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my lifestyle
welcome
• Continuous research and innovat ion, without
ever forgett ing tradit ional va lues. A c lear v is ion
of the present and an eye on the future. By
adher ing to these two pr inc iples, Gamma gives
concrete form to i ts pass ion for des ign every
day. The results are a dist inct sty le and an
intr ins ic e legance of each element, where
handcrafted workmanship meets des ign,
highl ight ing the craftsmanship in contemporary
forms and state of the art l ines.
Welcome to Gamma.
• Ricerca cont inua e innovazione, senza mai
diment icare i va lor i del la tradiz ione. Vis ione
l impida del presente e sguardo r ivolto a l futuro.
Attraverso quest i presupposti s i concretizza ogni
giorno l ’amore per i l des ign Gamma. I r i sultat i
sono una spiccata personal i tà ed una eleganza
intr inseca di ogni s ingolo e lemento, dove la
real izzazione manuale unita a l des ign esalta
l ’art ig ianal i tà anche nel le forme contemporanee
e nel le l inee più moderne.
Benvenut i in Gamma.
index
alfred 06
soho 14
aston 24
sound 34
blues 40
t i ffany 44
carnaby 50
bond 54
soleado 60
swing 68
king 74
bel levue 80
twist 86
mokambo 92
laguna 98
saint tropez 104
herman 110
lounge 116
avenue 120
les étoi les 124occas ional chairs & coffee tables
technical sheets 136
alfred
• Alfred is both re laxed and sure of himself .
Behind the formal and almost austere look
hides an open and welcoming nature. When
you real ly get acquainted, Alfred knows how to
l isten and give support, how to make you feel
safe and provide a l l those feel ings of wel lbeing
that make you feel at ease. In summary, Alfred
is an icon of mascul ine e legance, with an
unpretent ious sty le, and the perfect balance
between form and funct ion.
• Alfred s i muove dis involto e s icuro di se.
Dietro l ’aspetto formale, quasi severo, nasconde
un carattere aperto e disponibi le, “accogl iente”.
Quando lo conosci veramente Alfred ti sa ascoltare
e t i asseconda, sa dart i s icurezza e tutte quel le
sensazioni di benessere che ti mettono così a tuo
agio. In sintesi Alfred è una vera icona di eleganza
maschi le, d i st i le senza snobismi e ostentazioni ,
s intass i corretta tra forma e funzione.
06 alfred 07
alfred 0908 alfred
alfred 1110 alfred
alfred 1312 alfred
soho
• The Soho is the epicenter of the everyday l i fe.
So informal and uninhibited, is able to accept
every request of re lax.
The back cushions move backwards with a
s imple gesture, suddenly seat changes,
depth increases considerably, the soft cushions
embraces us with generos ity.
The background is t ransformed, a lways new,
a lways surpr is ing, a lways Soho.
• Soho è l ’epicentro attorno al quale ruota
la v i ta in tutt i i momenti del la giornata.
Così informale e dis in ib i to, s i presta ad
assecondare ogni r ichiesta di re lax:
g l i schienal i arretrano con un sempl ice gesto,
immediatamente la seduta s i t rasforma,
la profondità aumenta considerevolmente,
i morbidi cusc ini accolgono con generos ità.
I l paesaggio s i è trasformato, sempre nuovo,
sempre sorprendente, sempre Soho.
14 soho 15
soho 1716 soho
soho 1918 soho
soho 2120 soho
soho 23
It takes a simple gesture to transform the seat depth.
Un semplice gesto basta per trasformare la profondità delle sedute.
aston 25
aston
• The Aston concentrates a l l Gamma
qual i t ies into a new extraordinary model .
As a result of a mix of tradit ion, technology,
handcrafted abi l i ty and pure emotion,
Aston shows the contemporary vers ion of the
“capitonné” art and becomes a reference point
in the inter ior des ign world. Aston does not
suffer the passage of t ime, but reta ins that
part icular status and look that belong to the
modern c lass ic art , going further any fashions.
• Aston r iunisce tutte le conoscenze di
Gammain un nuovo model lo straordinar io.
Nato da una combinazione magistra le
di t radiz ione, tecnologia, abi l i tà art ig ianale
ed emozione pura, interpreta la lavorazione
capitonné in vers ione contemporanea e diventa
un punto di r i fer imento nel l ’ inter ior des ign.
Aston non subisce i l passare del tempo
ma acquista quel lo status di moderna c lass ic i tà
che va oltre ogni moda.
24
aston 2726 aston
aston 2928 aston
aston 3130 aston
aston 3332 aston
sound
• Sound is an embracing exper ience,
i t f i l l s a whole ambient, even large ones
l ike a theatre or a stadium,
with the intensity and the abi l i ty
to involve the audience.
The Sound does exact ly the same thing:
it is enchanting, generous, looks l ike it is moving,
embraces us with i ts comfort , and re lax us.
The Sound, l ike music, i s a real “ language”
providing inf in i te interpretat ions.
• I l suono è un’esper ienza avvolgente,
r iempie un intero ambiente, anche immenso
come un teatro o uno stadio,
con la sua intensità e la capacità di
coinvolgere i l suo spettatore.
Sound si comporta esattamente allo stesso modo:
è coinvolgente, generoso, attraente, s i muove,
c i accogl ie con la sua comodità, c i r i lassa.
Sound, come la musica, è un vero e propr io
“ l inguaggio” capace di inf in i te interpretazioni .
34 sound 35
sound 3736 sound
sound 3938 sound
40
blues
• I taste the sound of the guitars, drums,
harmonica. This sort of dance, this shuff l ing
boogie, wraps me up in v iv id emotions. The
blues is real , d i rect , honest, whether i t be a
sweet song l ike that of Bobby "Blue" Bland or
unfalter ing and threatening as that of Howl in'
Wolf , i t 's st i l l a lways about the blues.
Here, in the twilight, stretched comfortably on my
couch, I indulge in its rhythm, just drift ing away.
• Assaporo le chitarre, la batter ia, l ’armonica.
Questa sorte di danza, questo strascicato boogie,
mi avvolge di v iv ide emozioni . I l b lues è
autent ico, diretto, onesto, s ia che s i t ratt i d i
un canto dolce come quel lo di Bobby “Blue”
Bland o deciso e minaccioso come quel lo di
Howl in’ Wolf , s i t ratta sempre di B lues.
Qui , nel la penombra, comodamente a l lungato
sul mio divano, assecondo i l suo r i tmo,
abbandonato al le emozioni .
blues 41
blues 4342 blues
t i ffany
• Today i t i s “Breakfast at T i ffany’s”
with Audrey Hepburn, at dawn, on F i f th Avenue
s idewalk, in a black sheath dress by Givenchy,
pear ls str ing and Wayfarer Ray Ban glasses
with turt le frame. In the background the sound
of the beaut i ful Moon River.
Here, re laxed in our sofa, we l ight ly touch
the leather of the cushions and we enjoy
this scene that represents one of the most
iconic symbol of sty le.
• Oggi facc iamo “Colazione da Tiffany”
con Audrey Hepburn. Caffé nero e croissant
da passeggio, a l l ’a lba, sul marc iapiede del la
F i f th Avenue, in tubino nero di Givenchy,
f i l i d i per le e occhia l i Wayfarer Ray Ban con
montatura di tartaruga. Ci fa da sottofondo
i l suono del la splendida Moon River.
Qui, r i lassati sul nostro divano, sf ioriamo la pel le
dei cusc in i e c i godiamo questa scena che ha
consacrato una vera e propr ia icona di st i le .
44 tiffany 45
tiffany 4746 tiffany
48 tiffany
The back cushions lift up turning into comfortable headrests.
Gli schienali si sollevano trasformandosi in comodi poggiatesta.
50
carnaby
• Evert t ime I get to Carnaby Street,
my thought goes to The Beat les and to my
f i rst t r ip to London, long t ime ago.
T ime does not pass by, the charm of this road
rests intact, everything has a different rhythm,
calm and re laxed.
Every moment I spend in my Carnaby sofa
gives me the same feel ing, the same emotions,
t ranqui l i ty and re lax. Comfortable, looking
forward to my next tr ip to Carnaby Street.
• Ogni volta che arr ivo in Carnaby Street
i l mio pensiero va a i Beat les e a l pr imo v iaggio
a Londra, tanto tempo fa. Per me qui i l tempo
non passa, i l fasc ino di questa strada r imane
inalterato negl i anni , tutto ha un r i tmo diverso,
più tranqui l lo, r i lassato.
Ogni momento che trascorro sul mio divano
Carnaby mi trasmette le stesse sensazioni ,
t ranqui l l i tà e re lax. Comodo, pregustando i l
pross imo appuntamento a Carnaby Street.
carnaby 51
carnaby 5352 carnaby
bond 55
bond
• Events at the Halcyon Gal lery are a lways an
opportunity to evaluate the latest work of the most
important contemporary art ists , f rom the rest ,
between Mayfair and Piccadil ly, the auction house
of Sotheby's was establ ished s ince 1744. This i s
the area where important business deals took
place, then as now; the great London "Developers"
certa inly knew what they were doing. I 've
a lways found Bond Street to be so dynamic, so
exclus ive and always exc it ing. Bond is amazing.
• Gli appuntamenti del l ’Halcyon Gal lery sono
sempre un’occas ione per valutare gl i u l t imi
lavor i dei p iù important i art ist i contemporanei ,
del resto qui , t ra Mayfair e P iccadi l ly, la casa
d’aste Sotheby’s era già att iva f in dal 1744.
In quest’area poi s i sono sempre fatt i grandi
affar i e, a l lora come oggi , i grandi “Developers”
londines i sapevano i l fatto loro. Bond Street
mi assomigl ia, cos ì d inamica, cos ì esc lus iva,
sempre emozionante. Bond è sorprendente.
54
bond 5756 bond
58 bond bond 59
Bond: accuracy of volume and balance of proportions.
Bond: esattezza dei volumi ed equilibrio delle proporzioni.
soleado 6160
soleado
• The total f reedom to choose. To go with the
f low or to change course. To surf the open seas,
without l imitat ion, enjoy ing the endless space,
wind and sun. The same feel ing of freedom, the
chance to mold your own space and to relax and
enjoy i t , changing the distr ibut ion of this space
with a s imple movement. Soleado knows how to
sat isfy our des i res and dreams.
• Totale l ibertà di scegl iere. Assecondare le
corrent i o decidere di cambiare direz ione.
Navigare in mar i apert i , senza l imit i , godere
del lo spazio inf in i to, del vento, del sole.
La stessa sensazione di l ibertà, la poss ib i l i tà di
scegl iere i l propr io spazio, d i v iver lo in modo
informale , cambiandone la conf iguraz ione con
un sempl ice movimento. Soleado sa assecondare
i nostr i des ider i e i nostr i sogni .
soleado 6362 soleado
soleado 6564 soleado
66 soleado
The Soleado sofa is elegantly covered in Piuma leather upholstery E515.
La pelle Piuma E515 veste elegantemente il modello Soleado.
swing
• Reading the f i rst book on Golf technique
from 1687 i t i s amazing to see how s imi lar the
way to interpret the "swing" was then with
respect to how we conceive i t today. This
further conf i rms that the game of golf i s based
on s imple concepts and movements, which
above al l , are natural . S imple, just l ike the l ines
and volumes of the Swing Sofa and natural as
the colour ranges which dress the sofa i tse l f .
• Leggendo i l pr imo l ibro di tecnica del Golf
del 1687 è incredibi le notare quanto s imi le
fosse i l modo di interpretare lo “swing”
r ispetto a come lo concepiamo oggi . Questa è
l ’ennesima conferma che i l g ioco del golf s i
basa su concett i e movimenti sempl ic i e
soprattutto natural i . Sempl ic i propr io come le
l inee ed i volumi del model lo Swing e natural i
come le gamme cromatiche e le pel l i con cui
vest i re i l propr io divano.
68 swing 69
swing 7170 swing
swing 7372 swing
king 75
king
• It's the key piece on the chessboard. Al l
strategies of the game revolve around i t : to
c lever ly a im for v ictory, beat ing the opponent
with a decis ive move and, f inal ly, to del iver
checkmate. The King sofa is without a doubt,
the absolute master of your l iv ing space.
Honouring i ts name, i t welcomes you with
open arms and wraps i tse l f around you,
offer ing protect ion and surrounding you with
the attent ion that only a k ing can give.
• È i l pezzo chiave del g ioco. Attorno al la sua
f igura ruotano tutte le strategie del la part i ta:
puntare abi lmente a l la v i t tor ia, battere
l ’avversar io con una mossa decis iva ed, inf ine,
dare scaccomatto. King è padrone assoluto del
suo spazio, senza compless i e compromess i .
Forte del suo valore t i accogl ie benevolo, t i
abbraccia, t i protegge, t i c i rconda di attenzioni
come solo un vero re sa fare.
74
king 7978 king
bel levue
• To reach out and feel that you can almost
touch the sea. A few steps separate the terrace
from the beach and the warm, welcoming sand.
Long walks a long the shore, this undef ined
boundary which is a lways in motion, of an
unknown colour, ranging between pear l and
si lver. To return after a short whi le to the
terrace and our Bel levue to enjoy a cool dr ink,
to watch the sunset. Immersed in a dream.
• Allungare un braccio ed avere la sensazione
di toccare i l mare. Pochi gradini separavano la
terrazza dal la spiaggia, dal la sabbia t iepida,
accogliente. Lunghe passeggiate sul bagnasciuga,
questo confine indefinito, sempre in movimento,
di un colore imprecisato, f ra i l madreper la e
l ’argento. Poi bastava un att imo per tornare
sul la terrazza di Bel levue e r infrescars i con un
aper i t ivo ghiacciato, guardare i l t ramonto.
Immers i in un sogno.
80 bellevue 81
bellevue 8382 bellevue
84 bellevue
Nubuk in natural shades: a second skin feeling within Gamma.
Il Nabuk in tonalità naturali: la sensibilità delle pelli secondo Gamma.
twist 87
twist
• Ian F leming's James Bond appeared for the
f i rst t ime in 1953, in "Casino Royale". In one
of the most intense moments of the romance,
Bond orders at the bar of the Casino, a Vesper
Mart in i in memory of Vesper Lynd, a Bond gir l
he had been in love with. Three measures of
Gordon's, one of vodka, half a measure of white
vermouth, an ol ive and a twist of lemon.. . a l l
"shaken", not st i r red.
• Per la prima volta nel 1953 in “Casino Royale”
di Ian F leming compare James Bond. In uno dei
momenti p iù intensi del romanzo Bond ordina,
a l bar del Cas ino, un Vesper Mart in i in memoria
di Vesper Lynd, bondgir l d i cui l ’agente 007 era
innamorato. Tre part i d i Gordon’s Gin, una
parte di Vodka, mezza parte di Vermouth
bianco, un’ol iva e un twist d i l imone.. . i l tutto
r igorosamente “agitato”, non mescolato.
86
twist 8988 twist
twist 9190 twist
mokambo
• There is a table reserved at Mokambo.
She placed her purse down on i t , sat a lone for a
whi le and quickly rose on her feet as Ale jandro
invited her to dance a tango, a milonga, and then
a waltz. A whir l ing of glances, of sensual i ty.
Bodies touch, move away and come together
again, the resolute steps now become languid,
drama now dances with pass ion. And then, a
storm of applause.
• Al Mokambo c’è un tavol ino r iservato.
Ha appoggiato la borsetta, s i è seduta solo un
att imo e s i è subito a lzata perchè Ale jandro l ’ha
inv i tata a bal lare: un tango, una mi longa, poi
ancora un valzer. Un vort ice di sguardi , d i
sensual i tà. I corpi s i toccano, s i lasc iano e s i
r iprendono, i gest i decis i ora s i fanno languidi ,
i l dramma ora bal la con la pass ione. E inf ine un
uragano di applausi scrosc iant i .
92 mokambo 93
mokambo 9594 mokambo
Mokambo with chaise longue: generous size and great comfort.
Mokambo con chaise longue: dimensioni generose e grande comfort.
mokambo 9796 mokambo
98
laguna
• It is hard to imagine that there is , on this
earth, a c i ty that can remain unchanged over
t ime as Venice. But i f the façades, churches,
br idges are a lways those of the past , the true
heart of the c i ty str ives to keep pace with
contemporary l i fe. Here, as a lways, there is no
shortage of creat ive dar ing: dur ing the ear ly
1900's, Mariano Fortuny contributed significantly
to the development of contemporary des ign.
• È diff ic i le immaginare che es ista, su questa
terra, una c i t tà capace di r imanere inalterata
nel tempo come Venezia. Ma se le facc iate, le
chiese, i pont i sono sempre quel l i d i un tempo,
i l vero cuore pulsante del la c i t tà s i sforza di
mantenere i l passo con la contemporaneità.
Qui , da sempre, non mancano esempi di
grande audacia creat iva: a l l ’ in iz io del ‘900
Mariano Fortuny contr ibuì s ignif icat ivamente
al lo sv i luppo del des ign contemporaneo.
laguna 99
laguna 101100 laguna
laguna 103102 laguna
saint tropez
• It a l l starts at Bodega, fac ing the harbour, a
restaurant- lounge with beaut i ful and essent ia l
contemporary furniture. You have something to
dr ink, l i s tening to the blues in the background
unti l 2, then everyone goes to the c lub, the
temple of the show-biz, the disco "de la jeuness
dorée de la côte". Gir ls dressed in Dior or Dolce
and Gabbana laugh and dr ink Cr ista l , and let
themselves go more and more towards endless
night, here in Saint Tropez. On my Saint Tropez.
• Tutto comincia a l Bodega, di f ronte a l porto:
un r isto- lounge con un bel arredamento
contemporaneo ed essenzia le. S i beve qualcosa
con un sottofondo blues f in verso le 2, poi
tutt i verso i l c lub, i l tempio del lo show-biz,
la discoteca “de la jeunesse dorée de la côte”.
Ragazze in Dior o Dolce e Gabbana r idono e
bevono Cr ista l , e s i lasc iano andare sempre di
più verso la notte inf in i ta, qui a Saint Tropez.
Sul mio Saint Tropez.
104 saint tropez 105
106 saint tropez saint tropez 107
saint tropez 109108 saint tropez
herman
• Man has no tasks except one: to f ind the way
to himself , to discover his own dest iny – not
an arbitrary one – and l ive i t out whol ly and
resolutely within himself . . . .Many t imes I had
fantas ized about my future, about becoming a
painter or poet or prophet, or something similar.
Nothing of the sort . . . .Al l that is secondary.
The genuine vocat ion of each man is to f ind
the way to himself .
• Per gl i uomini non esiste nessunissimo dovere,
tranne uno: cercare se stess i , consol idars i in sé,
procedere a tentat iv i per la propr ia v ia ovunque
essa conduca. . . .Molte volte avevo fantast icato
sul mio futuro, poeta o profeta o pittore o
qualcosa di s imi le. Niente di tutto c iò. . . .Tutto
ciò è secondar io. La vera vocazione di ognuno
è una sola, quel la di conoscere se stess i .
(Hermann Hesse)
110 herman 111
herman 113112 herman
114 herman herman 115
lounge 117116
lounge
• Elegant palaces, grand boulevards interspersed
by tree- l ined squares. In fact , i t i s just what
Haussmann had in mind when he oversaw the
construct ion of new cit ies in the mid-nineteenth
century. Such a context can only give r ise to
st imul i , advice, endless suggest ions, everyone
can express in their own language the beauty
and qual i ty that can be breathed in by just
walk ing aimless ly around the c i ty.
• Palazz i e legant i , affacc iat i su grandios i
boulevard inframmezzat i da piazze a lberate. In
effett i è propr io quel lo che Haussmann aveva
in mente quando sovr intendeva al la costruzione
del la nuova c i t tà a l la metà del l ’ottocento.
Un tale contesto non può che dare vita a st imoli ,
sugger imenti , suggest ioni inf in i te, ognuno può
tradurre nel la propr ia l ingua la bel lezza e la
qual i tà che qui s i respira sempl icemente
camminando senza meta apparente per la c i t tà.
lounge 119118 lounge
avenue
• Out of the corner of his eye Gatsby saw that
the blocks of the s idewalks real ly formed a
ladder and mounted to a secret place above
the trees – he could c l imb to i t , i f he c l imbed
alone, and once there he could suck on the
pap l i fe, gulp down the incomparable mi lk
of wonder.
• Con la coda del l ’occhio, Gatsby vedeva che
gl i edif ic i sui marc iapiedi cost i tu ivano una vera
e propr ia scala e sa l ivano a un luogo segreto
a l d isopra degl i a lber i ; poteva arrampicarv is i ,
se lo faceva da solo, una volta in c ima avrebbe
potuto succhiare la l infa del la v i ta, t rangugiare
i l latte incomparabi le del la meravigl ia.
(Francis Scott Fitzgerald - The Great Gatsby)
120 avenue 121
avenue 123122 avenue
pretty
124 les étoiles 125
les étoi les
• Listen to music with your soul .
Don't you feel an inner being awakening
within you? I t i s because of him that you ra ise
your head, your arms r ise up, you s lowly walk
towards the l ight. This awakening is the f i rst
step of dancing as I conceive i t .
• Ascoltate la musica con l 'anima.
Non sent i te un essere inter iore che v i s i
r i svegl ia dentro? È per lu i che la testa v i s i
dr izza, che le braccia s i sol levano,
che camminate lentamente verso la luce.
E questo r isvegl io è i l pr imo passo del la danza
come la concepisco io.
(Isadora Duncan)
tul ip
tul ip les étoiles 127
128 les étoiles
dol ly
dol ly
oyster
oyster
les étoiles 131
les étoiles 133132 les étoiles
carr iekate
les étoiles 135
moon
moon
136
technical sheets
• The purpose of a product range is as important
as the beauty and qual i ty of the mater ia ls used.
Al l models respond in an excel lent manner to
the issues of modular i ty thanks to extensive
modular i ty, composit ions with a chaise longue,
corner modules, daybeds, easy to use
mechanisms for vary ing the depths and heights
of back seats, being able to create, therefore,
an inf in i te var iety of conf igurat ions.
With the models from Gamma's col lect ion, i t 's
poss ib le to create a bespoke and unique l iv ing
space l ike no other.
• La funzione di un prodotto Gamma è importante
come la bel lezza, come la qual i tà dei mater ia l i .
Tutt i i model l i danno eccel lent i r i sposte a i temi
del la componibi l i tà grazie ad ampie modular i tà,
composiz ioni con chaise longue, angolar i ,
daybed, meccanismi di fac i le ut i l izzo per var iare
profondità di sedute e a l tezze di schienal i
potendo real izzare, quindi , un ventagl io
inf in i to di conf igurazioni .
Con i model l i del la col lezione Gamma è possibi le
costruire uno spazio che somigl ia solo a se
stess i e a nessun altro.
technical sheets 139138 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 56 cm - 22".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Seat depth 68 cm - 27".
technical sheets 141140 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 58 cm - 23".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 58 cm - 23".
technical sheets 143142 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 56 cm - 22".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 57 cm - 22".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 57 cm - 22".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 57 cm - 22".
technical sheets 145144 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups Y - J.
Seat depth 66/107 cm - 26"/42".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - J.
Seat depth 60 cm - 24".
technical sheets 147146 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 57 cm - 22".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 56 cm - 22".
technical sheets 149148 technical sheets
technical sheets 151150 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 62 cm - 24".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups Y - J.
Seat depth 66/106 cm - 26/42".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 56 cm - 22".
technical sheets 153152 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner pieces E01, CON and E20 are odd pieces and can be used with all above groups X - Y - J.
Seat depth 57 cm - 22".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - Y - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - Y - J.
Seat depth 59 cm - 23".
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - J.
Seat depth 56 cm - 22".
technical sheets 155154 technical sheets
Seat depth 56 cm - 22".
Seat height 44 cm - 17".
Seat depth 54 cm - 21".
Seat height 41 cm - 16".
Seat depth 56 cm - 22".
Seat height PNA 40 cm - 16".
Seat height POL 38 cm - 15".
Seat depth 60 cm - 24".
Seat height PNA 42 cm - 17".
Seat height POL 44 cm - 17".
Seat height POS 46 cm - 18".
Seat depth 62 cm - 24".
Seat height 41 cm - 16".
Seat depth 50 cm - 20".
Seat height 41 cm - 16".
technical sheets 157156 technical sheets
Dimensions: the first figure shows sizes in centimeters, the second in inches.
Each piece is made by hand and has its own uniqueness. Measures may vary with a tollerance up to 3%.
Mixing above groups (X - J) will create sectionals with different seat widths.
Corner piece E01 is an odd piece and can be used with all above groups X - J.
Seat depth 57 cm - 22".
larch sherwood oak
Top finish – Finiture del piano
chrome dark chrome metallic grey metallic anthracite RAL 9003 - signal white RAL 7044 - silk grey RAL 3005 - wine red RAL 8019 - grey brown RAL 9005 - jet black
Metal legs finish – Finiture piedi in metallo
Wood top covered in leather.
Painted metal base.
Chrome base or black chrome base available on up-charge.
Wood top.
Painted metal base.
Chrome base or black chrome base available on up-charge.
Hard wood frame covered in leather.
Glass top.
Chrome metal base or painted metal base.
Black chrome base available on up-charge.
technical sheets 159158 technical sheets
HEADQUARTER
GAMMA ARREDAMENTI INTERNATIONAL Spa
Via P i tagora, 3 – 47121 For l ì (FC) – I ta l ia
Ph. +39 0543 708311 – Fax +39 0543 701795
info@gammarr. i t
U.S.A.
GAMMA Inc.
520 South Hamilton Street
High Point, NC 27260
Ph. 336 886 8060 – Fax 336 886 8059
www.gammarr. it