March 2007

800 947-1185 • 212 444-6685 261Professional Video Quick Dial 821

Broadcast VideoProfessional Video SolutionsDon’t forget cables, pages #58, 360-361

HDCAMExperience Hi-Def

B&H is proud to present the Sony CineAlta family of high-defi nition products that symbolizes the bond between cinematography and digital high-defi nition imaging. CineAlta creative products provide a seamless bridge between 24-frame fi lm originals and a fi nal 24P digital mastering, signifi cant to cinema-quality pictures and to the digital HDTV and SDTV broadcast distribution markets internationally.

CineAlta 24P HDCAM Camcorder The HDR-F900R enhanced and streamlined CineAlta camera has three advanced 2/3” FIT type imager sensors with 2.2 million pixels, recording images in 1920 x 1080, and now include dual HD-SDI outputs. Record high-resolution 16:9 images progressively in 23.98, 24, 25, 29.97, and 59.94 frames per second or, at 50 or 59.94 Hz interlaced scan. Shoot in both fi lm and television genres. It features a 12-bit A/D converter with a comprehensive range of extended gamma and color imagery control. Optional interface boards are available to enhance creative operation. Advance your movie-making, high-end prime time television program, and commercial production.#HKDW902R Down-convert standard-def. output 1080/59.94i or 1080/50i HD w/ 4-channel embedded audio, & down-converts 1080 23.98 HD to SD via 2-3 pull down circuitry#HKDW905R Slow Shutter Image Inverter board#HKDW-703 Picture Cache Board#VCT-14 Tripod Adapter#HDVF-C30W 2.7” HD LCD Color Viewfi nder#HDVF-20A 2.0” HD B/W CRT Viewfi nder#BKW-401 Viewfi nder Rotation Bracket#RM-B750 Remote Control Unit enables full parameter adjustment of the camera

HDW-F900R

Shown with Optional Power and Lens

HDCAM Half-Rack RecorderHDCAM half-rack recorder designed for mobile and fi eld applications with 24P recording. Interlace/progressive HDCAM recording at 1080/59.94i, 50i, 23.98PsF, 24PsF, 25PsF and 29.97PsF. Betacam SX/SP tape playback. Built-in down-conversion and up-conversion, front pane LCD monitor, and versatile HD-SDI in/out. Runs on AC, DC 12V and battery power, and has easy setup capabilities by using the memory stick media. Power is optional.#RMM-131A Rack Mounting Kit#RM-280 Remote Edit Controller#HK-DV900 Sony HD Digital Video Controller#HK-DW101 Control Panel #HK-DW102 SDTI Interface Board#BK-MW-102 Desk-top Control Panel Holder#BK-MW-103 Control-Panel Remote Extension Kit#MLB-1M-100 Tele File Memory Labels (100 Pieces)

HDWS280

HDCAM Series CamcordersThese HDCAM camcorders record high-defi nition 1920 x 1080 resolution with built-in HD-SDI high-defi nition serial digital interface. They incorporate a 10-bit A/D, advanced digital signal processor, withcreative color-manipulation functionality that can create pictures with astonishing color reproduction and accuracy. Adjust color levels on the set to meet the cinematographer’s creative needs. Store your various setup parameters on the memory stick medium, and transfer between camcorders. The HDW-750/1 maintains the three 2/3 type FIT Power HAD image sensors established in the HDW-F900, with a vertical smear level of -135db. While the HDW-730S has three 2/3 type IT Power HAD image sensors and a vertical smear level of -125db#HKDW702 Down-Converter Board enables standard defi nition output w/ 4 ch. audio embedded#HKDW703 Picture Cache Board provides up to seven seconds/(HDW-730S), and eight seconds/(HDW-750) of loop recording using solid state memory#HKDW-704 Offers real-time recording of global positioning information on tape as well as the Memory Stick#HKDW705 Slow Shutter Opt for HDW-7XX camcorders#HD-VF20A HD 2” Black & White Viewfi nder#HD-VFC30W HD 2.7” Color Viewfi nder #HD-VF700A HD 7” Color/Black & White Viewfi nder#BKW-401 Rotation Bracket for Sony 1.5” Viewfi nders#BKDW-701 Servo Filter Control Assembly#LCH-DWF900 Sony Hard Case f/HDW700A/730/750/F900 #VCT-14 Quick-Release Tripod Adapter#RMB-750 Remote Control Unit with LCD Touch-Panel Screen#RMB-150A Handheld Basic Camera Set-Up Remote Control#RM-B150100US 328ft (100m) Cable for Sony RMB-150 Remote Control Unit

HDW-750 / 1 / HDW-F730S

Shown with Optional Power and Lens

HDCAM Studio Editing DecksVersatile HDCAM studio editing recorders and players with native 4:2:2 component recording - 1080 - 50i/59.94i/60i fi eld rate, 23.98/24/25/29.97/30PsF multi frame rates. Playback 1080/59.94i recorded tape, and output 720/59.94P. Digital Betacam, SP, SX and MPEG IMX tape playback capabilities. Up-convert or down-convert 480i recorded defi nition to and from 1080i. Metadata and tele-fi le label support. Slow motion noiseless playback with pre-read editing. Record and playback capabilities of Dolby-E and AC-3 compressed audio stream. And simplifi ed menu setups can be saved to Memory Stick media.#HDW-M2000/20: Recorder w/ legacy playback of Digital Betacam, SX/SP, MPEG IMX, & Dolby-E & AC-3#HDW-M2100/20: HDW-M2000/20 features but as a player/feeder only.#HDW-2000/20: HDW-M2000/20 features but without up-convert & 3-2 pull-down capability, & Betacam legacy playback.#HDW-D2000/20: Plays Digital/SX/SP Betacam, and MPEG IMX, but does not have the audio recording of Dolby-E and AC-3, and pull-down output.#HDW-S2000/20: Dolby-E and AC-3 audio playback and plays standard Betacam, SX and SP only.#RMM131A FEC 4RU Rack-slide Kit MSW/HDW/DVW VTRS#BKMW102 Remote Control Panel Case#BKMW103 Control Panel Extension Kit#HKDV900 HD Digital Video Controller#HKDW101 Control Panel for HDW-2000 Series VTR#HKDW102 SDTI interface for Hdw2000 Series#MLB1M10 Tele File Memory Label (100 pieces)#RM280 Remote Edit Controller

HDW-2000 / D2000 / S2000 / M2100 Series

CineAlta HDCAM-SR/HDCAM Mastering VTR’sThese HDCAM-SR high-quality mastering format VTR’s provide pristine picture quality, suitable for digital cinema production and mastering, broadcast and distribution. Recording 10-bit 4:2:2 signal at a bit rate of 440Mbps, Y/Pb/Pr component, (with a 4:4:4 RGB option), and 12 channels of audio at 24-bit per sample resolution. Records a 1080-line or 720 input signal at 23.98, 24, 25, 29.97, and 30 fps in progressive segmented frame format, and at 50, 59.94 and 60 fi elds a second, in interlace format. The SRW-5000 records exclusively HDCAM-SR, while the SRW-5500 maintains the additional capability of HDCAM recording with its frame rates, four audio channels. Keep in mind the HDCAM format does not support 720P recording.#HKSR-5001 i-Link Interface Board#HKSR-5002 Processor Board f/HDCAM/Digital BETACAM Play-back#HKSR-5003 4:4:4 RGB Processor Board#HK-DV900 HD Digital Video Controller#RMM-110/US 19” Rack Mount Kit

SRW5000 / 5500

Professional Video Quick Dial 821www.bhphotovideo.com262

Mar

ch 2

007

Broadcast Video Professional Video Solutions Don’t forget cables, pages #58, 360-361

DigiBetaThe proven industry workhorse

Sony Digital Betacam is undeniably the professional broadcaster’s mainstream workhorse production format for standard-defi nition video that is robust and reliable. Its high-end performance continuously maintains superb picture quality through editing, composite layering, and multi-generation transmissions. Digi-Beta records a component digital video signal, 4:2:2 signal sampling, 2:1 compression ratio, a bit-rate of 90 Mbit/s plus 4 channels of uncompressed 48 kHz PCM-encoded audio.

Digital-Betacam CamcorderDepending on your range of production, news, high-end commercials, dramas, and documentaries, these 2/3” (520K) Power HAD CCDs with 16:9/4:3 switchable aspect ratio will give you the power to make unique creative contributions. These second-generation Digital Betacam camcorders combine extraordinary image quality, remarkable operational fl exibility, and in-camera image creativity control that deliver more than just great pictures. Power HAD sensors are also more sensitive, enabling production in low light conditions and contributing signifi cantly to outstanding signal-to-noise ratio performance. They record 4:2:2 component digital video signals with 4 channels of 20-bit/48kHz digital audio. They record a very mild intra-fi eld video compression of about 2:1, which ensures superb picture quality for multi-generation continuity. These cameras’ vast specifi cations, with advanced digital signal processor (DSP), and smear levels maintain themselves as the industry’s standard camcorders for production & broadcast transmission. The optional BKDW-702 accessory board will output SDI component digital video.• 3-chip 2/3” 16:9 / 4:3 Widescreen Power HAD IT CCD imager• 12 Bit A/D utilizing 36 MHz Digital Signal Processing• S/N ratio 65 dB typical • Sensitivity of F9.0 at 2000 lux (equivalent to 500 ISO or more)#DVW-709WS: 3x 2/3” 16:9/4:3 widescreen Power HAD IT CCD imagers, w/ a vertical smear level of -120 dB.#DVW-790WS Steps up: Power HAD FIT CCD imagers with a higher vertical smear level of -140dB that will process a higher quality and more accurate video signal. Frame Interline Transfer chips (FIT) is the CCD sensors preferred by the broadcasting industry.#SODVW709WS#SODVW790WS#SOBKDW702 SDI Output Kit#SOBKD-W703 Picture Cache Board Kit#SOCA701 SDI and Audio Expansion Adapter#SOCA702 Pool Feed/SDI Output Adapter#SOCA755 Triax Adapter for DVW/DNW Camcorder

DVW-709WS / DVW-790WSShown with Optional Power and Lens

Digital Betacam VTR’sThe DVW-2000 series Digital Betacam studio fi nal mastering decks are the most commonly-preferred, and utilized for distribution and broadcast transmission. The decks give the user full access to 4 channels of uncompressed digital audio, and comprehensive editing features such as frame-accurate insert/assemble editing, pre-read, high-speed picture search, variable-speed playback, and dynamic motion control functionality. The deck comes equipped with almost every analog and digital video and audio connector. The optional BKM-104 board offers up-convert capabilities from standard-defi nition content to output HDTV video in either 1080i or 720p high-defi nition. The DVW-M2000 steps up with the playback capability of the entire family of the Sony professional 1/2” tape formats, Digital Betacam, SP/SX/standard Betacam and MPEG IMX.#SOBKMW-104#SODVW-2000#SODVW-M2000

DVW-2000 / DVW-M2000

HDCAM Compact PlayersMultiple HDCAM 1080 resolution video format players developed as a cost-effective solution for HDCAM tape viewing, logging, and off-line editing. They will read 59.94i (60i), 50i, 25p and 29.97p (30p) frame rates, but the J-H1 cannot play back 720p/24fps. Both decks come equipped with HD analog Y/Pb/Pr component output (BNC x 3) for connection to an HD picture monitor, and can down-convert high-defi nition video signals to SDTV monitors. Both are equipped with an RGB computer display interface that outputs the HDCAM image “letter-boxed” 1024 x 577 pixels in the center to a computer display. They play NTSC or PAL, and accommodate small and large cassettes.The HKJ-101 optional i.LINK interface board will allow down-conversion of the HDCAM signal to a DV signal. The J-H3 steps up with HDSDI and SD-SDI, and to complement the CineAlta series of VTRs offers 24P pull-down function production support to convert 23.98P to 1080/59.94 and 525/59.94i, timecode output and RS-422 control.#SOHKJ101 i-Link Interface Board#SOJH1#SOJH3

J-H1 / J-H3

Betacam Compact PlayersThese J Series Compact Players are the ideal desktop 1/2” standard-defi nition compact players that now come equipped with the i.LINK interface standard, opening the door to the DV world for Betacam users. They are botheasily switched between 525/60 and 625/50 playback modes and can be placed on your desktop either horizontally or upright with the supplied vertical stand. During cassette loading, each format is automatically identifi ed for playback, so no menu setting or switching is necessary. The J-10 and J-30 offer one set of analog component outputs (BNC x 3) as standard, while the J-10 SDI and J-30 SDI offer two SDI outputs (BNC x 2) - including one with superimposition capability with one-time code output as well. The J-10 and J-10 SDI play back Betacam, SX/SP tape recordings while the J-30 and J-30 SDI models further add playback capability for MPEG IMX and Digital Betacam recordings and can read UMID and Essence Marks on MPEG IMX and Digital Betacam tapes.• Compatible with Betacam Small and Large Cassettes • Accurate Jog/Shuttle Dial• RS-232C/ 422A Control Interfaces#SOJ10#SOJ10SDI#SOJ30#SOJ30SDI

J-10/10SDI / J-30/30SDI

Digital-Betacam CamcorderThe new enhanced DVW-970 incorporates proven state-of-the-art 2/3” Power HAD EX CCD imaging sensors. Combined with its highly precise 14-bit A/D advanced digital signal processor, it processes images with great precision, excellent sensitivity, reduced noise, and low smear characteristics. Its added progressive scan mode generates progressive images of 29.97P, and includes 24P for fi lm-like shooting. The 24P scanning modes within the camera head are 2-3 pull-downs and record on tape at 59.94i fi eld rate, and with the optional CBK-FC01 pull-down board, can output these 24P images. Additional unique features such as slow shutter, interval recording, picture cache recording, and metadata Essence Marks and UMID recording have also been incorporated. The selectable gamma table, including fi lm-like gamma, multi-matrix function, triple skin-tone detail control, and adaptive highlight control perpetuates highly-sophisticated image control, and the Sony Memory Stick system can be incorporated for storage and recall of setup parameters. Adding its reduced size and power consumption and lower acoustic noise, this camera is an enhancement to the Betacam legacy of superb performers.• 4:2:2 Component Digital Video • S/N Ratio of 65dB• -145 dB of Vertical Smear • Slow shutter feature (up to 16 frames)#CBK-SD01 SDI Output Board#CBK-FC01 Pull-down (24P shooting) Board#CBK-MB01 Picture Cache Board#BKW-401 Viewfi nder Rotation Bracket

DVW-970

Shown with Optional Power and Lens

March 2007

800 947-1185 • 212 444-6685 263Professional Video Quick Dial 821

Broadcast VideoProfessional Video SolutionsDon’t forget cables, pages #58, 360-361

XDCAMHigh Defi nition,conveniently tapeless

The Sony XDCAM Series of optical disc products utilizes Professional Disc media and state-of-the-art, blue-violet laser technology to achieve high data transfer rates and long recording times for practical day-to-day high data transfer rates and long recording times for practical day-to-day operations. File-based recording and random access capabilities fully break down the “linear barrier” and take you to the future where IT and AV break down the “linear barrier” and take you to the future where IT and AV merge.

XDCAM CamcordersProfessional HD acquisition at an affordable price! Sony’s revolutionary XDCAM optical disc-based technology is capable of 1080/59.94i, 50i, 29.97P, 25P and native 23.98P with a multitude of bit rate options for lower-resolution recording of off-line work or dailies, and is capable of SD recording in the DVCAM mode. Proxy recording, IT networkability and a long 120-minute, “fi le based” record time makes them two of the most versatile cameras on the market. The PDW-350 adds the feature of true motion-picture-like overcranking and undercranking in the native HD format, and features HD-SDI and Rear XLR-5pin output.• Three ½”-type Power HAD HD CCD Sensors• 4-channel Uncompressed Audio Recording • 16:9, 3.5” Color LCD Display• Thumbnail Display with Instant Access and Replay of Clips#VOXD350DVD Vortex Media DVD: Instructional DVD for the Sony XDCAM HD Camcorders ......... $89.99#SOPDFD23 23.3GB Professional Disc Media ............................................................... $29.99#TDXP23 23.3GB Hard Disk (PDRE23CN) .................................................................... $28.95#FUHSS18X55BR 1/2” HD Lens#FUXS17X55BRM 1/2” HD Lens#SOPDWF330#SOPDWF350

PDW-F330 / PDW-F350

Shown with Optional Power and Lens

XDCAM Mobile DecksThe PDW-V1 is a compact and lightweight mobile MPEG IMX/DVCAM playback deck designed for fi eld applications for desktop viewing on the built-in 3.5” color LCD screen, or to standard computer monitors via its VGA connector. Thumbnail selection, metadata recording, and the ability to write EDL back onto disc, Ethernet and i-LINK connectors and Jog/Shuttle control. PDW-R1 recorder steps up, additionally providing MPEG IMX/DVCAM recording and a wider range of interfaces.#SOPDW-V1 #SOPDW-R1

PDW-V1 / PDW-R1

XDCAM HD DecksXDCAM HD decks that are a perfect for XDCAM HD disc recorded material at 1080/59.94i, 50i, 29.97P, 25P and native 23.98P, and with DVCAM playback. They feature up and down HD signal conversion, variable jog/shuttle, precise control of playback with random-access capabilities. The 16:9, 3.5” color LCD display and thumbnail search functionality expand scene selection signifi cantly to increase workload effi ciency and fl exibility. The PDW-F70 recorder with MPEG HD codec, records at 35, 25 and 18 Mb/s via HD-SDI input/output, AES/EBU audio with the above resolution and variable frame rates. The PDW-F30 is a XDCAM HD playback deck that has capabilities of recording MXF fi les (in both MPEG HD and DVCAM formats) via its i.LINK (File Access Mode) or optional Ethernet interface.PDW-F70/F30 Options:#PDBK-101 Network Ethernet Interface Board#PDBK-102 MPEG-2 TS (Transport Stream) 25 Mbps Bit-rate Board#PDBK-103 Analog Component & RGB input (PDW-F70)#PDBK-104 SD Input Up-converter (PDW-F70)#RM280 Remote Edit Controller#SOPDWF30 XDCAM HD Player#SOPDWF70 XDCAM HD Recorder/Player

PDW-F70/ PDW-F30

XDCAM NLE DriveThe perfect small XDCAM media drive working in fi eld or studio with your non-linear editor. It incorporates i.LINK I/O and File Access Mode (FAM) protocols. It features full proxy and metadata support and can down-convert in real time from MPEG IMX to DVCAM. It is capable of high-speed fi le transfers of up to 30x for Proxy, 2.5x for DVCAM and 1.25x for MPEG IMX to speed up the editing process.#SOPDW-D1

PDW-D1

XDCAM DeckThe PDW-1500 half-rack recorder with 2-optical heads allowing transfer speeds of 5x for DVCAM and 2.5x for MPEG IMX as well as up to 50x for proxy AV fi les. Professional SDI, composite, RS422 and i-LINK connectors, a full-featured variable jog shuttle, and a thumbnail search.• Voice-over Recording • Gigabit Ethernet Connectivity • 7 year “Powertrain” Warranty for XDCAM Laser Block#PDW-1500

PDW-1500

XDCAM CamcordersBuilt with heavy-duty fi eld acquisition in mind, these professional XDCAM disc camcorders with three 2/3” 16:9 widescreen Power HAD EX CCD imagers, combined with Sony’s DVCAM compression, represent the very latest in Sony’s video acquisition technology that gives you excellent picture quality along with longer disc record times of up to 85 min. XDCAM cameras feature an unprecedented 7-year “Powertrain” warranty on the laser block, refl ecting both Sony’s confi dence in and commitment to their new optical line. Additional shooting cards are available for Ethernet access & 24 frame “fi lm look” recordingPDW-510: features DVCAM recording and one built-in optical fi lter wheel. PDW-530: steps-up with MPEG IMX/DVCAM recording and 2 optical fi lter wheels.• 2.5” Color LCD Screen • Thumbnail Search & Scene Selection Operation#CA701 SDI and Audio Expansion Adapter#CA702 Pool Feed/SDI Output Adapter#CBKFC01 Pull Down Board#CBKNC01 Ethernet Adapter#CBKSC01 Analog Composite Input Board#CBKSD01 SDI Output Board

PDW-510 / PDW-530

Shown with Optional Power and Lens

Professional Video Quick Dial 821www.bhphotovideo.com264

Mar

ch 2

007

Broadcast Video Professional Video Solutions Don’t forget cables, pages #58, 360-361

Multiformat CRT Broadcast MonitorsThe BVM-A series HR Trinitron digital fl at surface CRT monitors are a consistent line of master-grade CRT monitors using SMPTE-C phosphors. They have a confi gurable modular slot design, and support multi-format inputs. They accept a range of SD and HD signal formats, with the added capability of dual-link HD-SDI input to monitor top-quality images up to 1080/50i and 1080/60i 4:4:4 RGB. Their internal beam current feedback circuit delivers stable color temperature. Built-in test signal generator, H/V delay, sync signals, degaussing and various area markers for support of DTV and cinema aspect ratios, plus a wide level monitor setup and control menu to meet your critical needs.#SOBVMA14F5U 4:3 aspect - 14”(13 1/8” viewable) #SOBKM61D SDI/Analog Composite Multi-Input Adapter #SOBKM68X Analog Component Input Adapter #SOBVMA20F1U 4:3 aspect - 20”(19” viewable #SOBKM62HS HDSDI / SDI Optional Input Board

BVM-A14F5U / A20F1U

The GlassHigh Defi nition Optics

The traditional lens focuses light optically to the digital image sensors within your camera. And now that our camcorders’ electronic sensors are becoming more and more sensitive, it is extremely critical that our lenses be of higher quality. The fi ner the elements of these higher-quality lenses, the more fi nely-crafted they become, with very minimal light distortion. The more labor-intensive, the more expensive the lens becomes. Whether your camera is for HD, Cine or ENG/EFP, the objective is to achieve the best image performance optically thru the lens.

Anycast Station Live Content ProducerPowerful content creation tool for live event programming. Comprises a high-quality video switcher, an audio mixer, a large LCD display, and a streaming encoder and server. The AWS-G500 provides a comprehensive set of AV and IT inputs, which include analog composite, S-video, DV input, and balanced audio as well as computer RGB inputs. The unique processing of the Anycast Station system allows live switching between these video and computer sources without the use of external line converters or degradation in picture quality.• The audio mixer provides 48 kHz/24-bit processing, 6 stereo

channel input mixing, 6 channel faders and 1 master fader.• High-resolution (1280 x 1024 pixel) internal processing

f/seamless switching between video & PC sources.The optional BKAW-580 board adds 2 SDI inputs, 1 SDI PGM output, & 1 iLINK connector

#BKAW-550 PC RGB Interface Module#BKAW-560 HD Analog Component Video f/AWSG500#BKAW-570 SD Video Interface Module#BKAW-580 Serial Digital Interface Module#BKAW-590 HD-SDI Interface Module

AWS-G500 / AWS-G500HD

HDTV (XDCAM) HD 1/2” Mounted Lenses

Fujinon

XS13X3.3RM 13:1 Lens (3.3-32mm)

XS17X5.5BRM 17:1 Lens (5.5-94mm)

HSS18X5.5BRD 18:1 Lens (5.5 to 100 mm)

HS16X4.6ERM/ERD 16:1 w/2X Extender Lens (4.6 to 74 mm)

Canon

KH19X67KTS 1/2” HDTV Remote Control Lens

KH10X36IRSE 10:1 Lens w/2X Extender

KH20X64KRS 20:1 Lens

KH21X57IRSE 21:1 Lens w/2X Extender

HDTV HD 2/3” Mounted Lenses

Canon

HJ11EX47BITS HDTV/SDTV 2/3” HDTV Remote Control Lens w/2x EXT

HJ17EX77BITS HDTV/SDTV 2/3” HDTV Remote Control Lens w/2x EXT

HJ22EX76BITS 2/3” HDTV Remote Control Lens w/2x Ext.

HD Cine Style Lenses

Canon

HJ8X55BKLLSC 13:1 Lens (3.3-32mm)

HJ11X47BKLLS 17:1 Lens (5.5-94mm)

HJ21X75BKLLS 18:1 Lens (5.5 to 100 mm)

HD Prime Lenses

Canon

FJS5MM FJS-5MM HD/EC Prime Lens

FJS9MM FJS-9MM HD/EC Prime Lens

FJS14MM FJS-9MM HD/EC Prime Lens

FJS24MM FJS-24MM HD/EC Prime Lens

HD Cross-over Lenses for 16:9/4:3 Cameras

Canon

HJ11EX4.7BVASE 11:1 Lens (4.7-52mm)

HJ17EX76BVASE 17:1 Lens (7.6-129mm)

HJ21EX7.5BVASE 21:1 Lens (7.5-157mm)

Broadcast lenses are manufactured for television, and are made to render sharpness in the center with a 90-degree barrel rotation.Cine lenses have more barrel rotation, like 140 degrees, that achieves a fi ner focus which is more critical to fi lm-style cameras with zooming capabilities. These lenses tend to be fl atter, thereby allowing more light to be captured, achieving sharper corners, and better depth of fi eld. They have traditional fi lm-style feel and operation such as T-stops.Prime lenses are very sharp fi xed-focus lenses, without zoom, designed for a specifi c capture. Typically, prime lenses have larger maximum apertures to let in more light.

IndigoMulti-Format Live A/V MixerCreate and deliver live broadcast-quality presentations with stunning results. The Grass Valley Indigo is a full-featured, powerful multi-format audio/video mixer. It works with 12 SD and 3 HD video sources simultaneously. It up-converts to HD and down-converts to SD, plus simulcasts live SD and HD output. It offers a complete set for controlling, mixing, and managing the timing of multiple analog or digital video and audio sources. Seamlessly integrate live high-resolution computer-based media and presentation content with real-time video and audio materials.

• Pre-programmable video layouts with keyers for picture-in-picture and other effects·• Digital Effects with 2D and 3D Transformations, Including Page Turns, Ripples, and Swirls• Linear/Luminance and Chroma Video Keyer • Integrated control of the Grass Valley Turbo Intelligent Digital Disc Recorder (iDDR) and Other Devices • Four-band Parametric Equalizer and Motor-driven Audio Faders· • Intelligent Audio-delay Management for Live Production Lip Sync• High-Resolution Options: 2 HD-SDI (BNC) and 2 DVI-I Connectors

#SOAWSG500#AWS-G500HD Incorporates BKAW-560and 590 Boards

March 2007

800 947-1185 • 212 444-6685 265Professional Video Quick Dial 821

Broadcast VideoPan and Tilt Camera SolutionsDon’t forget cables, pages #58, 360-361

SONY3-CCD Color Video Cameras

The high-quality fl exible pan/tilt/zoom remote color video cameras capture video within a surrounding area precisely. They meet just about any need for video-conferencing, distance learning, surveillance monitoring, training rooms, courtrooms, houses of worship, and internet communications. They can be confi gured as a single camera system or be expandable to a multi-camera system to suit your particular applications and purposes, with excellent performance and sensitivity.

EVI-D70¼” PTZ Color Video CameraPan tilt zoom remote desktop or ceiling-mounted communication camera with its long 18x zoom lens, image invertible capability, high-speed operation, and quiet direct drive operation is better suited for shots that require distance. Includes Wireless Remote Control, and can be controlled by optional RS-232C and RS-422 serial controllers.• 1/4 type EXview HAD CCD • 6-Position PTZ / Camera Presets• 18x Optical, 12x Digital Zoom (37mm Lens Mt.)• RS-232C I/O (VISCA) Remote Connectors & (VISCA) RS-422 Connector#EVI-D70 .......................................................................................... $1,049.95#CP-ITVD300 Telemetrics RS-232 Serial Desktop Remote Controller .$999.95

#RM-BR300 Sony RS-232C/RS-422 Serial Remote Control Panel .............................................. $1,249.95#SNCACA2 Corner Mount Adapter Bracket, must be used w/SNC-WM20G ....................................... $49.95#SNCAPM3 Pole Mount Adapter Bracket, must be used w/SNC-WM20G .......................................... $34.95#SNCWM20G Gooseneck Wall Mount ............................................................................................... $79.95#EVIID8C1 Indoor Clear Dome Housing ...........................................................................................$209.95#EVIID8T1 Indoor Tinted Dome Housing .........................................................................................$209.95#EVIRD7 Indoor Vandal Resistant Tinted Housing ...........................................................................$321.95#EVIFDP8C3 Outdoor Clear Dome Housing .....................................................................................$429.95#EVIOD8T3 Outdoor Tinted Dome Housing .....................................................................................$429.95#EVIRDP7C3 Outdoor Vandal Resistant Tinted Housing ..................................................................$509.95

EVI-D100

¼” PTZ Color Video CameraPan tilt zoom remote communication camera with its wide-angle lens, high-speed operation, and quiet direct drive operation is designed for smaller close-in conference venues. It is designed to be mounted upright only since the image cannot be inverted. Includes wireless remote control, and can be controlled by optional VISCA/RS-232C serial controllers.• 1/4 CCD w/410k Pixels • 6-Position Camera Presets• 10x Optical, 40x Digital Zoom (f=3.1-31mm, F1.8-F2.9)• RS-232C I/O (VISCA) Remote Connectors

#EVI-D100 ........................................................................................................................................$929.95#RM-BR300 Sony RS-232C/RS-422 Serial Remote Control Panel .............................................. $1,249.95#CP-ITVD300 Telemetrics RS-232 Serial Desktop Remote Controller..............................................$999.95#CAMWMBKT Wall Mount Bracket .................................................................................................... $69.95#CAMCMBKT Ceiling Mount Bracket.................................................................................................. $89.95

Telemetrics CP-ITVD300PTZ Remote RS-232C ControllerThe Telemetrics CP-ITVD300 desktop remote controller has 4 direct RS-232C serial inputs from up to 4 EVI/BRC Cameras.#CAITV9D25 25ft 9-pin D-Sub M/F Ext. Cable ........................................ $49.95#CAITV9D50 50ft 9-pin D-Sub M/F Ext. Cable ....................................... $74.95#CAITV9D100 100ft 9-pin D-Sub M/F Ext. Cable .......................................CALL#CP-ITVD300 RS-232C Serial Desktop Remote Controller ..................$999.95

RM-BR300PTZ Remote RS-232C/RS-422 ControllerThe Sony RM-BR300 joystick remote controller panel has one input for each RS-232C and RS-422 serial port, and can control up to 7 EVI/BRC cameras that are daisy-chained from one source camera in your system.

#RC-815 Sony 15m Daisy Chain RS-232C Control 8-pin Mini-Din Cable ........................................... $59.95#CAITVDIN6 6ft 8-pin Mini-Din to 9-pin D-Sub RS-232C Control Cable ............................................ $25.95#RC893/1 15ft 8-pin Mini-Din to 9-pin D-Sub RS-232C Control Cable .............................................. $24.95#CAITVDIN25 25ft 8-pin Mini-Din to 9-pin D-Sub RS-232C Control Cable ........................................ $41.95#RM-BR300 RS-232C/RS-422 Serial Remote Control Panel ....................................................... $1,249.95

BRC-3003-CCD PTZ Color CameraThe BRC-300 has three 1/4.7” advanced HAD CCDs with 3 megapixels that provide high-quality and high-resolution images in both 4:3 and 16:9 modes. It’s highly accurate with a range of 340 degrees, and a tilt range of 120 degrees. It incorporates a 12x optical auto-focus zoom lens, 4x digital zoom. And each camera has six presets for camera Pan/Tilt/Zoom and focus settings. Mount to ceiling or desktop, RS-232C/RS-422 controllable.#BRC-300 3-CCD SD PTZ Camera ...................................................... $3,499.95#RM-BR300 Joystick Controller for up to 7 BRU/EVI Cameras ........... $1,249.95#BRU-300 Optical Multiplex Unit w/2 Card Slots ................................ $1,499.95#BRBK-301 Analog Component or RGB Data (9-Pin) Card .....................$349.95

#BRBK-302 Uncompressed SDI Video Card ....................................................................................$699.95#BRBK-304 FireWire/iLink Board .....................................................................................................$619.95#BRBK-303 Fiber-Optic Card ............................................................................................................$649.95#CCMC-9DS/US RGB/Component, Y/C Cable (9-pin D-sub) ............................................................$144.95#CCF-CM100 Fiber-optic 100m Cable for Video-out & Camera Control ...........................................$519.95#BRC-SDP12 Weatherproof Housing ...............................................................................................$649.95#VCL-0737W 0.7x W/A Lens ...........................................................................................................$249.95

Short-Distance Operation

For short-distance multi-camera configurations, this schematic would be mirrored to your video switcher.

Composite VideoS-VideoBRBK-301 Component/RGBBRBK-302 SDIBRBK-304 DV i.Link Interface

RS-232C / RS-422

Video Cassette Recorder Monitor

RM-BR300

BRC-300

Long-Distance Operation

CCFC-M100

RS-232C / RS-422

BRC-300

BRU-300BRBK-303

Composite VideoS-VideoBRBK-301 Component/RGBBRBK-302 SDIBRBK-304 DV i.Link Interface

RM-BR300

Video Cassette Recorder Monitor

For long-distance multi-camera configurations, this schematic would be mirrored to your video switcher.

HD 3-CCD PTZ Color CameraThe BRC-H700 is exceptional for high-defi nition shooting with its three sensitive 1/3” HD type I.T. CCDs with 1.12k megapixels that capture 1080 resolution in 60i/50i. Alternative optional interface video cards allow this fl exible camera to meet a variety of applications such as uncompressed SDI video and fi ber optics capabilities for extended video transmissions. It is compatible with the Sony AWS-G500 Anycast Station System, mounts to ceiling or desktop and is RS-232C/RS-422 controllable.#BRC-H700 3-CCD HD PTZ Camera ............................................................CALL#BRU-H700 HD Optical Multiplex Unit ............................................... $2,499.95#BRBK-H700 HD Optical Multiplex Card with Audio for BRC-H700 ... $1,249.95

#HFBK-SD1 Down-converts SD-SDI, Analog Component, RGB & Composite Card ..................... $1,549.95#HFBK-HD1 HD-SDI Card ............................................................................................................ $1,799.95#HFBK-XG1 WXGA, XGA and VGA Computer Inputs Card ........................................................... $1,649.95#HFBK-TS1 FireWire/i-Link (for Use with HDV Systems) Card .................................................... $2,349.95#CCMC-9DS/US RGB/Component, Y/C Cable (9-pin D-sub) ............................................................$144.95#CCF-CM100HG Fiber-optic 100m Cable for HD Video-out & Camera Control ................................$799.95

BRC-H700

Professional Video Quick Dial 821www.bhphotovideo.com266

Mar

ch 2

007

Broadcast Video Pan and Tilt Camera Solutions Don’t forget cables, pages #58, 360-361

House of Worship

Camera #1AW-E650& AW-LZ16MD73

Pan/Tilt HeadAW-PH360

AC AdapterAW-PS300A

AC AdapterAW-PS300A

Pan/Tilt HeadAW-PH360

Camera #2AW-E650 & AW-LZ16MD73

Control Room

AC AdapterAW-PS505A

CableCompensation Unit

AW-RC400Compact Size

ControllerAW-RP555

Live SwitcherAW-SW350

AC AdapterAW-PS505A

AC AdapterAW-PS505A

#1CameraMonitor

#2CameraMonitor

#3CameraMonitor

ProgramMonitor

Digital VideoRecorderAJ-D455

Studio

Camera / LensAW-E650 / AW-LZ16MD73AW-E860 / AW-LZ17ST9A

Tripod

10/100 Base-TEthernet Cable

SDI CardAW-PB504

Digital Video RecorderAJ-D455

Monitor

Monitor

AC AdapterAW-PS300A

AC AdapterAW-PS505A

Compact SizeControllerAW-RP555

Panasonic3-CCD Convertible Cameras

Panasonic’s versatile Convertible Cameras use Production-Quality 3-CCD’s, which achieve 850 lines of resolution, plus their unique fourth-generation DSP 12-bit digital signal processing achieves the excellent fi ne color and image control required for professional and broadcast use. Minimum illumination of 0.00005 lx (with DNR on) assuring virtual “see in the dark” image capture, along with 65dB S/N for super crisp images, and 12-vector color matrix masking for fi ne color adjustment makes these cameras a unique value for any application. These multi-purpose “box” cameras offer unique open-slot architecture for various convertible cameras’ feature cards to customize your application. The feature cards are interchangeable between all cameras and are “plug & play” with ease of installation.

To get started in your convertible camera system, you will need:1) The (AW-E) camera, with the standard component, Composite,

Y/C video output built-in. (SDI & Studio Cards Optional)2) To put a camera lens on the (AW-E) camera.3) The (AW-PH) pan-tilt head. This head includes the power/camera

menu data cable to the (AW-E) camera. The P/T head requires an a/c power adapter, plus the ethernet/cat-5 control standard cable to the (AW-RP) control panel destination.

4) The (AW-RP) control panel requires an a/c power adapter.5) A compatible video switcher (AW-SW350), that accepts the

component, Y/C or SDI, from the (AW-E) camera output(s).6) Monitors at the switcher to view the camera(s).

AW-E350 / AW-E650/E655 / AW-E860AW-E350 – 1/3” C-Mount Lens Camera• 1/3” C-Mount Lens Camera• Horizontal Resolution 850 Lines• S/N Ratio 66 dB w/DNR on• High Sensitivity: 2000 lx, F9.5• Min. Illumination: 0.015 lx, 0.00015 lx

AW-E650/E655 – 3-CCD Convertible Camera• Horizontal Resolution 850 Lines• 1/2” Bayonet Lens Mount Cameras• S/N Ratio 67 dB w/DNR on• High Sensitivity: 2000 lx, F14• Min. Illumination: 0.005 lx, 0.00005 lxAW-E655 Steps-up adding a Mic Jack, Zoom/Focus Connector, Motor-Driven Optical Filters, and can be used as an infrared camera in completely dark scenes.

AW-E860 – 2/3” Bayonet Lens Mount Camera• Horizontal Resolution 850 Lines• Switchable 16:9/4:3 Native Aspect Ratios, No Scaling• S/N Ratio 65 dB w/DNR on• High Sensitivity: 2000 lx, F11• Min. Illumination: 0.4 lx, (F1.7, Night Eye H)• Wide Dynamic Range of 600%

AW-PB305A / AW-PB504 / AW-PB506AFeatures Card Options:AW-PB305A – Studio Card for RGB, YUV, Y/C VBS & EVF Data InterfaceAW-PB504 – SDI Interface Card (4:2:2) SMPTE259MAW-PB506A – Studio & SDI Cards Combined

AW Series Pan-tilt heads• Super-quiet motion for use at any location; Noise under 30ND• Accurate and smooth high-speed pan-tilt motion, with a very remarkable soft landing feature• Professional Pre-Sets assure getting the shot every time. Set-in-advance camera positioning with 50 preset

memories per camera and a special tracing memory feature for multiple-moves

AW-PH360N – Indoor Pan-Tilt Remote Head• 30 Degree per Second Pan/25 Degree per Second Tilt• Pan Angle: 300° • Tilt Angle: 190° • Load Limit: 8.8lb• Maximum Control Distance 3280ft (1000meters)

from AW-RP555/655, 1640ft (500 meters) AW-RP400• RS232C Interface for Dial Up Control• Requires Optional AW-PS300A AC Adapter

AW-PH400 – Indoor Pan and Tilt HeadThis High-Speed, High-Performance indoor P/T head unit integrates with Panasonic’s convertible AW-E series cameras. Control remotely with the AW-RP555, AW-RP655, and AW-RP400 multi-function control panel.• 90 Degrees per Second Pan/Tilt with Variable Speed • Stop Accuracy: Maximum 30 Seconds (approx. 0.008 degrees)• Pan Angle: 400° • Tilt Angle: 190° • Load Limit 17.6 lb• Maximum Control Distance: 1640 ft (500 meters) from AW-RP400, 3280

ft (1000 meters) using AW-IF400 • 10 Tracing Memories • Tele-prompter Output & Tally Light Available• The AC Adapter is Standard, Installed in P/T Head• Controlled by AW-RP400

Cat 5e 10/100 Base-T Ethernet Cable RJ-45

Length PriceCAT5150EBLU .............. 150’ ................................................... $56.95CAT5100EBLU .............. 100’ ................................................... $37.95CAT550EBLU ................. 50’ .................................................... $19.95AW-PB305A AW-PB504

The RJ-45 ethernet Cat-5 Cable transfers information and commands between the pan/tilt head and camera control panel

March 2007

800 947-1185 • 212 444-6685 267Professional Video Quick Dial 821

Broadcast VideoPan and Tilt Camera SolutionsDon’t forget cables, pages #58, 360-361

AW-E350 Camera Lenses#AW-LZ16MD55 – 1/3” C-Mount Motorized 16x Zoom Lens, (for Pan Tilts)#AW-LZ10MD6 – 1/3” C-Mount Motorized 10x Zoom Lens, (for Pan Tilts)#AW-LZ16ST55 – 1/3” C-Mount (Manual) Studio 16x Lens (for Studio Confi gurations)#AW-CA12T12A – Lens 15m Ext. Cable (for AW-LZ Studio Lens)

AW-E650/655 Camera Lenses#AW-LZ16MD73 – 1/2” Bayonet Mount Motorized Zoom 16X Lens (for Pan Tilts)#AW-LZ17ST66 – ½” Bayonet Mount Studio Zoom Lenses (for Studio Confi gurations)

AW-E860 Camera Lenses#AW-LZ17MD9AG – 2/3” Motor Drive 17x Zoom Lens#AW-LZ17ST9A – 2/3” Studio Zoom Lenses (for Studio Confi gurations)

High Performance Pan-tilt Control PanelsFull-function main control units to control up to 5 cameras completely, and 5 P/T Heads, with built-in frame synchronization, frame-capture functions and fl exible joysticks, ergonomically designed. Set-in-advance camera positioning with 50 preset memories per camera. RS232C interface controls P/T heads up to 1000 meters.

AW-RP655• Full Camera Control by LCD Monitor• Maximum Control Distance 3280 ft (1000m)• Up to 10 Tracing Memory Presets for Pan/Tilt

Head Movement and Camera Condition• Daisy-chain up to 2 Additional Controls

AW-RP555• Full Camera Control by Camera Menu• Maximum Control Distance 3280 ft (1000m)• Up to 10 Tracing Memory Presets• AW-PH400 Controllable with Optional AW-IF400

Protocol Converter• Requires Optional AW-PS505 AC Adapter

AW-RP400• Maximum Control Distance 1640 ft (500m),

(1000m w/optional AW-IF400 Protocol Converter)• 10 minutes Tracing Memory (60 seconds x 10

positions)• Camera Control Inputs (AW-CB400)• Requires Optional AW-PS505 AC Adapter

AW-SW350

Compact Video Switcher• 5 Video Inputs for Convertible Camera System• 3-Program/1 Preview Out • Selectable Bus Switching System• 10-bit, 5-chan. Frame Sync/Genlock• Frame Capture, Soft Wipe and Linear Key • Tally/intercom Function• NTSC/PAL Switchable • AC Adapter AW-PS505 is Required

AW-LZ16MD55

AW-LZ16ST55

AW-LZ17ST66

AW-RP655

AW-RP555

AW-RP400

JVC Pan + Tilt / Studio Cameras KY-F560U

1/2” 3-CCD Color Convertible CameraThis high-quality multi-purpose camera with a standard 1/2” bayonet lens mount can be controlled remotely on a pan & tilt head or integrated and confi gured as an effective studio camera. It has a standard analog composite output, and can be expanded to handle digital or analog studio applications with the KA-F5603 Studio Adapter with SDI output or the KA-F5602 Studio 26-pin Adapter with analog video output via the RM-P210 studio (CCU) camera control unit. • 3x 1/2” I.T. CCDs with 850 Line of Resolution • 12 bit DSP for Rich Color

Reproduction with 64dB S/N Ratio • 24-bit DSP for dynamic range of more than 400% and near-perfect gamma correction • Sensitivity of F13, 2000 Lux, (Minimum F1.4/0.7 lx-LoLux Mode 30dB) • RS-232C interface capabilityJVKYF560U#AAP700U AC Adapter (Required)#KA-F5601 SDI Output Card#KA-F5602 Studio Adapter w/26-Pin#KA-F5603 Studio Adapter w/26-pin & SDI#VF-P400U 4” Monochrome Studio Viewfi nder#RM-P210U Multicore Camera Control Unit#VC-P112U 64’ Camera to Control Unit Cable#KA-310U Intercom Headset for Control Unit#RM-LP55 Handheld Camera Remote Control Unit

KY-F560U Lens OptionsMotorized Lenses: Fujinon S20 x 6.4BMD • Fujinon S16 x 7.3BMDCanon YH19 x 6.7KTS • Canon YH16 x 7 KTS • Canon YH16 x 7KTS-AF (Auto Focus)

Studio Lenses: Fujinon S14 x 7.3B12 • Fujinon S20 x 6.4B12Canon YH16 x 7K12 • Canon YH19 x 6.7K12Lense Controllers: HZ-ZS13B Zoom/servo unit • HZ-FM13 Focus/manual unit

Studio Camera Control UnitThe RM-P210U Camera Control Unit (CCU) controls camera head menu parameters remotely via a 26-pin connector cable up to 100 Meters (328 Feet) away from the base station, with genlock, intercom and tally capabilities.

RM-P210U

JVRMP210U#KA-310U Intercom Headset#VC-P110U 26-pin cable 16’ (5m)

Indoor Pan/Tilt Head• Pan 260° w/Adjustable Limit Switches• Tilt Angles 45° w/Adjustable Limit Switches• Control Connectors: RS-422 Serial Interface 4 conductor RJ-11

style and RS-232 Serial Interface 9 pin D connector• Operating Temperature: 40 to 104 F (O to 40 C)• Stores Presets for Pan, Tilt, Zoom, and Focus Settings• Capacity: 8 lbs• Power Supply Provided

DP-T115

#JVDPT115

DV-180Pan/Tilt Control Unit• Controls Up To 4 Cameras Inputs - Max. Distance 2000’• Control Parameters Pan, Tilt, Zoom, Focus and Iris• Program P/T up to 16 Presets per/Camcorder• Seesaw Rocker Control Zoom and Focus• Joystick Control for Pan/Tilt Positioning• JVC ES-960-379 Series Interface Cables are required to connect

the JVC DP-T115 Remote Pan/Tilt Video Head to the DV180 Controller.

• Power Supply Provided#ES-960-379-050 50” (127 cm)#ES-960-379-100 100” (254 cm)#ES-960-379-150 150” (381 cm)#ES-960-379-200 200” (508 cm)#JVDV180

RM-LP55Handheld Camera Remote Control UnitControl all the camera setups and functions of operation with this camera remote controller. Store two sets of camera setup to its memory, which can be readily called up and applied directly to the connected camera. Includes a 9-pin and 15-pin din cable. Transfer from a distance, camera menu settings within the RM-LP55 thru the DV-180 to the KYF560U via the RS-422 (15-pin din) cable.

#JVRMLP55

YH19 x 6.7KTS

#JVPT5601 1 Pan & Tilt Camera System Kit#JVPT5602 2 Pan & Tilt Camera System Kit#JVPT5603 3 Pan & Tilt Camera System Kit#JVPT5604 4 Pan & Tilt Camera System Kit

#VC-P112U 26-pin cable 64’ (20m)#VC-P113U 26-pin cable 164’ (50m)#VC-P114U 26-pin cable 330 ft (100m)