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How Scribus saved an opera performance

How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —

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Page 1: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —

How Scribus savedan opera performance

Page 2: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —

Scenario:

• Opera houses often use restages to save costs.

• Musical sheet aren’t used as printed but need additionalannotations.

• Musical sheet of living composers must be rented,not bought.

• Annotated sheet will be stored for re-use at thepublisher, not the opera house.

• The publisher destroyed the annotated sheet byaccident.

• The opera house only had bad photocopies for archivalpurposes.

Page 3: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —
Page 4: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —

PANIC

Page 5: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —

Scribus to the rescue

Page 6: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —
Page 7: How Scribus saved an opera performance - Libre Graphics Meeting · 2014. 11. 11. · Zweiter Aurzug. Corno i arbei 21 -20 e 19 -la -17 IG -It o 12 11 nsicht Extra Scribus 1. 3 —