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35 GROUND PLAN 36 SEATING CAPACITY 37 STAGE/ROOM DIMENSIONS 37 RIGGING 37 SOFT GOODS INVENTORY 38 LINESET SCHEDULE 46 CONTROL BOOTHS 48 LIGHTING DESCRIPTION 48 LIGHTING INVENTORY 48 SOUND SYSTEM DESCRIPTION 50 SOUND INVENTORY 50 COMMUNICATIONS 52 VIDEO 52 THE BU THEATRE REHEARSAL HALL 52 DRESSING ROOMS AND THE GREEN ROOM 52

GROUND PLAN 36 SEATING CAPACITY 37 STAGE/ROOM … 4 - FY13 Ap… · We utilize ETC’s Dimmer Doubling for the Source 4 and Sound 4 Pars. The system is controlled from an Obsession

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Page 1: GROUND PLAN 36 SEATING CAPACITY 37 STAGE/ROOM … 4 - FY13 Ap… · We utilize ETC’s Dimmer Doubling for the Source 4 and Sound 4 Pars. The system is controlled from an Obsession

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GROUND PLAN 36

SEATING CAPACITY 37

STAGE/ROOM DIMENSIONS 37

RIGGING 37

SOFT GOODS INVENTORY 38

LINESET SCHEDULE 46

CONTROL BOOTHS 48

LIGHTING DESCRIPTION 48

LIGHTING INVENTORY 48

SOUND SYSTEM DESCRIPTION 50

SOUND INVENTORY 50

COMMUNICATIONS 52

VIDEO 52

THE BU THEATRE REHEARSAL HALL 52

DRESSING ROOMS AND THE GREEN ROOM 52

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Ground Plan

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Seating Capacity Without Orchestra Pit: 883 With Orchestra Pit: 845

Stage/Room Dimensions Proscenium Width 35’-5 5/8” Proscenium Height 25’-2 3/4”

Stage Depth from Plaster Line 32’-1” Stage Depth from Apron 35’-3 5/8”

Wall to Wall

Center Line to SL wall 38’-2” Center Line to SR wall 36’-0”

Wing Space

Stage Left 20’-2” Stage Right 18’-0”

Grid

Floor to gridiron 59’-6” Distance pipes travel from deck 58’-0”

From Stage Lip

To back of orchestra level 49’-11 1/2” To balcony overhang 30’-4 5/8”

To back of balcony level 73’-2 5/8”

Rigging Type Counter weight Weight 14,000 lbs. Linesets 42 Arbors 600-800 lbs. House Pipes 50’-0” 1.5 schedule 80 pipe

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Control Booths

• The Sound Run Position is in the back of the orchestra seating area, just house right of the center right aisle.

• The light & followspot is at the rear of the theatre, above the balcony seating. The stage manager calls from backstage left.

Lighting System Description The lighting system is an ETC installation performed in 2000. There are 276 @ 2.4kw dimmers, 6 @ 5kw dimmers. We utilize ETC’s Dimmer Doubling for the Source 4 and Sound 4 Pars. The system is controlled from an Obsession II duel processor system. Distribution is handled through raceways front of house, 1st electric and galleries left and right. All of on-stage distribution is from grid to drop boxes.

Lighting Inventory

Conventional Units # Unit Type Wattages Notes

320 ETC Source 4 575w 120V Body Only

20 Source 4 (10°) Lens Tube Only

110 Source 4 (19°) Lens Tube Only

126 Source 4 (26°) Lens Tube Only

70 Source 4 (36°) Lens Tube Only

64 Source 4 (50°) Lens Tube Only

95 S4 PAR w/ full lens set 575w 120V

2 Altman 3 1/2 x 6 500w

6 Selecon 90° 575w 120V

6 Arri 10" Fresnel 5Kw

20 Altman Focusing Cyc 650w (10) 3 cell yokes (25) single cell yokes

20 T-3 Strip 6 cell 3 ckt 500w (36) additional units on cyc bridge

6 6' 3 Ckt MR16 L&E Mini Strip Flood - EYC 750w per cir

5 8' 4 Ckt MR 16 L&E Mini Strip Flood - EYC 750w per cir

8 Mini Ten (work lights) 500w, 300w

4 L&E Microfill 150w

3 Par 20 (black) 150w

16 Par 20 Short Snoot 150w

3 GAM Stik ups 150w

4 3" Fresnel 150w

2 S4 City Theatrical Follow spot Yokes w/Boomerangs for 19

1 Strong Truss Trouper Follow spot (w/short throw lens (catwalk) and long throw (booth))

Special Effects: 16 Wybron CXI Color Scrollers (7.5") 16 leko

(w/mounting plates for S4 & S4 Par/Parnel) 16 par

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8 Wybron CXI IT Color Scrollers

1 DFX 50 Diffusion Fogger

3 High End Data Flash Strobe

8 Rosco Double Gobo Rotators

4 Rotator Power Supply (DMX)

1 Mirror ball and motor

1 Little Blizzard Snow Machines

Control 1 ETC Obsession II 1500 Dual Processor v. 5.1.0

1 High-End Hog 500 v.3.2build169 w/ key board, track ball, little lites, manual, case

1 Designer Remote Console w/ two Monitors

2 ETC Net II DMX Nodes (one permanently mounted in dimmer vault at DMX patch Bay)

2 ETC Net II Video Nodes w/two monitors each (one permanently mounted in elex shop test rack)

276 ETC Sensor 20A Dimmers (dimmer per circuit)

6 ETC Sensor 60A Dimmers (dimmer per circuit)

FOH rep plot units are Dimmer Doubled. 77v 550w

180 Dimmer Doubler caps (including 100 permanent FOH units)

11 Little Lights with weighted bases for techtables

Note: These are used by many depts and spaces and not all available, see ME

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Sound System Description

1. Speaker systems The sound system in the Boston University Theatre features House Left and right speakers on the proscenium to cover the orchestra and mezzanine, and on the light bridge for the balcony. Center speakers to cover all 3 areas, and delayed fill speakers cover under the balcony overhang. There are two dual 15” subwoofers in a quasi-permanent location, and there are 4 single 18” subwoofers available for additional low end. There are 12 wide dispersion speakers for side and rear surrounds, and there are a variety of available speakers for onstage use. All speakers are EAW with the exception of some small speakers available for onstage practicals or front fills. Processing for crossovers and system tuning are provided through EAW UX8800 processors for the mains and delays and fixed subs, dbx Drive Rack for the moveable subs, and the LCS Matrix for the surrounds.

2. Main Control System: The system is based around a Level Control Systems’ (LCS) Matrix-3

system featuring 32 analog outputs, 16 analog inputs. A Cue Console system provides faders, transport, and editing controls. The entire system is networkable through a dedicated Ethernet infrastructure. An Ethernet line can be set up for the Designer to move soundfiles into the playback system if desired. Playback is accomplished through SFX 6 or LCS Wild Tracks hard disk playback systems.

3. Microphones: there is a small inventory of microphones. More information is supplied in the

complete list below. We have 3 Shure UHF-R Wireless systems for 6 channels of wireless Lavalier mic’s, with a variety of Sennheiser MKE-2, Countryman B3, E6 elements.

4. Mix Position: The Sound Run Position is in the back of the orchestra seating area, just house right of

the center right aisle. This puts the Mix Engineer in the seats that need the most reinforcement on shows where a live mix is necessary.

Sound Inventory

Front of house systems QTY Notes

Proscenium Center EAW AX396 3 way, biamplified 1

QSC RMX1850 HF

QSC RMX5050 LF

Balcony Center EAW AX396 3 way, biamplified 1

QSC RMX1850 HF

QSC RMX5050 LF

Proscenium sides EAW MK2396 2 way, biamplified 4

QSC CX702 HF

QSC CX1102 LF

Upper set focused for Mezzanine, lower for Orch.

FOH Subwoofers EAW SB250 x2 Dual 15" 2 FOH Subs

QSC RMX5050 Ch.1=L, Ch.2=R

Underbalcony EAW UB42 x3 3

QSC RMX1850 Ch.1= inner (1)

Ch.2= outer (2)

Balcony L/R EAW MK2194 2 way full range 2

QSC MX2000 Ch.1=L, Ch.2=R

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All delay/crossover processing for above: EAW U8800

Surrounds EAW UB22 x 12

QSC CX404 4 ch. Amp Orch Side 2

Mezz Side 2

Balc. Side 2

Orch. Rear x2 4

Balc. Rear 2

Delay for surrounds handled at LCS Matrix

Onstage systems

General FX, F.B. EAW JF-80 8

QSC CX702 for 4 of the JF-80's 2

Small FX JBL Control-1 4

E/V S-40 2

Amps for misc. FX QSC MX700 1

Crest Ca2 1

QSC MX1500 1

Crown CE1000

Subs EAW SB180 4

QSC SB4050 2

DBX driverack 482 used for crossover

Typically for onstage, or supplement FOH subs

Control/Playback

LCS Matrix-3 16 analog inputs 1

32 analog outputs

24 tracks Digital Audio

Cue Console Faders, Meters, Transport, Editor

SFX 6.2 16 track playback 1

TC Electronics M3000 reverb unit 1

Microphones

Sennheiser e604 clamp-on Toms, Snare 3

e602 dynamic Kick 1

e614 pencil condenser Overheads 2

MD421 1

Audix D4 1

D6 1

Shure SM57 4

SM58 4

SM81 4

Crown PCC160 4

GLM100 2

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Countryman Isomax small cardioid 4

AKG C414 1

C3000 1

C1000 1

C451/CK9 short shotgun 2

misc 2-3 switched dynamics for VOG

Communications We have a 4 channel Clear-Com system utilizing the SB-440 mainstation. We also have two Telex BTR-200 wireless mainstations patched into the system to provide wireless headsets for deck crew. Appendix B

Video We have both color and black and white front shots from the balcony rail, and an infra-red illuminator for low light vision in the black and white camera. We have 3 additional cameras and a variety of 9", 13", and 19" monitors.

The BU Theatre Rehearsal Hall

• The rehearsal hall is located at 254 Huntington Avenue on the second floor. There is no elevator.

• The Rehearsal Hall is 36' wide and 48' long. There is a mirror along one 36' side. • The Stage Management office, with work room for 4, is in the rear of the hall. • There is a loft used for storage on the far wall. • The ladies’ rest room is on the 2nd floor behind the stairs. The men’s room is on the third

floor at the top of the stairs.

Dressing Rooms and the Green Room

• Incense and candles are not allowed backstage, in the dressing rooms, or in the green room. • Dressing Rooms are located one level below the stage. The facilities can comfortably hold

approximately 33 actors. There are 10 dressing rooms that accommodate up to two people each, 2 dressing rooms that will accommodate up to 4 people and 1 dressing room for five (that includes a bathroom). Each dressing room is equipped with an individual station, mirror, lighting and chair, as well as sink (one per room). Each room is also equipped with an audio stage monitor. There are two bathrooms (separate for men and women) complete with shower stalls.

• Half of the dressing rooms are air-conditioned. • The Green Room is adjoined to the Dressing Room area, also with an audio stage monitor,

complete with a large refrigerator, microwave, and coffee maker. Adjoined to the dressing room area is the Wardrobe Room.

• The Mainstage is one level above the Green Room. From the Green Room there is immediate access to Stage Right and Left, the trap room, and Orchestra Pit.