Heavy Metal v17 06 January 1994

8/11/2019 Heavy Metal v17 06 January 1994

http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 1/100



CONTENTS

HEAVY NEI1L

-

I

A H U A

R Y

11)4

•

101. XVII.

HO.

I

4

Gallery:

Words & Pictures

Museum

of

Seouektiai Art

The

Miracle,

of Life

by

Bo.icfl

34

HOMBfiE:

TIE

Leader

by Antonio

Segura

and

Jo« Orttr

63

Striptease

Efilrif

by

iVIiirfc

Martin,

Cbrii

Wart,

/\ij.iti

Polls a

Inn

CuniQ',

Alidad Ausbnbr.

Join

S)imr.

Scoll

Giiiaiiyhii

Mock

Wbite. ml Oil Strr/

72

TOBBIO BEHH

dy

Carlos

Trillo

unJ

Emrs'o Gurcro

Scr;nj

77

The 11:32 Bus

oy

ft.riioii.

Cover

by

DrilUiJ

Donium

II UN

IlJIrUN

JIM

FIMIIII

lllli

•11

•

IN

IlllUI

EMnWiDirnHF

lilt*

tlllMIII

S-kiiNÂUu,,

pit umii

HEAVY

METAL

(ISSN 0«lJ.rtM)i

H

,,,,,^,1

,., .,,,,

U.

,h

r,.,

...»,..,(.,,

w

r(l(1

» Nc»

Y...V

NV

, 11

All

'

ill

«k

..

nai imiuinil

SUBSCRIPTION. IW»h

,.hr- l...c-iin ...ur.1-...

St,,.„J .I..,. (.,.,„,, ,.,

i

nKt

-1

idrjtcu

1

CiMili.no llnnloi H.-rj Air

i.,.l

S;-'

p.,,1 thrrc

.< .

,„l.„.,,

.'

11 No Yi.it

NY

ind

,, .l,i-,,,l

mnl.n

•I MlIHIH. SM

(mid.lv

5tlllC«0l

N„

'lh «

>FFICESi

H>- V»

Pufalnbtn lniSwihS

pulvtJ.

Iw.lr.nd

Sum i

i)

LmAiiiiici.

CA»otm.

(j,oi»n-TJ7J.FAXi

li<

IT]

MM

PRINTED IS

U.S.A.



I

I

J

of line

Sequential Alt

244

MAIN

STREET

THE ROUNDHOUSE

NORTHAMPTON

MASSACHUSETTS

10 6

413

586

8545

open

tuesday

-

Sunday 12

-

5

free admission

LOCATION

:hc

historic

Roundhouse,

built

in

1856

at a

gas

works

and now totally

renovated to

historic

preservation

standards

FOCUS

sequential art of the 1970s,

'80s, and '90s

devoted

entirely to contemporary

works

in

the genre

of comic illustration

POUNDED

doors opened to

the public October

1992

with

the

creative

input

of

Kevin

Eutman

ind the permanent loan of his private art

Election to the archives which

now

contains

over

7,000 illustrations

GOAL

to

give

fantasy

illustration

and

the

graphic

form

of

storytelling the

exposure

and

respect

it

deserve*



CHRIS

ACHILLEOS

SIMON BISLEY

R

BISSETTE

VAUHGN

BODE

BRIAN

BOLAND

HOWARD

CHAYKIN

RICHARD

CORBEN

GUIDO

CREPAX

DAVE DORMAN

FRANK

FRAZETTA

MAX

FREZZATTO

MICHAEL

GOLDEN

RUSS HEATH

JAIME

HERNANDEZ

JEFF

JONES

MICHAEL

KALUTA

THOMAS KIDD

JACK KIRBY

HARVEY

KURTZMAN

LIBERATORE

THRILL

you

will

actually

experience (he

origins

of

sequential

art

entering through

a

cave

co

view

prehistoric

drawings,

and

travel

pair

hieroglyphics,

medieval

paintings,

totem

poles

and pillars, ending

in

a graffiti

filled subway

tunnel

ORIGINALS

four

galleries; of framed

arr, sculptures,

props, and rare

colleetab

let

change

approximately

every

other month

(not

just for kids,

the upstairs gallery often

s adults-only

material)

INTERACT

(he center

of

the museum features i

ciryscape

of fun with

a library of the

latest

in graphic

narratives,

exciting

computer

programs,

challenging comic

games,

a

bird's-eye

view

of an artist's

workspace

as

well as

a chance to show

off your own

writing

and

illustration

style



SPEND

a

fully

stocked gift shop

features current

graphic

novels and

reference

tee

shirts,

comic

memorabilia, as

well

as

vintage

collectibles

and

curiosities

PERKS

museum

members

go to

invitation only

exhibit

openings

with

the

creators,

receive

gallery

updates and a

quarterly

newsletter,

have

(he opportunity to

purchase limited

signed prints and

exclusive

souvenirs

as

well

special discounts on

gift shop

merchandise

FUTURE

upcoming

events include

round

table

discussions,

artist

appearances,

and an

educational outreach

program

for

schoolchildren

FUNDING

the museum

is

a

non-profit

organization

raising

operating

costs

through

donations,

memberships,

gift

shop

sates,

and grants

please

write

for information on

how you

can

supporr the graphic

narrative art

form

MILO

MANARO

MARK

MARTIN

PAUL

MAVRIDES

DAVE

McKEAN

FRANK

MILLER

MOEBIUS

JON

J

MUTH

OLIVIA

MICHAEL

PLOOG

GEORGE

PRATT

HUGO

PRATT

JOHN

SEVERIN

GILBERT

SHELTON

BILL

SIENKIEWICZ

DAVE SIM

BARRY SMITH

WILLIAM

STOUT

VARGAS

CHARLES

VESS

BERNIE

WRIGHTSON



-I* *^

I

'







MERE

AT THE

BOTTOM

OF

TROPICAL

SEA EVERVTHING IS

CM.M...TOO

CALAI..

THE

OPERATION

HAS

A

CODE

NA* E: OVERLORD

-

.

WHICH

IN

TURTLE

LANGUAGE

MEANS-

OPERATION

LAYING

RIGHT NOW WE

ARE

AT

HOUR

H

DAV

J ,

MINUTE

I .

AS

THE

ELDEST GIVES THE SIGNAL, ALL

THE

BEGIN

TO

EMERGE. OPERATION OVERLORD

HAS

BEGUN...



LANDING

TAKES

PLACE

AT

I

HOURS, AS

PLANNED.

ESS

LAVING /MUST

TAKE PLACE AT

H

HOURS.

AT

LOW

TIDE.

THEV WILL

HAVE

TO

ADVANCE INTO

OPEN TERRAIN.

PROBLEMS

WILL

FACE

THEM

HERE.

CONCBtVEO

FOR

RAPID

MOVEMENT IN

THE

WATER. TURTLES HAVE

A

REDUCED

AUTONOMY

ONCE

TH£V

ARE ON LAND. THEY

ARE

ABOUT

AS

FLEXIBLE AS

A

STARCHED

DRESS

O

SKATES.

_

THEV

MUST

PAV

CLOSE

ATTENTION

TO

THE

SMALLEST

OBSTACLE.

AVOID THE

TINIEST

6REASV BIT

OF

PAPE

OR

TUBE

OF

SUNTAN

LOTION.

PROGRESS

IS

SLOW

OVER THE

INERT BODIES

THAT

STRETCH

ALONG

THE

BEACH,



IN

THE SttY.

BfBDS

OF PREY

FOUOW

THEIR

PROeBESS.

TURTLE

E6SS ABE ONE

OF

THE1S

FAVOR/TE

WEALS

OVERLORD

IS SUCCESSFUL.

THE

EXHAUSTED

TURTLES

WADOLE

BACK TO THE <5EA

THFIR

hfarT«=i

OF

JOY,Lf*E

MEN WHO

KNOW

THEY

WLL

ftjjjTtOTg

AND

HAVE

PLENTY

OF

ALE

EABTS

THE

WD

AFTERNOON

SREEZE

DISPELS

The SOPORIFIC

EFFECT

OF THE HOT

SUN

AND

a/VES

THEIR STbcnatu m,*w

TO

THOSE who

SPEND

Th£/«

VACATION

ON

THEIR

BACKS.

oivfcS THfcfR

5TREN6TH

BACK



NATURE

BEHIND,

THEY

RETURN

TO

CIVILIZATION

RESPONDINS TO

THE APPEAL

OF

A

THREE PIECE

SUIT.

NO

/NK-LIN6 AS

TO

THE

PRE

CIOUS CARfiO IN THEIR TOTE BA<V».

FRIOATE

BIROS

GRADUALLY CONE

TO

REALIZE

THAT

SOWETHINe UNUSUAL

(S

SOIN©

ON

AND

VENT

THEIR

WITH

FOUL

LAN6UASE-

A

FEW

WONTHS

LATER. FAR

FROM

A

HOSTILE

NATURE

AND PREDATORY

BEAK'S,

THE

PIN0-PON6

BALLS

WILL



I

FORB(D

YOU

TO

USE

THAT

^^

LANeUA

WITH

ME

Mfeft FRO

_0F

THE

«^*TUBTUS

wi avair

EN

s

1

f

c

„

T

,i

B

f,tÂ

N

iioifeK

E

v

m

{(rAS5/

i

T

'

Tv

a

d

°™<=™«

««

<>

£E

„

RBfflreUBMBTiJWBfe^/aBWIfc ^^







BREAK

oowrv THAT

POOR

SO THAT

WE

.

CAN

TORTURE

THEM

DISEMBOWEL

AND

VIOLATE

THEM.

, 't^X//

ALL

ORftANS

|\l

I

rS/

1

AND

BONES

I

}K

J/yXVlRE

CRUSHED

J

a-

K-

i

—

*

*V

SON'

—



ANON

1ALY 1

JIM

1

P.WEK

Jtt

CR0ISADE5

jMN-CWUDeH

TERGAL

rumioue-

/If

<p

'o

30MN

wpou



OLD

ALW»VS



RAOUU





BALMINE

MOW/

/

BECAUSE

OF

I

.-,

,'

CLIWATE...I...WELL.

VOU KNOW

TRICK'S

TO-

.STREN6THEIV

-&

A

MAN7









I

UKE

BEIN6

WITH

VOL

HON

YOU

SAVED »E

FROffl

THOSE

SAVA6ES.





\

^rt«

f*r

,._.

THOSE

6UVS

WHO

THINK

I'M

A

MORON...



YOU

WAIYTE0

SEE MB.

BOSS 7

MORE



J HAVE TO SAVE

THAT

CHICK

OVER

THERE

FROM

THE

PAWS

OF

AM

ENORMOUS

60R/LLA..

JB

-'•>-

VERY

WELL'

HERE

THEV

ARE

AT LAST.

THE

BOSSES

FROM

HEAOQUARTERS..



~Wl£Am

IT

IS

IN

THE

DARKEST

AND

MOST

CRITICAL

MOMENTS

OF

HUMAN

H/STORV

THAT

TRUE

LEADERS APPEAR; MEN WITH

A

WILL OF

(RON

WHO.

THANKS

TO THEIR

ENERSV

AND

CHARISMA, ©ATHER

8EHIND

THEM THE FEEBLE-HEARTED

AND THE INDECISIVE.

INTO

WHOM

THEY

INSTILL THE

STRENGTH.-

METAL

34



u .

5v

4

tyjp

vMy/hK

c=:>

f

§

K^K

£

MfSVtmi

fllr^&SÎ

f§&*sS 5

lu^cHhr-r^

rt&K

^ligi

iVâj^n:

m

B^jra

(\

j

~BV~'

WStisM

r

^^Fv^WU/k

*iP

3S HEAVY METAL


http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 32/100MlIAl

36



HEAVY

M TAl



IN A

FEW

MONTHS.

WE

V

HAVE

EXTERMINATED

ALL

THOSE

USELESS

OLD

WEN

AND

WOMEN

WHO

SURVIVE

LIKE

RATS

AMONG

THERLHNS...

METAL

38


http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 35/10039 HEAVY

METAL



me

^-^2^

U.n

^^>

JKO

*^1|\

J^^^l

*~§mm

***%.

& *

-1

»

/~3>

IB

'^-

-

™

METAL 40




http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 38/100METAL

42



ARE

YOU

USTENJNS Mp rs.-R^^^

TO

WE?

^F^

TMR^»

L

N0,

J

^^rtrfy-v

<S^

1 llPaJ^^

k£m

^>3

mk^

JwRnk

r

WklM

1

43 HEAVY

USUI



PIS

Is7

VOU

CAN

KtbP

ON

\

SLEEPING.

MV

P

ARUMS,

j±

1

JUST

WANT

TO

HP. TALK

-

TO

VOUR

2tW\

Wsfte-

,^&

BSfe&T

-^tr

W£f

^^^^

;'^Hî7'^^^

îilag?*

^^L^y

METAL

44


http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 41/10045 HEAVY

METAL






http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 44/100Mil«l SO


http://slidepdf.com/reader/full/heavy-metal-v17-06-january-1994 45/100SI

HEAVY

MtTAl



MilAL 52



S3 HEAVY

METAL



3»l^

57

HEAVY

METAL



fT'S

LOCKED/

WERE

TRAPPED'

EAVY

METAL

58







EGO

*

—

~~r

^^7 —

^S^

<

o

ion/

OHO/

14

m

M^

oti&iV

^M

-- £

.,

-,

Vs-A

WHAT...

WHAT'S

THAT

IVOfSE

J

HEAP/

aJ&jJIggffvV

61 HEAVY

METAL







^FORGET

AUYELVISES

'YoUWE

MOWN OR,

HEARD

'OF

And Meet

ELVIS

'

ÊLVIS

THE

ELF''

BUT

THET.MECAMt

FOR HIM

TO

LEAVE

THE

NORTH

POLE

HE'S

A

SHY

LITTLE

RftSO*

WITH

A

CASE

OF

THE

CUTES

ELVIS

MAY

BE:

SHORT

IN

SHE

BllTHE's

NEVER

SHORToN SPOOK

AND

HEAD

FOR

FLORIDA,

WHERE

HE

QUICKLY

klotJ

THE

HEARTS

°FTHE

g(;dmRS/l

£Lt

,,

S)Vm)

,

R

OP

THE

FAMI

HOW

LONG

WIILTHE GATHERS

B6ABLE ToK6£

p

LITTLE.

ELViS

A

SECK.ET.

. .

?

FRON\

THE

PftYiNG

6YES

of

nosy

NEIGHBORS

like

MRS.MELVIN?

L1

I

IIW

1

I

1

INIII

'yea.meah.'t.

saw

„

A

LITTLE

GREEIM

It'lAN

picking

rAY

\PfilSIES/.g.eEHHlM?j

only time

will

tell.

..if

The gwtwsrs

oonvt

first

Little

gree^

MAN?TfHiirt

WW,

NO

THW'S

V/ERYWoTrtiMG

k

fuWN,HRs.WELvlw//FUNNY

1

TMI55ING

FLOWERS...

^HM

W

THAT

NOISE?

3iD

NOD

SAYJ'SLF

? I

?

SHELF.

TUMEIN ANDFi(10

0UTHH»l

THE

GlIMTHERS

ALREADY

KNOW -ELVIS IS

TOO

KIND,

Too

CLTI5...AND

TooMuch.'ON

I'GLF -.

AMERICA'S

#1

SITCOM

Tthat

Ain'tThe

VJAY

It

HAPPENED.'

I'LL

TELL

YOU WHAT

REALLY

WENT

1

DOU/N.'YOOSEF.IVA

THE

\RCflL

KID

WHO

DISCOVERED^

ELVIS'

a

3



[HERE

IS

THE

TROTH.'

IS

P\S STORY.'

.

I

CALL IT.

]

9

1990.10)93

MICHKUUShENKER

w

IT ALU

BEGAN CHRISTIES

EVE

_

I V|AS

$W

INS ARotfND

IMAlTiNG

FO^SANTA

WHEM

IM

PROPS

ElVIS

'

OOWC

JAERE?

,/WDN'T

HACK

T«f

NORTH.

fWl.EANYfi|oft.E/CM.l*E

ISAMTA

CLMISTBAfriOSIC.

\6ftH-HA-

HA-HA/

AT

FIRST,EL.VIJ

««IRRESi$TA8l£.

HE

Wot)

OVER

mY

ENTIRE

Fami«

/WITH

THOSE,

TBoTS,

iT'Mf

GOT

ANOTHER

Atop,

w

can work

ok;

BUT

AS

THE

DAWS

PASSED,

W£

COGH-WTBEUEVe

OUR

EYB5

and

ears

ElViS

HAD

TtlRHED

into

an

INTOLERABLE

DR.UNK,

RouTlNEW PILFERING THE

KliNE

CABINET

AMD

sub-3ectimg

us

to

OUtRAgetous

Displays;

THEN.ONE.

DAY,

WHILE ME ANP

m

Family

hereout,

6lws

HELT3

AGARAS6SAL&....

ANO

SOUOOTO

gAR^CE/

HE

skipped

ToumwuhthE

MONEY

HE

MADE

AND,

IAST

WE.

neflRB,

was

Seen

in

1

HOLLVWoop

PARTYING

WTtiTHEOLSEN

TWINS

JONolN

He's Got

A

HIT WITH

THE

pOOB

TUBE7AND

I

GOT

SEVERAL

HITS

WITH

THE BELT/BuT

I'VE

LEARNED

fvY Lesson:

NO

MORE

PET

61V6S

ÊCHORRAH/DOU'T

Just

Tit

TH6RE LIKE

ME

POT

GOtD.'cHA^GE

THE

cHAwigeL/r£flN'Tsr/i«













~~~7)

w

^wfr

f

r

'r

< 5x5^1-^

\

'

s^fc^sD

ItnINj

^y^Â^grv'

^^KfSp^'.fS*'

fc ^w#f







HE

WAS L00KIN6

OUT OF THE WOTP0W...WATCHIN6

THE SCENERY 60 BY,

SOMEWHERE

IN

HIS

MIND'S

EYE...

WAS

D0ZIN6. LULLED

BV

THE

MUFFLED

SOUND

OF THE ENGINE,

STILL A LITTLE

INTOXICATED

BV JOHN'S PERFUME.

ROSE FROM

BETWEEN

MY THI6HS.

WE

HAD

MADE LOVE

RI6HT

BEFORE I LEFT.

IfY

/MV

/MOUTH,

I

CAN

3TILL

TASTE

Hf/rt.

77

HEAVY

METAL



MAN

OCCUPYING THE WINDOW

SEAT

HAD

WONDERFUL ARMS,

JUST THE WAV / LIKE THEM. ESPECIALLY

HIS

I CAN

PICTURE

A

MAN'S

SEX

PERFECTLY

OUST BY

SEEING

HIS

ARMS.

I WANTED TO FIND OUT MORE.

EYES

CLOSED.

SLEPT...VERY

LITTLE.

...WHEN

/ WOKE

UP

/

CAUGHT

HIM LOOKING

AT

ME.

AT MY CHEST.

MY COTTON DRESS

HAD

A LITTLE. HI5

EYES

WERE

BURNING. HE TURNED

AWAY. UNEMBARRASSED.

AS SOON AS HE SAW ME

LOOKING

HIM. MY

BUS STOP

CAME

UP

A FEW

MINUTES

LATER.

METAl

78



MAN

ALSO

60T Off THE

BUS.

AS

I WAITED

TO

6ET

MV BA6 FRO*

THE

LU66A6E

BIN

THE »AN

DISAPPEARED

BAD...THAT

MORWNe.

THE

VILLAGE LOOK-ED VERY

LOVELV, AIL

ITS

COLORS

BRIGHT AND

SHWV LKl

?%

c

MEMORY...AND

I WAS C0IWN6

TO VOUR

HOUSE.

HE WAS

UR/NATIN6. FACIM6

THE

SUN.

79 HEAVY METAL



HE

5AW

WE

RI6HT

AWAY. HE

WAS

LOOKING

AT WE. WITH

A

SL/6HT,

IRONIC

5MJLE BUT SERIOUS EYE5.

METAL 80



I WENT

TOWARD

HIM,

AS IF HYPNOTIZED.

HIS

SEX

WAS

SWELLIN6 SLOWLY. A DROP

6LISTENED

ON ITS TIP.

I

PUT

m Sue

DOWN.

I KNELT

AND

I

DRANK

IT.

1

>A\\

>'

7<<

b>~

-v^v

*

'Ik®

81

HEAVY METAL



HE STARTED

LIFTING

MY

DRESS,

VERY

CAREFULLY.

AT ONE

POINT,

I

HAD

TO

LET

HIS

SEX

FALL OUT OF

MOUTH

IN ORDER

TO

LET

MY

DRESS

60

OVER

MY

HEAD.

^

^1

<*-^

maHi

MEIAl

82





HIS

TO YOU AS SOON

AS

P0SSIBLE..-8Uf

I'VE

COT

TO

HIDE MOW.

DON'T

WORRY MY

love.rm

m

CONTROL'

SEE

YOU

LATER...

^



















at

iKe

O'Hrim Theater.









HEROES

WHOSE

PALE

EfFISJES

m

\

HWE

BECOME

SUCH

A

MVTH

V

>

IN

HOU.YWOO07



at

iKe

Jîrporl..

LIFT OFF

PILOT,

HURBV

UP/

1

/WHV

DO«T\

YOU

JU5T

SAV

\

OLLOW

THAT

CAR )

WWLE

YOU'RE

/

v at

m

J^_

1

/

VOUN«

WAN.

N,

^-^-^

,

VTW5 IS WOT

A

TAXI

\^^*

'

f

INVOLVED FN

SOME

V*^

/

^

CAR CHASE IN A 1 ll

\

e

movie..

y

•

^

*

r \

H

^F

1

ilTI^'

•

_

J~-rf*|g&

SBl

::$&&

I

Kayi

P

i/$^H

fl-t

rmLnl.

1

Cjtf«**1$

âPw«l

IS

A

ZEPPELIN

DIVA,

PRINCE

THE

SKV...



TneaUr,

nine p.m.







BAAMlNE/

BAAMlNE



ike airpori,

lite Icppcltn

\





on

ill







Theater.

SS. DON'T

^\,../^B|

1

r

CM 5TAVIN6 ^H

HERE' 1

DON'T EVEN B

WANT TO

KNOW 1

1

THE ENP

Of

THIS

A

^

STORY...

y^l

J

ijk

\f

I'M

IN

\\

U-i(

TOO MUCH U-

kt_l

PAIN

...

L^

^

\7

\[r

W^SI^L

WE'VE 60T

TO

KILL

HIM' THERE'S

NO

OTHER WAY

OUT.









Documents

Heavy Metal v17 06 January 1994