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    George Orwell-1984

    "'If you want a picture of the future, imagine a boot stamping on a human face -- for

    ever'" (230).1984 is one of the most famous dystopias ever written (along with apredecessor like Brave New World or a successor like The Handmaid's Tale). And with

    good reason -- this book is incredibly intense. Orwell's picture of the future describes the

    boot and its stamping of a human face in all the detail necessary to frighten everyone

    from the pessimistic misanthropes to the idealistic optimists. Which camp would Orwell

    himself belong to? Perhaps both. The book could only be written from the most profound

    conviction that such a future could indeed happen, a conviction motivated by societies

    where Big Brother already existed in large part when Orwell wrote the book. But 1984

    has become a touchstone of our culture in the way that it functions as a warning. Can we

    prove the optimist in Orwell correct, and proceed to take the book's warning as a

    corrective for certain tendencies in our own society? We have survived the bloodiest

    century in human history without the final annihilation of nuclear war, and without the

    kind of Big Brother society envisioned by Orwell (although that is debatable). Frankly,

    that's not much of an accomplishment to brag about, and a fresh re-reading of 1984 for

    everyone on the eve of the new millennium might just help make a few things turn out

    differently.My comments so far have been based on the assumption that a book can

    change society. 1984 certainly takes itself seriously, and the possession of a book like

    Orwell's in the Big Brother society it depicts would be a thought-crime of the first order.

    At this point, I would like to say that a self-righteous society that ignores warnings like

    Orwell's in 1984 frightens me. Perhaps more so than Oceania, Eastasia, and Eurasia. Is

    this descriptive of Western culture at this juncture in history? If we do not have Big

    Brother as such, there might be other, more subtle things to worry about. As I wasreading 1984, I was struck by many echoes of Foucault, and his theories of discipline.

    And Foucault makes it clear that he thinks power and discipline permeate all areas of

    society, whether totalitarian or democratic. In another parallel, I think that Orwell's idea of

    doublethink is not restricted by any means to the fictional society of Oceania. An

    example from the book deals with the Party's claim that the revolution happened to

    liberate the proles: "But simultaneously, true to the principles of doublethink, the Party

    taught that proles were natural inferiors who must be kept in subjection, like animals, by

    the application of a few simple rules" (65). I see doublethink in the way that European

    powers colonized the rest of the planet, and in the continuing economic domination of

    poorer countries. I see doublethink in certain attitudes towards women, where the double

    standard is alive and well. These ideas raised by Orwell are more than a little disturbing,

    if all of the implications are examined.However, the book's lasting power lies not in all of

    this social theory, but rather the concrete details of its story. From the smell of boiled

    cabbage in the hallway of Winston's apartment building to the political architecture

    ensuring that the powerful stay in power -- the entire range of human experience is here.

    And Winston Smith is a strong centre for the novel. Like many dystopias, we don't find

    out how the main character becomes rebellious. Winston Smith is a thought criminal

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    when we first meet him, and his story is premised on that leap. We follow him in his job,

    where he alters history according to instructions. We follow him through a love affair with

    the woman named Julia, and it's a strange romance. Winston says to Julia, "I hate purity,

    I hate goodness!" (112). And possibly with good reason, if such virtues are associated

    with the Party and its attempts to channel sexuality into avenues less destabilizing to

    society. Winston and Julia still participate in the Two Minute Hate, another effective formof catharsis and social control.Unfortunately, the last half of the book is not very

    interesting. Yes, Orwell continues to use many fascinating ideas, and the images of

    Winston under torture are indeed horrific. But the story comes to a crashing halt. First,

    Winston reads chapter after chapter from a rather dry book of political theory -- and no

    one is terribly surprised when we find out that the author is not who Winston thought it

    was. And when Winston is under torture, the book also bogs down, dramatically

    speaking. Perhaps the story has become too familiar, but we know that Winston will

    break when confronted with Room 101. This Big Brother society is too well-constructed

    to break apart in the face of one man's resistance. I found my interest picking up again

    when Winston was released, and his meeting with Julia might be some of the best

    writing in the novel.Perhaps the strongest aspect of the last half of the novel is Orwell's

    blunt answer to the question of why. Winston has read a book describing how the Party

    stays in power, but he is plagued by the question of why. When he asks O'Brien this

    question, the answer is as blunt as could be imagined: power for the sake of power. And

    we are confronted, not with some abstract homily about absolute power, but the reality of

    complete and utter social power perpetuating itself, confident of its own immortality.

    There should be tears in our eyes at the ending, for different reasons than Winston's

    tears, as Winston sits in the Chestnut Tree, thinking about how much he loves Big

    Brother.It's 1984 in Airstrip One, Oceania (formerly London, England). Winston Smith

    works at the Ministry of Truth, altering old newspapers to reflect current versions of

    events--"All history was a palimpsest, scraped clean and reinscribed exactly as often asnecessary". This work is vital to the Party, whose legitimacy depends on the "mutability

    of the past."Oceania is governed by Big Brother and the Party and the doctrines of

    Ingsoc (English Socialism): WAR IS PEACE, FREEDOM IS SLAVERY,

    IGNORANCE IS STRENGTH.However, Winston does not believe these things and he

    has a message for us, which he confides to the journal that he has secretly begun

    keeping, even though he knows it will destroy him: To the future or to the past, to a

    time when thought is free, when men are different from one , another and do not live

    alone-to a time when truth exists and what is done cannot be undone: From the age of

    uniformity, from the age of solitude, from the age of Big Brother, from the age of

    doublethink-greetings!What is doublethink?: To know and not to know, to be conscious

    of complete truthfulness while telling carefully constructed lies, to hold simultaneously

    two opinions which canceled out, knowing them to be contradictory and believing in both

    of them, to use logic against logic, to repudiate morality while laying claim to it, to

    believe that democracy was impossible and that the Party was the guardian of

    democracy, to forget whatever it was necessary to forget then to draw back into memory

    again at the moment when it was needed, and then promptly to forget it again, and

    above all, to apply the same process to the process itself-that was the ultimate subtlety:

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    consciously to induce unconsciousness, and then, once again, to become unconscious

    of the act of hypnosis you had just performed. Even to understand the word

    'doublethink' involved the use of doublethink.But against the tenets of doublethink,

    Winston posits the following: "Freedom is the freedom to say that two plus two make

    four. If that is granted, all else follows."Winston becomes convinced that a young woman

    at work, a sash wearing member of the Junior Anti-Sex League, is a member of theThought Police out to destroy him, but one day she stumbles & when he helps her up,

    she hands him a note that says "I love you". The two soon become lovers, "but you

    could not have pure love or pure lust nowadays. No emotion was pure, because

    everything was mixed up with fear and hatred. Their embrace had been a battle, the

    climax a victory. It was a blow against the Party. It was a political act." As Julia

    understands: "Unlike Winston, she had grasped the inner meaning of the Party's sexual

    puritanism. It was not merely that the sex instinct created a world of its own which was

    outside the Party's control and which therefore had to be destroyed if possible. What

    was more important was that sexual privation induced hysteria; because it could be

    transformed into war fever and leader worship."Winston and Julia know their love is

    doomed and they are doomed because of it, but they make each other a promise:

    Winston: When once they get ahold of us there will be nothing, literally nothing, that

    either of us can do for the other. If I confess, they'll shoot you, and if I refuse to confess

    they'll shoot you just the same. Nothing that I can do or say, or stop myself from saying,

    will put off your death for as much as five minutes. Neither of us will even know whether

    the other is alive or dead. We shall be utterly without power of any kind. The one thing

    that matters is that we shouldn't betray one another, although that can't make the

    slightest difference Julia: if you mean confessing, we shall do that, right enough.

    Everybody always confesses. You can't help it. They torture you. Winston: I don't mean

    confessing. Confession is not betrayal. What you say or do doesn't matter; only feelings

    matter. If they could make me stop loving you-that would be the real betrayal. Julia: Theycan't do that. It's the one thing they can't do. They can make you say anything-anything-

    but they can't make you believe it. They can't get inside you. Winston: No, no; that's

    quite true. They can't get inside you. If you can feel that staying human is worth while,

    even when it can't have any result whatever, you've beaten them. Now that he is

    committed to independence of thought and loving Julia, Winston musters the courage to

    approach O'Brien, who he is convinced opposes Big Brother and tell him: "We believe

    that there is some kind of conspiracy, some kind of secret organization working against

    the Party, and that you are involved in it. We want to join it and work for it. We are

    enemies of the Party. We disbelieve in the principles of Ingsoc. We are thought-

    criminals. We are also adulterers. I tell you this because we want to put ourselves at

    your mercy. If you want us to incriminate ourselves in any other way, we are ready."And

    so, O'Brien initiates them into the Brotherhood. He gives them a text by Goldstein, a

    founding member, but subsequent enemy, of the Party and frequent subject of The Two

    Minutes Hate. Within the book, Goldstein explains that whereas human history had seen

    a series of rebellions by the Middle against the High in the name of equality, the current

    revolution lead by the Party is different: "With the development of machine production, ...

    the case was altered. Even if it was still necessary for human beings to do different kinds

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    of work, it was no longer necessary for them to live at different social or economic levels.

    Therefore, from the point of view of the new groups who were on the point of seizing

    power, human equality was no longer an ideal to be striven after, but a danger to be

    averted." And he describes the makeup of the Party: "The new aristocracy was made up

    for the most part of bureaucrats, scientists, technicians, trade-union organizers, publicity

    experts, sociologists, teachers, journalists and professional politicians. These people,whose origins lay in the salaried middle class and the upper grades of the working class,

    had been shaped and brought together by the barren world of monopoly industry and

    centralized government."Here then lies the genius of Orwell and the reason that the Left

    so despises him. It would have been easy to write a polemic against fascism in 1948 and

    by then you could even criticize Communism without courting total revulsion from the

    Left. Moreover, the politically expedient way in which to criticize these isms was to

    speak of the noble goals betrayed by tiny bands of oligarchs. But Orwell went beyond

    these easier targets and attacked Socialism and centralized government in general.

    When Winston is being tortured, he is told: "If you want a picture of the future imagine a

    boot stomping on a human face-forever." 1984 stands as an indictment of all the

    bureaucratic boot wearers everywhere, regardless of their intentions or their ideology. It

    is a paean to freedom & freedom of thought.1984 is clearly the greatest novel of the 20th

    Century and should be #1 on the Modern Library list.The most powerful and terrifying

    novel I have read in years.' Arthur Schlesinger Jr.Undoubtedly for many of you this book

    will bring back bad memories. Of dreary English lessons, of reading out loud in front of

    the class and not understanding a word of what you're saying. But I urge you to put all of

    that to one side for a minute and give this fantastically absorbing and uncannily

    prophetic novel another go.'It was a bright cold day in April, and the clocks were striking

    thirteen.' Thus begins a nightmare trip through a strange and troubled future Britain -

    now named 'Airstrip 1', a part of the huge international state known as Oceania which is

    perpetually at war with either Eastasia (China and the countries south of it, Japan'sislands and a large part of Manchuria, Mongolia and Tibet) or Eurasia (the northern part

    of the European and Asiatic land-mass, from Portugal to the Bering Strait). Winston

    Smith is our guide, a worker in the Ministry of Truth, where the past is constantly being

    rewritten, novels are produced by machines and songs are composed on devices called

    versificators. He is a pawn of The Party, whose figurehead is the omnipresent Big

    Brother and three contradictory slogans are: WAR IS PEACE, FREEDOM IS SLAVERY

    and IGNORANCE IS STRENGTH.His actions are monitored twenty-four hours a day for

    signs of disloyalty or emotion, by telescreens with cameras inside and merciless spies

    (including children and friends brainwashed by the party's doctrines). Love has been

    abolished, along with free thought, and sex is indulged in only to produce more hard-

    working citizens to serve the cause. Oceania is populated by these virtual human

    drones, doing the party's bidding, and also by the 'proles' who can't muster the

    motivation to revolt ('Until they become conscious they will never rebel, and until after

    they have rebelled they cannot become conscious.'). Having said that, you can hardly

    blame them: any hint of opposition is swiftly, and savagely, dealt with. The strong arm of

    the party, the so-called Thought Police, come for dissidents during the night, always

    during the night, taking them away to become 'unpeople'. If they're lucky. If not, they

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    might find themselves in Room 101, facing their deepest, darkest fears.So imagine

    Winston's surprise when a fellow worker, a young woman called Julia, risks all by

    passing him a note one day declaring that she loves him. The pair embark on an illicit

    affair, meeting in secret (or so they believe), eager to discuss how they can overthrow

    Big Brother. Winston has a feeling that O'Brien, a member of the inner party, may in fact

    be involved with the Brotherhood against BB. But is O'Brien to be trusted, or will he turnthem both in to be reconditioned?A world-famous satire on totalitarianism and a critique

    of both the left and right, George Orwell's relentlessly depressing and yet awe-inspiring

    piece has certainly earned its place in the history books after fifty years in print. An

    inspiration for such films as Brazil and Judge Dredd (which was a comic book first --

    ed.), as well as TV programmes like 'The Prisoner', 'Blake's 7', 'Babylon 5' and... the list

    goes on.But what of the novel itself, and how has it stood up to the test of time?

    Remarkably well, as a matter of fact. Orwell's warnings about a country manipulated by

    an insane minority who want power for power's sake are just as relevant today as they

    ever were (especially in the light of Blair's New Labour nanny state and the European

    Union). You only have to look up the next time you're in town to realise that BB is

    watching you through CC TV cameras, as well as monitoring you on the Internet. All

    right, so these measures are an excellent means by which to combat crime both in the

    real world and in cyberspace, but it just goes to prove how accurate the author's

    predictions have turned out to be. And how careful we must be not to let such

    technology fall into the wrong hands.In addition, I was quite surprised by how horrific the

    book was, not just in terms of a sense of helpless inevitability that permeates the entire

    story, but also in its graphic descriptions.But not even this can compare with the

    poignancy of Winston's childhood remembrances, which outline the squalid conditions

    he was brought up in (obviously inspired by Orwell's own time living in poverty), his

    mother and baby sister's sudden disappearance and his entrance into a Reclamation

    Camp.The year - and even the century - may have come and gone, but 1984 is about somuch more than just a date. It's about who we are, who we might be and who we

    definitely should not be. For my money there's never been a better time to reacquaint

    yourself with this eternally significant masterwork, comrade.Read more of Paul's reviews

    at Terror Tales Online, The Online Home of the Horror Small Press or visit his web site,

    Shadow Writer.Winston Smith is a rebel- but then to even think about doing anything

    against the party is a crime- thoughtcrime. Yet, he dares to step out of line and even

    starts a diary! He meets a girl- Julia and they fall in love- again something which would

    get them killed or worse. In the end they do get caught and are put through horrifying

    torture. The purpose as OBrien says is not to merely kill the rebels, but to make them

    accept and love the party and Big Brother before they are finally shot.The idea of Big

    Brother(the iconic leader) is based on Joseph Stalin. But unlike the latter, we do not

    know if he is a living person. Yet, Big Brother is everywhere, he listens to everything to

    you say, he watches everything you do(somewhat like God?). The world is constantly at

    war and though the statistics say otherwise, peoples ration are decreased almost every

    week. There are four ministries which rule Oceania(the world has three super powers-

    Oceania, Eurasia and Eastasia), i.e. Ministry of Love, Ministry of Peace, Ministry of Truth

    and Ministry of Plenty, which deal with controlling people though constant monitoring

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    and torture, war, falsification and propaganda and controlling rations respectively.You

    can feel a sense of despair through out the book, not only is it palpable, it starts affecting

    you. the arguments and ideas are driven through with pain and anguish- what if the

    world turns out to be like this? Or are we really heading to a world like this? Maybe not,

    hopefully.The book flows much like a saw does through wood, slicing and making you

    question the motives of the world you live in. While it may seem the author is nihilistic-there is enough of salt in there to see what he sees. If in the last 60 or so years(since the

    book was written), the world hasnt moved one bit of the knife-edge in terms of falling

    into a world of hatred and war, then surely there is something we need to think

    about.Even in an age of democracy- you cant but help draw parallels to the present day

    situation. The picture is no way pretty. In the end you are left with a damning silence,

    wondering what is reality. The characters are almost alive, in fact you believe they are

    real. You live every second of the book and know through out what awaits you. It doesnt

    matter, what you know, all that matters is what they think you have to know. 2+2=5.A

    must read book, but be prepared to answer questions which you never thought you

    would ask yourself. There is no happy ending- there is nothing that makes you smile

    anywhere in the book. Big Brother is watching you.