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( c ) c o p y r i g h t 2 0 1 5 , H A G A N C A R L I L E . i n f o @ h a g a n c a r l i l e . c o m

HAGAN CARLILE

CONTENTS

Crea t i ve D i rec to r + Advanced Med ia ProducerCrea t i ve D i rec to r + Advanced Med ia Producer

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3D CAMERA COMPANY (2008 - 2012)3D CAMERA COMPANY (2008 - 2012)

CASE STUDY: HOLT RENFREWCASE STUDY: HOLT RENFREW

FX SMITH (2006 - 2007)FX SMITH (2006 - 2007)

THEATRE D DIGITAL (2004 - 2006)THEATRE D DIGITAL (2004 - 2006)

INTRODUCTIONINTRODUCTION

SKILL SETSKILL SET

WORK EXPERIENCEWORK EXPERIENCE

CONTACTCONTACT

ROSE & THISTLE MEDIA (2012 - 2014)ROSE & THISTLE MEDIA (2012 - 2014)

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Creative Director Advanced Media ProducerCreative Director Advanced Media Producer

Since 1997, I have acquired a unique skill set in producing innovative content for emerging digital technologies for the enter tainment, corporate and adver tising industries.

I am a hands-on Creative Director with sophisticated technical experience. I work side by side with my teams along the entire lifecycle of a project. My technical experience includes all facets of HD, 4K, Stereo 3D and DCP workflows, from production to post-production, visual effects and digital projection.

I have directed, produced and designed projects ranging in scale from Giant Screen to iPod and in formats ranging from Stereoscopic 3D, Projection Mapping to Holographic.

In addition to conceptual storytelling in a variety of linear and non-linear formats, I professionally design, animate, film and edit.

Since 1997, I have acquired a unique skill set in producing innovative content for emerging digital technologies for the enter tainment, corporate and adver tising industries.

I am a hands-on Creative Director with sophisticated technical experience. I work side by side with my teams along the entire lifecycle of a project. My technical experience includes all facets of HD, 4K, Stereo 3D and DCP workflows, from production to post-production, visual effects and digital projection.

I have directed, produced and designed projects ranging in scale from Giant Screen to iPod and in formats ranging from Stereoscopic 3D, Projection Mapping to Holographic.

In addition to conceptual storytelling in a variety of linear and non-linear formats, I professionally design, animate, film and edit.

- PROJECTION MAPPING

- HOLOGRAPHY (PEPPER’S GHOST)

- STEREOSCOPIC 3D

- GIANT SCREEN FILM PRODUCTION

- INTERACTIVE DESIGN

- GESTURE + MOTION CAPTURE

B R I D G I N G T H E G A P B E T W E E NI N N O V A T I V E C O N T E N T & E M E R G I N G T E C H N O L O G I E S

(see case study: PAGE 13) (see case study: PAGE 13)

Recently, a project for Holt Renfrew, which I directed and designed, received two awards at the Digital Signage Expo in Las Vegas, 2013.

( c ) c o p y r i g h t 2 0 1 5 , H A G A N C A R L I L E . i n f o @ h a g a n c a r l i l e . c o m( c ) c o p y r i g h t 2 0 1 5 , H A G A N C A R L I L E . i n f o @ h a g a n c a r l i l e . c o m

GIANT SCREEN 3D FILMGIANT SCREEN 3D FILM

DEMO REELDEMO REELhttp://vimeo.com/106131971

HOLOGRAPHIC & PROJECTIONHOLOGRAPHIC & PROJECTION


HAGAN CARLILE

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Core technical knowledge is essential for realizing creative concepts and envisioning achievable goals. I believe it is also invaluable in being able to understand limitations, pushing boundaries and creating innovative content.

I have significant experience with hardware and software in all areas of media production, visual effects and filmmaking. I have implemented a variety of production workflows optimizing configurations for budget, data, speed and on-location flexibility and size.

These skills have been acquired by working for recognized pioneers in the industry. These include:

3D GIANT SCREEN - Bill White (Fuji award for contribution to Film Industry) SPECIAL EFFECTS - Gordon Smith (acclaimed SFX master) MEDIA INNOVATION - Syd Kessler (Marketing Hall of Fame)

Currently my career is bookended with the design of two patented technologies. An educational software tool for Softlight Inc. in 2000 and a holographic system for Rose and Thistle Media Inc. in 2014.

My technical skill set allows me to communicate effectively with team leaders and design highly specialized visual images.

Core technical knowledge is essential for realizing creative concepts and envisioning achievable goals. I believe it is also invaluable in being able to understand limitations, pushing boundaries and creating innovative content.

I have significant experience with hardware and software in all areas of media production, visual effects and filmmaking. I have implemented a variety of production workflows optimizing configurations for budget, data, speed and on-location flexibility and size.

These skills have been acquired by working for recognized pioneers in the industry. These include:

3D GIANT SCREEN - Bill White (Fuji award for contribution to Film Industry) SPECIAL EFFECTS - Gordon Smith (acclaimed SFX master) MEDIA INNOVATION - Syd Kessler (Marketing Hall of Fame)

Currently my career is bookended with the design of two patented technologies. An educational software tool for Softlight Inc. in 2000 and a holographic system for Rose and Thistle Media Inc. in 2014.

My technical skill set allows me to communicate effectively with team leaders and design highly specialized visual images.

2D

CAMERA & DIT:

ARRI AlexaRED

SI (Silicon Imaging)

CAMERA & DIT:

ARRI AlexaRED

SI (Silicon Imaging)

Graphic Design

Motion Design

HD/4K Acquisition

POST SOFTWARE:

Adobe CreatIve SuiteAvid

Final CutNuke

Digital FusionDaVinci

Trapcode Effects PluginsDashwood 3D Plugins

POST SOFTWARE:

Adobe CreatIve SuiteAvid

Final CutNuke

Digital FusionDaVinci

Trapcode Effects PluginsDashwood 3D Plugins

Stereoscopic Acquisition

3D Post-Production

CGI

3D ANIMATION:

Lightwave 3DAutodesk

Cinema 4DSketchUp Pro

3D ANIMATION:

Lightwave 3DAutodesk

Cinema 4DSketchUp Pro

Visual EffectsVir tual Sets

Motion Capture

PROJECTION

PROJECTION SOFTWARE:

WatchoutCube8

Christie WarpPandora

PROJECTION SOFTWARE:

WatchoutCube8

Christie WarpPandora

Stereo 3D Exhibition

Holographic

Projection Mapping


SKILL SET

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I have not walked a traditional path in media and enter tainment. I have immersed myself in all its current ar tistry and technology.

By joining pioneering companies I have been privileged to acquire a wealth of knowledge, mentorship and skills.

I have had the oppor tunity to leapfrog into many positions and roles. I have done this by integrating cohesively with all aspects of each business from management and creative direction to technical execution. I am the first to take on challenging projects and deliver them successfully.

In each company, I have managed a mercenary team of ar tists and technologists in production of all in-house and client projects.

Within these companies, creativity has always led technology.

My goal has always been to bridge the gap between content and emerging technologies, and bring “depth” to each.

I have not walked a traditional path in media and enter tainment. I have immersed myself in all its current ar tistry and technology.

By joining pioneering companies I have been privileged to acquire a wealth of knowledge, mentorship and skills.

I have had the oppor tunity to leapfrog into many positions and roles. I have done this by integrating cohesively with all aspects of each business from management and creative direction to technical execution. I am the first to take on challenging projects and deliver them successfully.

In each company, I have managed a mercenary team of ar tists and technologists in production of all in-house and client projects.

Within these companies, creativity has always led technology.

My goal has always been to bridge the gap between content and emerging technologies, and bring “depth” to each.

HD POST PRODUCTION+ EXHIBITION

HD POST PRODUCTION+ EXHIBITION

SPECIAL EFFECTSSPECIAL EFFECTS

3D STEREOSCOPIC3D STEREOSCOPIC

PROJECTION + HOLOGRAPHYPROJECTION + HOLOGRAPHY

2012 - 20142004 - 2006 2006 - 2007 2008 - 2012

Historic Theatres outfitted with digital post-production infrastructure that provides direct-to-theatre playback from edit suites.

Special Effects pioneer, of such films as Jacob’s Ladder and X-Men, with patented system that unites makeup into prosthetics.

Proprietary 3D Stereoscopic rigs and workflow, used in major productions such as SAW 7 and Transformers 3.

Proprietary, award-winning Holographic technology and content design.

2004 - 2014


WORK EXPERIENCE

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2012 - 2014

Technically, I designed a Pepper’s Ghost infrastructure utilizing two screens to attain true parallax and depth. I circumvented the use of expensive projectors and reduced the systems footprint by using 4K LED displays.

Technically, I designed a Pepper’s Ghost infrastructure utilizing two screens to attain true parallax and depth. I circumvented the use of expensive projectors and reduced the systems footprint by using 4K LED displays.

Traditionally, the Pepper’s Ghost illusion utilizes a single source, refracted through a foil that produces semi-transparent ghost-like imagery. The limitation of the optical effect is such that black is transparent and white is opaque in the final display. Thus utilizing two screens was traditionally avoided because rear and foreground content would “bleed” together.

Traditionally, the Pepper’s Ghost illusion utilizes a single source, refracted through a foil that produces semi-transparent ghost-like imagery. The limitation of the optical effect is such that black is transparent and white is opaque in the final display. Thus utilizing two screens was traditionally avoided because rear and foreground content would “bleed” together.

With this bible, a 5-minute holographic show based on the PBS special was conceived. I filmed the per formers in 4K at Abbey Road Studios in London and spent two weeks animating and editing a visual effects intensive musical showcase.

With this bible, a 5-minute holographic show based on the PBS special was conceived. I filmed the per formers in 4K at Abbey Road Studios in London and spent two weeks animating and editing a visual effects intensive musical showcase.

The mandate was to explore new digital technologies and their application in augmenting live enter tainment. I steered them towards Pepper’s Ghost Holography and Projection Mapping as viable technologies.

The mandate was to explore new digital technologies and their application in augmenting live enter tainment. I steered them towards Pepper’s Ghost Holography and Projection Mapping as viable technologies.

In 2012, I was invited to set up a new company by Ron and Norma Walton, owners of the Rose and Thistle Group of Companies.

In 2012, I was invited to set up a new company by Ron and Norma Walton, owners of the Rose and Thistle Group of Companies.

The first challenge was to design a prototype based on existing intellectual proper ty. This was a prestigious musical TV show and accompanying live tour produced with PBS entitled Quest Beyond the Stars. I had two months and a deadline to deliver this at a PBS convention in Denver.

The first challenge was to design a prototype based on existing intellectual proper ty. This was a prestigious musical TV show and accompanying live tour produced with PBS entitled Quest Beyond the Stars. I had two months and a deadline to deliver this at a PBS convention in Denver.

I wanted to push the Pepper’s Ghost illusion as far as I could, so I designed a variety of creative visual tests and established a unique style guide of colors and optical effects.

I wanted to push the Pepper’s Ghost illusion as far as I could, so I designed a variety of creative visual tests and established a unique style guide of colors and optical effects.

This project gave me the oppor tunity to put into practice everything I had learned technically and creatively.This project gave me the oppor tunity to put into practice everything I had learned technically and creatively.

HOLOGRAPHIC & PROJECTIONHOLOGRAPHIC & PROJECTION


ROSE & THISTLE MEDIA

09 10( c ) c o p y r i g h t 2 0 1 5 , H A G A N C A R L I L E . i n f o @ h a g a n c a r l i l e . c o m( c ) c o p y r i g h t 2 0 1 5 , H A G A N C A R L I L E . i n f o @ h a g a n c a r l i l e . c o m

Our debut project, for luxury retailer Holt Renfrew, was recipient of two awards at the Digital Signage Expo in Las Vegas, 2013). (see next page)

Our debut project, for luxury retailer Holt Renfrew, was recipient of two awards at the Digital Signage Expo in Las Vegas, 2013). (see next page)

Over the course of the year, we produced holographic projects for:

- Cats- The Musical - Christian Louboutin - TSN - Paul Anka (duet with Frank Sinatra) - Astronaut Chris Hadfield (Tour of Humanity exhibit)

We also had many commercial clients including ADP, Modern Teacher and Lexus.

Over the course of the year, we produced holographic projects for:

- Cats- The Musical - Christian Louboutin - TSN - Paul Anka (duet with Frank Sinatra) - Astronaut Chris Hadfield (Tour of Humanity exhibit)

We also had many commercial clients including ADP, Modern Teacher and Lexus.

With a team of four individuals we developed the patent-pending system called ParaMotionTM Holographic Technology. We also constructed por table and life-size holographic stages called ShowBoxesTM.

With a team of four individuals we developed the patent-pending system called ParaMotionTM Holographic Technology. We also constructed por table and life-size holographic stages called ShowBoxesTM.

Based on the prototype and the outstanding reception of the content to 300 PBS executives in Denver in 2012, Rose and Thistle Media Inc. was funded and opened offices at Film Por t Studios in Toronto.

Based on the prototype and the outstanding reception of the content to 300 PBS executives in Denver in 2012, Rose and Thistle Media Inc. was funded and opened offices at Film Por t Studios in Toronto.

From a creative position, a comprehensive business branding initiative including all collateral, four holographic presentations and many hours of original Holographic content was created in-house. We opened for business in February 2013.

From a creative position, a comprehensive business branding initiative including all collateral, four holographic presentations and many hours of original Holographic content was created in-house. We opened for business in February 2013.

During this time I was responsible for pitching, developing and directing client projects. I also continued my technical and managements responsibilities.

During this time I was responsible for pitching, developing and directing client projects. I also continued my technical and managements responsibilities.

During 2013, a par tnership with Christie Digital was established and we under took various R&D developments on frame rates, transparent screens and projection systems.

During 2013, a par tnership with Christie Digital was established and we under took various R&D developments on frame rates, transparent screens and projection systems.

We also per formed a multitude of tests on real time motion capture and Holographic Puppetry utilizing gesture and motion tracking software.

We also per formed a multitude of tests on real time motion capture and Holographic Puppetry utilizing gesture and motion tracking software.

ROSE & THISTLE MEDIA CONT.


DSE AWARDSDSE AWARDS

SHOWCASE REELSHOWCASE REEL

A Gold Award for CONTENT:

A 200 ft Projection Mapping Video commemorating the 175-year history of Holts. This video was an original 10-minute production with an aspect ratio of 3 IMAX Screens mapped onto the tiled surface of the flagship store on Bloor Street, Toronto.

A Bronze Award for TECHNOLOGY:

A Holographic Fashion Window Display with Inverted Parallax.

http://vimeo.com/106122142

HOLT RENFREW LIVE PROJECTION MAPPING + HOLO DISPLAY WINDOW CASE STUDY


HOLOGRAPHIC LIVE STAGING


Sheik Diab (far left), Bill White, Hagan Carlile (far right)

PHOTO: 3D in UAE (desert tent in Liwa)

3DCC Tango Rig

PHOTO: SAW 3D

I also developed a variety of internal 3D projects, including

many stereoscopic music videos, commercials and

documentaries. These included projects for musicians

RUSH, Kylie Minogue, Rober to Carlos and the Jim Jones

Revue as well as commercials for Sony, Bell and the UAE

Royal Family.

I also developed a variety of internal 3D projects, including

many stereoscopic music videos, commercials and

documentaries. These included projects for musicians

RUSH, Kylie Minogue, Rober to Carlos and the Jim Jones

Revue as well as commercials for Sony, Bell and the UAE

Royal Family.

The 3D renaissance that lasted a few years was an incredible adventure. I traveled the world and under took filmmaking in some of the most extreme environments.The 3D renaissance that lasted a few years was an incredible adventure. I traveled the world and under took filmmaking in some of the most extreme environments.

My time with 3DCC and D3P allowed me to continue my education in cinema with hands on experience in large format 3D filming, editing and delivering a DCP (Digital Cinema Package) of the highest standards.

My time with 3DCC and D3P allowed me to continue my education in cinema with hands on experience in large format 3D filming, editing and delivering a DCP (Digital Cinema Package) of the highest standards.

Two companies were established: 3D Camera Company Inc. (3DCC) to provide equipment and service work and Dimension 3 Productions Inc. (D3P) to develop original 3D production and distribution.

Two companies were established: 3D Camera Company Inc. (3DCC) to provide equipment and service work and Dimension 3 Productions Inc. (D3P) to develop original 3D production and distribution.

At this time another pioneer in the industry, Bill White, asked me to assist in the development of a Stereoscopic 3D business.

Bill White is responsible for establishing one of the largest film equipment rental businesses in the world- William F. White Inc. (now Whites) and is the recipient of the Fuji Lifetime Achievement award for his contributions to the film industry.

At this time another pioneer in the industry, Bill White, asked me to assist in the development of a Stereoscopic 3D business.

Bill White is responsible for establishing one of the largest film equipment rental businesses in the world- William F. White Inc. (now Whites) and is the recipient of the Fuji Lifetime Achievement award for his contributions to the film industry.

As a Founder of D3P and Executive Producer at 3DCC, my roles were extensive. In addition to technical development of proprietary rigs and DIT (Digital Imaging Technologist) workflows,I was responsible for the management of a variety of high profile projects in India, Brasil, UAE, Israel and our contributions to Transformers 3D: Dark Side of the Moon and SAW 7 3D.

I also directed and designed many shor t form projects and demos for clients.

As a Founder of D3P and Executive Producer at 3DCC, my roles were extensive. In addition to technical development of proprietary rigs and DIT (Digital Imaging Technologist) workflows,I was responsible for the management of a variety of high profile projects in India, Brasil, UAE, Israel and our contributions to Transformers 3D: Dark Side of the Moon and SAW 7 3D.

I also directed and designed many shor t form projects and demos for clients.

I had the honour of working with leading Stereographers: William Reeve, Paul Taylor and Dylan Reid.I had the honour of working with leading Stereographers: William Reeve, Paul Taylor and Dylan Reid.


3D CAMERA COMPANY2008 - 2012

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During my time at FXSMITH, we developed special effects for:

- the feature film Splice (directed by Vincenzo Natali) - the pilot for JJ. Abrams’ Fringe (directed by John Grey)

I was hired to bridge the gap between practical special effects and CGI augmentation.

Responsibilities also included expanding the business with original projects and service work.

I was responsible for working with Gordon in upgrading and integrating new digital tools, workflows and personnel into the existing processes.

In 2006, I had a once-in-a-lifetime oppor tunity to assist legendary special effects ar tist, Gordon Smith at FXSMITH. Gordon is the man behind some of the most extraordinary visual designs in Platoon, JFK, Jacobs Ladder and X-men.

Gordon designed a formulae to fuse the make-up into the prosethetics and silicon applications, saving time and ensuring visual excellence.

FX SMITH2006 - 2007 PROJECTS:

2019

In addition to technical and business related functions, I orchestrated original production and distribution initiatives that achieved private and Telefilm Canada investment.

In addition to technical and business related functions, I orchestrated original production and distribution initiatives that achieved private and Telefilm Canada investment.

Together with the owners, we expanded the concept, with multi-million dollar investment, into a second facility (The Royal) that stands out as one of the most advanced digital post-production and screening facilities in Nor th America.

Together with the owners, we expanded the concept, with multi-million dollar investment, into a second facility (The Royal) that stands out as one of the most advanced digital post-production and screening facilities in Nor th America.

During my two years with this company, the concept found success with filmmakers, producers and special events coordinators. Locally it became the home of filmmakers Atom Egoyan and Bruce McDonald. Internationally it drew legendary filmmakers such as James Cameron and Michael Mann.

During my two years with this company, the concept found success with filmmakers, producers and special events coordinators. Locally it became the home of filmmakers Atom Egoyan and Bruce McDonald. Internationally it drew legendary filmmakers such as James Cameron and Michael Mann.

This was a small company and I was engaged when the first theatre, the Regent, was in development. I was brought in to assist with the technical, creative and business expansion of this unique facility.

This was a small company and I was engaged when the first theatre, the Regent, was in development. I was brought in to assist with the technical, creative and business expansion of this unique facility.

The technical achievements, combined with the historic settings provided an unparalleled creative environment for established and emerging ar tists.

The technical achievements, combined with the historic settings provided an unparalleled creative environment for established and emerging ar tists.

The concept was to allow filmmakers the oppor tunity to instantly review and finalize edits in a giant screen, Dolby calibrated environment. The theatres also served as independent cinemas for premieres and second-run screenings.

The concept was to allow filmmakers the oppor tunity to instantly review and finalize edits in a giant screen, Dolby calibrated environment. The theatres also served as independent cinemas for premieres and second-run screenings.

A visionary post-production company, Theatre D Digital outfitted and integrated the latest digital technology into the renovations of two historic movie theatres.

A visionary post-production company, Theatre D Digital outfitted and integrated the latest digital technology into the renovations of two historic movie theatres.

I directed a short dance film in the historic facility at Mt. Pleasant using only visual

techniques available in early cinema.

This was one of my earliest films but it was recently chosen as one of the top 100

Bravo!FACT videos.

I directed a short dance film in the historic facility at Mt. Pleasant using only visual

techniques available in early cinema.

This was one of my earliest films but it was recently chosen as one of the top 100

Bravo!FACT videos.

SIDE NOTE:SIDE NOTE:

http://vimeo.com/107187691


THEATRE D DIGITAL2004 - 2006

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PHONE: 416-569-8998 E-MAIL: [email protected]


CONTACT

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