On View magazine provides easy, on-line access to world-class fine art exhibitions

taking place throughout the state of Florida.

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A D S P E C I F I C A T I O N S • O R D E R F O R M • C O N T R A C T

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Each issue of On View delivers entertaining & informative feature stories. Topics include —special exhibitions and

retrospectives, Q&As, museum events, and a variety of general interest pieces. On View’s destination section highlights

special travel destinations for planning art-filled getaways!

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MASTER/Plan:VISIONARY ARCHITECTS AND T H E I R U T O P I A N WO R L D S

On view through 12 . 23

CORNELL FINE ARTS MUSEUM

at Rollins College, Winter Park

c f a m . r o l l i n s . e d u

O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0 77ADRIAN SMITH + GORDON GILL ARCHITECTURE, CRYSTAL CENTER, MODEL : ALUMINUM,

© ADRIAN SMITH + GORDON GILL ARCHITECTURE

NICK CAVE:Meet Me at the Center of the Earth

10.09.10–01.09.1150 O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0

On view at the

in West Palm Beach

Norton Museum of Art

50 O n V i e w M a g a z i n e . c O M • A u g u s t / s e p t e m b e r 2 0 1 0

In ter v iew

LEO VILLAREAL:

RECENT WORKS, on view

through January 3rd

at the new TAMPA MUSEUM

OF ART, features a

dazzling display of LIGHT,

COLOR & MOTION.

In a recent interview,

with ON VIEW, the artist

discussed the

PROCESS & INSPIRATION

behind his work.

Left: Leo Villareal, courtesy of the artist; Above: Solaris, 2005/2010, light emitting diodes, microcontroller, custom software, Plexiglass and wood, edition 2 of 3. Image courtesy of the artist and Conner Contemporary Art

LEO

VILLAREAL

THE POWER OF WASHINGTON D C WILL SEDUCE YOU. It was created with a single goal in mind—to showcase the greatness of our nation. With its impressive monuments and museums, its stately government buildings and mansions, DC is easily recognizable as the United States’ capital city. And within this 61-square-mile city, you’ll find staggering achievements in everything from architecture and art, litera-ture, history, and political prowess.

Our tour of the city’s finest art museums includes: Art Mu-seum of the Americas; Corcoran Gallery of Art; Hillwood Es-tate, Museum & Gardens; National Gallery of Art; National Museum of Women in the Arts; the Smithsonian museums: American Art Museum and the Renwick Gallery, Freer Gal-lery of Art and Arthur M. Sackler Gallery, Hirshhorn Muse-um and Sculpture Garden, National Museum of African Art, and Na-tional Portrait Gallery; The Kreeger Museum; and The Phillips Collec-tion. On View

Washington D CThe museums . . .

VonD E S T I N A T I O N

iew

O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0 97

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On View’s “Calendar” and “Gallery” sections provide detailed listings of current museum exhibitions

and highlights from select gallery artists throughout the state of Florida. Front and back of book departments

showcase exhibits, artist profiles, and more.

www.onviewmagazine.com

B o c a R a t o n c o n t i n u e d . . .

of the 18th, 19th and 20th centuries include works by Giovanni Battista Piranesi, Francisco de Goya and Pablo Picasso, each of whom is celebrated for his pioneering experi-ments in graphic art.

10.12-01.09.2011

Valerio AdamiBoca Raton Museum of Artwww.bocamuseum.org

Valerio Adami first

came to international prominence in the 1960s with Nouvelle Figuration, the French intellectual version of Pop Art. This ex-hibition includes 23 paintings representing

more than 4 decades of work. Adami’s famous Pop Art colors and flat forms with thick black contours evoke the ap-pearance of cartoons, yet his imagery plays a fundamental role in conveying social, philosophical and liter-ary references.

CORAL GABLES

Thru 01.2011

Frank Paulin: An American DocumentarianLowe Art Museum, University of Miami

www.lowemuseum.org A gift of 30 photo-graphs by American photographer, Frank Paulin, has been made to the Lowe and are currently on display. Paulin is recognized

for uniquely docu-menting fleeting hu-man moments of both humor and poetry, particularly against the backdrop of gritty urban scenes.

Thru 10.31

The Jaguar’s Spots: Ancient Mesoamerican Art from the Lowe Art MuseumLowe Art Museum, University of

Miamiwww.lowemuseum.org This comprehensive exhibition includes a selection of 175 objects, from the Museum’s perma-

nent collection, that explore the complex relationship between art and the natural world. Pieces from the Olmec, Maya, and Aztec areas, spanning

a period of over 2,000 years, are on view.

DAYTONA

BEACH

Thru 11.14

Spruce Creek and the St. Johns River: Silverprint Photography of Lee DunkelMuseum of Arts & Scienceswww.moas.org

14 O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0

C A L E N D A R { P g. 2 o f 2 7 }

10-11.2010

BOCA RATON

10.12-05.01.2011

Latin American Art from the Museum’s CollectionBoca Raton Museum of Art

www.bocamuseum.org

This sampling of Latin American art, from the Museum’s col-lections, features 20 works by many of

the most important 20th century Latin American artists, in- cluding: Enrique Castro-Cid, Carlos Cruz-Díez, Julio Larraz, Rufino Tamayo and Francisco Zúñiga.

10.12-01.09.2011

Robert Cottingham: Twenty Ways to See a StarBoca Raton Museum of Art

www.bocamuseum.org

This show debuts a series of 20 eye- popping paintings by acclaimed pho-torealist painter and printmaker, Robert

Cottingham, who established himself, in the early 1970s, as one of the first generation photoreal-ists alongside such renowned artists as Richard Estes and Chuck Close. Ab-straction and realism are skillfully wed in Cottingham’s shim-mering paintings depicting the vanish-ing objects and icons of American culture. (See story on pg. 70.)

10.12-01.09.2011

Romanticism to Modernism: Graphic Masterpieces from Piranesi to PicassoBoca Raton Museum of Art

www.bocamuseum.org

Fine prints have been admired for their great artistic diversity and technical virtuos-ity since their origin in the 15th century. Examples by masters

CALENDARC u r r e n t E x h i b i t i o n s • C O M P I L E D B Y O N V I E W

12 O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0

1. Julio Larraz, Luna, 1999, oil on canvas, 55 x 73”, Museum Permanent Collection, gift of the artist 2. Robert Cottingham, Southern Star, 2009, silkscreen on canvas, 79 x 79”, courtesy of the American Image Atelier 3. Pablo Picasso, Faune dévoilant une dormeuse (Jupiter et Antiope, d’après Rembrandt), [Faun Revealing a Sleeping Woman (Jupiter and Antiope, after Rembrandt)], 1936, etching with aquatint on paper, 12-3/8 x 16-3/8”, Boca Raton Museum of Art Permanent Collection, bequest of Isadore and Kelly Friedman

1. Valerio Adami, Finlandia, ca. 1987, acrylic on canvas, 79 x 105”, courtesy of Fondo Adami, Fondazione Europea del Disegno 2. Frank Paulin, Flower Messenger, Times Square, 1955 (printed later), gelatin silver print, 13 x 19-3/8”, gift of Bruce Silverstein, ©Frank Paulin; courtesy Bruce Silverstein Gallery 3. Olmec (Gulf Coast, Mexico), Mask, ca. 1500-400 BCE, green jade, 4-7/8 x 4-3/8 x 3”, gift of Mr. and Mrs. Barry Fitzmorris

46 O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0

PALM BEACH

Gallery:Gavlak Gallerywww.gavlakgallery.com

Artist:MARILYN MINTERMARILYN STUDIES the pathology of glamour in her photos and photo-realistic enamel-on- metal paintings that shimmer like nail polish. Her works are sensual and infused with rich colors and textures. Marilyn has been featured in numerous exhibitions, including the 2006 Whitney Biennial.

M I A M I Gallery: Spinello Gallerywww.spinellogallery.com

Artist: Pachi GiustinianARGENTINE-NATIVE Pachi Giustinian seeks the splendor and allure contained in the dynamic composition of light. Colors are of particular inter-est to her as they relate to sensations, feelings, sound, and time. Giustinian abstracts mundane objects from their everyday use, transforming them to highlight their visual characteristics and challenge the structure of our sub-jective color experience.

G a l l e r y A r t i s t s

O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0 47

G A L L E R Y { P g. 2 o f 4 }

galleryJ A C K S O N V I L L E

Gallery: J. Johnson Gallerywww.jjohnsongallery.com

Artist: Carlos Betancourt

CARLOS CREATES complex collages painstakingly assem-bled from innumerable indi-vidual images extracted from hundreds of the artist’s photos. Flowers, works of art, shells, jew-els, figurines, and people dear to Betancourt explode in sunbursts of vibrant color.

M I A M I Gallery: Carol Jazzar Contemporary Artwww.cjazzart.com

Artist: Jen StarkJEN’S VIBRANT oeuvre pulsates with an intricate, mingling of colors and lat-

tice of geometrical shapes, pushing the envelope of the artist’s own expectations and exploding the ocular sense.

B O C A R A T O N

Gallery:Rosenbaum Contemporarywww.rosenbaumcontemporary.com

Artist:THIERRY FEUZ WELCOME to the “psychotropical” universe of Thierry Feuz. His imagery depicts extraordinary explorations of the genesis, life and gradual decay of natural and abstract flowers and other organic forms.

From left: Thierry Feuz, Silent Ways II (detail), 2007, lacquer and acrylic on canvas, 47 x 39”, courtesy of the artist and Rosenbaum Contemporary; Pachi Giustinian, courtesy of the artist and Spinello Gallery

Clockwise from top left: Jen Stark, Over and Out (detail), archival colored paper, 19 x 19”, courtesy of the artist and Carol Jazzar Contemporary Art; Marilyn Minter, Blue Shower, 2006, C-print, 50 x 36”, edition of 5, courtesy of the artist and Gavlak Gallery; Carlos Betancourt, Re-Collections VII (summer-colors) port hole, 2009, print on canvas, courtesy of the artist and J. Johnson Gallery

tools. Lacking the funding for materials, he utilizes what’s

free—trash. And his experimentation with unconventional mate-

rials and methods is what first attracted the attention of artist

Lois Simon, who met Luckin while volunteering for Hart Felt

ministries, a Jacksonville organiza-

tion that reaches out to people with

special needs, like Malcolm. Lois

encouraged the artist and helped

organize and curate an exhibition

of his work at The Cultural Center

at Ponte Vedra Beach, where Luck-

in’s current collection is on dis-

play through November 6th. “The

show,” says Simon, “is not really

about selling. It’s to show what you

can do and giving other people hope.”

Through his art, he continues to battle the depression,

loneliness and insomnia that have resulted from the disease.

“Drastic changes in my circumstances will not prevent me

from continuing with my creative expression,” Lukin said.

“Before Parkinson’s disease totally robs me, I refuse to waste

a moment ... I’m hoping others may realize that they, too, can

create beyond fear and limitations.” On View

O n V i e w M a g a z i n e . c O M • O c t O b e r / N O v e m b e r 2 0 1 0 11

SIXTY-TWO YEAR OLD

Jacksonville Beach artist, Malcolm Luckin, has a passion for art

and for life. He’s spent decades capturing still images and film-

ing documentaries. He’s travelled the world and photographed

the starving and homeless in Haiti, the Philippines and India.

But in 2004, Luckin was diagnosed with Parkinson’s disease

and the affliction now keeps him from holding a camera steady

or maintaining focus with his eyes.

The disease has pushed Luckin to reinvent his medium and

SHope A N I N S P I R A T I O N A L S T O R Y

MUSE

MUSE

...I’m hoping others may realize that they, too, can create beyond fear and limitations.“ ”

PICTURED:

malcolm

luckin,

self portrait,

courtesy

of the artist

EXHIBITION:

through

11.06.2010,

THE CULTURAL

CENTER,

Ponte Vedra

Beach

www.ccpvb.org

THE DOMINANT MEANING of nudity in our society is so strongly sexual that it can be hard to remember that the nude has historically meant many different things. Ellen Har-vey’s Nudist Museum uses the Bass Museum’s collec-tion to reveal a wide variety of different historical para-digms of nudity. By copying every nude in the collection, including paintings, drawings and sculptures, from the Mid-dles Ages to the present, Ellen showcases nudes that represent purity, titillation, truth, come-dy, beauty, love and ugliness, as well as simple representa-tions of the human body.

The nudes were copied from the museum’s documentation rather than from the originals, with the result that the level of detail in each painting strong-ly reflects the resolution of the source documentation. The im-ages are also cropped to ac-centuate the nudes and Ellen chose to paint everything, other than the human body, in mono-chrome. The ornate second-hand frames have been painted

so that the paintings appear to be spilling out of the canvas, alert-ing the viewer to the fact that the apparently conventional salon-style installation of old paint-ings is not what it seems. Sim-ilarly, upon closer inspection, the wallpaper behind the paint-ings can be seen to contain small examples of nudity found in to-day’s mass media, creating a humorous contrast between the world-views of the paintings and that of the world in which we live.

Born in 1967 in Kent, England, El-len Harvey’s ear-ly years were spent in Marnhull, a ru-ral Dorset village in England. Her fami-ly later emigrated to Milwaukee, Wisconsin, in 1981. She went on to graduate from Harvard College and Yale Law School and practiced law brief-ly before enrolling in the Whit-ney Museum’s celebrated Inde-pendent Study Program and the P.S.1 Contemporary Art Cen-

ter’s National Studio Program. Ellen’s work often deals with

issues of cliché and failure in art making and life, examining and revealing the problematic hu-man desire for the extraordinary. Her clever and playful paintings, videos and installations are both philosophical and witty, and her curiosity about art’s functions

is contagious. She first gained atten-tion in 2001 with New York Beauti-fication Project for which she painted traditional oval oil landscapes over graffiti sites in New York City, without permission. A book of her experienc-es working on the project was pub-lished in 2005.

Ellen’s work is exhibited widely in the US and interna-tionally. Prominent shows in-clude a solo exhibition at the Whitney Museum of American Art at Philip Morris in 2003 and inclusion in the Whitney Bien-nial in 2008. On View

88 O n V i e w • O c t O b e r / N O v e m b e r 2 0 1 0

SPOTLIGHT

ABOVE & OPPOSITE PAGE:

The Nudist Museum (details),

2010, 54 paintings

in oil, second-hand frames,

tape, collaged wallpaper;

Photograph: Jan Baracz

LEFT: Ellen Harvey,

Photograph: Brooke Williams

images courtesy

of the artist

{ E L L E N H A R V E Y }

S P O T L I G H T

E x h i b i t i o n

Ellen Harvey: The Nudist Museum

On view October 10th - November 7th at the Bass Museum of Art, Miami Beach

www.bassmuseum.org

Ellen’s NUDES REVEAL a wide variety of different

HISTORICAL PARADIGMS

of nudity.

R E A D E R S H I P

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