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Tauheedul Islam Boys’ High School GCSE English WJEC English Units 1 and 2

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Page 1: GCSE English - TIBHS

Tauheedul Islam Boys’ High School

GCSE EnglishWJEC English Units 1 and 2

Page 2: GCSE English - TIBHS
Page 3: GCSE English - TIBHS

‘ Man can have nothing, but what he strives for; (The fruit of) his striving will soon come in sight: Then he will be rewarded with a complete reward.’ (surah 53:39-41)

Why are exams important?

What’s the point of revising for them?

Well one reason is that, for the first time in over 10 years of education, you will sit exams that mean something for you. When you entered primary school, you did not sit exams to get in. When you came to Tauheedul, you did not need exams to be allowed to study here. (Yes, you did exams at the end of primary school – but really that was to judge the quality of your school. After all, you didn’t get a SATs certificate did you?)

However, the exams that you sit this summer will matter - for you. They will decide whether you get to go on to study the A Level or BTEC course that you want and, ultimately, whether you enjoy the career of your choice.

So, these exams are crucial. Not just to determine what you do next, but to decide what you will be doing in another 10 years’ time. Doors of opportunity will open or they will close.

To ensure you do well in these exams, your teachers will work very hard over the next few months to deliver the learning, guide you on your revision and give you feedback on your practice exams. Your parents will free you up from the housework, encourage and praise you when you do well and pray for your success.

Critically, there are two things that your parents and your teachers cannot do for you. They cannot revise for you and they cannot sit the exams for you. Over the next four months, we want you to take personal responsibility for your grades, work hard in each and every lesson and put the time in to revise at home.

To achieve great things, we must be prepared to give up things. We may need to give up social networking for a while, stop going out so frequently and watch a little less TV. Without doubt, a little bit of sacrifice and a commitment to revision time now; will mean a lot of happiness on results’ day in late August.

To help you to revise, your English teachers have designed this revision guide for you. This will help you navigate your revision plan, your English teachers will also provide you with revision resources (mind maps, practice papers, flash cards etc). But, and I am repeating myself, they cannot revise for you.

So, no excuses, it’s over to you!

I pray that the Almighty inspires you to work hard over the next few months, make the necessary sacrifices, strive to do well in the exams and rewards you fully for your efforts, Ameen.

Wassalaam

Mubaaruck IbrahimPrincipal and Chief Executive

‘ A little bit of sacrifice and time invested now will mean a lot of happiness on results’ day….’

Foreword

Page 4: GCSE English - TIBHS

Uni

t 1:

R

eadi

ng N

on-F

ictio

n Te

xts

This

is a

ON

E H

OU

R te

st o

f you

r re

adin

g sk

ills. Y

ou s

houl

d ex

pect

4 q

uest

ions

, w

orth

10

mar

ks e

ach,

test

ing

the

follo

win

g re

adin

g sk

ills:

Spe

nd 8

min

utes

read

ing

the

two

read

ing

mat

eria

ls!

• In

form

atio

n re

trie

val (

sear

ch a

nd fi

nd)

• Im

pres

sion

s/im

ages

• V

iew

poin

t/at

titud

e•

Inte

nded

aud

ienc

e•

Ana

lysi

s of

per

suas

ive

tech

niqu

es•

Com

paris

on o

f tex

ts

Que

stio

n 1

sho

uld

be

no lo

nger

tha

n ¾

of

a si

de.

Aim

to

wri

te a

pag

e, in

re

spo

nse

to q

uest

ions

2, 3

and

4. U

se s

hort

quo

tati

ons

fo

r ea

ch q

uest

ion.

GCSE Revision Pack

Page 5: GCSE English - TIBHS

GCSE Revision PackP

urp

ose

Aud

ienc

e Ty

pe

The

best

way

to b

ecom

e an

out

stan

din

g w

rite

r is

to b

ecom

e an

out

stan

din

g

read

er fi

rst.

Sta

ge 1

in b

ecom

ing

an o

utst

andi

ng re

ader

mea

ns b

eing

abl

e to

un

der

stan

d a

nd id

enti

fy th

e p

urp

ose

, aud

ienc

e an

d t

ype

of a

ny te

xt th

at is

pu

t in

front

of y

ou to

ana

lyse

.

P is

fo

r P

urp

ose

A is

Aud

ienc

eT

is f

or

Typ

eW

hat

is t

he o

bje

ctiv

e o

fth

e te

xt?

Is it

tryi

ng to

per

suad

e th

e re

ader

to a

dopt

a p

oint

of

view

or

do s

omet

hing

?

Is it

tryi

ng to

exp

lain

so

met

hing

?

Is it

tryi

ng to

ent

erta

in?

Who

is t

he t

ext

aim

ed a

t?

A c

erta

in a

ge g

roup

?M

en o

r w

omen

?

Is it

aim

ed a

t tho

se w

ho

shar

e an

inte

rest

, con

cern

or

hobb

y?

Peo

ple

from

a p

artic

ular

pl

ace?

Peo

ple

who

buy

or

use

a ce

rtai

n pr

oduc

t?

Whe

re d

id t

his

wri

ting

ap

pea

r?

New

spap

er?

Mag

azin

e?

Inte

rnet

?

Ho

w d

oes

thi

s af

fect

the

w

riti

ng?

Page 6: GCSE English - TIBHS

GCSE Revision PackS

our

ce 1

: a n

ewsp

aper

rep

ort

by

So

phi

e B

orl

and

fro

m T

he D

aily

Tel

egra

ph

new

spap

er in

200

8

Glo

ssy

mag

azin

es fa

ce a

irbr

ush

ban

Mag

azin

es c

ould

be

bann

ed fr

om u

sing

airb

rush

ed

phot

ogra

phs

of c

eleb

ritie

s th

at m

ake

them

look

slim

mer

ov

er fe

ars

that

they

are

pro

mot

ing

unre

alis

tic b

ody

imag

es.

Edito

rs fr

om g

loss

y pu

blic

atio

ns in

clud

ing

Vogu

e, H

ello

! an

d El

le a

re to

mee

t to

disc

uss

best

pra

ctic

e on

usi

ng

digi

tally

enh

ance

d pi

ctur

es.

The

Per

iodi

cal P

ublis

hers

Ass

ocia

tion

(PPA

), w

hich

re

pres

ents

the

mag

azin

e in

dust

ry, h

as s

aid

a se

ries

of

disc

ussi

ons

will

be h

eld.

The

mov

e fo

llow

s cr

itici

sms

by th

e M

odel

Hea

lth In

quiry

, w

hich

acc

used

edi

tors

of a

ctin

g irr

espo

nsib

ly a

nd

prom

otin

g a

size

-zer

o cu

lture

.

The

repo

rt, re

leas

ed la

st S

epte

mbe

r, ur

ged

the

fash

ion

indu

stry

to a

dopt

a v

olun

tary

cod

e on

the

use

of c

ompu

ter

tech

nolo

gy to

giv

e m

odel

s un

real

istic

ally

per

fect

figu

res.

In D

ecem

ber,

the

Brit

ish

Fash

ion

Cou

ncil w

rote

to e

dito

rs

and

adve

rtise

rs a

bout

the

issu

e an

d as

ked

them

wha

t co

uld

be d

one.

The

use

of d

igita

lly-e

nhan

ced

imag

es o

f act

ress

es s

uch

as K

ate

Win

slet

and

Kei

ra K

nigh

tley

in m

agaz

ines

or t

o pr

omot

e film

s ha

s be

en c

ritic

ised

for i

ts e

ffect

on

wom

en’s

bo

dy im

age.

Win

slet

, who

has

con

sist

ently

def

ende

d fu

ller-fi

gure

d w

omen

, app

eare

d on

the

cove

r of G

Q m

agaz

ine

in a

pi

ctur

e th

at w

as a

irbru

shed

to m

ake

her a

ppea

r slim

mer

.

Kni

ghtle

y’s b

ust w

as n

otic

eabl

y en

hanc

ed o

n th

e U

S

post

ers

for t

he fi

lm K

ing

Arth

ur in

200

4.

The

PPA

ann

ounc

emen

t cam

e on

the

sam

e da

y as

an

expe

rt in

eat

ing

diso

rder

s cl

aim

ed th

at s

ocie

ty’s

obs

essi

on

with

bei

ng s

lim w

as e

ncou

ragi

ng d

iet-

bing

e cy

cles

and

bu

limia

.

Pro

f Jan

et T

reas

ure,

of t

he In

stitu

te o

f Psy

chia

try a

t Kin

g’s

Col

lege

Lon

don,

sai

d ye

ster

day

that

peo

ple’

s br

ains

cou

ld

be p

erm

anen

tly a

ltere

d in

the

proc

ess,

mak

ing

them

mor

e su

scep

tible

to o

ther

add

ictio

ns.

Glo

ssy

mag

azin

es f

ace

airb

rush

ban

Mag

azin

esco

uld

beba

nned

from

usin

gai

rbru

shed

phot

ogra

phs

ofce

lebr

ities

that

mak

eth

emlo

oksl

imm

erov

erfe

ars

that

they

are

prom

otin

gun

real

istic

body

imag

es.

Edito

rsfr

omgl

ossy

publ

icat

ions

incl

udin

gVo

gue,

Hel

lo!

and

Elle

are

tom

eett

odi

scus

sbe

stpr

actic

eon

usin

gdi

gita

llyen

hanc

edpi

ctur

es.

The

Perio

dica

lPu

blis

hers

Ass

ocia

tion

(PPA

),w

hich

repr

esen

tsth

em

agaz

ine

indu

stry

,ha

ssa

ida

serie

sof

disc

ussi

onsw

illbe

held

The

mov

efo

llow

scr

itici

sms

byth

eM

odel

Hea

lthIn

quiry

,w

hich

accu

sed

edito

rsof

actin

girr

espo

nsib

lyan

dpr

omot

ing

asi

ze-z

ero

cultu

re.

The

repo

rt,re

leas

edla

stSe

ptem

ber,

urge

dth

efa

shio

nin

dust

ryto

adop

ta

volu

ntar

yco

deon

the

use

ofco

mpu

ter

tech

nolo

gyto

give

mod

els

unre

alis

tical

lype

rfec

tfig

ures

.In

Dec

embe

r,th

eB

ritis

hFa

shio

nC

ounc

ilw

rote

toed

itors

and

adve

rtise

rsab

outt

heis

sue

and

aske

dth

emw

hatc

ould

bedo

ne.

The

use

ofdi

gita

lly-e

nhan

ced

imag

esof

actre

sses

such

asK

ate

Win

slet

and

Kei

raK

nigh

tley

inm

agaz

ines

orto

prom

ote

film

sha

sbe

encr

itici

sed

for

itsef

fect

onw

omen

'sbo

dyim

age.

Win

slet

,w

hoha

sco

nsis

tent

lyde

fend

edfu

ller-f

igur

edw

omen

,ap

pear

edon

the

cove

rof

GQ

mag

azin

ein

api

ctur

eth

atw

asai

rbru

shed

tom

ake

hera

ppea

rslim

mer

.

‘Before’and‘after’images

ofKeira

Knightleyairbrushed

forthe

film

King

Arthur.

Kni

ghtle

y's

bust

was

notic

eabl

yen

hanc

edon

the

US

post

ersf

orth

efil

mK

ing

Arth

urin

2004

.Th

ePP

Aan

noun

cem

ent

cam

eon

the

sam

eda

yas

anex

pert

inea

ting

diso

rder

scl

aim

edth

atso

ciet

y's

obse

ssio

nw

ithbe

ing

slim

was

enco

urag

ing

diet

-bin

gecy

cles

and

bulim

ia.

Prof

Jane

tTre

asur

e,of

the

Inst

itute

ofPs

ychi

atry

atK

ing'

sC

olle

geLo

ndon

,sai

dye

ster

day

that

peop

le's

brai

nsco

uld

bepe

rman

ently

alte

red

inth

epr

oces

s,m

akin

gth

emm

ore

susc

eptib

leto

othe

radd

ictio

ns.

Source 1: a

 new

spap

er re

port by Soph

ie Borland

 from

 The

 Daily Telegraph

 new

spap

er in

 200

8

‘ Bef

ore’

and

‘afte

r’ im

ages

of K

eira

Kni

ghtle

y ai

rbru

shed

for

the

film

Kin

g A

rthu

r.

Page 7: GCSE English - TIBHS

GCSE Revision PackH

ow to

ans

wer

que

stio

n 1.

..Q

uest

ion

1 –

Info

rmat

ion

retr

ieva

l (se

arch

and

find

):

Spe

nd 8

min

utes

on

this

que

stio

n.

• A

ccor

ding

to th

is te

xt o

r w

riter

, how

or

wha

t or

why

• W

hat e

vide

nce

does

the

writ

er u

se?

• W

rite

your

ans

wer

in p

arag

raph

form

sta

ting

the

reas

ons

a w

riter

giv

es fo

r th

eir

reas

ons/

impr

essi

ons

on a

giv

en to

pic.

Rem

emb

er:

It is

imp

ort

ant

to g

ain

10/1

0 o

n q

uest

ion

1. A

lway

s tr

y to

incl

ude

12 t

hing

s (ju

st in

cas

e...)

Page 8: GCSE English - TIBHS

GCSE Revision PackQ

uest

ion

1:

Info

rmat

ion

retr

ieva

lQ

uest

ion

1 –

Info

rmat

ion

retr

ieva

l (se

arch

and

find

):(s

pen

d 8

min

utes

on

this

que

stio

n)

Rea

d S

our

ce 1

Wha

t rea

sons

doe

s S

ophi

e B

orla

nd g

ive

to e

xpla

in w

hy m

agaz

ines

cou

ld b

e ba

nned

from

usi

ng a

irbru

shed

pho

togr

aphs

?

(10

mar

ks)

Page 9: GCSE English - TIBHS

GCSE Revision PackQ

uest

ion

1:

Info

rmat

ion

retr

ieva

lR

ead

So

urce

1W

hat r

easo

ns d

oes

Sop

hie

Bor

land

giv

e to

exp

lain

why

mag

azin

es c

ould

be

bann

ed fr

om u

sing

airb

rush

ed p

hoto

grap

hs?

(10

mar

ks)

• It

prom

otes

unr

ealis

tic b

ody

imag

es.

• Th

e M

odel

Hea

lth In

quiry

has

crit

icis

ed m

agaz

ines

.•

It pr

omot

es a

siz

e-ze

ro c

ultu

re.

• E

dito

rs a

re a

ctin

g irr

espo

nsib

ly.•

It gi

ves

mod

els

unre

alis

tical

ly p

erfe

ct fi

gure

s.•

The

use

of d

igita

lly-e

nhan

ced

imag

es h

as b

een

criti

cise

d fo

r its

effe

ct o

n w

omen

’s b

ody

imag

e.•

Kat

e W

insl

et w

as m

ade

to a

ppea

r sl

imm

er•

Kei

ra K

nigh

tley’

s bu

st w

as n

otic

eabl

y en

hanc

ed.

• S

ocie

ty’s

obs

essi

on w

ith b

eing

slim

enc

oura

ges

diet

-bin

ge c

ycle

s.•

Soc

iety

’s o

bses

sion

with

bei

ng s

lim e

ncou

rage

s bu

limia

.•

Peo

ple’

s br

ains

cou

ld b

ecom

e pe

rman

ently

alte

red.

• P

eopl

e co

uld

beco

me

mor

e su

scep

tible

to o

ther

add

ictio

ns.

Page 10: GCSE English - TIBHS

GCSE Revision PackTo

ne W

ords

Imag

ery

Nar

rato

rTh

e be

st w

ay to

bec

ome

an o

utst

and

ing

wri

ter

is to

bec

ome

an o

utst

and

ing

re

ader

firs

t. S

tage

2 in

bec

omin

g an

out

stan

ding

read

er m

eans

bei

ng a

ble

to

anal

yse

and

eval

uate

the

tone

, wo

rds,

imag

ery

and

nar

rati

ve v

oic

e of

any

te

xt th

at is

pla

ced

in fr

ont o

f you

.

T is

fo

r To

neW

is f

or

Wo

rds

I is

for

Imag

ery

N is

fo

r N

arra

tor

pass

iona

tefu

nny

ironi

cpo

sitiv

ech

eerfu

llig

ht-h

eart

edne

gativ

ede

pres

sing

sad

ener

getic

tens

ese

nsat

iona

l

form

alin

form

alco

lloqu

ial

emot

ive

vivi

dpo

wer

ful

dram

atic

tech

nica

l

Als

o th

ink

abou

t:pu

nctu

atio

nex

clam

atio

n m

arks

rhet

oric

al q

uest

ions

sim

iles

met

apho

rsal

liter

atio

ntr

iple

sco

lour

font

logo

spa

ragr

aphs

head

ings

stat

istic

squ

otat

ions

pict

ures

bulle

t poi

nts

first

(I/w

e)

third

(he/

she/

they

)

bala

nced

obje

ctiv

eim

part

ial

bias

edsu

bjec

tive

part

ial

Page 11: GCSE English - TIBHS

GCSE Revision PackS

our

ce 2

: a n

ewsp

aper

rep

ort

by

Lucy

Man

gan

fro

m t

he T

eleg

rap

h ne

wsp

aper

in 2

010

Bef

ore

and

aft

er: a

n o

ld-f

ashi

one

d k

ind

of

adve

rtis

ing

sca

ndal

Joh

nso

n &

Joh

nso

n h

as h

ad a

n a

d b

ann

ed f

or b

ein

g m

isle

adin

g.

Bu

t ot

her

ad

vert

isin

g s

can

dal

s h

ave

bee

n m

uch

mor

e se

riou

s.

The

road

to h

ell i

s pa

ved

with

goo

d in

tent

ions

and

a

light

dus

ting

of fa

ce p

owde

r. Th

is s

houl

d be

the

less

on

lear

ned

by J

ohns

on &

Joh

nson

this

wee

k, a

fter

an

adve

rt fo

r th

eir

Cle

an &

Cle

ar a

cne

kit w

as b

anne

d by

th

e A

dver

tisin

g S

tand

ards

Ass

ocia

tion.

It fo

und

that

th

e us

e of

mak

eup

on it

s m

odel

s cr

eate

d a

mis

lead

ing

impr

essi

on o

f the

pro

duct

’s p

ower

s.

In th

e “b

efor

e” s

hots

, the

kit’

s us

ers

look

ed li

ke n

orm

al

teen

ager

s –

heav

ing

mas

ses

of o

vera

ctiv

e se

bace

ous

glan

ds a

nd e

yes

fille

d w

ith d

espa

ir. In

the

“afte

r” s

hots

, th

ey g

low

ed li

ke th

e m

orni

ng d

ew a

nd c

ompl

aint

s w

ere

rece

ived

abo

ut th

e di

spar

ity. J

ohns

on &

Joh

nson

sa

id th

ey u

sed

only

pow

der

to p

reve

nt c

amer

a fla

re

obsc

urin

g th

e “f

ewer

spo

ts, r

educ

ed re

dnes

s an

d m

uch

clea

rer

skin

”.

It se

ems

alm

ost u

nfai

r th

at th

e co

mpa

ny h

as b

een

chas

tised

for

wha

t is,

in th

is d

ay a

nd a

ge, a

fairl

y m

inim

al in

terv

entio

n. M

ost r

ecen

t cos

met

ic a

dver

tisin

g sc

anda

ls h

ave

requ

ired

the

addi

tion

of fa

lse

part

s (C

hery

l Col

e’s

hair

exte

nsio

ns, P

enel

ope

Cru

z’s

fake

ey

elas

hes)

or

maj

or d

igita

l enh

ance

men

t (Tw

iggy

’s

peep

ers

in re

cent

ad

for

eye

crea

m w

ere

mad

e to

lo

ok li

ke s

apph

ires

the

size

of y

our

fist)

befo

re th

ey

regi

ster

ed o

n th

e pu

blic

out

rage

-om

eter

.

Plu

s, th

e be

fore

-and

-afte

r fo

rmat

is s

o en

dear

ingl

y ol

dfas

hion

ed. I

t rec

alls

the

Gre

cian

200

0 ad

s of

ye

ster

year

or

the

(ala

s no

w d

efun

ct) I

nnov

atio

ns

cata

logu

e. It

use

d to

sel

l som

e po

stur

e-im

prov

ing

item

and

in th

e “b

efor

e” s

hot t

he w

oman

was

in

dist

ingu

isha

ble

from

Qua

sim

odo.

Her

hai

r hu

ng la

nkly

ro

und

her

pallid

face

, the

ligh

ting

was

fune

real

and

she

w

ore

a dr

ab, h

igh-

neck

ed to

p. B

ut a

fter?

Why

, afte

r, th

e de

vice

had

not

onl

y gi

ven

her

the

depo

rtm

ent o

f an

Edw

ardi

an d

uche

ss b

ut ro

sy c

heek

s, a

ski

n-tig

ht to

p an

d a

who

le n

ew li

ghtin

g rig

!

The

form

at s

urvi

ves

in th

e m

akeo

ver

stor

ies

in w

omen

’s

wee

klie

s an

d in

pla

stic

-sur

gery

ads

in th

e ba

ck o

f oth

erm

agaz

ines

. But

the

med

ia n

ow p

refe

rs to

pre

sent

us

with

airb

rush

ed im

ages

– th

e un

ackn

owle

dged

“a

fter”

sho

ts. A

sta

ndar

d of

impo

ssib

le p

erfe

ctio

n,

afte

r al

l, sh

ifts

mor

e un

its th

an a

ppar

ently

att

aina

ble

impr

ovem

ents

will

ever

do.

Page 12: GCSE English - TIBHS

GCSE Revision PackH

ow to

ans

wer

que

stio

n 2.

..Q

uest

ion

2 –

Ana

lysi

s o

f p

ersu

asiv

e te

chni

que

s: (s

pen

d 1

3 m

inut

es o

n

this

que

stio

n)

• H

ow d

oes

the

writ

er tr

y to

enc

oura

ge o

r in

tere

st o

r ar

gue?

• H

ow d

oes

the

text

try

to p

ersu

ade

or s

ell o

r in

fluen

ce?

If y

ou

are

giv

en b

ulle

t p

oin

ts t

o h

elp

yo

u st

ruct

ure

your

ans

wer

the

n yo

u m

ust

exp

lore

eve

ry b

ulle

t p

oin

t –

you’

ll lo

se m

arks

if y

ou

do

n’t

com

men

t o

n ea

ch b

ulle

t p

oin

t.

Sta

rt a

new

par

agra

ph

each

tim

e yo

u st

art

wri

ting

ab

out

a n

ew b

ulle

t p

oin

t.

Page 13: GCSE English - TIBHS

GCSE Revision PackH

ow to

ans

wer

que

stio

n 3.

..Q

uest

ion

3 –

Vie

wp

oin

t/at

titu

de:

(sp

end

13

min

utes

on

this

que

stio

n)

• W

hat a

re th

e w

riter

’s a

ttitu

des

to...

• W

hat a

re th

e w

riter

’s o

pini

ons

of...

• W

hat a

re th

e w

riter

s th

ough

ts a

nd fe

elin

gs a

bout

...

This

que

stio

n gi

ves

you

the

oppo

rtun

ity to

writ

e ab

out P

AT

and

TW

IN in

alo

t of d

etai

l. Th

ink

abou

t:

• P

urp

ose

of t

ext –

e.g

. per

suad

e, a

rgue

, adv

ise,

info

rm, e

xpla

in, e

tc.

• A

udie

nce

– ag

e, g

ende

r, in

tere

sts,

etc

.•

Typ

e o

f te

xt –

art

icle

, rev

iew

, rep

ort,

spee

ch, l

ette

r, et

c.•

Tone

of

text

– p

assi

onat

e, fu

nny,

iron

ic, p

ositi

ve, t

ense

, etc

.•

Wo

rds

– fo

rmal

, inf

orm

al, c

ollo

quia

l, em

otiv

e, v

ivid

, etc

.•

Imag

ery

– pr

esen

tatio

n, q

uota

tions

, bul

let p

oint

s, e

tc.

• N

arra

tor

– bi

ased

, sub

ject

ive,

par

tial,

bala

nced

, obj

ectiv

e, e

tc.

Page 14: GCSE English - TIBHS

GCSE Revision PackH

ow to

ans

wer

que

stio

n 4.

..Q

uest

ion

4 –

Co

mp

aris

on

of

text

s: (s

pen

d 1

8 m

inut

es o

n th

is q

uest

ion)

• C

ompa

re a

nd c

ontr

ast t

hese

text

s•

Usi

ng in

form

atio

n fro

m b

oth

text

s, e

xpla

in w

hy...

Mak

e su

re t

hat

you

use

app

rop

riat

e co

nnec

tive

s fo

r co

mp

aris

on

and

ex

pla

nati

on,

fo

r ex

amp

le: h

ow

ever

, lik

ewis

e, f

urth

erm

ore

, sim

ilarl

y, a

s yo

u ca

n se

e, if

thi

s co

ntin

ues,

ab

ove

all,

whe

reas

, so

, but

, etc

.

Page 15: GCSE English - TIBHS

GCSE Revision PackP

oin

t E

vid

ence

Exp

lain

Whe

n yo

u ha

ve to

ana

lyse

a te

xt it

is h

elpf

ul to

use

the

Poi

nt E

vide

nce

Exp

lain

(P

EE

) str

uctu

re to

mak

e su

re th

at y

ou a

naly

se t

he w

rite

r’s u

se o

f la

ngua

ge

in

as m

uch

deta

il as

pos

sibl

e.

P is

fo

r P

oin

tE

is f

or

Evi

den

ceE

is f

or

Exp

lain

Mak

e a

poin

t abo

ut th

ete

xt a

nd re

late

it to

the

ques

tion.

..

Sel

ect a

sho

rt q

uota

tion

to

back

up

your

com

men

t OR

m

ake

clos

e re

fere

nce

to

text

...

Ana

lyse

use

of l

angu

age

and

the

effe

ct o

n th

e re

ader

...

In R

omeo

and

Jul

iet,

Sha

kesp

eare

use

sim

ager

y co

nnec

ted

tolig

ht.

Whi

le R

omeo

wai

ts b

elow

Ju

liet’s

bal

cony

, he

says

, ‘Th

e br

ight

ness

of h

er c

heek

wou

ld

sham

e th

ose

star

s, /

As

dayl

ight

dot

h a

lam

p.’

Rom

eo u

ses

his

wor

ds to

pai

nt

a pi

ctur

e fu

ll of

imag

es o

f lig

ht. J

ulie

t’sbe

auty

is a

s ra

dian

t as

dayl

ight

and

wou

ld‘s

ham

e’ th

e st

ars.

The

se

imag

es o

f lig

ht c

ontra

st s

trong

ly

with

, im

ages

of d

arkn

ess,

es

peci

ally

whe

n th

e lo

vers

die

at

the

end

of th

e pl

ay.

Page 16: GCSE English - TIBHS

GCSE Revision PackC

onn

ecti

ves

as S

ignp

ost

sW

hen

you

have

to a

naly

se a

text

it is

hel

pful

to u

se th

e P

oint

Evi

denc

e E

xpla

in

(PE

E) s

truc

ture

to m

ake

sure

that

you

ana

lyse

the

wri

ter’s

use

of

lang

uag

e in

as

muc

h de

tail

as p

ossi

ble.

Ad

din

gS

eque

ncin

gE

mp

hasi

sing

Co

mp

arin

gan

dal

soas

wel

l as

mor

eove

rto

o

next

then

first

ly, s

econ

dly.

..fin

ally

mea

nwhi

leev

entu

ally

afte

r, be

fore

abov

e al

lin

par

ticul

ares

peci

ally

sign

ifica

ntly

inde

edno

tabl

y

equa

llyin

the

sam

e w

aysi

mila

rlylik

ewis

eas

with

like

Cau

se a

nd E

ffec

tQ

ualif

ying

Illus

trat

ing

Co

ntra

stin

gbe

caus

eso th

eref

ore

thus

cons

eque

ntly

how

ever

alth

ough

unle

ssex

cept

if as lo

ng a

s

for

exam

ple

such

as

for

inst

ance

as re

veal

ed b

yin

the

case

of

whe

reas

inst

ead

ofal

tern

ativ

ely

othe

rwis

eun

like

on th

e ot

her

hand

Page 17: GCSE English - TIBHS

GCSE Revision PackU

nit

2:

Tran

sact

iona

l Wri

ting

This

is a

ON

E H

OU

R te

st o

f you

r w

ritin

g sk

ills. Y

ou m

ust c

ompl

ete

both

task

s on

this

pap

er. T

here

will

be 2

tas

ks a

nd e

ach

is w

orth

20

mar

ks, s

o yo

u sh

ould

sp

end

30 m

inut

es o

n ea

ch. F

or e

ach

task

, div

ide

up y

our

time

in th

is w

ay:

5 m

inut

es –

pla

nnin

g20

min

utes

– w

ritin

g5

min

utes

– c

heck

ing

Take

spe

cial

car

e w

ith h

andw

ritin

g, s

pellin

g an

d pu

nctu

atio

n.

Hig

her

tier

stu

den

ts s

houl

d w

rite

at

leas

t 1½

PA

GE

S f

or

each

tas

k.

Use

as

man

y p

ersu

asiv

e w

riti

ng t

echn

ique

s as

yo

u ca

n...

Page 18: GCSE English - TIBHS

GCSE Revision PackW

riti

ng t

o P

ersu

ade

Per

suas

ion

and

Rhe

tori

cR

heto

ric is

‘lan

guag

e us

ed fo

r ef

fect

’. U

sing

rhe

toric

al te

chni

ques

is a

goo

d w

ay to

sho

w th

at

you

are

skille

d w

ith y

our

use

of la

ngua

ge. H

ow m

any

rhet

oric

al te

chni

ques

can

you

find

in th

e sp

eech

by

US

Pre

side

nt, B

arac

k O

bam

a, b

elow

?

P is

fo

r P

oin

tE

is f

or

Evi

den

ceA

re y

ou

able

to

use

...Im

pera

tives

App

eal/d

irect

add

ress

Mod

al v

erbs

Allit

erat

ion

Fact

sO

pini

ons

Rep

etiti

onE

mot

ive

lang

uage

Sta

tistic

sTr

iple

sE

xagg

erat

ion

Rhe

toric

al q

uest

ions

?W

hat

abo

ut...

Imag

ery?

C

ontr

ast?

Exa

mpl

es?

Ane

cdot

es?

Hum

our?

For

we

have

a c

hoic

e in

this

cou

ntry

. We

can

acce

pt a

pol

itics

th

at b

reed

s di

visi

on, a

nd c

onfli

ct, a

nd c

ynic

ism

.W

e ca

n do

that

.B

ut if

we

do, I

can

tell

you

that

in th

e ne

xt e

lect

ion,

we’

ll be

ta

lkin

g ab

out s

ome

othe

r di

stra

ctio

n. A

nd th

en a

noth

er o

ne.

And

not

hing

will

chan

ge.

That

is o

ne o

ptio

n. O

r, at

this

mom

ent,

in th

is e

lect

ion,

we

can

com

e to

geth

er a

nd s

ay, ‘

Not

this

tim

e.’ T

his

time

we

wan

t to

talk

abo

ut th

e cr

umbl

ing

scho

ols

that

are

ste

alin

g th

e fu

ture

of

bla

ck c

hild

ren

and

whi

te c

hild

ren

and

Asi

an c

hild

ren

and

His

pani

c ch

ildre

n an

d N

ativ

e A

mer

ican

chi

ldre

n. T

his

time

we

wan

t to

reje

ct th

e cy

nici

sm th

at te

lls u

s th

at th

ese

kids

can

’t le

arn;

that

thos

e ki

ds w

ho d

on’t

look

like

us

are

som

ebod

y el

se’s

pro

blem

. The

chi

ldre

n of

Am

eric

a ar

e no

t tho

se k

ids,

th

ey a

re o

ur k

ids,

and

we

will

not l

et th

em fa

ll be

hind

in a

21s

t ce

ntur

y ec

onom

y. N

ot th

is ti

me.

Page 19: GCSE English - TIBHS

GCSE Revision PackW

rite

an

arti

cle

for

a na

tio

nal

new

spap

er p

ersu

adin

g m

ore

p

eop

le t

o v

ote

.

Par

agra

ph

5:if

you

care

abo

utyo

ur c

ount

ry y

oush

ould

vot

e

Par

agra

ph

2:so

me

peop

le a

re to

rtur

ed

for

havi

ng a

n op

inio

n

Par

agra

ph

1:if

you

don’

t vot

e th

en

you

can’

t com

plai

n

Par

agra

ph

4:w

e se

em to

hav

e lo

st

our

sens

e of

val

ues

Par

agra

ph

3:so

me

peop

le th

ink

vo

ting

is p

oint

less

Page 20: GCSE English - TIBHS

GCSE Revision PackW

riti

ng it

Rig

ht!

PLA

N fo

r su

cces

s: id

entif

y PA

T an

d th

en p

rodu

ce a

spi

der

diag

ram

pla

n fo

r

5 pa

ragr

aphs

VC

OP

V is

fo

r Vo

cab

ular

y:

be a

s am

bitio

us a

s yo

u ca

n an

d us

e as

m

any

WO

W W

OR

DS

as p

ossi

ble.

Nou

nsA

djec

tives

Verb

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dver

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C is

fo

r C

onn

ecti

ves:

use

the

right

conn

ectiv

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you

rco

mpo

und

and

your

com

plex

sen

tenc

es.

and.

..but

...so

...be

caus

e...w

hen.

..if..

.af

ter..

.whi

le...

as w

ell

as ..

. alth

ough

...

how

ever

... a

lso

...be

side

s...i

n ad

ditio

nto

...

O is

fo

r O

pen

ers:

vary

you

r se

nten

cele

ngth

and

wor

dor

der

to k

eep

the

read

er in

tere

sted

.

Firs

t... T

hen.

.. N

ext..

.S

oon.

.. If.

.. A

fter..

.A

lthou

gh...

Bef

ore.

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omet

imes

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esid

es...

How

ever

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ven

thou

gh...

P is

for

Pun

ctua

tio

n:

use

as w

ide

a ra

nge

as y

ou p

ossi

bly

can

. ? , ! ‘ “” ( ) ... : ; -

Page 21: GCSE English - TIBHS

Writing TaskIn

form

al le

tter

Form

al le

tter

Rep

ort

Art

icle

Leafl

et

Sp

eech

Rev

iew

Po

ssib

le s

tyle

s yo

u w

il b

e as

ked

to

wri

te in

Page 22: GCSE English - TIBHS

Writ

ing

task

s

• Id

enti

fy t

he p

urp

ose

, aud

ienc

e an

d f

orm

at f

or

each

tas

k•

Rev

ise

the

form

ats

of

each

tas

k•

Att

emp

t th

e q

uest

ions

giv

en•

Rev

ise

all t

he p

ersu

asiv

e te

chni

que

s•

Pro

ofr

ead

yo

ur w

ork

at

all t

imes

.

Writing Task

Page 23: GCSE English - TIBHS

Writing Task

Info

rmal

You

have

a fr

iend

who

is

thin

king

of d

oing

a

para

chut

e ju

mp

for

char

ity. W

rite

to y

our

frien

d gi

ving

you

r op

inio

ns.

Sta

rt a

new

line

for

the

dat

e.

Your

add

ress

Main

Bo

dy:

This

is w

here

you

will

nee

d to

write

you

r le

tter

.

Rem

em

ber:

As

this

is a

n in

form

al le

tter

, yo

u ca

n us

e m

ore

info

rmal

lang

uage

.

Inf

orm

al le

tter

s us

ually

dis

cuss

mor

e pe

rson

issu

es.

Thi

nk a

bout

who

you

are

writing

to

and

adap

t yo

ur la

ngua

ge t

o su

it t

hem

. Yo

u m

ay u

se d

iffer

ent

lang

uage

with

a fa

mily

mem

ber

than

you

wou

ld a

cl

ose

frie

nd.

Thi

nk a

bout

why

you

are

bei

ng a

sked

to

write

the

lett

er.

Are

you

try

ing

to

pers

uade

you

r fr

iend

/fam

ily m

embe

r to

do

som

ethi

ng?

Are

you

tel

ling

th

em s

ome

new

s? T

his

will

influ

ence

the

way

you

will

write

you

r le

tter

.

Bre

ak y

our

lett

er d

own

into

par

agra

phs.

Eac

h pa

ragr

aph

shou

ld d

iscu

ss a

si

ngle

idea

. O

nce

you

have

fini

shed

tal

king

abo

ut t

hat

idea

, m

ove

on t

o a

new

par

agra

ph.

Che

ck y

our

punc

tuat

ion.

Altho

ugh

this

is a

n in

form

al le

tter

, yo

u w

ill s

till

ne

ed t

o us

e pu

nctu

atio

n in

the

rig

ht p

lace

s.

Sta

rt a

new

line

for

the

mai

n bo

dy.

Gre

eti

ng

:(e

.g.

Dea

r, H

i, H

ello

and

the

n th

e pe

rson

’s n

ame)

Clo

sin

g:

(e.g

. Lo

ve fro

m a

nd t

hen

your

nam

e)

Dat

e

Sta

rt a

new

line

for

you

r cl

osin

g.

Page 24: GCSE English - TIBHS

Writing Task

Your friend has asked you for your advice about running the London Marathon next year.  Write a letter in response giving your views about his/her decision to run the race.   Spend 25 minutes writing your answer.  

 

23 Cherry Garden Drive                   Cherry Tree                   Blackburn 

Lancashire                   BB3 7XY  

                Monday 8th February 2016 

Hey Chloe, 

How are you, my dear friend?  I can’t believe it’s almost a year since I saw you last!  When are you coming back up to the sunny North?  It misses you; I miss you; we all miss you!  How are the two little ones?  I can imagine they love the weather in the South compared to the shocking weather we get all year round ‐ poor us.  Do you fancy trading?  

I received your letter; thank you for writing.  I am okay thank you ‐ no need to worry… I know you’re only a phone call away if I need someone to talk to.  We have been friends now for, wow, 15 years!  We’ve had some great memories haven’t we?  And now you want to add one more, one really big one… The London Marathon! 

Firstly, I think it is amazing that you want to run the marathon ‐ I really do.  I do have some questions for you though ‐ you know what I’m like!  Which charity are you running for?  When did you start training?  Please tell me you have!?!?! Have you bought a fancy dress costume for the TV? And the most important question, can I join you? How fabulous would that be! 

Thinking about charities, I would like to run for Cancer Research ‐ they helped out my Grandad when he was ill and I would like to repay them if I can.  Which one would you run for Chloe?  Raising money for charity would be amazing ‐ think about the feeling, emotions and pleasure we would get from doing something amazing!  We could do it together ‐ you could get sponsors from the South and I could from the North ‐ we could raise thousands Chloe, thousands! 

We need to do it in fancy dress though: Scooby and Scrappy doo, The Teletubbies, or even Mr and Mrs Santa Claus?  The possibilities and endless; I am very excited about this now.  Should we get anyone else involved: John, Jamie, Michelle or even David? (Can you imagine David running for 26.2 miles in fancy dress ‐ we would have to carry him half‐way haha…) 

Right, one major thing we need to think about!  We need to make a pact about dieting!!! The thought worries me; (I know it worries you too!) We need to stick to a strict diet ‐ even though I am drinking Coca‐Cola and eating chocolate as I write this letter.  Oh well ‐ the diet 

Commented [ian.ramsa1]:   Purpose – advise a friend about running the London Marathon  Audience – a close friend  Type – advising the positives and potential drawbacks of running the marathon  Type – advise 

Commented [ian.ramsa2]:   Format‐ one addresses (your address on the left) 

Commented [ian.ramsa3]:   Introductory paragraph ‐ friendly and personal  Topic sentence  Engaging opening  Tone ‐ informal and friendly 

Commented [ian.ramsa4]:   VSSSP (Punctuation) – semi‐colon 

Commented [ian.ramsa5]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [ian.ramsa6]:  “Firstly” ‐ Time connective to begin the main Purpose of your writing 

Commented [ian.ramsa7]:   VSSSP (Sentence Structure) ‐ Complex sentence 

Commented [ian.ramsa8]:   VSSSP (Sentence Structure) ‐ Complex sentence 

Commented [ian.ramsa9]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa10]:   VSSSP (Punctuation) colon ‐ to create a list 

Commented [ian.ramsa11]:   VSSSP (Punctuation) ‐ brackets 

Commented [ian.ramsa12]:   VSSSP (Punctuation) – semi colon 

Informal Letter

starts Monday as they say.  I will research the best ways to diet to build stamina and muscle and I will send the information to you as soon as possible, so we can start together.  If you start earlier ‐ that’s cheating… 

Okay, so I will end this letter here.  I am so excited by this opportunity now and am relishing the chance to raise money for charity ‐ what a buzz we will get! Please take care of yourself and give the boys a hug from me.  Look after yourself; I love you and miss you; I can’t wait to see you again my little running companion! 

Lots of love, 

 

Jennie 

 

 

 

Commented [ian.ramsa13]:   VSSSP (Punctuation) ‐ Dash 

Commented [ian.ramsa14]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [ian.ramsa15]:   Tone‐ polite ending to a personalised letter to a friend 

Page 25: GCSE English - TIBHS

Form

alYo

ur lo

cal a

rea

has

just

be

en v

oted

the

wor

st

plac

e to

live

in te

rms

of

bein

g en

viro

nmen

tally

fri

endl

y. W

rite

a le

tter

to

your

loca

l new

spap

er

sugg

estin

g w

hat y

outh

ink

are

the

prob

lem

s an

d w

hat c

an b

e do

ne to

ta

ckle

this

issu

e.

Writing TaskSta

rt a

new

line

for

the

dat

e.

Your

add

ress

Leav

e a

line

in b

etw

een

th

e ad

dres

s of

who

you

ar

e w

riting

to

and

your

gr

eeting

.

Nam

e an

d ad

dres

s of

the

pe

rson

you

are

writing

to

Main

Bo

dy:

This

is w

here

you

will

nee

d to

write

you

r le

tter

.

Rem

em

ber:

You

r fir

st p

arag

raph

sho

uld

expl

ain

why

you

are

writing

the

lett

er.

As

this

is a

for

mal

lett

er,

you

need

to

keep

to

Sta

ndar

d En

glis

h

(e.g

. no

sla

ng).

You

will

nee

d to

be

polit

e, b

ut d

irec

t.

Bre

ak y

our

lett

er d

own

into

par

agra

phs.

Eac

h pa

ragr

aph

shou

ld d

iscu

ss a

si

ngle

idea

. O

nce

you

have

fini

shed

tal

king

abo

ut t

hat

idea

, m

ove

on t

o a

new

par

agra

ph.

You

need

to

leav

e a

line

in b

etw

een

each

par

agra

ph.

Thi

nk a

bout

who

you

are

writing

to

and

adap

t yo

ur la

ngua

ge a

ppro

pria

tely

.

You

will

use

diff

eren

t la

ngua

ge c

hoic

es d

epen

ding

on

the

audi

ence

.

Thi

nk a

bout

why

you

are

bei

ng a

sked

to

write

the

lett

er.

Are

you

bei

ng

aske

d to

giv

e yo

ur o

pini

on o

n an

issu

e? A

re y

ou b

eing

ask

ed t

o gi

ve y

our

supp

ort

for

a fu

ndra

iser

? Th

is w

ill in

fluen

ce t

he w

ay y

ou w

ill n

eed

to

write

you

r le

tter

. Th

is w

ill in

fluen

ce t

he w

ay y

ou w

ill n

eed

to w

rite

you

r le

t-te

r. I

s it t

o ar

gue?

Pe

rsua

de?

Adv

ise?

Sta

rt a

new

line

in b

etw

een

your

gre

etin

g an

d th

e m

ain

body

.

Gre

eti

ng

:(e

.g.

Dea

r an

d th

e na

me

of t

he p

erso

n yo

u ar

e w

riting

to

(Mr/

Mrs

/Ms

Sm

ith

or T

o w

hom

it m

ay c

once

rn)

Clo

sin

g:

(e.g

. Yo

urs

sinc

erel

y if

you

know

the

nam

e of

the

per

son

or Y

ours

fai

thfu

lly if

you

do

n’t

and

then

you

r si

gnat

ure,

fol

low

ed b

y yo

ur n

ame

prin

ted

belo

w it

).

Dat

e

Page 26: GCSE English - TIBHS

Write a letter in reply, giving your opinions about mobile phones.  Spend 25 minutes writing your answer.                     23 Cherry Garden Drive                   Cherry Tree                   Blackburn 

Lancashire                   BB3 7XY  

                Monday 8th February 2016 

Blackburn Advisor 1 High Street Blackburn Lancashire BB1 1HT  RE: The mobile phone ‐ a fantastic invention or a social liability?  

Dear Editor, 

I am writing this letter, in response to an extract in your latest edition of The Lancashire Telegraph, expressing my views and opinions regarding the significance of mobile phones and their practicalities. 

Technology is evolving at a rapid pace, would you not you agree?  Society is now driven by mobile devices; alarmingly 75% of the community’s population have mobile phone devices.  This is a major increase from ten years ago where the figure stood at only 50%!  In your article you do express that “technology can be very impressive.”  I wholeheartedly agree with your statement and agree that technology can be impressive, yet the consequences, if used irresponsibly, can be cataclysmic! 

A main motive for having a mobile phone is for convenience and for emergency situations.  Firstly, having a mobile phone allows individuals to have regular communication with close friends and family ‐ would you not agree this is advantageous?  Further to this, we are always able to stay connected and are able to use the device portably.  One can use mobiles for various jobs: sending and receiving emails, browsing websites and downloading games/music.  Secondly, although mobile phones do not guarantee safety, you can use it to make calls whenever there is an emergency.  I implore anyone to argue against this essential point; everyone would agree that having a mobile in an emergency is a must! 

Commented [ian.ramsa1]:   Purpose – opinions about mobile phones    Audience – mobile phone users  Type ‐ Opinion based letter  Type – Persuade and inform 

Commented [ian.ramsa2]:   Format ‐ two addresses (their address on the left) 

Commented [ian.ramsa3]:   VSSSP (Punctuation) colon 

Commented [ian.ramsa4]:   VSSSP (punctuation) dash 

Commented [ian.ramsa5]:   VSSSP (punctuation) rhetorical question 

Commented [ian.ramsa6]:   Introductory paragraph  Purpose ‐ response to an article in The Lancashire  Telegraph expressing own views 

 

Commented [ian.ramsa7]:   Topic sentence  Imagery ‐ rhetorical question 

Commented [ian.ramsa8]:   Imagery ‐ statistics 

Commented [ian.ramsa9]:   VSSSP (Sentence Structure) ‐ simple sentence 

Commented [ian.ramsa10]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [ian.ramsa11]:   “Firstly” ‐ Time connective to begin the main argument structure and linking words and paragraphs 

Commented [ian.ramsa12]:   VSSSP (punctuation) ‐ dash 

Commented [ian.ramsa13]:   VSSSP (Punctuation) Colon ‐ to create a list 

Commented [ian.ramsa14]:   VSSSP (Sentence Structure) ‐ simple sentence 

Commented [ian.ramsa15]:   VSSSP (punctuation)  ‐   semi‐colon 

Formal Letter

Writing Task

Having said this, I do take your other points into careful consideration as mobile devices, if used irresponsibly, could lead to anti‐social, and sometimes illegal, behaviour.  This is where we need to be careful, clever and conscientious about how we use technology.  One major worry I have are the amount of accidents, caused daily, due to people’s inability to use mobile devices safely.  Inexplicably, in Blackburn alone, on average five people per day died on our roads last year ‐ due to the inappropriate use of mobile phones whilst driving ‐ a statistic we could all tremble at. 

Outlined above, I have expressed my concern for the inappropriate use of mobile devices, but my view is that there are more rewards than hindrances of having one.  This is why I have come to the conclusion that, for a modern day society, mobile phones are a necessity.  Is it possible to live in today’s society without one?  I am sure it is! Nonetheless, why would we if we are responsible and accountable for our actions when using such a magnificent invention! 

In conclusion, I am a firm believer in everything having a place in the modern society we live in, as long as it is used sensibly and responsibly.  I do believe that technology has a lot to answer for in regards to the safety and welfare of the local community and beyond, but the question I pose to you is, ‘Are mobile phones to blame for the issues generated socially or is it the users who are to blame?’ 

I acknowledge the time spent reading this letter and would be grateful if you could respond to my letter expressing your views further on this important matter. 

 

Yours faithfully, 

 

Mr I Ramsay                  

Commented [ian.ramsa16]:   Tone – formal and professional ‐ suits the Purpose  

Commented [ian.ramsa17]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa18]:   Statistics ‐ 5 people on average a day died due to the inappropriate use of mobile phones 

Commented [ian.ramsa19]:   VSSSP (Sentence Structure) – compound sentence 

Commented [ian.ramsa20]:   VSSSP (sentence structure) ‐ embedded clause for a complex sentence  

Commented [ian.ramsa21]:   VSSSP (Punctuation) ‐ exclamation mark 

Commented [ian.ramsa22]:   “In conclusion” ‐ connective to indicate the concluding paragraph of the letter  Tone – authoritative ‐ expressing opinions 

Commented [ian.ramsa23]:   VSSSP (Sentence Structure) – compound sentence 

Commented [ian.ramsa24]:   Narrator ‐ “you” direct address 

Commented [ian.ramsa25]:   Format ‐ appropriate ending for a letter to someone you do not know personally 

Page 27: GCSE English - TIBHS

Having said this, I do take your other points into careful consideration as mobile devices, if used irresponsibly, could lead to anti‐social, and sometimes illegal, behaviour.  This is where we need to be careful, clever and conscientious about how we use technology.  One major worry I have are the amount of accidents, caused daily, due to people’s inability to use mobile devices safely.  Inexplicably, in Blackburn alone, on average five people per day died on our roads last year ‐ due to the inappropriate use of mobile phones whilst driving ‐ a statistic we could all tremble at. 

Outlined above, I have expressed my concern for the inappropriate use of mobile devices, but my view is that there are more rewards than hindrances of having one.  This is why I have come to the conclusion that, for a modern day society, mobile phones are a necessity.  Is it possible to live in today’s society without one?  I am sure it is! Nonetheless, why would we if we are responsible and accountable for our actions when using such a magnificent invention! 

In conclusion, I am a firm believer in everything having a place in the modern society we live in, as long as it is used sensibly and responsibly.  I do believe that technology has a lot to answer for in regards to the safety and welfare of the local community and beyond, but the question I pose to you is, ‘Are mobile phones to blame for the issues generated socially or is it the users who are to blame?’ 

I acknowledge the time spent reading this letter and would be grateful if you could respond to my letter expressing your views further on this important matter. 

 

Yours faithfully, 

 

Mr I Ramsay                  

Commented [ian.ramsa16]:   Tone – formal and professional ‐ suits the Purpose  

Commented [ian.ramsa17]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa18]:   Statistics ‐ 5 people on average a day died due to the inappropriate use of mobile phones 

Commented [ian.ramsa19]:   VSSSP (Sentence Structure) – compound sentence 

Commented [ian.ramsa20]:   VSSSP (sentence structure) ‐ embedded clause for a complex sentence  

Commented [ian.ramsa21]:   VSSSP (Punctuation) ‐ exclamation mark 

Commented [ian.ramsa22]:   “In conclusion” ‐ connective to indicate the concluding paragraph of the letter  Tone – authoritative ‐ expressing opinions 

Commented [ian.ramsa23]:   VSSSP (Sentence Structure) – compound sentence 

Commented [ian.ramsa24]:   Narrator ‐ “you” direct address 

Commented [ian.ramsa25]:   Format ‐ appropriate ending for a letter to someone you do not know personally 

Formal Letter

Writing Task

Page 28: GCSE English - TIBHS

Rep

ort

Your

sch

ool i

s ke

en

to r

aise

mon

ey fo

r ex

tra

activ

ities

. Writ

e a

repo

rt fo

r th

e P

aren

ts’

Ass

ocia

tion

sayi

ng: 1

) w

hat t

he s

choo

l nee

ds

mos

t urg

ently

; 2) g

ive

sugg

estio

ns a

s to

how

the

mon

ey c

ould

be

rais

ed.

Writing TaskTi

tle: T

his

shou

ld s

um u

p w

hat t

he re

port

is a

bout

:

Intr

oduc

tion:

Thi

s sh

ould

sum

mar

ise:

• W

hat t

he re

port

is a

bout

.•

Why

you

hav

e be

en a

sked

to w

rite

it.•

How

you

wen

t abo

ut re

sear

chin

g it.

• W

hat y

our r

epor

t int

ends

to d

o.

Mai

n B

ody:

Thi

s se

ctio

n sh

ould

con

tain

the

findi

ngs

of y

our r

epor

t.Th

ink

abou

t inc

ludi

ng:

• S

tatis

tics

to b

ack

up y

our p

oint

s.•

Opi

nion

s fro

m p

eopl

e in

volv

ed in

wha

t you

are

writ

ing

abou

t.•

Any

det

ails

on

wha

t has

bee

n do

ne a

lread

y to

sol

ve th

e pr

oble

m y

ou

are

writ

ing

abou

t.•

Whe

ther

any

pre

viou

s su

gges

tions

hav

e be

en e

ffect

ive

or n

ot.

Rec

omm

enda

tions

:Th

is s

ectio

n sh

ould

incl

ude

any

sugg

estio

ns y

ou h

ave

for h

ow th

e pr

oble

m c

an b

e so

lved

and

sho

uld

be b

ased

on

the

findi

ngs

you

incl

uded

in th

e m

ain

body

of y

our r

epor

t.

Thes

e re

com

men

datio

ns s

houl

d:

• B

e w

ritte

n in

a b

ulle

t-po

inte

d lis

t.•

Be

brie

f and

dire

ct.

• S

olve

the

prob

lem

s yo

u w

rote

abo

ut in

the

mai

n bo

dy o

f you

r rep

ort.

• E

xpla

in h

ow e

ach

reco

mm

enda

tion

solv

es th

ese

prob

lem

s.

Con

clus

ion:

Thi

s se

ctio

n sh

ould

sum

mar

ise

your

repo

rt an

d its

fin

ding

s.

Try

to:

• F

inis

h on

a p

ositi

ve n

ote.

You

nee

d to

be

able

to c

onvi

nce

your

re

ader

s th

at th

e pr

oble

ms

can

be s

olve

d by

the

reco

mm

enda

tions

yo

u ha

ve m

ade.

• K

eep

your

con

clus

ion

brie

f.

Page 29: GCSE English - TIBHS

Writing Task

Write a report to the local council giving your views on the best way to improve the community cohesion in your town. Spend 25 minutes writing your answer.  

A report to Blackburn and Darwen Council raising awareness of beneficial ways in order to improve community cohesion in the community of Blackburn and Darwen. 

To: Blackburn and Darwen Council 

From: Mr S Patel (Chairman of the school’s committee.) 

Introduction 

At a recent meeting, held at a Tauheedul Islam Boys’ High School, there were key matters arising with regards to ways in which the town of Blackburn could benefit from the injection of new and innovative ideas in order to achieve community cohesion.  In this report, I will outline proposed ideas from the meeting which will highlight significant areas where Blackburn could benefit from improved communal facilities.  

Current issues within the town centre 

At this moment in time, the community of Blackburn lacks any ambition and drive to be unique, independent and traditional.  A recent study shows that eighty‐two per cent of the local community do not feel as though their town is unrivalled and distinctive enough in comparison to other towns further afield in neighbouring boroughs.  The local community feel that the town would benefit from copious innovative plans in order to bring the community together.  In a recent census we highlighted particular areas that residents feel are essential in order to help develop, cultivate and re‐define the community of Blackburn and Darwen. 

Engaging young people from different backgrounds 

Schools, unquestionably, play a major part in developing cohesive communities.  They have an open access to education and are able to promote social and cultural diversity; they provide a meeting place for community meetings; and they bring people together by involving people from different backgrounds in decision making processes.  The town of Blackburn is filled with fruitful diversity and one major flaw, that can easily be eradicated, could be to use schools purposefully in order to develop whole community projects such as drama and arts festivals, music, food and drink festivals.  By including the young people of the community in the decision making process, we are building a culture of togetherness and cohesion which is a major factor if the town aspires to be one hundred per cent cohesive.  Would you not agree?  This is a unanimous drive by the citizens of the Blackburn and Darwen community. 

 

Community markets for festive periods of the year 

In the Blackburn and Darwen area we celebrate numerous religious festivals: Eid, Christmas and Easter to name but a few.  What do we do to celebrate these momentous events as a community?  To develop the town’s cohesion, we need to mark each event collectively.  It 

Commented [ian.ramsa1]:   Purpose – a report to the local council giving views on ways to improve community cohesion  Audience – Blackburn and Darwen Council  Type ‐ Opinion based report  Type – Persuade, explain and inform 

Commented [ian.ramsa2]:   VSSSP (sentence structure) embedded clause 

Commented [ian.ramsa3]:   VSSSP (Words) – emotive language “injection”, “innovative” and “cohesion” 

Commented [ian.ramsa4]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa5]:   Imagery‐ statistics 

Commented [ian.ramsa6]:   VSSSP (Words) – emotive language “copious” and “innovative” 

Commented [ian.ramsa7]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa8]:   VSSSP (Punctuation) – semi colon 

Commented [ian.ramsa9]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [ian.ramsa10]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [ian.ramsa11]:   Fact‐ Blackburn and Darwen celebrate numerous religious festivals 

Commented [ian.ramsa12]:   VSSSP (Punctuation) colon ‐ to create a list 

Commented [ian.ramsa13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Report

was claimed in the meeting, by numerous citizens, that we should hold annual community markets where food, drink, presents, gifts and stories are shared to mark each occasion joyously.  Community markets would be a productive way to encourage and engage the whole community to join together as one.  This idea was suggested and agreed by the majority of the community, as long as the markets are tasteful, sophisticated and elegant.  We want the markets to be an advertisement for the local town and a welcoming feature for citizens of other boroughs to come and visit. 

Challenging and changing attitudes  

People generally base what they believe in from what they have experienced or heard through hearsay or through the media. When beliefs start to impact on or are divisive to individual or community relationships ‐ this causes a threat to cohesion.  This is why it is fundamentally important that we find ways to define, test and then change perceptions of individuals and groups where these perceptions are misplaced or misunderstood.  This will help develop the spirit of the community as long as we challenge and change those minor attitudes that could be disadvantageous for our journey forward; we must all respect, respond and act accordingly in order for this proposal to be successful.  Conclusion  Within this report I have outlined the ways in which the Blackburn and Darwen community could engross the community’s citizens in bringing together the residents of the town, and surrounding area, together as one by suggesting activities that could take place within the community.  There is no question that community cohesion exists however we need to engage the community and open up the community’s spirit by putting together a project that shows cohesion consistently.  I am sure, with your support and guidance, the community of Blackburn and Darwen could be the community where everyone joins as one to live in peace and harmony. 

 

 

Commented [ian.ramsa14]:   VSSSP (Sentence Structure) ‐ simple sentence 

Commented [ian.ramsa15]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa16]:   VSSSP (Sentence Structure) ‐ simple sentence 

Commented [ian.ramsa17]:   VSSSP (punctuation) semi‐colon 

Commented [ian.ramsa18]:   Tone – professional and formal 

Commented [ian.ramsa19]:   VSSSP (Sentence Structure) ‐ compound sentence 

Commented [ian.ramsa20]:   VSSSP (sentence structure) embedded clause 

Page 30: GCSE English - TIBHS

Writing Taskwas claimed in the meeting, by numerous citizens, that we should hold annual community markets where food, drink, presents, gifts and stories are shared to mark each occasion joyously.  Community markets would be a productive way to encourage and engage the whole community to join together as one.  This idea was suggested and agreed by the majority of the community, as long as the markets are tasteful, sophisticated and elegant.  We want the markets to be an advertisement for the local town and a welcoming feature for citizens of other boroughs to come and visit. 

Challenging and changing attitudes  

People generally base what they believe in from what they have experienced or heard through hearsay or through the media. When beliefs start to impact on or are divisive to individual or community relationships ‐ this causes a threat to cohesion.  This is why it is fundamentally important that we find ways to define, test and then change perceptions of individuals and groups where these perceptions are misplaced or misunderstood.  This will help develop the spirit of the community as long as we challenge and change those minor attitudes that could be disadvantageous for our journey forward; we must all respect, respond and act accordingly in order for this proposal to be successful.  Conclusion  Within this report I have outlined the ways in which the Blackburn and Darwen community could engross the community’s citizens in bringing together the residents of the town, and surrounding area, together as one by suggesting activities that could take place within the community.  There is no question that community cohesion exists however we need to engage the community and open up the community’s spirit by putting together a project that shows cohesion consistently.  I am sure, with your support and guidance, the community of Blackburn and Darwen could be the community where everyone joins as one to live in peace and harmony. 

 

 

Commented [ian.ramsa14]:   VSSSP (Sentence Structure) ‐ simple sentence 

Commented [ian.ramsa15]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa16]:   VSSSP (Sentence Structure) ‐ simple sentence 

Commented [ian.ramsa17]:   VSSSP (punctuation) semi‐colon 

Commented [ian.ramsa18]:   Tone – professional and formal 

Commented [ian.ramsa19]:   VSSSP (Sentence Structure) ‐ compound sentence 

Commented [ian.ramsa20]:   VSSSP (sentence structure) embedded clause 

Report

Page 31: GCSE English - TIBHS

Art

icle

Writ

e a

livel

y ar

ticle

for

a ne

wsp

aper

or

mag

azin

e on

the

subj

ect o

f the

eat

ing

habi

ts o

f the

Brit

ish.

Hea

dlin

e or

art

icle

title

Kee

p it

shor

t.M

ake

it ca

tchy

.G

ive

an id

ea o

f wha

t the

rest

of t

he a

rticl

e w

ill be

abo

ut.

Intr

oduc

tion

of th

e ar

ticle

Giv

e a

brie

f out

line

of th

e su

bjec

t.K

eep

this

sec

tion

to a

few

initi

al id

eas

and

sent

ence

s.

Mai

n bo

dy o

f the

art

icle

Try

to a

nsw

er a

ll the

read

er’s

que

stio

ns lik

e ‘w

hy’,

‘how

’ an

d ‘w

hat’.

Mak

e ea

ch p

arag

raph

rele

vant

to th

e su

bjec

t or t

he ti

tle

of th

e ar

ticle

.A

dd p

lent

y of

det

ail s

o yo

ur re

ader

fully

u un

ders

tand

s yo

u.A

nsw

er th

e im

porta

nt p

oint

s in

this

sec

tion.

Con

clus

ion

of th

e ar

ticle

This

sho

uld

alw

ays

be a

t the

end

.G

ive

a su

mm

ary

of th

e ar

ticle

.G

ive

reco

mm

enda

tions

/ove

rvie

w lin

ked

to in

trodu

ctio

n.

Writing Task

Page 32: GCSE English - TIBHS

Writing Task

Write a lively article for your school or college magazine with the title: ‘How to Survive Your GCSE Year.’ Spend 25 minutes writing your answer.  

‘How to survive your GCSE year.’  

 It’s that time of the year again when GCSEs sneak up behind us and suck us into their dark depths before we can even open our eyes.  What if I was to tell you that there is a way to defeat such a beast?  A humble trick passed on from generation to generation… REVISION!   Firstly, let’s consider some of the devilish details. Now bear with me, I know that revision means countless hours spent working hard indoors. Locked away from the world as you pour over books. The occasional flecks of sun peep between the curtains and glint in your eyes in an attempt to pull you into its glorious gaze. Eventually, you succumb to its way and leave your books in haste.  However, that was: year seven, eight, nine and ten. You could get away with it then. Now your school life and studies have simply become a lot more important.   

Commented [MM1]:   Purpose – Guide GCSE students    Audience – Young people  Type ‐ Opinion piece article  Type – Persuade, entertain, inform 

Commented [MM2]:   Introductory paragraph  Topic sentence  Engaging opening  

Commented [MM3]:   Imagery/Literary technique ‐ metaphor  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [MM4]:   Tone ‐ light‐hearted    Repetition of word ‘generation’  Ellipsis  Capital letters 

Commented [MM5]:   Time connective to begin the main argument structure and linking words and paragraphs 

Commented [MM6]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [MM7]:   VSSSP (Sentence Structure) ‐ simple sentence  

Commented [MM8]:   VSSSP (Sentence Structure) ‐ Compound sentence   Imagery/Literary device ‐ Personification – “peep”  Imagery/Literary device‐  Alliteration – letter “g” in “glorious gaze” 

Commented [MM9]:   VSSSP (Punctuation)  colon ‐ to create a list 

Article

Think of it like this, GCSEs are your tickets out of the oppressive, depressing, gloomy school.  Who would pass up such a glorious opportunity?  A great poet once said, “It’s not about hiding in the shadows; it’s about dancing in the rain.”  That means that you should live in the moment as best you can and not hide away from your responsibilities.  I assure you that you will look back in years to come and think ‐ “if only I had revised for one more hour!”   It’s not too late!  You still have time! Quite simply, it’s up to you to deliver the work you are capable of. Be as resilient as an athlete with the finishing line in sight.   Past experiences prove that the GCSE year is the hardest time and the most challenging, (but it is by far the most rewarding and important year of your life!)  It sets a person up for every challenge that they encounter and I assure you it only gets harder in the years to come.  So never put off until tomorrow what you can do today.  Finally, this article isn’t just a lesson for us; it is a lesson for the generations to come.  A humble message to be passed on to those who follow in our footsteps!  

Commented [MM10]:   Imagery/Literary device ‐ Triples 

Commented [MM11]:    VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [MM12]:  Quotation 

Commented [MM13]:   Narrator  (Second person) ‐ direct address  

Commented [MM14]:   VSSSP (Punctuation)  ‐ Dash  

Commented [MM15]:   VSSSP (Sentence Structure) – Simple sentence 

 

Commented [MM16]:   Imagery/literary device ‐ Simile 

Commented [MM17]:    Reassuring the reader the positives of GCSEs  VSSSP (Punctuation) ‐ brackets 

Commented [MM18]:   Famous saying/quote

Commented [MM19]:  “Finally” ‐ Time connective to indicate the concluding paragraph of the article   Tone – authoritative  VSSSP (Punctuation) – semi colon 

 

Commented [MM20]:   VSSSP (Words) – emotive language “humble”  VSSSP (Punctuation) Exclamatory sentence  

Page 33: GCSE English - TIBHS

Writing Task

Think of it like this, GCSEs are your tickets out of the oppressive, depressing, gloomy school.  Who would pass up such a glorious opportunity?  A great poet once said, “It’s not about hiding in the shadows; it’s about dancing in the rain.”  That means that you should live in the moment as best you can and not hide away from your responsibilities.  I assure you that you will look back in years to come and think ‐ “if only I had revised for one more hour!”   It’s not too late!  You still have time! Quite simply, it’s up to you to deliver the work you are capable of. Be as resilient as an athlete with the finishing line in sight.   Past experiences prove that the GCSE year is the hardest time and the most challenging, (but it is by far the most rewarding and important year of your life!)  It sets a person up for every challenge that they encounter and I assure you it only gets harder in the years to come.  So never put off until tomorrow what you can do today.  Finally, this article isn’t just a lesson for us; it is a lesson for the generations to come.  A humble message to be passed on to those who follow in our footsteps!  

Commented [MM10]:   Imagery/Literary device ‐ Triples 

Commented [MM11]:    VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [MM12]:  Quotation 

Commented [MM13]:   Narrator  (Second person) ‐ direct address  

Commented [MM14]:   VSSSP (Punctuation)  ‐ Dash  

Commented [MM15]:   VSSSP (Sentence Structure) – Simple sentence 

 

Commented [MM16]:   Imagery/literary device ‐ Simile 

Commented [MM17]:    Reassuring the reader the positives of GCSEs  VSSSP (Punctuation) ‐ brackets 

Commented [MM18]:   Famous saying/quote

Commented [MM19]:  “Finally” ‐ Time connective to indicate the concluding paragraph of the article   Tone – authoritative  VSSSP (Punctuation) – semi colon 

 

Commented [MM20]:   VSSSP (Words) – emotive language “humble”  VSSSP (Punctuation) Exclamatory sentence  

Article

Page 34: GCSE English - TIBHS

Leafl

etW

rite

a le

aflet

to a

dver

tise

a to

uris

t att

ract

ion

in

your

are

a.

Hea

ding

:W

hat h

eadi

ng w

ill yo

u gi

ve y

our l

eafle

t?Tr

y to

mak

e it:

mem

orab

le, d

irect

inte

rest

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eye

-cat

chin

g.Tr

y to

use

tech

niqu

es lik

e: a

que

stio

n, a

dire

ct s

tate

men

t, al

liter

atio

n.

Pic

ture

:W

hat p

ictu

re w

ill yo

u us

e to

sup

port

your

hea

ding

?Ju

st in

dica

te w

hat t

he p

ictu

re w

ill be

. D

o no

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te ti

me

draw

ing!

Feat

ures

:W

hat a

re th

e m

ain

feat

ures

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hat y

ou a

re a

dver

tisin

g/ar

guin

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r?R

emem

ber:

• S

umm

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e th

e m

ain

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ts.

• K

eep

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ief a

nd d

irect

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Use

sub

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s.•

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des

crip

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emot

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Use

pos

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crip

tions

and

inte

nsifie

rs.

Add

ition

al D

etai

ls:

Wha

t add

ition

al d

etai

ls d

o yo

ur a

udie

nce

need

to k

now

?

Rem

embe

r:•

Use

per

suas

ive

lang

uage

.•

Use

fact

ual d

etai

ls.

• U

se o

ther

peo

ple’

s op

inio

ns to

per

suad

e yo

ur a

udie

nce.

• U

se (s

uita

ble)

exa

gger

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ns to

per

suad

e yo

ur a

udie

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Con

tact

Det

ails

:H

ow c

an y

our a

udie

nce

find/

get i

nvol

ved

with

you

r pro

duct

?

Imag

es:

Wha

t im

ages

are

you

goi

ng to

use

thro

ugho

ut y

our l

eafle

t?Th

ink

abou

t: yo

ur a

udie

nce,

you

r pro

duct

/cau

se -

spa

ce b

efor

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d af

ter s

lash

/ st

roke

Aga

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o no

t dra

w –

just

say

(wri

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hat w

ill b

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ere.

Writing Task

Page 35: GCSE English - TIBHS

Writing Task

Write a leaflet aimed at persuading young people not to smoke cigarettes.  

Remember that this is a test of your writing skills: you may show where illustrations would be used in your leaflet, but should not spend time drawing the pictures themselves.

Spend 25 minutes writing your answer. Take time out of your busy day to relax ‐ don’t take time off your life: Stop smoking!!! 

The toxic truth about smoking    Are you lunging for a smoke?  If so, why? 

 

 

 

 

 

             

Money doesn’t grow on trees… 

 

 A tragic tale of it being too late… don’t let it be you!!!   

Read extract below.                                             

 

            

 

 

                         

 

 

 

 

In memory of our beautiful daughter, Debbie, who was taken from us on the 7th August, 2014 by lung cancer.  Debbie was a teenage smoker until she passed away at the age of 18.  She left behind her a life that was about to start ‐ she gained entry into university after achieving fantastic A level results ‐ she never got to see her results ‐ she passed away a week before her results were published. 

This tragic story really makes you think, doesn’t it? Is a cigarette worth the life and pain for a friend, a family, a future? THINK and QUIT before the choice is made for you!!! 

Playing football and hanging out with friends on an evening or a weekend is what we should be doing: relaxing and making the most of our adolescent years.  We all have options; why would we choose the wrong one? What advice would we give to our friends if they needed us the most? 

Why would you smoke the poison, toxic?  Would you eat toxic? Why would you risk your life for something you hate? 

Smoking, in the UK alone, kills 47,000 teens a year and, on average, one cigarette takes 11 seconds off your life!  The question is, ‘Why would YOU do this to YOURSELF?’  

Below, a picture of healthy lungs of a teenager who doesn’t smoke and a contrasting image of an unhealthy pair of lungs of a teenager who smokes constantly. 

Just take a look at these figures that show the average amount of money a smoker spends… 

1 day ‐ £7.17 

1 week ‐ £50 

1 month ‐ £215 

1 year ‐ £2, 617 

10 years ‐ £26,171 

Alarmed, distressed and concerned?  Good! You should be ‐ is this the debt you want to incur?  If not, why not ask for help at one of our centres in Lancashire.  We help thousands wanting to stop smoking each year.  We can help you too!  

 

 

Image of a question mark in the form of a cigarette with the bottom of the cigarette being stumped out. 

IMAGE

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Commented [i1]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [i2]:   Imagery‐ statistics 

Commented [i3]:   Imagery/Literary device ‐ Triples 

Commented [i4]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i5]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [i6]:   Imagery‐ visual image for the reader to see 

Commented [i7]:   VSSSP (Punctuation)  ‐ Dash 

Commented [i8]:  VSSSP (Punctuation) ‐ Rhetorical question 

 

Commented [i9]:  Narrator  (Second person) – “you” direct address 

Commented [i10]:   VSSSP (Punctuation)  colon  ‐ used to add further information 

Commented [i11]:   VSSSP (Sentence Structure) – two simple sentences joined by a semi‐colon 

 

Commented [i12]:  VSSSP (Sentence Structure) ‐ simple sentence 

Commented [i13]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [i14]:  VSSSP (Punctuation)  ‐ Dash 

Leaflet

                                                

Call us on 0845 567 4324 today for a better quality of life!

Visit us at www.nhs.co.uk 

Twitter: nhs_stopsmoking #for a better life 

Keep calm  

and be  

smoke free 

Page 36: GCSE English - TIBHS

Sp

eech

The

gove

rnm

ent p

lan

to

rais

e th

e dr

ivin

g ag

e fro

m

17 to

19.

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bei

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eld

in y

our

loca

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n ha

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ou h

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deci

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o al

ong

and

give

you

r vi

ews

on th

is

prop

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wn

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t you

wou

ld s

ay.

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suas

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eche

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PLA

N y

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peec

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Writing Task

Page 37: GCSE English - TIBHS

Writing Task

You have been asked to give a speech to year six pupils about life in a secondary school as a student at Key Stage three.  Write your speech about advice you would give to them before starting secondary school.  Spend 25 minutes writing your answer.  

Good morning all and a warm welcome to Tauheedul Islam Boys’ High School! (Hold arms out welcoming pupils to the school.) How did everyone find it today getting here? (Wait for a response from the audience.) Well, despite the weather being miserable, I can assure you that you will always get a warm, positive welcome, from all of us, here at TIBHS! 

Firstly, give yourselves a round of applause for achieving a place here at Tauheedul (initiate the round of applause) congratulations to you all; you have all earned and deserved your place here. Before we start, I would like to introduce to you to some important people.  To my left are the year eleven prefects (acknowledge the prefects to the left) who are always happy to assist you throughout the day; I promise they are the best!  They, when they were in year nine, helped me on my first day‐ thank you again for the help and support! (A round of applause given.) We only have the best‐ such as yourselves‐ (acknowledge the audience again.)  To my right are the Heads of Year‐ one of which you will definitely already know‐who will be helping you throughout the day.  And lastly, myself, Mohammed Patel, and I am a pupil in year nine. 

With the introductions out of the way let us start by discussing one of the biggest topics in the school: sports!  The PE department work tirelessly to make sure everyone is valued and allowed to be a part of at least one sporting team.  You will have a chance to meet the PE department later on and ask any questions you may have.  We are all competitive and, here at Tauheedul, we offer a wide range of sporting activities for you to get involved with: from football (cheer), basketball (cheer) and cricket (louder cheer!)  Last year alone, for year seven, we won three out of four of the major tournaments for football and basketball, but the biggest achievement was to win the country finals, held at Witton Park, for all year groups for athletics (applause). We know you can do the same too!    

Now, one of the most important elements of school life is all about making friends, don’t you agree? (Wait for audience response)  You will have been put into form groups ‐ you will get a chance to meet people in your forms today when we leave the hall so don’t worry! Here, we have a culture for making sure you make friends and we give you plenty of opportunities to do so ‐ just look at your friends already around the room (move arms around the room) ‐ including the Heads of Year if you don’t get into trouble… 

As for the subjects you will study, we offer a wide range of subjects that you will love; my favourite is English!  In English we study a wide range of topics: including poetry, Shakespeare, drama and non‐fiction novels.  Hands up who loves English! (Hands go up.)  We also offer other subjects; such as Maths, Business Studies, Geography, Citizenship, Art, ICT just to name a few ‐ I can assure you that you will love all the subjects here!  You will be 

Commented [ian.ramsa1]:   Purpose – speech about life in a secondary school     Audience – Year 6 pupils  Type – informative based speech  Type – Entertain, inform 

Commented [ian.ramsa2]:   Tone – friendly and welcoming  Introductory paragraph  Topic sentence  Engaging opening 

Commented [ian.ramsa3]:   VSSSP (Sentence Structure) ‐ complex sentence

Commented [ian.ramsa4]:   “Firstly” time connective to indicate the opening statement of the speech 

Commented [ian.ramsa5]:   VSSSP (Punctuation) – semi colon 

Commented [ian.ramsa6]:   VSSSP (Punctuation) ‐ brackets 

Commented [ian.ramsa7]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [ian.ramsa8]:   VSSSP‐Topic sentence 

Commented [ian.ramsa9]:   VSSSP (Punctuation) colon ‐ to create a list 

Commented [ian.ramsa10]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [ian.ramsa11]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [ian.ramsa12]:   Narrator (Second person) ‐ direct address “You” 

Commented [ian.ramsa13]:   Tone‐ light‐hearted humour to calm the nerves  Ellipsis  Capital letters for a proper noun ‐ the title of a job role 

Commented [ian.ramsa14]:   VSSSP (Sentence Structure) ‐ Complex sentence 

Commented [ian.ramsa15]:  VSSSP (Punctuation) commas in a list 

Speech

shown around the school and the different departments so that you don’t get lost on your first day… hopefully (smile at the audience.)  Finally, with school subjects, make sure you do have all the equipment ‐ achievement points are very important here ‐ the rewards trips are brilliant: Alton Towers, Blackpool, Morocco (pause for effect) and Paris (pause again for effect) to name just a few!  So, be aware that teachers are always ready to reward you for your work, effort and behaviour! 

Finally, before we go off to your forms, I would again like to welcome you to Tauheedul Islam Boys’ High School and I would like to take this opportunity to welcome you into our family where pupils are always at the centre of what we do.  Thank you and have a fantastic day! (Applause given.) 

Commented [ian.ramsa16]:   VSSSP (Punctuation) colon ‐ to create a list 

Commented [ian.ramsa17]:   VSSSP (Punctuation) Exclamatory sentence 

Commented [ian.ramsa18]:   “Finally” ‐ Time connective to indicate the concluding paragraph of the article 

Commented [ian.ramsa19]:   Tone – friendly ending 

Page 38: GCSE English - TIBHS

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Writing Task

Page 39: GCSE English - TIBHS

Writing Task

‘Teen View’, a magazine for teenagers, wants to publish lively reviews from its readers. Write a review of a film or TV programme you have watched, or a book you have read. 

 

Write your review. Spend 25 minutes writing your answer.  

Jurassic Park: a ground breaking, heart stomping, dino sized film 

Jurassic Park is simply the most epic film of its time for multiple reasons!  Maybe it was the utter amazement when I first saw the Brachiosaurus eat from a tree, or maybe it was my adrenaline rushing when two twelve year olds were attacked by velociraptors, it might even be the chills that went down my spine when the T‐Rex first made his terrifying roar.  Whatever it was, I was awe‐inspired by all of Spielberg's magical strokes of genius: from fantastic art direction and wonderful camera techniques to astounding technical quality. 

Allan Grant (Sam Neil) and Ellie Sattler (Laura Dern) are two successful palaeontologists who are asked, by a rich man, John Hammond to come to his park for a major tour. They agree and are taken to an island where ‘Jurassic Park’ logos are everywhere; the two palaeontologists have no idea what they are getting themselves into. The first dinosaur to make an appearance is the Brachiosaurus, both of them are extremely amazed by its giant appearance, and so is the audience. What the two of them don't know is that there are countless more terrifying and carnivorous dinosaurs that are about to escape and run loose… 

The most emphatic and heart stomping element of the movie is when the T Rex, coming ferociously and unrestrainedly out of the woods, chases three of the main characters who are driving a car!!!  Yes, a T Rex chases a car!!!  This has some people sitting on the edge of their seat, some shrieking in terror and some burying themselves into their seats to escape the impending terror that is to follow; this is a chase like no other… In 1994 this inspiring and remarkable film was nominated for forty ‐ yes forty ‐ awards for its performance the previous year, and won twenty‐nine awards including Best Science Fiction Film, Young Artists Award and a BAFTA!!!  The recognition this film warrants and merits was evident throughout the year of 1994.  I challenge anyone to sit through the film and not be enthralled by it.  How could you not be enticed by terror, trepidation and fear?  This film will take you on a dino‐sized adventure you will never forget‐ trust me! I’ve witnessed it first‐hand! 

The only questionable drawback of the film I would make a point of, would be the ending.  Without giving anything away, would the almighty, ruthless and merciless Tyrannosaurus Rex show compassion towards a living individual, or is it simply that he was already full and content with his afternoon’s work? 

Overall, Jurassic Park is a true benchmark of cinematic achievement and is by far, still, the best film currently in theatres two decades after its initial release. 

Star rating:   

Commented [ian.ramsa1]:   Purpose – review of a film for a teenage magazine     Audience – teenagers   Type ‐ Opinion based review  Type – Persuade, entertain, inform 

Commented [ian.ramsa2]:   VSSSP (Words) – emotive language “ground‐breaking” and “heart stomping” 

Commented [ian.ramsa3]:   Introductory paragraph  Topic sentence  Engaging opening 

Commented [ian.ramsa4]:   Tone – friendly and light‐hearted 

Commented [ian.ramsa5]:   VSSSP (Punctuation) colon ‐ to create a list 

Commented [ian.ramsa6]:   VSSSP (Punctuation) – brackets for the actors’ real names 

Commented [ian.ramsa7]:   VSSSP (Sentence Structure) – Simple sentence 

Commented [ian.ramsa8]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [ian.ramsa9]:   VSSSP (Sentence Structure) ‐ complex sentence 

Commented [ian.ramsa10]:    VSSSP (Punctuation) – semi colon 

Commented [ian.ramsa11]:   VSSSP (Punctuation) ‐ dash 

Commented [ian.ramsa12]:   Fact ‐ nominated for prestigious awards in 1994

Commented [ian.ramsa13]:   VSSSP (Sentence Structure) – Simple sentence 

Commented [ian.ramsa14]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [ian.ramsa15]:   Narrator (Second person) – “you” direct address 

Commented [ian.ramsa16]:   VSSSP (Sentence Structure) – Simple sentence 

 

Commented [ian.ramsa17]:   Imagery/Literary device ‐ Triples 

Commented [ian.ramsa18]:   VSSSP (Punctuation) ‐ Rhetorical question 

Commented [ian.ramsa19]:   VSSSP (Words) – emotive language “benchmark of cinematic achievement” 

Review

Page 40: GCSE English - TIBHS

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