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    Messengers in the City: Media Representation and

    Wildlife Encounters in New York City

    Frank Gaughan

    Prepared for the

    Land Ethics for the Landless: Refiguring Aldo Leopold for the Urban Age

    Panel at the American Society for Environmental History Annual Meeting

    Madison, Wisconsin

    March, 2012

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    Gaughan 2

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    In the 1930s the coyotes established range was known to be west of

    the Mississippi River and concentrated largely in the Great Plains region of the

    United States. It is from this region that the animalcanis latransderives its

    colloquial names, the prairie or brush wolf.1 By the early 20th century, the

    coyotes larger cousincanis lupusor the grey wolfhad been extirpated from

    most of the United States.2 In fact, biologists estimate that the grey wolf has

    lost 42% of its North American range due to development, habitat

    fragmentation, and predator removal programs that began with European

    colonization and intensified with the expansion of the ranching industry in the

    19th century. While subject to similar removal programs, the coyote has

    increased its range by 40 percent over this same period.3

    Today, the animal is

    an established presence throughout North America, and the ease with which it

    has traversed the urban/rural gradient challenges assumptions about the

    1 Stanley P. Young and Hartley H.T. Jackson, The Cleaver Coyote, 3.

    2 David L Mech, The Wolf, 32-33; Hank Fischer, Wolf Wars. 10-23; Cat Urbigkit,

    Yellowstone Wolves, 21-28.

    3Andrea S. Laliberte and William J. Ripple, Range Contractions of North

    American Carnivores and Ungulates, 126.

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    antithetical relationship between urban development and the natural world.4 As

    one advances, the other is expected to recede, yet in this case an animal

    strongly associated with both Native American creation narratives and frontier

    folklore has expanded its range by moving toward big cities such as Tucson,

    Los Angeles, San Francisco, Portland, Vancouver, Chicago, Boston, and New

    York City. A highly adaptable species, the coyote finds suitable habitat in these

    and other urban locales. In some cases, the animal finds itself not just within

    the city limits but in the very center of urban space. In Portland, a coyote

    boarded a commuter train, taking a window seat after being chased from the

    airport tarmac.5 In Chicago, the animals have been captured in the downtown

    loop; and in New York, one of several coyotes captured was found hiding under

    a car outside the Holland Tunnel.6

    Such encounters undermine long-held expectations for resident, urban

    wildlife, which mostly consist of small birds and mammalspigeons, squirrels,

    4Stanley D. Gehrt and Seth P.D. Riley, Coyotes (Canis latrans), in Urban

    Carnivores, 79-81.

    5 Airline Industry Information, "Coyote hops on train at Portland airport.

    6Shamus Toomey, Animal attraction; Coyote strolls into downtown Quiznos,

    The Chicago Sun-Times, Apr 4, 2007; James Barron and Karen Zraick, TriBeCa Coyote

    Captured! New York Times, Mar 25, 2010.

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    and rats, for example. Even the common raccoon appears strange in some

    cities, so much so that its presence occasions hyperbolic or sarcastic media

    coverage, such as the 2010 story in New YorksVillage Voice: Crazed Raccoon

    Alert! Rabid Animals Target Central Park. A related Voicearticle notes that No

    one's been attacked [by raccoons] since winter, but watch out, they're lurking.

    At least they don't know how to use weapons, yet.7 In context, the headline

    seems more comedic than sensationalist. Few reasonable readers will think

    raccoons have targeted the city or that they lurk in dark places fashioning

    tree branches into weapons, but such exaggerations discourage readers from

    thinking about urban space as a type of habitat and maintain the illusion that

    cities are alienated from the natural world.8

    Media coverage of urban coyote

    encounters follows a similar trajectory by relying on blends of exaggeration,

    humor, and sensationalism to mask the discomfort that the animals presence

    prompts.

    7Elizabeth Dwoskin, Crazed Raccoon Alert! Village Voice, 18 Feb 18, 2010 and

    Leslie Minora, New York's Wild Kingdom Is Going Batshit: Child-Eating Coyotes, RabidRacoons, Sexin' Birds, Village Voice, Jul. 2 2010.

    8J. Baird Callicott, The Conceptual Foundations of the Land Ethic,in A

    Companion to A Sand County Almanac: Interpretive and Critical Essays, 210; Clark E.

    Adams and Kieran J. Lindsey, Introduction to A New Wildlife Management Paradigm

    in Urban Wildlife Management, 2nd ed, xix-xxxiii.

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    There are, of course, humorous elements to some encounters. In 2007, a

    coyote walked into a Quiznos sandwich shop in Chicagos downtown loop,

    attempted to jump the counter during lunch service and eventually settled into

    the cooler, sitting with the soft drinks until animal control arrived.9 The reporter

    covering the story dispensed with the traditional inverted triangle format and

    invoked, instead, the stand-up routine in the first sentence: So a coyote walks

    into a Quiznos. But humor dissipates rapidly when coyotes come into conflict

    with humans and, more often, with their domestic pets.

    As the animals move closer in proximity to large population centers, such

    conflicts can be expected to increase. For example, an analysis of Chicago-

    area newspapers reporting human/coyote conflicts found that the number of

    articles published on the subject increased by nearly 400 percent between 1985

    and 2006.10 In a related study, Stanley Gehrt contends that the reality of urban

    coyote ecology is at odds with media representations. 11 That is, a typical urban

    coyote is unlikely to make news because its presence is unremarkable. In fact,

    9 See note 6 above.

    10Lynsey A. White and Stanley D. Gehrt, Coyote Attacks on Humans in the

    United States and Canada, 420.

    11 Stanley D. Gehrt, Ecology of coyotes in urban landscapes, 309.

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    Gehrt finds the animals well-suited to city life. On average, 62-74 percent of

    coyotes survive a given year in urban areas.12 They tend to avoid human contact

    and vehicle collisions, their primary cause of mortality, by shifting from diurnal

    to nocturnal activity. While more studies are needed, radiotelemetry data

    suggest that urban coyotes tend to avoid people, even if their home range

    includes a populated residential or commercial area.13

    While most coyotes avoid people, they have a long and successful track

    record of making behavioral and even biological adaptations in response to

    human settlement and built environments. In the early 1900s, coyotes began a

    decades-long movement eastward, following routes to the north and south of

    the Great Lakes.14

    The suppressed wolf population in Canada and the absence

    of wolves in the most of the United States combined with agricultural land uses

    to make an inviting habitat. Along the northern route, the coyote hybridized

    with eastern wolves, canis lupus lycaon, and the result was a larger animal. The

    eastern coyote averages 36-32 pounds, whereas its western counterpart weighs

    12 Ibid., 305.

    13 Ibid., 307.

    14 Gerry Parker, Eastern Coyote, 20.

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    26-23 pounds.15 This larger size allows the coyote to successfully hunt white-

    tailed deer in addition to its more frequent meals of rodents and snowshoe

    hares. Thus, the eastern coyote fills an ecological role left vacant by the

    extirpation of wolf in the United States. By the 1930s, the eastern coyote had

    established enough of a presence for hunters, trappers, and game wardens to

    take notice of a new animal in the northeast.

    Newspaper reports of these early encounters provide context for

    understanding the presentation of the urban coyote today. The contemporary

    news may use humor to deflect discomfort at the animals presence in the city,

    but popular representations in the 1930s describe the coyote and other

    mammalian predators as vermin, varmints, or enemies of the good

    animalsgame birds, deer, and livestock. Thus, in the 1930s, the coyotes

    arrival into a new habitat was framed as either a bizarre circumstance or an

    occasion for impending terror. In 1937, the Daily Boston Globereports on

    Maine game wardens who trapped a 32 pound Westerncoyote. To explain its

    presence so far east, the wardens speculated that the animal had escaped from

    15 Jonathan G. Way, A Comparison of Body Mass of Canis latrans (Coyotes)

    Between Eastern and Western North America, 116.

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    a menagerie or circus.16 In 1934, the New York Timesfiled a similar story in

    which Homer Mallow, a Pennsylvania hotel manager, reported a wolf sighting to

    the state game warden, Harry Meiss. The warden reacted incredulously, but

    Mallow was adamant, and offered to bet Meiss one-thousand dollars that the

    animals were in the vicinity of his hotel. Not to be outdone, Warden Meiss took

    the bet and, in addition, offered to chew the ear off any wolfor coyote that

    Mallow found in the state. To the wardens surprise, two of the marauders

    were killed and Mallow arranged to procure one of the pelts and confirmed that

    the animals were, in fact, coyotes. In fulfillment of the wager, Mallow had the

    ear of one of the beasts prepared, and planned to have it on hand for a dinner

    with Meiss early that February. Mallow quipped that the hefty wager might be

    waived if the warden were to give the ear a good chew.17

    16 Daily Boston Globe, Maine Game Wardens Trap Western Coyote, Jan 11,

    1937.

    17New York Times, Coyotes Ear to be Piece De Resistance at Dinner to Game

    Warden Who Lost Bet, Jan 28, 1934.

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    It is not surprising that 1930s era news features describe historically

    maligned predators as beasts and marauders or that the story emphasizes

    bizarre detailsthe wager and the chewing of the animals earover significant

    facts, such as the movement of an adaptable species with a high reproduction

    rate into a new range. The examples from Maine and Pennsylvania avoid

    consideration of natural causes and place the animal, instead, in an economic

    (and thus, civilized) context: The coyote must be a circus attraction or an

    occasion for a large wager.

    In other instances, literary and fantastic explanations appear more viable

    than natural ones. In November of 1930, the Boston Globereports the story

    Eddy Jones, who had shot a strange animal near Brockton, Massachusetts a

    town approximately 25 miles south of Boston. Although an experienced

    woodsman, Jones said he could not identify his prey. He thought, at first, it

    might have been a German Shepherd. But the action of the animal, its

    crouching and vicious air, convinced Jones that he was not facing a dog, but

    rather an animal such as he had never encountered before. A furrier identified

    the pelt as that of a coyote, or as the Globeputs it: a stealthy creature of the

    western plains. The report then takes a literary turn, noting that the blood-

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    curdling cries of [the coyotes] mate could be heard at night and that residents

    are seriously considering keeping weapons handy when they retire.18 In this

    way, the Globesreport transforms the coyote into a supernatural presence, an

    unknown creaturevicious, cowardly, and stealthy. The audible and blood-

    curdling presence ofits mate suggests an impending vengeance, prompting

    residents to sleep with weapons. To tell such a story, the Globeaccount relies

    more upon a store of popular representations about vengeful animals than it

    does upon actual circumstance. Ernest Thompson Seton's popular narrative of

    wolf hunting in New Mexico provides an informing model. In Lobo the King of

    Currumpaw, Seton traps the outlaw wolf, Lobo, by first trapping and killing his

    mate, Blanca. Afterwards, an enraged Lobo follows the cowboys to their ranch.

    Seton writes, Whether in hopes of finding [Blanca] there, or in quest of

    revenge, I know not (37).19 The resemblance between the two tales ends there,

    however. Seton experiences great remorse for his actions. His connection with

    Lobo is such that he cannot bring himself to kill the animal; the trapped wolf,

    instead, dies of its wounds, which include a broken heart. Setons talelike

    18Daily Boston Globe, Hunter Found To Have Shot Coyote: Strange Animal

    Bagged In Woods Near Brockton,Nov 27, 1930.

    19 Ernest Thompson Seton, Wild Animals I Have Known. 37.

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    Aldo Leopolds Thinking Like A Mountain amounts to a conversion narrative

    in which the death of the wolf prompts the hunter to see nobility in the prey

    that had formally been maligned.

    The Globes account, by contrast, replaces sentimentality with horror.

    The coyotes blood curdling cries might just as well have been those of a

    werewolfa shape-shifting anthropomorphic creature whose wickedness marks

    the worst in humanity.20 In this way, the news item fosters not empathetic

    connection, as in Setons tale, but a journalistic version of the supernatural

    sublime. Literary critic Jack Voller uses this term to characterize works of

    gothic and romantic literature that subvert the conventional meaning of

    sublime experiences. With the supernatural sublime, the world has been

    emptied of wonder, and the presence of evil does not imply the presence of a

    counterbalancing good.21 With the divine called into question, the experience of

    awe is displaced by terror. This feeling may account for the hyperbolic reaction

    of the towns residents. One does not sleep with a weapon because there may

    20 Barry Lopez, Of Wolves and Men,230; Roderick Frazier Nash, Wilderness and

    the American Mind, 12.

    21 Jack Voller, The Supernatural Sublime, 20.

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    be a medium-sized canine in the nearby forest unless one also attributes other

    worldly powers to the animal.

    As the coyote was beginning its journey eastward, ecological perspectives

    on the importance of predators were only just emerging. For example, Aldo

    Leopold wrote The Conservation Ethic, in 1933a work that bears strong

    resemblance to the more famous essay, The Land Ethic, which was not to be

    published until 1949. In this early draft, Leopold emphasizes mutual and

    interdependent coperationbetween human animals, other animals, plants, and

    soils.22His categorization of humans as interdependent animals, marks a

    significant shift from earlier statements, such as his 1915 essay, The Varmint

    Question, in which he favors predator eradication over mutualism and writes

    that predators eat the cream off the stock growers profits.23 The term varmint

    also carries moralistic implications. David Worster notes that the word has been

    reserved for those species that plumb the depths of depravity. 24 Following

    Leopolds turn to ethics, he makes statements that favor predators such as his

    22Aldo Leopold, Conservation Ethic, The River of the Mother of God and Other

    Essays by Aldo Leopold, 183.

    23Ibid., The Varmint Question, 47.

    24 David Worster, Natures Economy, 260.

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    advocacy for grizzly bear habitat in 1936, but it is not until 1939, in A Biotic

    View of Land, that he offers a direct challenge to the long-established

    categorization of animals into useful and harmful classes: The only sure

    conclusion is that the biota as a whole is useful. . ..25

    Perhaps benefiting from these and related perspectives on predation,

    contemporary media accounts of the urban coyote do not typically describe the

    animal as a varmint, beast, or marauder, but they still struggle to make

    cultural sense of the coyotes success in the city. As the animal moves ever

    closer to the center of the modern cities, it must once again be refigured. In

    New York City, one of the dominant metaphors appears to be the Warner

    Brothers cartoon character, Wile E. Coyotea figure who is more hapless than

    depraved. His inability to catch the elusive road runner masks Wile E.s

    predatory roots and also serves to elicit sympathy for him.

    New York-based news accounts detailing the pursuit of Central Park

    coyotes in both 1999 and 2006 make specific or implied references to Wile E. or

    the cartoon itself. One article notes that the coyote turned roadrunneras the

    25 Aldo Leopold, Means and Ends in Wild Life Management, and A Biotic View

    of Land, in The River of the Mother of God, 236 and 267, respectively.

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    tawny-colored critter slip-slided across the Wollman Rink ice to elude his

    pursuers and their nets.26 Another article coyote emphasizes the awkward

    efforts to corral the animal: [The] final chasehad all the elements of a Road

    Runnercartoon, with the added spectacle of television news helicopters

    hovering overhead, trailing the coyote and the out-of-breath posse of police

    officers, park officials and reporters trailing it.27 In other instances, the Warner

    Brothers reference is more subtle, such as when the adjective wily is applied

    to the animal: The wily coyote led parks officials and police officers on a wild

    chase through Central Park last month.28 Another article notes that the coyote

    of 1999 was a wily survivor29 after being captured and relocated to a zoo in

    Queens, New York. The 2006 coyote was not so lucky, dying shortly after

    capture from the combined stress of human handling, heartworms, and the

    ingestion of rodenticide.30

    26 Lisa l. Colangelo, Alison Gendar and Corky Siemaszko, Coyote Finally Is

    Outfoxed. Cops Get Runaround, The Daily News, 23 Mar 23, 2006.

    27James Barron, A Coyote Leads a Crowd on a Central Park Marathon, NewYork Times, March 23, 2006.

    28 Joe Mahoney and Lisa L. Colangelo, Stress Killed Coyote Too Much Handling,

    Worms Are Blamed, Daily News, April 8, 2006.29Corey Kilgannon, Neighborhood Report: Corona; Coyote, A Wily Survivor, Is

    Alpha At His Zoo Home, New York Times, March 19, 2000.

    30 See note 28.

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    It is fair to say that most urban residents have never seen a coyote,

    except perhaps in a zoo. So initial efforts to reconcile the anomalous

    appearance of this animal into the cityscape rely upon comforting references to

    a familiar, lovable, but hapless cartoon character. Like its real-life inspiration,

    Wile E. Coyote is a predator; the difference, of course, is that he is not a very

    good one. The energy expended chasing the road runner and assembling

    contraptions purchased from the Acme corporation far outweighs any caloric

    gain that would follow from a successful catch. Wile E.s interest in the road

    runner is driven more by emotion and frustration than by hunger. During the

    chase, he relies not on his instincts but on upon flawed technologies and plans

    that typically become more and more complex as the episode progresses. In

    this regard, at least, the above news report is correct in noting that the coyote

    has turned road runner.

    This rhetorical switch suggests that city residents have turnedWile E.,

    expending energy and resources in ways that are out of proportion to the

    quarry at hand. In 2006, officials chased the coyote around Central Park for

    two days before finally making the catch. It is hard to imagine such a

    commitment of resources or media attention in response to, say, a feral

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    German Shepherd. Likewise, most criminal activity does not prompt the city to

    marshal helicopters and sharpshooters. Thus, it seems that the city, with the

    media in tow, was more intent on chasing the idea of a coyotea predator in

    the citythan the animal itself. The anthropomorphic qualities of Wile E. were

    not lost upon his creator, the animator and director Chuck Jones, who is also

    the creator of other notable, human-like characters: Bugs Bunny, Daffy Duck,

    and Peppie La Pew, to name but three. In his memoir, Jones attributes the

    inspiration for Wile E. to Mark Twains oft-cited description of an actual coyote

    in his 1872 travel narrative, Roughing It. When Twain first saw the animal on a

    trip to the western territories, he writes that the coyote appeared to him as a

    living, breathing allegory of Want. He is always hungry. He is always poor, out

    of luck and friendless.31 Although Jones was only seven when he first read

    the passage, he claims to have recognized the potential in Twains description

    immediately: Wile E.s frustrations and shortcomings help viewers to make

    sense of their own.32

    31 Mark Twain, The Innocents Abroad and Roughing It, 561.

    32 Chuck Jones, Chuck Amok: The Life and Times of An Animated Cartooonist,

    35-38.

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    While this sort of imaginative refiguring may help in making cultural

    sense of the urban coyote, we will be unlikely to understand the presence of the

    actual animal in our midst until we more completely understand our own role as

    human animals in habitats that we both aim and fail to control. The adaptable

    and elusive coyote seems ideally suited to challenge urban ideas about the wild

    and its constituent wildlife. While New York City has a resident population of

    coyotes in the Bronx, its northernmost borough, the three coyotes that have

    made their way to the southernmost edge of Central Park in Manhattan provide

    the most direct challenge to urban assumptions that the city can be isolated

    from natural processes. These three coyotes have all received at least some

    media attention and, fittingly, pet names: Lucky Pierre, also known as Otis, in

    1999; Hal in 2006; and JD in 2010.33 It is worth reflecting on the qualities of

    city life that drew these three coyotes to the same section of a park that spans

    over 800 acres.34 Coyotes often make use of park space, golf courses,

    greenways and other edge habitats, but the southern edge of Central Park is a

    33. For articles regarding the naming of Otis, see note 29; for Hal, see note 26.

    For articles about JD, see Robert Sullivan. "J.D. Coyote; The thrall of the wild, in Central

    Park." New York, 8 March 8, 2010.

    34 Central Park, Central Park Conservancy.

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    tree line that forms the border of the park and 59th street, one of the busiest

    thoroughfares in the center of the most populous city in the US.

    The southern edge of Central Park is a study in contrasts, and the names

    for these three coyotes are associated with the strikingly different features of

    the area. The 1999 coyote, Lucky Pierre, was so named because of his

    proximity to the Pierre Hotel, where rooms start at about $800 per night. Just

    down the block from the Pierre, visitors find the Hallet Nature Sanctuary, a

    fenced 4-acre preserve for migratory birds that is off limits to the public,

    except by guided tours.35 The 2006 coyote came to be known as Hal,

    because, like Lucky Pierre, he was spotted in the area between the Sanctuary

    and the luxury buildings along 5th

    Avenue . Finally, in 2010, the coyote dubbed

    JD takes his name from J. D. Salingers Cather in the Ryebecause the novels

    protagonist, Holden Caulfield,finds solace near the duck pond, which sits just

    beside the Hallet Sanctuary.

    From a coyotes perspective then, a four-acre bird sanctuary that is

    largely off-limits to people and situated beside a duck pond is as close to ideal

    habitat as one might hope to find in the New York area. In this way, the coyote

    35Wheeler, Jesse, Hallet Nature Sanctuary.

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    challenges not only ideas about the wild and wild life, but also ideas about

    sanctuary, an old word with strong religious connotations. The application of

    the sanctuary concept to wildlife, however, is relatively new, coinciding with the

    turn to conservation in the United States at the end of the 19th century. The

    Oxford English Dictionarycredits Arthur Pendarves Vivians 1879 collection of

    travel and hunting narratives Wanderings in Western Landwith the first usage

    of the word in this sense. Witnessing the near extinction of his quarrythe

    bisonVivian suggested setting apart certain districts as sanctuaries, within

    which the buffalo should never be molested.36 Indeed, the National Park

    System would eventually come to serve this purpose. In doing so, however, the

    sanctuary model helped to codify the idea that wildlife may be circumscribed by

    legal definitions and cultural expectations of wild, rural, and city spaces.

    Criticizing this limited view of nature in 1936, Leopold writes that [The

    park services] wildlife program is befogged with the abstract concept of

    inviolate sanctuary.37 Put another way, wildlife sanctuaries such as Hallet are

    idealized spaces that aim to create and maintain a particular relationship with

    36Oxford English Dictionary. s.v. Sanctuary.

    37 Aldo Leopold, Threatened Species in The River of the Mother of God, 232.

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    nature. One makes an appointment to see the nature in the Hallet Sanctuary;

    and after a tour, exits the space. It seems fitting, then, that Hal was sighted

    scaling the eight-foot fence designed to keep out human visitors and was later

    seen in proximity to the feathery remains of a bird: Nature had finally arrived

    at the sanctuary, and the coyote, so long reviled as a western outlaw, had found

    its way from the prairie to a space that Olmstead imagined as remedial of the

    influences of urban conditions.38

    Conflicts are inevitable as the coyote takes a place in urban locales. As

    media accounts document, coyotes have killed pets and attacked children on

    occasion. The fact that such encounters are atypical does not make their

    occurrence any less tragic or their possibility any less frightening. The coyote,

    like nature itself, disrupts us, along with our idea of sanctuary. In so doing,

    however, the coyote presents an opportunity for urban residents. Remarking on

    the character of city life, Leopold wrote that urban residents were a landless

    people, who maintained an esthetic appreciation for nature that was not

    38Frederick Law Olmstead, The Plan For the Park, In Empire City: New York

    Through the Centuries, edited by Kenneth T. Jackson and David S. Dunbar. 278-281.

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    informed by an understanding of it.39 As a consequence, environmental debates

    and policies tend to be less effective and more contentious than they should be.

    When we imagine urban spaces that allow us to co-exist with an adaptable

    predator such as the coyote, we also begin a long process of reclaiming urban

    land and connecting it with the rest of the natural world.

    39Aldo Leopold, Land Pathology. in The River of the Mother of God214.

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    Gaughan 24

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