20
A n ancient Japanese legend promises that folding 1,000 origami cranes will make your wish come true. If those cranes are folded in honor of someone, it shows that person is held in high esteem. One Thousand Cranes was written in honor of Charlie Quarmby, teacher, mentor and friend to many band directors in Florida, including the composer of this piece. Mark Spreen, President of the Florida Bandmasters Association and Director of the Riverview High School Band (where Charlie taught for many years), headed the committee that commissioned this piece in Charlie’s memory. Charlie’s interest in bringing Japanese Bands to Florida for performances and his love of the Japanese culture and the art of origami made this title all the more appropriate. The composition is an elegy that begins with a four-note theme. This motive is used in various ways throughout the piece as a unifying factor. Although its initial appearance is somewhat haunting, the motive becomes quite comforting by the end of the piece. References to cranes in flight are frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan. The premiere of One Thousand Cranes took place on January 9, 2010 in Tampa by the Florida All-State Honors Band. GRADE LEVEL: 4 (MEDIUM DIFFICULT) ONE THOUSAND CRANES By Robert Sheldon Instrumentation 1 — Conductor Score 5 — 1st Flute 5 — 2nd Flute 2 — Oboe 2 — Bassoon 4 — 1st B Clarinet 4 — 2nd B Clarinet 4 — 3rd B Clarinet 2 — B Bass Clarinet 2 — 1st E Alto Saxophone 2 — 2nd E Alto Saxophone 2 — B Tenor Saxophone 1 — E Baritone Saxophone 3 — 1st B Trumpet 3 — 2nd B Trumpet 3 — 3rd B Trumpet World Parts available for download from www.alfred.com/worldparts E Alto Clarinet E Contra Alto Clarinet B Contra Bass Clarinet 1st E Horn 2nd E Horn 1st Trombone in B T.C. 2nd Trombone in B T.C. 3rd Trombone in B T.C. 1st Trombone in B B.C. 2nd Trombone in B B.C. 3rd Trombone in B B.C. Euphonium in B B.C. Euphonium T.C. Tuba in B T.C. Tuba in B B.C. Tuba in E T.C. Tuba in E B.C. String Bass 2 — 1st F Horn 2 — 2nd F Horn 2 — 1st Trombone 2 — 2nd Trombone 2 — 3rd Trombone 2 — Euphonium 4 — Tuba Percussion — 6 players: 2 — Mallet Percussion (Chimes, Bells) 2 — Percussion 1 (Bass Drum/Mark Tree) 4 — Percussion 2 (Suspended Cymbal, Crotales/ Triangle/Tam-Tam) 1 — Timpani Please note: Our band and orchestra music is now being collated by an automatic high-speed system. The enclosed parts are now sorted by page count, rather than score order. Preview Only Legal Use Requires Purchase

Grade LeveL: 4 (MediuM difficuLt) One ThOusAnd CrAnes · frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan. The premiere of One Thousand Cranes

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Page 1: Grade LeveL: 4 (MediuM difficuLt) One ThOusAnd CrAnes · frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan. The premiere of One Thousand Cranes

A n ancient Japanese legend promises that folding 1,000 origami cranes will make your wish come true. If those cranes are folded in honor of someone, it shows that person is held in high esteem.

One Thousand Cranes was written in honor of Charlie Quarmby, teacher, mentor and friend to many band directors in Florida, including the composer of this piece. Mark Spreen, President of the Florida Bandmasters Association and Director of the Riverview High School Band (where Charlie taught for many years), headed the committee that commissioned this piece in Charlie’s memory. Charlie’s interest in bringing Japanese Bands to Florida for performances and his love of the Japanese culture and the art of origami made this title all the more appropriate.

The composition is an elegy that begins with a four-note theme. This motive is used in various ways throughout the piece as a unifying factor. Although its initial appearance is somewhat haunting, the motive becomes quite comforting by the end of the piece. References to cranes in flight are frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan. The premiere of One Thousand Cranes took place on January 9, 2010 in Tampa by the Florida All-State Honors Band.

Grade LeveL: 4 (MediuM difficuLt)

One ThOusAnd CrAnes

By Robert Sheldon

Instrumentation

1 — Conductor Score 5 — 1st Flute 5 — 2nd Flute 2 — Oboe 2 — Bassoon 4 — 1st B Clarinet 4 — 2nd B Clarinet 4 — 3rd B Clarinet 2 — B Bass Clarinet 2 — 1st E Alto Saxophone 2 — 2nd E Alto Saxophone 2 — B Tenor Saxophone 1 — E Baritone Saxophone 3 — 1st B Trumpet 3 — 2nd B Trumpet 3 — 3rd B Trumpet

World Parts available for download from www.alfred.com/worldparts

E Alto ClarinetE Contra Alto ClarinetB Contra Bass Clarinet1st E Horn2nd E Horn1st Trombone in B T.C.2nd Trombone in B T.C.3rd Trombone in B T.C.1st Trombone in B B.C.2nd Trombone in B B.C.3rd Trombone in B B.C.Euphonium in B B.C.Euphonium T.C.Tuba in B T.C.Tuba in B B.C.Tuba in E T.C.Tuba in E B.C.String Bass

2 — 1st F Horn 2 — 2nd F Horn 2 — 1st Trombone 2 — 2nd Trombone 2 — 3rd Trombone 2 — Euphonium 4 — Tuba

Percussion — 6 players: 2 — Mallet Percussion

(Chimes, Bells)

2 — Percussion 1 (Bass Drum/Mark Tree)

4 — Percussion 2 (Suspended Cymbal, Crotales/Triangle/Tam-Tam)

1 — Timpani

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33857S

Robert SheldonOp. 142Duration - 5:30

One Thousand Cranes

Copyright © 2010 by Alfred Music Publishing Co., Inc.All rights reserved. Printed in USA.

Dedicated to the memory of Charles Quarmby, teacher, mentor, and friend, by the Riverview High School Band, Sarasota, FL and the Florida Bandmasters Association.

FULL SCORE

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Perc. 2

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Perc. 2

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a2

Tutti

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poco rall.

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Timp.

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~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ IŸw

w

wœ# œ# œ# œ œ œ œ œ# œ œ œ œ œ œœ œ# œ œ# œ# œ œ œ œ œ œ œ œ œwww##w#w#w

ww##ww#w#www

w∑

w¿ Œ ·æ

33

œ Œ æ

f

f

ffffff

fffffff

ff Ff F

Più mosso Œ = 76

Più mosso Œ = 76

f

w

w

˙ ˙œ# œ# œ# œ œ œ œ œ# œ œ œœ œ# œ œ# œ# œ œ œ œ œ œ

˙ ˙œœ## ˙ œœœ# ˙ œ˙ ˙#

Jœ ‰ Œ Ó

Jœœ ‰ Œ Óœœ# ˙ œœœ# ˙ œœœ ˙˙ œœœ ˙ œ

˙ ˙∑

w¿ Œ Ó

34

ƒƒƒ

ƒƒƒƒ

ƒƒƒƒƒƒƒ

ƒƒƒ

ww#

w˙ Jœ œ Jœ

œ# œ# œ œ œ œ œ œœœ## œœ# œœ œœ œœ œœ œœ œœ

.˙ œ∑

w#

.˙# œ

Œ œ .œ# Jœ#

Œ œ œ# œ#∑

˙# Jœ œ Jœ˙˙ Jœœ œœ Jœœ˙ Jœ œ Jœ

.˙ œŒ œ .œ Jœ#

∑∑

35

œ Œ Ó

PPP

PPP

PP

FF

a2

PPPP

F

P A to Bb

35

35

Freely

Freely

Bells

ww#˙ ˙˙ .œ jœœ# œ# œ œ œ œ œ œœœ## œœ œœ œœ œœ œœ œœ œœ

.˙ œŒ œ# œ# œ#˙# ˙

.˙ œ

w#

ww#Œ œ œ# œ#˙ .œ Jœ˙# ..œœ Jœœ˙ .œ jœ

.˙ œw

∑∑

36

Fa2

Fa2

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&&?

&&&

&&&

&&&????

&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

Œ œ .œ Jœ#

Œ œ œ# œwœ# œ# œ œ œ œ œ œœœ## œœ# œœ œœ œœ œœ œœ œœ

w˙# ˙#Œ œ œ# œ#

w#

Œ œ .œ# Jœ#Œ œ œ# œ#˙# ˙œ œ# œ œœ œ œ# œ

wwŒ œ .œ Jœ#

∑∑

37

Fa2

F

F

a2

FFa2

˙# œ# œ# œ œ œ œ œ# œ œ œ

˙ œ œœ ˙ œœ# œ# œ œ œ œ œ œœœ## œœ œœ œœ œœ œœ œœ œœ

.˙ œŒ œ# œ# œ#˙ œ œ#

.˙ œw#

˙# œœ# œœ#Œ œ œ# œ#œ ˙ œ

œœ# ˙ œœ

œ ˙ œ.˙ œ

w#∑

·æ

38

∑P

˙bn ˙b

wbJœb œ Jœ Jœ œ Jœwnwwnb˙b ˙

jœœnn œœ jœœ jœœ œœ jœœJœb œ Jœ Jœ œ Jœ˙b ˙

∑∑∑

Œ œb .œb Jœ

Œ œb .œb Jœœn

Œ œb .œb Jœ

˙b ˙∑∑

¿ Œ Ó

39

ff

fff

ff

ff

fa2

ff

f

f

Poco stringendo

Poco stringendo

Œ œb œn œb

Œ œb œ œbJœb œ Jœ Jœ œ JœŒ œb œ œbŒ œb œ œb

˙b ˙jœœ œœ jœœ jœœ œœ jœœjœb œ jœ jœ œ jœ

˙b ˙∑∑

Œ œb œ œbw

wwbbwb

˙b ˙∑∑∑

40

a2

FF

FFF

a2

FFFF

F

F

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&&?

&&&

&&&

&&&????

&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~˙b ˙b

wbJœb œ Jœ Jœ œ Jœ

wb

wwb

œb ˙ œjœœ œœ jœœ jœœ œœ jœœ

Jœb œ Jœ Jœ œ Jœœb ˙ œ

∑∑

˙b ˙

Œ œb œb œ œ

Œ œb œœb œœb œœbŒ œb œ œb œb

œb ˙ œ∑∑∑

41

a2

Œ œb > .œb >Jœ

Œ œb > .œb > Jœ

Jœb œ Jœ Jœ œ Jœ

Ó œb > œb >

Ó œb > œ>

˙b ˙jœœ œœ jœœ jœœ œœ jœœjœb œ jœ jœ œ jœ

˙b ˙

Œ œb > .œ> JœŒ œb > .œ>

jœÓ œb >

œœb >˙b Jœ œ Jœ˙b Jœœ œœ Jœœ˙b Jœ œ Jœ˙b ˙

∑∑

·æ

42

f

a2

f

fa2

f

ffa2

f

P

w>

w>

Ó >∑∑

Ó>

∑Ó >Ó >w>

w>∑

Ó >

Ó ˙˙n >Ó >Ó >

∑Ó æ·æ

43

Ó œ œ >

ƒƒ

ƒ

ƒ

ƒƒ

ƒƒ

ƒƒƒƒ

f

ƒ

43

43

Risoluto Π= 88

Risoluto Π= 88

Jœ ‰ Œ ˙

Jœ ‰ Œ œn œ œ œ œ œ œ3

˙ >œ œn œ œ œ œ œ œ œ œ œ œ œ œ

3 3

œœ œœ œœ œœ œœ œœ œœ œœ

˙ >œœ# œœ œœ œœ œœ œœ˙ >˙ >Jœ ‰ Œ Ó

jœ ‰ Œ Óœœnn œœ œœ œœ œœ œœ˙ Jœ .œ>˙˙ Jœœ ..œœ>˙ >˙ >œ ˙ œœ Œ Ó¿ Œ Ó

44

ƒƒ

ƒ

ƒ

ƒF to Eb

poco rall.

poco rall.

Bells

wwœ œ œ œ œ œ œ œ œ œ

3

3

wœ œ œ œ œ œ œ œ œ œ

3 3

œœ œœ œœ œœ œœ œœ œœ œœ

wœœ œœ œœ# œœ œœ œœww

∑∑

œœ œœ œœ œœ œœ œœwwwwwœ œ œ œ

∑∑

45

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Page 11: Grade LeveL: 4 (MediuM difficuLt) One ThOusAnd CrAnes · frequent and the use of pentatonic scales and tam-tam provides a nod to the music of Japan. The premiere of One Thousand Cranes

&&?

&&&

&&&&&&????

&

ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

~~~~~~~~~~˙ ˙œ Œ Ó

jœ ‰ Œ Óœ œ œ œ

œœ œœ œœ œœjœ ‰ Œ Ó

œœ# ˙ œœjœ ‰ Œ Ójœ ‰ Œ Ó

∑∑

œœ ˙ œœJœ ‰ Œ ÓJœœ ‰ Œ Ó

jœ ‰ Œ Ójœ ‰ Œ Ó

w

∑∑

46

pP

pPP

pP

pp

Pppppp

∑∑∑

œ jœ ‰ Œ œœ jœ ‰ Œ œ

∑wwÓ Œ œ

∑∑∑

ww∑∑∑∑∑

∑∑ &

47

a2

P

Tempo primo Π= 72

Tempo primo Π= 72

∑∑∑

œb œb ˙œb .˙bw

∑..˙ œœ>

w∑∑∑

..˙ œœ>∑∑∑∑

Ó Œ œœœœœb >

>

wKÓ Œ œœ>

48

fP

Bells (brass mallets)

Chimes (acrylic mallets)

Mark Tree

Crotales

f

œ œ œb œb œ ˙3

∑∑

www

∑..˙ œœ>

w∑∑∑

..˙ œœ>∑∑∑∑

Ó Œ œœœœœb >

>

wHÓ Œ œœ>

49

FSolo ∑

∑wb

www˙ ˙

w∑

œ œb œb œ

œ œb ˙b.˙wwb w

wwbb∑∑∑

wK∑

50

a2

PP

PP

P

P

œ œ œ œb œ œb ˙3 3

œ œ œ œb œ œb ˙33

w

wwwwww

∑wwwwww

ww∑∑

Ó Œ œœœ>œœb>

œœ>œœœ>

wHÓ Œ œœ> œœ> ã

51

FSolo w/Flute

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&&?

&&&

&&&

&&&??

??

ã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~

iŸ ~~~~~~~~~~~ iŸ

~~~~~~~~~~~~ iŸ

~~~~~~~~~~~~~~~~~~~~~~~~~~~ iŸ

ww

∑w

w∑

Œ œ> œ> œb > œ>

w∑

wwwb

Œ œ> œb > œb > œb >wwwbb

Œ œb > œb > œb > œb >

∑∑

·æ

52

Tutti

Tutti

fa2

fa2

f

P

poco rall.

poco rall.

w

wb∑

w

w∑

œ> œœb > ..œœ> Jœœ>

w∑

.˙ œä

..˙˙ œœb âœ> œœbb > ..œœb >

Jœœ>

.˙ œä

..˙ œœbb äœ> œb > .œ> Jœ>

∑Ó æ·æ

53

ƒƒ

ƒƒ

f

ww

Jœ ‰ Œ Ó

>jœ ‰ Œ

Jœ ‰ Œ œœ œœjœ ‰ Œ œœ œœ

> jœ ‰ Œ˙>

Jœœ ‰ Œ

Jœ ‰ Œ Ó

>jœ ‰ Œ

∑∑

˙>Jœœ ‰ Œ

∑∑

> Jœ ‰ Œ

>jœ ‰ Œ

www>>œ Œ Ó¿ Œ Ó

54

Œ œ œ .>

̓

̓

div.

P

ƒ PÍ

̓Í

Í

ÍÍ

ƒƒ

ƒ

54

54

Tranquillo Π= 76

Tranquillo Π= 76

(hard rubber mallets)

(rawhide mallet)ƒ

..˙ œœ∑

Ó Œ œww

wwÓ Œ œ

∑∑∑

∑∑∑

‰ Jœn œ œ .œb Jœ

∑∑

‰ Jœ œ œ .œb Jœ

Ó Œ œ∑∑

55

Ó Œ œ

p

p

F

FSolo

p

p

(Euph.)

ww∑

wÓ œœ œœÓ œœ œœw

∑∑∑

∑∑∑œ œb .˙

wwwœ œb .˙

w∑∑

56

w

pp

Jœœ ‰ Œ ˙

∑jœ ‰ Œ Ó

œœ ..˙˙œœ ..˙

jœ ‰ Œ Ó

Ó ‰ Jœ œ œ

∑∑

∑∑∑w

Jœ ‰ Œ Ó

Jœœ ‰ Œ Ów

jœ ‰ Œ Ó

Ó ˙>

>

57

Í

PSolo

ww∑∑

wœ œ œ œ œ œ œ œ

∑œ œ# œ œ œ œ œ œ

∑∑

∑∑∑∑∑

∑∑

∑∑

58

2nd only

poco accel.

poco accel.

(-3.)

12

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&&?&&&

&&&

&&&??

??&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

œ ˙ œ∑œ ˙ œ

Óœ œ œb

www

∑œ œ# œ œ œ œ œ œÓ œ œ œ∑

∑∑∑

∑∑

∑∑∑∑

Ó ±

59

F

FSolo

Solo

F

+ 3.

F

Con dolore Π= 84

Con dolore Π= 84

(Ob.)

(Bsn. Solo)

F

œ œb .œ JœbÓ Œ ‰œ œb .œ Jœb˙b - ˙b

wwwb

∑œ œ# œ œ œ œ œ œ- ˙b∑

∑∑∑

∑∑

∑∑∑∑

Ó Œ —

60

Play (one player)

Fœ ˙n œœ ˙n œ

Óœ œ œb

www

∑œ œ# œ œ œ œ œ œÓ œ œ œ∑

∑∑∑

‰ Jœœ œ œ œ œ

∑∑

‰ Jœ œ œ œ œb œ

∑∑∑

Ó ±

61

F

F

(Euph.)

œ œb .œ Jœb

œ œb .œ Jœb˙b - œ œb

wwwbŒ .˙œ œ# œ œ œ œ œ œ- œ œb∑Œ .˙

∑∑∑

‰ Jœœ œ œ œb œ

Œ .˙b

Œ ..˙b

‰ Jœ œ œb œ œb œ

Œ .˙b∑∑

Ó Œ —

62

Œ .˙b æPBb to A

wNwNœN œ œ œ œ œ œ œœ# œ œ œ œ œ# œ œ œ œ# œ œ œ œ

33

œ# œ œ œ œ œ œ œwww#

w#w#Œ œ# - œ- œ-

Œ œ# - œ- œ-œ# œ œ œ œ œ œ œwNww˙N ˙

w∑∑

·æ

63

w

fTutti

fTutti

fTutti

ffa2

fTutti

fff

ƒƒa2

fa2

ff

fTutti

f

pf

Affrettando

Affrettando

Play

Play

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&&?

&&

&&&&&&&????

&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

˙ œ œ

˙ œ œœ œ œ œ œ œ œ œœ# œ œ œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ

33

33 3

œ# œ œ œ œ œ œ œ

˙ ˙œœ# ˙ œœœ# ˙ œ˙# ˙

.œ# - Jœ ˙

.œ- jœ# ˙œ# œ œ œ œ œ œ œœ ˙ œœœ ˙ œœœ ˙ œ˙ ˙

∑wæ·æ

64

˙ ˙

p cresc.

cresc.

œ œ œ œ œ œ œ œ œ œ œ œ œ œ3

3

œ œ œ œ œ œ œ œ œ œ œ œ œ œ3

3

œ œ œ œ œ œ œ œœ# œ œ œ œ œ# œ œ œ œ# œ œ œ œ

33

œ# œ œ œ œ œ œ œ

www#w#wJœ ‰ œ# - œ- œ-

jœ ‰ œ# - œ- œ-œ# œ œ œ œ œ œ œwwww

w∑

wæ·æ·æ

65

wFTam-Tam

F

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ3 3 3 3 3

œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ3

3

3

3 3

œ œ œ œ œ œ œ œœ# œ œ œ œ œ# œ œ œ œ œ œ œ œ œ œ œ œ

33 3

3 3

œ# œ œ œ œ œ œ œ

˙ ˙œœ# ˙ œœœ# ˙ œ˙ ˙

.œ# - Jœ œ œ# >

.œ- jœ# œ œ>œ# œ œ œ œ œ œ œœ ˙ œœœ ˙ œœœ ˙ œ

˙ ˙∑

wæ·æ·æ

66

.æ œ

ƒ

ƒƒƒ

ƒ

ƒƒƒƒ

ƒ

ƒ

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&&?

&&&

&&&

&&&????&ã

ã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

˙# Jœ ‰ Œ˙# Jœ ‰ Œw#˙# Jœ ‰ Œ

˙# >jœ ‰ Œ

w#˙# ˙˙# ˙w#

˙# > Jœ ‰ Œ˙# >

jœ ‰ Œ∑

∑∑∑∑

˙# ˙œ Œ Ó¿ Œ Ó¿

67

ƒpƒp

Pƒp

ƒpP

Pa2

PP

ƒpƒp

ƒ

67

67

Suddenly slower Π= 72

Suddenly slower Π= 72

Chimes

A to Bb

∑∑

w∑∑

w˙ ˙#w

ww

∑∑∑

∑∑∑∑

˙ ˙#∑

·æ

68

∑p

∑∑

w#‰ œ# œ .˙

‰ œ# œ .˙Jœ# .˙

w#œ .˙œ .˙#œ .˙w#

∑∑∑

Ó Œ œ#

Ó Œ œ#Ó Œ œ#Ó Œ œ#

∑‰ œ# œ .˙

∑¿ Œ Ó

69

2 players

P2 players on each part

P

P

PPP

F

(Tbn. 1) legato

legato

legato(Tbn. 2/3)

legatoa2

Bells

∑∑

jœ ‰ Œ Ó

∑∑

jœ ‰ Œ Ójœ ‰ Œ ÓJœ ‰ Œ Ó

jœ ‰ Œ Ójœ ‰ Œ Ó

∑∑∑

œ œ .œ# Jœ

œ œ .œ# Jœw˙# œ œw# œ œ

∑∑∑

70

∑∑∑

∑∑∑

∑∑∑

∑∑∑.˙# œ

.˙ œ

..˙ œœ..˙ œœ

∑∑∑

Ó ±

71

∑P

∑∑∑

∑∑∑

∑∑∑

∑∑∑˙# .œ# Jœ

˙# .œ Jœ˙ œ œ˙ ˙˙ œ œ˙ ˙

∑∑

wæ∑

72

P

Rubato

Rubato

∑∑∑

∑∑∑

∑∑∑

∑∑∑wn

wb˙ ˙wb˙ ˙wb

∑∑

œ Œ Ó

73

FFF

F

F

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&&?

&&&

&&&

&&&????

&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

∑Ó Œ œ œwb‰ jœ œ œ œ œ œ œ

wwwww

∑∑∑w

wwwbwb

wbwb

∑∑

74wb æ

Pp

PTutti

pppp

pp

P

p

Chimes

Solo (w/clar.)

Play

(soft mallets)

∑.œb Jœ œ œ œ

jœ ‰ Œ Ó.œ Jœ œ œ œ

œ œ œ œ œ œ œ œwjœ

‰ Œ Ójœœ ‰ Œ Ójœ ‰ Œ Ójœ ‰ Œ Ó

∑∑∑

Jœ ‰ Œ Ó

Jœ ‰ Œ Ó

Jœœ ‰ Œ Ójœ ‰ Œ Ójœ ‰ Œ Ó

∑wK

75

jœ ‰ Œ Ó

P

pp

Mark Tree

P

75

75

Poco più mosso Œ = 84

Poco più mosso Œ = 84

p

Tutti

∑œ ˙ œÓ œ œœ ˙ œœ œ œ œ œ# œ œ œwÓ œ œ

∑∑∑

∑∑∑∑∑∑∑

∑wH

76

∑.œb Jœ œ œ œ

˙b ˙.œ Jœ œ œ œ

œ œ œ œ œ œ œ œwn˙ ˙˙ ˙˙ ˙

∑∑

Ó ˙∑∑

Ó ˙b∑

∑wK

77

pPlay

∑www

œ# œ œ œ œ œ œ œœ œ œ œ#

www##ww#Œ œ œ# œŒ œ œ# œœww#w

ww#

w

w∑

wæ∑

78

PP

P

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&&?

&&&

&&&

&&&????

ã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

Ÿ~~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~ iŸ

œœb œœ œœ œœ œœ œœ œœ œœœ œ œ œbœb ˙ œ

œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ˙ ˙œœ ˙ œœœ ˙ œ˙ ˙

.œ Jœ œ œ œœ œ œn œœ œ œn œbœ ˙ œœœb ˙ œœœb ˙ œ

˙ ˙∑

œ Œ Ó·æ

79

PTutti

P

a2

P

PPP

a2

Pa2

PPPP

Fp

Poco stringendo

Poco stringendo

P

œœ œœb œœ œœ œœ œœ œœ œœb

œ œ œ œb.˙b œ

œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ.˙ œ..˙ œœ.˙ œ.˙ œ.œ Jœ .œ Jœ

œ œ œ œœ œ œ œ

.˙b œ

..˙ œœ

.˙b œ

.˙b œ∑∑

·æ

80

∑cresc.

œ œ .œb Jœœ œ .œb Jœœb ˙ œw

wb

˙b ˙œœ ˙˙ œœ

œ ˙ œ˙ ˙œ œ .œ Jœ˙ œ> œ

˙ œ> œœ ˙ œ

œœbb ˙ œœœb ˙ œ˙b ˙

∑∑

·æ·æ

81

a2

FTam-Tam

œ> œb > .œb > Jœ

œb > œ> .œb > Jœb.˙b œ>

wb

w˙b >œ> œ> .œ> Jœ

.˙ œ>˙ >œ> œ> .œb > Jœ

œ> œb > .œ> Jœœ> œb > .œ> Jœ

.˙ œ>

..˙b œœ>

.˙b œ>˙b >

∑∑

·æ·æ

82

a2

poco rall.

poco rall.

.> œ œ

.˙N > œ œŒ .>

.> œ œ

..˙# > œœ œœŒ .>..œœ# >

Jœ œ# > œ>Œ .˙# >Œ .>

.> œ œ

..˙# > œœ œœ

..œœ> Jœ œ# > œ>

Π.>

Œ ..˙>Œ ‰ Jœ œ# > œn >

Œ .>w>∑

¿ Œ Ó¿

83

Œ œ œ .>

ff

fff

ff ƒ

a2

ff

ff

f ƒa2

ff

ƒ

ƒƒ

Majestically

Majestically

Chimes

(med. hard mallets)

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&&?

&

&&

&&&

&&&????

&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

˙b > œb œ œb œ œ œb œ œ œb œb œ œw>

Œ .˙b >>

œb œ œ œ œ œ œ œ œb œ œ œb

˙bb > œb œ œ œ œ œn œ œ œ œ œ œŒ .>Œ ‰ Jœœn œœn > œœb >Œ .>Œ .>˙b > œb > œ>

˙b > œœb > œœ>Œ ‰ Jœœbn œœb > œœb >

Œ .˙b >

Œ ..˙b >

Œ ‰ Jœn œb > œb >

Œ .˙b >wb >

∑·æ·æ

84

Œ œb œ .>

a2

poco rall.

poco rall.

.˙b Jœ ‰

.˙b > Jœ ‰˙b > ˙œ œ œ œ œ œ œ

œ œ œ œ œ œ œ

˙b > ˙œœ> œ œ œ˙n > ˙> ˙

.> Jœ ‰

.˙n > jœ ‰œœb >

œb œ œ> ‰ Jœb œ œb˙bb > ‰ Jœb œ œb

> ‰ Jœb œ œb

˙b > ˙wb >

∑¿ Œ Ó¿

85

ƒ Fƒ F

ƒ P

ƒ P

Pa2

ƒ Pƒa2

PP

a2

ƒ fƒ f

a2

f

ƒ

85

85

Amoroso Π= 72

Amoroso Π= 72

ƒ

ƒ

ƒƒ

legato

legato

legato

ƒ

‰ Jœb œ œb œb œ‰ Jœb œ œb œb œ

.˙b œ

œ œb œ œ œ œ œ œ

œb œ œ œ œ œ œ œ.˙b œ

œ œb œ œ.˙b œ.˙b œ

∑∑

œb œb œ œœb œ œ œb .œ œb

œb œ œ œb .œ œb

œb œ œ œb .œ œb

.˙b œ∑∑∑

86

P

P

PP

P

‰ Jœb .œ œb œb œ

‰ jœb .œ œb œb œ˙b ˙œ œ œ œ œ œ œ œ

œ œ œ œ œ œ œ œ

˙b ˙Œ œ œ œ˙ ˙˙ ˙

∑∑

Œ œb œ œ˙b œ œ œ œb˙b œ œ œ œb˙b œ œ œ œb

˙b ˙

∑∑∑

87

‰ Jœ œœb > œœb > ˙>

‰ Jœ œ> œ> ˙b >.˙b œ

œ œb œ œ œ œ œ œ

œb œ œ œ œ œ œ œ.˙b œ

œ œœb > œœ> ˙>.˙b œ.˙b œ

Ó ‰ Jœb œ œbÓ ‰ Jœb œ œbœb œœb > œœ> ˙b >www

.˙b œ∑∑

·æ ∑

88

F

ff

F

p

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&

&?

&

&&

&&&

&&&??

??

&ãã?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

‰ Jœ œb œb ˙b

‰ jœ œb œb ˙b˙ ˙b

‰ jœ œ œ œ œ œ œ‰ jœ œ œ œ œb œ œ˙ ˙b

jœœ œœ jœœ ˙Jœ œ Jœ ˙˙ ˙b

˙ œ œb .œ œb˙ œ œb .œ œb

Jœb œ Jœ ˙

Jœœb œœ Jœœ ˙b

˙ ˙b˙ ˙b

∑∑

¿ Œ Ó∑

89

a2

F

FF

P

F

‰ Jœ .œb œb ˙b

‰ jœ .œb œb ˙b˙ ˙b

‰ jœ .œ œ œ œ œ œ‰ jœ .œ œ œ œb œ œ˙ ˙b

jœœ œœ jœœ ˙Jœ œ Jœ ˙˙ ˙b˙ œ œb œ œb˙ œ œb œ œb

Jœb œ Jœ ˙

Jœœb œœ Jœœ ˙b

˙ ˙b˙ ˙b

∑∑∑

90

Jœ ‰ œœb œœb œœ œœb œœb œœb œœ œœ œœ œœb œœb œœb œœ œœb œœb œœb

jœ ‰ œ œb œ œ œb œ œ œ œ œb œ œb œb œ œ œb

wb

Jœb ‰ œ œ œ œ œ œ œ œ œ œb œ œ œ œb œ œ

jœ ‰ œ œ œ œ œb œ œ œ œ œ œ œb œ œ œ œb

wŒ œ> œ> œ> œœ>

˙ jœ œ jœww

wŒ œb > œ> œ> œœb >

˙b Jœ œ Jœ˙b Jœœ œœ Jœœ

Œœb > œ> œ> œb >

wb∑

wæ·æ·æ

91

wb æ

f

fa2

f

f

a2

f

ff

P

PP

(soft mallets)

˙bb ˙bb˙b ˙b

jœ ‰ .˙b˙b ˙b˙ ˙

jœ ‰ .˙˙b > ˙b˙b > ˙

jœ ‰ .˙œ Jœ ‰ œ œbœ jœ ‰ Ó˙b > ˙b> ˙b˙bb > ˙> ˙b

jœ ‰ .˙b∑

œ Œ Ó¿ Œ Ó¿ &

92

œ Œ Ó

ƒ p

ƒ pƒ

ƒ p

ƒ pƒ

ƒ pƒ p

ƒ

ƒ PSolo

ƒƒ p

ƒ pƒ p

ƒ pƒ

ƒ Bb to Ab

molto rall.

molto rall.

ƒƒ

F

F

F

F

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&&?

&&

&&&&&&&????

&?

Cls.

Tpts.

Trbs.

Hns.

12

1

23

1

23

1

23

12

12Fls.

Ob.

Bsn.

B. Cl.

A. Saxes

T. Sax.

Bar. Sax.

Euph.

Tuba

Mlt. Perc.

Perc. 1

Perc. 2

Timp.

wb∑

wb∑∑

wb∑∑∑

wb∑∑

∑∑∑

wb∑∑

·æ

93

wb æ

a2

p

p

p

p

π

Sus. Cym.

w∑

wŒ œ œb œbŒ œ ˙b.˙

w∑∑∑

Jœ ‰ Œ Ó∑∑

∑∑∑

wwwwwwbbbbb>

>∑

¿ Œ Ówwbb >

94

P

P

f

P

94

94

Peacefully Π= 60

Peacefully Π= 60

Bells (brass mallets)

stagger breathing

stagger breathing

stagger breathing

Chimes (acrylic mallets)

Crotales f

wb∑

wwb ˙ ˙˙ ˙b˙ ˙b

w∑∑∑∑∑∑

∑∑∑

w∑∑

95

One player on top note

w∑

wŒ œ œb œbŒ œ ˙b.˙

w∑∑∑∑∑∑

∑∑∑

wwwwwwbbbbb >

>∑

wwbb >

96

a2

wb∑

w.˙b œ œ˙ .œ Jœb

˙ œ œb˙b ˙b

w∑∑∑∑∑∑

∑∑∑

w∑∑

97

stagger breathing w∑

ww

ww

w∑∑∑∑∑

Ó ˙˙Ó ˙

Ó ˙bbÓ ˙b

wÓ Œ œb

98

P

P

PP

Chimes (rawhide mallet)

F

Espirando

Espirando

w∑

w.- Jœ ‰..˙-

jœœ ‰

w∑∑∑∑∑

jœœ ‰ Œ œœ jœœ ‰Jœ ‰ Œ œ Jœ ‰

Jœœ ‰ Œ œœbb Jœœ ‰

Jœ ‰ Œ œb Jœ ‰wÓ Œ œb

99

p

p

pp

rall.

rall.

wU∑U

wUwU

wUwU

wU

∑U∑U∑U

∑U∑U

wwUwU

wwbb U

wbU

wU

∑U

∑U

∑U

100

wUæ

π

πππ

π

π

ππππ

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