50.5 0.00.0 0.00.0 ??1.01.0 0.50.5 0.50.5 ??1.01.0 0.50.5 0.00.0 ??0.50.5 0.30.3 0.10.1 ??
Colors are additiveColors are additive
CMY Color ModelCMY Color Model
C C M Y M Y Color Color 0.00.0 0.00.0 0.00.0 WhiteWhite1.01.0 0.00.0 0.00.0 CyanCyan0.00.0 1.01.0 0.00.0 MagentaMagenta0.00.0 0.00.0 1.01.0 YellowYellow1.01.0 1.01.0 0.00.0 BlueBlue1.01.0 0.00.0 1.01.0 GreenGreen0.00.0 1.01.0 1.01.0 RedRed1.01.0 1.01.0 1.01.0 BlackBlack0.50.5 0.00.0 0.00.0 ??1.01.0 0.50.5 0.50.5 ??1.01.0 0.50.5 0.00.0 ??
Colors are subtractiveColors are subtractive
HSV Color ModelHSV Color Model
H S V Color 0 1.0 1.0 Red120 1.0 1.0 Green240 1.0 1.0 Blue * 0.0 1.0 White * 0.0 0.5 Gray * * 0.0 Black 60 1.0 1.0 ?270 0.5 1.0 ?270 0.0 0.7 ?
XYZ ColorspaceXYZ Colorspace
• RGB can’t represent all pure RGB can’t represent all pure wavelengths with positive valueswavelengths with positive values– Saturated greens would require negative Saturated greens would require negative
redred
• XYZ colorspace is a linear transform of XYZ colorspace is a linear transform of RGB so that all pure wavelengths have RGB so that all pure wavelengths have positive valuespositive values
CIE Chromaticity DiagramCIE Chromaticity Diagram
CIE Chromaticity DiagramCIE Chromaticity Diagram
(White)
CIE Chromaticity DiagramCIE Chromaticity Diagram
CompareCompareColor Color
GamutsGamuts
IdentifyIdentifyComplementaryComplementary
ColorsColors
DetermineDetermineDominant WavelengthDominant Wavelength
and Purityand Purity
RGB Color Gamut for Typical RGB Color Gamut for Typical MonitorMonitor
Colorspaces for TelevisionColorspaces for Television
• Differences in brightness more Differences in brightness more important than differences in colorimportant than differences in color
• YCYCrrCCbb, YUV, YIQ colorspaces = linear , YUV, YIQ colorspaces = linear
transforms of RGBtransforms of RGB– Lightness: Y=0.299R+0.587G+0.114BLightness: Y=0.299R+0.587G+0.114B
– Other color components typically allocated Other color components typically allocated less bandwidth than Yless bandwidth than Y
Perceptually-Uniform ColorspacesPerceptually-Uniform Colorspaces
• Most colorspaces not Most colorspaces not perceptually uniformperceptually uniform
• MacAdam ellipses: MacAdam ellipses: color within each color within each ellipse appears ellipse appears constant (shown constant (shown here 10X size)here 10X size)
Perceptually-Uniform ColorspacesPerceptually-Uniform Colorspaces
• u’v’ spaceu’v’ space
• Not perfect, but better than XYZNot perfect, but better than XYZ
ZYX
Yv
ZYX
Xu
315
9'
315
4'
L*a*b* Color SpaceL*a*b* Color Space
• Another choice: L*a*b*Another choice: L*a*b*
3/13/1
3/13/1
3/1
200*
500*
16116*
nn
nn
n
Z
Z
Y
Yb
Y
Y
X
Xa
Y
YL
L*a*b* Color SpaceL*a*b* Color Space
• Often used for color comparison when Often used for color comparison when “perceptual” differences matter“perceptual” differences matter
SummarySummary
• Perception and representation of Perception and representation of – Intensity, frequency, colorIntensity, frequency, color
• ColorColor– Tristimulus theory of colorTristimulus theory of color
– CIE Chromaticity DiagramCIE Chromaticity Diagram
– Different color modelsDifferent color models