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G E R M A N A N D A M E R I C A N P R O PA G A N D A D U R I N G W W I IB Y : M A D D I E S H I F L E T T
VOLKSEMPFÄNGER
Volksempfänger Model VE301
• Means “The People’s Receiver”
• Joseph Goebbels’* way of
reaching the German people.
*Minister of the Nazi Propaganda Ministry
INTRODUCTION
• Propaganda has a very broad definition.
• German and American propaganda during
World War II had different:
➢Themes
➢Methods of creation
➢Aims
• Propaganda had a large role in the defeat of
Nazi German in 1945. Example of propaganda: Poster for the 1943
cartoon, “Der Fuehrer’s Face”, by Disney
THESIS
• German propaganda had more shortcomings than American propaganda.
• German propaganda failed because it was based in exaggeration and lies.
• Germany could not win the war without adequate support from home.
T H E M E S O F G E R M A N P R O PA G A N D AW H AT M A J O R T H E M E S W E R E F O U N D W I T H I N G E R M A N P R O PA G A N D A , A N D H O W D I D T H I S R E L AT E T O I T S E F F E C T I V E N E S S ?
ANTI-SEMITISM
“This is the cause of war.” “The Jew- Inciter of War,
Prolonger of War.”“Behind the enemy
powers: the Jew.”
ARYANISM
“The German Student. Fight
for the Fuhrer and the
People.”
“The Illustrated Family-Bible for
the Super Race.”
“Build Youth Hostels and
Homes”
GLORIFICATION OF HITLER
“One people, one empire,
one Fuhrer!”“Long live Germany!” “Yours to the Fuhrer”
FEAR
“Bolshevism brings war,
unemployment, and famine.”
“The enemy sees your
light. Turn it off!”
“Bolshevism means the world
will drown in blood.”
T H E M E S O F A M E R I C A N P R O PA G A N D AW H AT M A J O R T H E M E S W E R E F O U N D W I T H I N A M E R I C A N P R O PA G A N D A , A N D H O W D I D T H I S R E L AT E T O I T S E F F E C T I V E N E S S ?
PATRIOTISM
Patriotic symbol of a worker Uncle Sam, calling
everyone to help protect America’s freedoms.
Disney participated in the creation of
propaganda, such as this poster of Mickey
Mouse urging people to join in the war
effort.
This enlistment poster uses the
American flag as an emotive
symbol.
UNITY
First steps at racial integration developed,
in part, from the Second World War.
This poster emphasizes that the war cannot
be won without a group effort.
“Rosie the Riveter” motivated Americans to
work together, but spoke more specifically to
women stepping up to factory jobs during the
war.
GUILT
The American soldier was often used in
propaganda to remind people of the
sacrifices others were making.
With patriotic symbols, this poster put
the pressure on individuals not taking
part.
By portraying this soldier as wounded,
people were reminded that some were
going through more trouble for their
country.
REVENGE
Posters like these were common in the early stages of the war, when Pearl Harbor was still fresh in everyone’s
minds. It was a rallying cry for every American to get behind.
FEAR
“Careless talk” pieces scared
Americans into being watchful over
what details they shared.
Fear of capitulation from defeat was an
ever-present thought.
This poster featured a small child to
get a more emotional effect.
RACISM
Racist portrayals of the Japanese in posters, comics, and cartoons contributed to the eventual internment of Japanese
Americans by normalizing negative stereotypes.
A I M S O F G E R M A N P R O PA G A N D AW H AT G O A L S D I D G E R M A N
P R O PA G A N D A S E E K TO C A R RY O U T ?
BUILD SUPPORT FOR HITLER
• Goebbels assigned the task to
getting Germans to support Hitler.
• Involved indoctrination.
• Early aim of propaganda.
Hitler meeting with young German boys
NORMALIZE VIOLENCE AGAINST JEWS
• Newsreel footage of violence.
• Stereotypical representation of
Jews.
• Blaming Jews.
Movie poster for 1940 film, Der Ewige Jew
(The Eternal Jew)
RAISE MORALE
Starving boy during Germany’s
depression,1930s.
Group of German women, 1940
Propaganda compared conditions during the Depression to conditions in
the 1940’s.
BREAK DOWN THE ENEMY
German leaflet dropped to American soldiers, discussing
futility and death that accompanies war. Comic dropped to American
soldiers, showing FDR as the Grim
Reaper.
German propaganda focused on convincing Allies that war was not worth
the trouble.
A I M S O F A M E R I C A N P R O PA G A N D AW H AT G O A L S D I D A M E R I C A N
P R O PA G A N D A S E E K TO C A R RY O U T ?
PROVIDE THE TRUTH
Image from a newsreel displaying footage
from the front.
President FDR delivering his
“Fireside Chats” over radio.
The U.S. was dedicated to showing what was really going on overseas.
RAISE MORALE
• Keeping people happy meant
keeping people involved.
• Morale of the soldiers was
important to sustaining the war
effort.
Image from Frank Capra’s Why We Fight film series
GET PEOPLE INVOLVED
Private businesses reiterated that no job was too small when it pertained to the war effort.
There were other roles to be filled besides enlisting in the military.
MAKE THE ALLIES LOOK GOOD
Leaflet dropped in Japan, warning civilians to evacuate
before a bombing. Leaflet dropped to Germans before D-Day,
promising fair treatment in return for
surrender.
Americans focused on rallying support and favor from enemy populations.
C R E AT I O N O F G E R M A N P R O PA G A N D AH OW D I D I T S C R E AT I O N R E L AT E TO
I T S E F F E C T I V E N E S S ?
BASED ON MEIN KAMPF
• Inspired by the U.S.’s CPI from WWI.
• The Nazi propaganda machine was started before the
outbreak of war.
• Goebbels’ used Hitler’s ideas about effective propaganda
when creating his own for the Nazis. Copy of Mein Kampf
in English
JOSEPH GOEBBELS AND HIS PRO-MI
“A lie told once remains a lie, but a lie
told a thousand times becomes the
truth.”
• The Propaganda Ministry was created in 1933.
• Goebbels given the task to build support for Hitler
and the Nazis.
• The Propaganda Ministry controlled the flow of all
information in Germany.
C R E AT I O N O F A M E R I C A N P R O PA G A N D AH OW D I D I T S C R E AT I O N R E L AT E TO
I T S E F F E C T I V E N E S S ?
THE OWI AND OSS
• The propaganda machine in the U.S. began
after the start of the war.
• The Office of War Information and the
Office of Strategic Services were created
as propaganda departments.
• The public pressured the U.S. government
to create departments for propaganda
during the war. The Office of War Information in operation.
FDR’S ROLE
• FDR was extremely hesitant to create
propaganda, but eventually had to give in.
• Fireside Chats
• Dedicated to keeping propaganda truthful.
FDR speaks with Britain’s prime minister, Winston Churchill.
THE ROLE OF THE PRIVATE SECTOR
• The private sector got involved
with propaganda before the
government.
• Citizens were given access to the
flow of information.
• Freedom of press
1943 cover of Life magazine
WHERE DID GERMAN PROPAGANDA FALL SHORT?
• Rooted in lies and exaggerations
• Propaganda failed to break the will
of Germany’s enemies
• Propaganda failed to keep the
support and faith of Germany’s
citizens Distressed German soldier on the Russian front.
HOW WAS AMERICAN PROPAGANDA MORE SUCCESSFUL?
• Based in truth.
• Allowed American citizens to interpret
events for themselves
• Good conditions at home.
• Succeeded in changing the minds of enemy
populations.
Poster for the USO, which provided
entertainment for soldiers.
HOW DID THIS CONTRIBUTE TO GERMANY’S DEFEAT IN 1945?
• With the loss of support from the
German populace, the Nationalist
Socialist Party in Germany did not last.
• Soldiers started to defect.
• Allied Powers were not broken down
by German propaganda. Newspaper announcing defeat of Germany, 1945
EVIDENCE OF PROPAGANDA’S ROLE IN GERMANY’S DEFEAT
BATTLE OF STALINGRAD OPERATION VALKYRIE
Russian soldiers during the Battle of Stalingrad Hitler’s “Wolfsschanze” destroyed after failed assassination
attempt in 1944.
Both of these events undermined the authority of the Propaganda Ministry.
CONCLUSION
• The German war effort failed militarily and
ideologically. The failure of propaganda
contributed to Germany’s defeat.
• Important for understanding how propaganda
operates and can be used to hide things from
civilians.
• Propaganda’s role in the defeat of Germany
should be of more emphasis in modern
historical discussions.
BIBLIOGRAPHY• Baird, Jay W. The Mythical World of Nazi War Propaganda, 1939-1945. Minneapolis, MN: University of Minnesota Press, 1974.
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BIBLIOGRAPHY CONTINUED
• NARA. "Powers of Persuasion: Poster Art from World War II." The National Archives. Accessed November 2017. https://www.archives.gov/exhibits/powers_of_persuasion/powers_of_persuasion_intro.html.
• Rhodes, Anthony. Propaganda: The Art of Persuasion, World War II. Edited by Victor Margolin. Langhorne, PA: Chelsea House Publishers, 1976.
• Stout, Michael J. "The Effectiveness of Nazi Propaganda During World War II." PhD diss., Eastern Michigan University, 2011.
• Weber, Mark. "Goebbels' Place in History." The Journal of Historical Review 15, no. 1 (Jan. & Feb. 1995): 19-21. Accessed November 2017. http://www.ihr.org/jhr/v15/v15n1p18_Weber.html.
• Wilcott, Jennifer M. "Wartime Art: A Study of Political Propaganda and Individual Expression in American Commercial and Combat Art during World War II." Master's thesis, University of New York College at Buffalo, 2013.
• Winkler, Allan M. The Politics of Propaganda: The Office of War Information, 1942-1945. New Haven, CT: Yale University Press, 1978.