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Gathering Audio Gathering Audio Metadata for the Metadata for the Monterey Jazz Festival Monterey Jazz Festival Concerts Concerts OLAC 2006 OLAC 2006 By Nancy J. By Nancy J. Hoebelheinrich, Stanford Hoebelheinrich, Stanford University Libraries University Libraries

Gathering Audio Metadata for the Monterey Jazz Festival Concerts OLAC 2006 By Nancy J. Hoebelheinrich, Stanford University Libraries

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Page 1: Gathering Audio Metadata for the Monterey Jazz Festival Concerts OLAC 2006 By Nancy J. Hoebelheinrich, Stanford University Libraries

Gathering Audio Gathering Audio Metadata for the Metadata for the Monterey Jazz Festival Monterey Jazz Festival Concerts Concerts

OLAC 2006 OLAC 2006

By Nancy J. Hoebelheinrich, By Nancy J. Hoebelheinrich, Stanford University Libraries Stanford University Libraries

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Workshop GoalsWorkshop Goals

Surface issues associated with Surface issues associated with gathering MD req’s for access & long gathering MD req’s for access & long term preservation of audio filesterm preservation of audio files

Demonstrate how to use METS for Demonstrate how to use METS for content packaging &content packaging &– MODS for description & retention of logical MODS for description & retention of logical

& physical structures of digital audio & physical structures of digital audio objectsobjects

– PREMIS for preservation MDPREMIS for preservation MD– AES Draft Data Dictionary & JHove for AES Draft Data Dictionary & JHove for

Format MDFormat MD

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Monterey Jazz Festival Monterey Jazz Festival Project DescriptionProject Description Multi-year, multi-part project initiated Multi-year, multi-part project initiated

jointly by Stanford University Libraries jointly by Stanford University Libraries and the Monterey Jazz Festivaland the Monterey Jazz Festival

Goal to preserve and provide access to Goal to preserve and provide access to approximately 750 original audio and approximately 750 original audio and 92 original video recordings 92 original video recordings

Recordings Recordings – Date from 1958 to present Date from 1958 to present – Document the world's longest running jazz Document the world's longest running jazz

festivalfestival

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Project Description, Project Description, cont.cont. Grant funding provided by:Grant funding provided by:

– Grammy FoundationGrammy Foundation– National Historic Publications and National Historic Publications and

Records CommissionRecords Commission– Save America’s Treasures. Save America’s Treasures.

Current timeline: October 1, Current timeline: October 1, 2005 – September 31, 2008. 2005 – September 31, 2008.

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Collection DescriptionCollection Description

Complete collection currently comprises overComplete collection currently comprises over – 1,200 sound recordings1,200 sound recordings– 370 moving image materials 370 moving image materials – 130 linear feet of paper-based records of the founding 130 linear feet of paper-based records of the founding

organization organization

Forms a unique collection of historic recordings of high Forms a unique collection of historic recordings of high research value, currently inaccessible to scholars due research value, currently inaccessible to scholars due to the condition and format of the materialsto the condition and format of the materials

Approximately 750 tapes have been selected to be Approximately 750 tapes have been selected to be digitizeddigitized

Formats: ¼” and ½” analog reel tape, audiocassette, Formats: ¼” and ½” analog reel tape, audiocassette, and digital audio tape. (only audio for this project)and digital audio tape. (only audio for this project)

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Intentions for Intentions for CollectionCollection Creation of master and derivative digital Creation of master and derivative digital

audio filesaudio files Augmentation of existing descriptive MD to Augmentation of existing descriptive MD to

access component level filesaccess component level files Entire digital collection will be accessible to Entire digital collection will be accessible to

listeners on Stanford campuslisteners on Stanford campus MD made accessible to the public via the MD made accessible to the public via the

SULAIR web; [selected sound clips may SULAIR web; [selected sound clips may also be available]also be available]

Deposit into preservation repository (SDR)Deposit into preservation repository (SDR)

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Descriptive / Structural Descriptive / Structural MD Req’s per curator & MD Req’s per curator & SDRSDR Retain relationships among “Retain relationships among “trackstracks” ”

or segments, or segments, tape-sidetape-side and and tapetape to to allow physical access to analog allow physical access to analog artifactartifact

Replicate physical structure, but Replicate physical structure, but also provide direct access to the also provide direct access to the logical structurelogical structure

““Find”, “identify” & “select” by tape, Find”, “identify” & “select” by tape, performer(s), performance, dateperformer(s), performance, date

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Minimal MD Req’s for Minimal MD Req’s for SDRSDR StructuralStructural Descriptive enough for minimal Descriptive enough for minimal

accessaccess Admin Admin

– Technical for AudioTechnical for Audio– PreservationPreservation– RightsRights

MD Packaged with its resourceMD Packaged with its resource

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FM Pro MD @ FM Pro MD @ beginning of projectbeginning of project Field tags = Field tags =

– Tape numberTape number– Performer (of all on given tape) by Performer (of all on given tape) by

group with individual & instrument group with individual & instrument also listed also listed

– Performance (of all songs on the Performance (of all songs on the tape, differentiated by performer)tape, differentiated by performer)

– Date of performanceDate of performance

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Extra performer

s

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Extra group performer

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Date #1

Date #2

Date

#3

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The plot thickens…The plot thickens…

How to [retain] link between How to [retain] link between Descriptive MD and “digital-Descriptive MD and “digital-physical” files??physical” files??– Assigned “markers” = virtual BE / Assigned “markers” = virtual BE /

END determined by timestampsEND determined by timestamps– Files & structural naming Files & structural naming

conventionsconventions

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Why worry about Why worry about digital object digital object structure?structure? So many filesSo many files No inherent order No inherent order

to their orderto their order Just streams of Just streams of

bitsbits

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Physical structure by Physical structure by naming convention, naming convention, hmm….hmm….                                 0001pm.wav0001pm.wav

                0001pm.sfk                0001pm.sfk                0001pm.wav.gpk                0001pm.wav.gpk                0001pm.wav.mem                0001pm.wav.mem                0001sh.wav                0001sh.wav                0001sh.mrk                0001sh.mrk                0001sh.cd                0001sh.cd                0001sh.wav.gpk                0001sh.wav.gpk                0001sh.wav.mem                 0001sh.wav.mem

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Physical structure by Physical structure by file naming w/ file naming w/ directoriesdirectories sul-dl-nas1\mjf\Batch01\040606\sul-dl-nas1\mjf\Batch01\040606\

        PM\        PM\                0001pm.wav                0001pm.wav                0001pm.sfk                0001pm.sfk                0001pm.wav.gpk                0001pm.wav.gpk                0001pm.wav.mem                0001pm.wav.mem        SH\        SH\                0001sh.wav                0001sh.wav                0001sh.mrk                0001sh.mrk                0001sh.cd                0001sh.cd                0001sh.wav.gpk                0001sh.wav.gpk                0001sh.wav.mem                 0001sh.wav.mem

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Long term storageLong term storagebetsbets Different Different naming conventionsnaming conventions Different Different directory structures, if directory structures, if

anyany Need for device & OS Need for device & OS

independenceindependence Value in “packaging” of metadata Value in “packaging” of metadata

& content together even if stored & content together even if stored separatelyseparately

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What to do?What to do?

Packaging = Packaging = Descriptive + Descriptive + StructureStructure

METS = (Logical structure METS = (Logical structure expressed as) Descriptive MD + expressed as) Descriptive MD + (Physical Structure expressed as) (Physical Structure expressed as) Structural MapStructural Map

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How does METS work?How does METS work?

Initial scope limited to objects Initial scope limited to objects comprised of text, image, audio & comprised of text, image, audio & video filesvideo files

Technical ComponentsTechnical Components– Primary XML SchemaPrimary XML Schema– Extension SchemaExtension Schema– Controlled VocabulariesControlled Vocabularies– Community based profiles Community based profiles

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METS XML SchemaMETS XML Schema

METSHeader

DescriptiveMetadata

AdministrativeMetadata

Content FileInventory

StructuralMap

Behaviors

METSDocument

Structural Link

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Structural Map is keyStructural Map is key

Digital Object modeled as logical or Digital Object modeled as logical or physical tree structure (e.g., book with physical tree structure (e.g., book with chapters with subchapters, image file with chapters with subchapters, image file with encoded text transcription file and audio encoded text transcription file and audio file of oral interview….)file of oral interview….)

Every node in tree can be associated with Every node in tree can be associated with descriptive/administrative metadata and…descriptive/administrative metadata and…

Individual/multiple files (or portions Individual/multiple files (or portions thereof) orthereof) or

Other METS documentsOther METS documents

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Associated MetadataAssociated Metadata DescriptiveDescriptive

– Endorsed XML schemas Endorsed XML schemas of these standards to of these standards to date: date: MARCXML, Dublin MARCXML, Dublin Core simple, MODS; can Core simple, MODS; can use others such as FGDC, use others such as FGDC, VRA, etc.VRA, etc.

AdministrativeAdministrative– Technical (Z39.87 for still Technical (Z39.87 for still

images, Text endorsed), images, Text endorsed), – Rights, SourceRights, Source– Digital Provenance Digital Provenance

(PREMIS endorsed)(PREMIS endorsed)

Can be associated with entire digital object or subcomponent(s)

Can be multiple instances; type used is not prescribed

Can be contained internally (as XML or binary files)

Can be contained externally by reference (using Xlink)

Provides controlled vocabularies for tags and declaration of standards used

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Ex., simple METS Ex., simple METS ObjectObject

BookDesc MD (MARC or DC or MODS)

FileX=Pg1

FileY=Pg2

Tech MD: Image

Admin MD (Digiprov)

Tech MD: Image

Admin MD (Digiprov)

Admin MD: Rights

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Ex., Audio METS ObjectEx., Audio METS Object

Audio Tape- side

Desc MD ( MARC or DC or MODS)

FileX=Track1

FileY= Track2, Track3

Tech MD: Audio

Admin MD (Digiprov)

Tech MD: Audio

Admin MD (Digiprov)

Desc MD for Track - (DC or MODS)

Admin MD: Rights

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First, descriptiveFirst, descriptive

FMPro FMPro qDC qDC MODS MODS finalDMDTemplatefinalDMDTemplate PDF PDF

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Taking advantage of Taking advantage of the technologiesthe technologies Mechanism for keeping tracks Mechanism for keeping tracks

(segments) connected to tape-side(segments) connected to tape-side– using mods:relatedItem to nest, or notusing mods:relatedItem to nest, or not– Retaining IDs from data provider – SDRRetaining IDs from data provider – SDR

Using subfields / attributes to trigger Using subfields / attributes to trigger code events, e.g., subject/genre & code events, e.g., subject/genre & title informationtitle information

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Viewing the XMLViewing the XML

SeeSee dmdSec dmdSec See See fileSecfileSec See See structMapstructMap

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Administrative MDAdministrative MD

rightsMD using PREMIS RightsrightsMD using PREMIS Rights sourceMD used AES draft data sourceMD used AES draft data

dictionary elementsdictionary elements techMD for format specific MDtechMD for format specific MD

– Preservation Master (Broadcast Preservation Master (Broadcast wave, uncompressed) (AES & Jhove)wave, uncompressed) (AES & Jhove)

– Service High (Broadcast wave, Service High (Broadcast wave, compressed) (AES & Jhove)compressed) (AES & Jhove)

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Viewing the XMLViewing the XML

SeeSee amdSec amdSec – rightsMDrightsMD– sourcMDsourcMD– techMDtechMD

For fileFor file For formatFor format

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Questions, Comments?Questions, Comments?

References:References:

Monterey Jazz Festival Monterey Jazz Festival http://www.montereyjazzfestival.org/50th/http://www.montereyjazzfestival.org/50th/

Archive of Recorded Sound MJF Collection, Archive of Recorded Sound MJF Collection, Stanford University Libraries Stanford University Libraries

http://library.stanford.edu/depts/ars/collections/jahttp://library.stanford.edu/depts/ars/collections/jazz.htmlzz.html

METS METS http://www.loc.gov/standards/mets/http://www.loc.gov/standards/mets/

Dublin Core Metadata Initiative Dublin Core Metadata Initiative http://uk.dublincore.org/schemas/xmls/http://uk.dublincore.org/schemas/xmls/

MODS MODS http://www.loc.gov/standards/mods/http://www.loc.gov/standards/mods/

PREMIS PREMIS http://www.oclc.org/research/projects/pmwg/http://www.oclc.org/research/projects/pmwg/

Audio Preservation information, see Audio Preservation information, see http://palimpsest.stanford.edu/bytopic/audio/http://palimpsest.stanford.edu/bytopic/audio/

JHove JStor / Harvard Object Validation JHove JStor / Harvard Object Validation Environment Environment

http://http://hul.harvard.edu/jhovehul.harvard.edu/jhove//

AcknowledgementsAcknowledgements

Special thanks and acknowledgement to Special thanks and acknowledgement to Hannah Frost, Media Preservation Hannah Frost, Media Preservation Librarian at SULAIRLibrarian at SULAIR

ContactContact::

Nancy HoebelheinrichNancy Hoebelheinrich [email protected]@stanford.edu

And, why are we doing this???And, why are we doing this??? MFOO29-BillieHMFOO29-BillieH MF00229-BillieH2MF00229-BillieH2