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Helen's Folio for Urban Treasure Hunt
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RMIT UNIVERSITYDesign Studio
Informal Urban Practices
Helen Dendrinoss3170948
INDEX:
PART ONE - Design1- Street Trading and Hawking_Clips From Film2- Footscray Market_Photos3- Hop Scotch_Bourke Street4- South Yarra_Fashion Parade5- Post Cards_Informal Market6- Honey Joys_Box Construction7- Making of_Honey Joys8- Statement_Reflections9/10- Title_Sureal, Absurd and The Silly11- Process of Design_Idea One12- Process of Design_Idea Two13- Process of Design_Idea Three and Four14- Design_Statement15/16- Informal_Group Mappings17/18- Developmental Process_Riddles and clues19- Riddles and clues_Cards20- Hannah and Martine_Testing the Urban Treasure Hunt21- Developmental Process_Riddles and clues22- Carin and Roy_Testing the Urban Treasure Hunt23/24- Development_Test New Locations25/26- Development_Pathways One, Two and Three27- Title_Page
28- Design_Statement29/30- Pathway One_Document At Each Stage31/32- Pathway Two and Three_Document At Each Stage33/34- Example_Of The Booklet Pathway One35/36- Martines Documentation_Informal Urban Practices Photographs-Booklet Tour37/38- Example_Of The Booklet Pathway Two and Three39/40- Lois’ Documentation_Informal Urban Practices Photographs-Audio Tour
PART TWO - Technology
41/42- Furniture Design_Techonolgy43/44- Informal Market_Honey Joys45/46- Post Cards_Development47/48- Final_Booklet and Audio Tour
PART ONE: DESIGN - STREET TRADInG AnD HAwkInG:
Street trading and hawking within Asia consits of both legal and illegal goods, items such as DVDs, clothing, bags, electrical can be found in department stores and these items are all le-gal, but most people travel to Asia to buy illegal and fake goods. Most of these goods might be fake but the quality is so good and it makes it really hard to tell if these items are real or fake. These street hawkers are hurting the depart-ment stores because they are selling more then the real goods. The government might say they are trying to control these hawkers but I don’t believe this is true because you can find fake items anywhere in Asia. The value in this is that both hawkers and tourist as well as the police are all getting something out of it. Other street traders within Asia are people that are selling foods from small stands that move around, al-lowing the tourist and locals to buy traditional food that may not be customary to us.
FOOTSCRAY MARkET:
On 31st of July, we visited our nominated unfamiliar territory of Footscray. we walked around reviewing and observing the informal urban practices of Footscray market, Footscray station and then drove around the streets of Footscray. we docu-mented by taking random photo’s of peo-ple in these environments.
This suburb felt like being in another coun-try and not in Australia. The smells, the site and the people around this area played a major role in this. But taking a closer look at the photographs that we took, shows that it is a typical city in Australia as they go about their day to day living such as waiting to cross to road whilst doing some shopping, getting around or going home by public transport and parents taking their children to the local park to play at the swings.
1
2
3
4
6
7 8
5
The intervention action was to get the public involved in our game of hop scotch. we set the game up in Bourke Street on Saturday 7th of August. The weather was perfect for the general public to go shopping in the most popular street of Melbourne.
The types of people who wanted to join in this game were mostly tourist, who didn’t know how to play but were willing to learn and have fun. Overall everyone enjoyed themselves, allowing us to meet new people and keep this day as a happy memory. It was a pleasure to see people enjoying themselves in a simple game of hop scotch.
HOP SCOTCH:
SOUTH yARRA FASHION PARADe:The direction that we were going in was to generate conversation tactics by asking the public various questions which are directed towards fashion as South yarra is known as the fashion street. We put together three boards all showing celebraties in fabulous and glamorous outfits.
The first was “Who got it right?” there were four pairs wearing same or similar outfits. The choice was from Gwyneth or Amanda, Miley or Jessica, Jessica Marais or Jennifer Hawkins and Sofia or Julianne Moore. The winner was Jessica Marais and Sofia Vergara with three points each then followed by one point each for Amanda, Miley and Gwyneth and no points to Julianne Moore and Jennifer Hawkins. This was very entertaining to hear why each wore it better and who got it wrong.Another conversation tactic was to spot five differences within an image everyone seemed to find them all easily.The last board was showing five celebraties, dressed in different outfits and they had to choose who looked the nicest. The two popular ones were kim kardashian and katy Perry. They all seemed to based their answers with who looked sexier, stylish and also personal-ity. when looking back we achieved what we set out do and made the day fun and enjoyable.
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
INVADING
COMMUNICATION
KNOWLEDGE
SOCIAL NETWORKS / CONNECTIONS
CREATING A MOOD
INTERACTING
CONFRONTING
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
C o M m U n I c A t I o N
I n V a D i N g C o N f R o N t I n GI n V a D i N g
C r E a T i N g A m O o D bY i N f L u E n C i N g O t H e R s
T h E k N o W l E d G E y O u G i V E o T h E r S
I n T e R a C t I n G w I t H o T h E r S
C o N f R o N t I n G s I t U a T i O n S
C r E a T i N g A m O o D
C r E a T i N g A s O c I a L I n T e R a C t I o N
N e T w O r K s / C o N n E c T i O n S w I t H o T h E r S ..........
s O c I a L
c O n N e C t I o N s
k N o W l E d G e
I n T e R a C t I n G
s O c I a L
s O c I a L
s O c I a L
N e T w O r K s
K n O w L e D g E
I n T e R a C t I n G
c O n F r O n T i N g
c O n F r O n T i N g
K n O w L e D g E
i N t E r A c T i N g
s O c I a L
C r E a T i N g A m O o D
I n V a D i N g
I n V a D i N g
C o M m U n I c A t I o N w I t H o T h E r S
I n V a D i N g P e R s O n A l S p A c E
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
PUBLIC GAMES
PUBLIC GAMES
INFORMAL vs FORMAL
INFORMAL vs FORMAL
EXPERIENCE
HUMAN KINDNESS THOUGHT
JOKES AND PRANKS
JOKES AND PRANKS
MASS MEDIA
OPINIONS
I n F o R m A l
f O r M a Lv.S
I n F o R m A l v.s f O m A l
infotrmal v.s formal
public games O p I n I o N sP u B l I C g A m E s
c R e A t I n G a N e X p E r I e N c E
c A p I t A L i S m = M a S s M e D i A
C o N f R o N t I n G s I t U a T i O n S
J o K e S j O k E s
j O k E s
p R a N k S
p R a N k S
P r A n K s
C r E a T i N g H u M a N k I n D n E s S
s T i M u L a T i N g T h O u G h T ...
human kindness
T h o u g h t
T h o u g h t
T h o u g h t
e X p E r I e N c E
M a S s M e D i A
k I n D n E s S
h U m A n
H u M a N
t H o U g H t
E x P e R i E n C e
E x P e R i E n C e
m A s S m E d I a
m A s S m E d I a
o P i N i O n S
OpInIoNs OpInIoNs
experience
experience
MaSs MeDia
K i N d N e S s
t h o u g h t
t h o u g h t
public games
p U b L i C g A m E s
p U b L i C g A m E s
IDEAS
INVESTIGATING IDEAS
SPACES CREATED
PEOPLE INFLUENCING
MOVABLE INVESTIGATING
INVESTIGATING IDEAS
S p A c E s
c R e A t E d
S p A c E s C r E a T e D
spaces created......
creating ideasIDEAS
ADJUSTED SPACES
objects
movable
MOVABLE OJECTS i N v E s T i G a T i N g
i N v E s T i G a T i N g
investigating
investigating
m O v a b L e
i D e A s
ideasC r E a T i N g I d E a S
IDEAS
INVESTIGATING IDEAS
SPACES CREATED
PEOPLE INFLUENCING
MOVABLE INVESTIGATING
INVESTIGATING IDEAS
S p A c E s
c R e A t E d
S p A c E s C r E a T e D
spaces created......
creating ideasIDEAS
ADJUSTED SPACES
objects
movable
MOVABLE OJECTS i N v E s T i G a T i N g
i N v E s T i G a T i N g
investigating
investigating
m O v a b L e
i D e A s
ideasC r E a T i N g I d E a S
IDEAS
INVESTIGATING IDEAS
SPACES CREATED
PEOPLE INFLUENCING
MOVABLE INVESTIGATING
INVESTIGATING IDEAS
S p A c E s
c R e A t E d
S p A c E s C r E a T e D
spaces created......
creating ideasIDEAS
ADJUSTED SPACES
objects
movable
MOVABLE OJECTS i N v E s T i G a T i N g
i N v E s T i G a T i N g
investigating
investigating
m O v a b L e
i D e A s
ideasC r E a T i N g I d E a S
IDEAS
INVESTIGATING IDEAS
SPACES CREATED
PEOPLE INFLUENCING
MOVABLE INVESTIGATING
INVESTIGATING IDEAS
S p A c E s
c R e A t E d
S p A c E s C r E a T e D
spaces created......
creating ideasIDEAS
ADJUSTED SPACES
objects
movable
MOVABLE OJECTS i N v E s T i G a T i N g
i N v E s T i G a T i N g
investigating
investigating
m O v a b L e
i D e A s
ideasC r E a T i N g I d E a S
POST CARDS FOR InFORMAl MARkET:
Sketches of honey joys containers for informal
urban market trading
Outline of the container which will hold the honey joys and the post
cards
THe PROCeSS OF CONSRUCTION OF HONey JOyS BOx:
Opening the packet of corn flakes
Place the corn flakes into a bowl
Heating up the honey on the stove
line up the cups for the honey joys
Filling the cups with corn flakes
Packaging all the honey joys into a container
Mix honey and the corn flakes together and then place in the cup
THE PROCESS OF MAkInG HOnEY JOYS:
Throughout the first half of the semester we were given verious tasks that explores different Informal Urban Practices within different locations and
situations.
The first project was looking at street trading and hawking within Asia. The second project was working in pairs, so Ivan and I went to Footscray to report and document the Informal Urban Practices within the market setting, the train
station and the local park. The third project was to play hop scotch in Bourke Street, we wanted the public to come and join us and have a bit of fun. The fourth
project was going down to South yarra in a group, asking questions and documenting peoples answers and responses.
with all these mini projects this gave me an understanding of what an Informal Urban Practice is, which then lead to the informal trading market which
we traded our post cards with members from the class and also exchanged gifts to go along, I made honey joys.
From that we formed groups, Raluh and I are worked together we both want to
explore the idea of surreal, absurd and the silly.
the surreal,absurd and the silly....
the surreal,absurd and the silly....
Urban Treasure Hunt
Over the next 3 pages are some ideas of what the major project may consist of, from a urban treasure hunt, swap shop,installations that provoke thought or graffiti vs. art. For all these ideas I’ve selected some images to help me decide which direction we are wanting to go in.
Idea no. 1 - Urban Treasure hunt is creating an urban game within the CBD.
THE PROCESS OF SElECTInG THE DESIGn APPOARCH:
Swap Shop
Idea no. 2 - Swap Shop looking at creating a portable instullation were people can
swap something of there own for something new.
Graffiti vs. Art
Installations that provoke thought Idea no. 3 - Installation provoking thought we will get people to question the ideas
whcih we are wanting them to think about.
Idea no. 4 - Graffiti vs Art we look at whats art and whats vanderlism.
The direction that we are wanting to experience is the surreal, absurd and the silly, investigating the informal urban practice within these elements will give us a better
understanding of how to appoarch this project.
We have looked into the above fctors such as testing and looking at installations that provoke thought, graffiti vs. art, swap shop and an Urban Treasure Hunt.
We are liking the idea of having an Urban Treasure Hunt within the city, we will experiement on riddles, clues and destination maps, all these areas will express the final
outcome for the project.
The projects will be conducted within the city centre, as we will experience all types of people that will be beneficial to our final results.
GROUP MAPPING:
Location One -know as a world class cultural and entertainment destination, home of SBS and ACMI
Location Two -A shopping district, off La Trobe street
Location Three - The most famous open air market in Victoria
Location Four -A gateway to a ethnic oriental culture
Location Five -Awesome inspiring view of Melbourne from the Southern Hemispheres highest viewing platform
Location Six -Home to over 10,000 aquatic creatures open for public display
DEVElOPMEnTAl PROCESSES: RIDDLeS AND CLUeS
Location Seven -A place where you can gamble your troubles away
Location Eight -Where transportation, V line and DFO all come together
Location Nine -The Queen of all theatre’s, where Mary Poppins is playing
Location Eleven -Home of the master pieces, off St. Kilda Rd
Location Ten -what building holds the most stories
Location Twelve -Victoria’s memorial to the men and women who served in the two world wars
Here is a selection of riddles and cropped images which provide clues of the mystry
location we are wnating you yo find.
MelbourneCentral
State Library
China Town
2
4
15 16
MelbourneCentral
State Library
China Town
2
4
15 16
MelbourneCentral
State Library
China Town
2
4
15 16
The Shrine
Eureka Skydeck
Crown Complex
5
7
21
MelbourneAquarium
Flinders StreetStation
Southern CrossStation
6
109
8
51 43 72 8
10
6
13 1412
15 17 2116 18 2019
119
MelbourneAquarium
Flinders StreetStation
Southern CrossStation
6
109
8
51 43 72 8
10
6
13 1412
15 17 2116 18 2019
119
The Shrine
Eureka Skydeck
Crown Complex
5
7
21
MelbourneAquarium
Flinders StreetStation
Southern CrossStation
6
109
8
51 43 72 8
10
6
13 1412
15 17 2116 18 2019
119
DEVElOPMEnTAl PROCESSES: RIDDLeS AND CLUeS
With the card they find at the location it will be a word stating the location. On the card will also have a circle around a letter this will be placed on the map which will
then complete the final destination.
TeSTING PROCeSS OF THe URBAN TReASURe HUNT -HAnnAH AtnD MARTInE:
State Library
Corrs Lane
China Town
7
8
5 3
State Library
Corrs Lane
China Town
7
8
5 3
State Library
Corrs Lane
China Town
7
8
5 3
DEVElOPMEnTAl PROCESSES: RIDDLeS AND CLUeS
Refining the riddles and clues, making the locations shorter and easier to move
around.
TeSTING PROCeSS OF THe URBAN TReASURe HUNT -CARIn AnD ROY:
Second last test with the cards and the new locations. Letting Carin and Roy follow the instructions to find the final destination by filling
in the gap from the circled letters. This test went well but we believed we need to make the treasure hunt more informal.
DEVElOPMEnTAl PROCESSES: FInAl DESTInATIOnS
This is the final test, we are looking into creating an informal uran treasure hunt by adjusting the instructions which become more flexible to the people playing the game this allows them to change their course at any time.
For this test we will have two ways to complete this game, one is an audio instructions and the other is in a booklet form.
URBAN TReASURe HUNT FINAL
DESIGN STATEMENT
The Urban Treasure Hunt final presentation documents the practices taken place within the CBD.
This is an urban game that guides the users along a path to experience the various informal urban practices and locations along the way.
The users pick up different treasures at each location i.e. the treasure is the experience. This game took place along 3 pathways, which were predeter-mined by us.
each pathway takes the users on a journey to different locations with the help of instructions by either a booklet or audio tour, whichever they may
wish to choose to complete the Urban Treasure Hunt.
Feds Square
- Free food tasting stalls
- People gathering and sit-ting on the steps
- School kids playing
Flinders Street Station
– A busker singing and playing the piano
- People checking the times for their train and walking to their platforms
- Street artist
Bourke Street
– Street Traders
- People waiting for public transport - People shopping
- People smoking
- People sitting on the grass, taking in the sun and having some lunch
- People skate boarding
- People reading on the grass
- People waiting to cross the road
- People skate boarding
Cross the road and walk over to the State library:
Walk three intersections down the street:
Catch a tram from Bourke Street and get off at the second stop:
when you arrive at the stop decide to go left (to Flinders Street Station) or right (to Feds Square):
- People smoking
- People drinking coffee
Between locations:
At locations:
- People waiting and wondering around
- People sitting on the steps
- People crossing the road
- People wondering around
- People sitting on the steps
State Library PATHWAY ONE:
South Gate Yarra River Docklands
- People walking
- People gathering and sitting on public benches
- People showing affection to their loved ones
- People walking along the bay
- People relaxing and having something to eat
- People reading under the tree’s
- Children playing
- People relaxing and having something to eat
- People reading
- People walking along the bay
Make your way down to the path-way under the bridge. Head towords the bridge with the arch on your right, cross over it:
After viewing, walk along the the bay, in the opposite direction you came in, try and participate in the informal performances and activities along the bay:
keep walking, cross over the pedestrian bridge and catch tram no. 35 from stop no. 2 heading away from the city.Get off after four stops and explore the habour. when finished head back to the State Library:
- People running
- People riding bike
- Sailing boats
- People walking and taking in the views
- People riding bikes
- People walking and taking in the views
- People reading
Flagstaff Station
- People waiting
- People sitting on benches
- People smoking
The Gardens
– People reading in the park
- People walking through the park - People taking in the views
- A group of people doing Ti Chi
- People showing affection to their loved ones
- People eating
- People reading newspapers
- People crossing the road (Jay Walkers)
- People riding bikes
Catch a tram at stop no. 6 in the direction of elizebath Street. Stay on and get off on the 3rd stop:
when you arrive, cross over and walk towards the gardens. Take some time and explore the space and relax on the grass:
Go to the underpass and go down to the station. Head towards platforms 1 or 3. Get off at the second stop and head up to Nicholason Street:
- People smoking
- People waiting to cross the road
Between locations:
At locations:
- People walking
- People sitting on benches
- People waiting to cross the road
La Trobe Street PATHWAY TWO:
State LibrarySt Patricks Cathedral
- People sitting on the bench and reading
- People gathering and praying inside
- People walking around the waterfall
- People eating their lunch
- People gathering and sitting on the grass and the steps
- People relaxing on the grass
- People reading their books
Vic Market
– People walking and exploring the market
- People eating - People taking in the sights and sounds
- People waiting for the tram
- People eating and drinking coffee
- People reading newspapers and books
- People crossing the road (J- Walking)
- People riding bikes
- People running for ex-ercise
Starts from Bourke street, walk down the street, 1 block dwon from the right hand side.Catch any tram from Stop no. 3:
Get off at the fourth stop, head to-wards the market. Explore / document and take part in the informal urban practices you encounter. When finished head back the way you came and finish at the State library:
Once you reach the street, head to the nearby church, reflect and pay your respect to the lord. Explore the grounds and head to the long waterfall:
After the church, head to the main street and catch a tram from stop no. 10 and get off at the third stop. Head to the finish line at the State library:
- People smoking
- People waiting to cross the road
- People running for the tram
- Food bus for youth homeless people
- People wondering around
- People walking through the park
- People running for the tram
- People riding their bikes and running along the church gardens
Bourke Street PATHWAY THREE:
Martine chose to go down Pathway One with the help of the booklet tour. where she was given a camera to document and explored the informal urban practices she comes to within the urban treasure hunt. Along the way she came across many informal urban practices, but the one that she was interested in the the Pink Ribbon Day stand at Federation Square.Where she had a conversation about this foundation and purchased a wrist band. She joined the mailing list to get more information about the foundation.
MARTINe’S IDeA OF INFORMAL URBAN PRACTICeS:
Location A Location A-C Location C-e
Location e-G Location G-I
Location I-K
DOCUMeNTATION PROCeSSeS:
Location K-LBetween locations I-K and K-L
Between locations G-I and I-K
Martine participated in an informal urban practices, where she bought a Pink Ribbon wrist band and asked questions about the foundation.
lois chose to go down Pathway Two with the help of the audio tour. where she explored the informal urban practices within the treasure hunt. where she was given a camera to document and explored the informal urban practices the urban treasure hunt. Along the way she came across three informal urban practices, the first one is at the Flagstuff Gardens where she took in the the informal practice of Ti Chi. The second was a youth homeless food bus where she offered to help serve food for the homeless and the final informal practice was lighting a candle and making a preyer at St. Patricks Cathedral.
DOCUMeNTATION PROCeSSeS:LOIS’ IDeA OF INFORMAL URBAN PRACTICeS:
Before location B
Location B-D
Location F-H Location H-J
Location D-F Between locations D-F and F-H
Location J-LBetween locations H-J and J-L
Location B Between locations B and B-D
PART TWO: TechnologyInspiration:
Modular piece of furniture is made from card. This design takes on the human body as the curves on the lounge chair takes the form of the contours on the body. when the Rhino drawing was completed we then took the material to the laser cutter, so it will cut it down so then we can construct it by following the number and then glueing it together.
Constructed and created by Janine, Ivan and Helen
Opening the packet of corn flakes
Place the corn flakes into a bowl
Heating up the honey on the stove
line up the cups for the honey joys
Filling the cups with corn flakes
Mix honey and the corn flakes together and then place in the cup
Here is a Rhino drawing of the box as a flat pack, which then needs to be cut by the laser cutter and then constructed into the box whcih will hold the honey joys and the post cards.
Here are some box shapes and a
box holder for the honey joys.
InFORMAl_Trading Market
Sketches
Rhino Drawing of Honey Joy Box
I traded my honey joys and post cards with other members of the class, collecting a range of post cards and other goods such as
chocolat, biscuits and lollies.
Here is a selection of cards which have
different riddles. All these cards where done at
different stages of the design process. All using different
forms and methods which will help them complet the
journey. The cards where easy to print on with the home printer and then I cut them down to size
and placed them in an envolpe.
These are the final design of the cards before we changed the outline of the
treasure hunt from cards to a booklet form or audio tour.
These cards are double sided one with a riddle and the other side with a clue which has a circled letter which would will help
solve the final destination.
The technology part of the urban treasure hunt as a booklet form looks at the various pathways which
are created. The treasure is the experiences collected along the way.
This booklet is A5 portrait format which splits the information into two parts on the page, one being
pathway one which begins at A location and he other is pathway two which begins with B location.
The audio verious has the same information as the booklet but is recorded as an MP3 and placed on an
Ipod.