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&# # 44 .. Œ
œ œ œI get no
Em7
˙ ˙ ˙3
kick from cham
A 7w
pagne.
DMaj7wF#m7 B 7(b9)
-
&# #
5
Œœ œ œ
Mere al co
Em7
˙ ˙ ˙3
hol does n't
A 7˙ ˙ ˙
3
thrill me at
DMaj7.˙ œ
all, so
F#m7 B 7(b9)
- - -
&# #
9
˙ ˙ ˙3
tell me why
Em7
˙ ˙ ˙3
should it be
A 7wtrue
F#m7( b5)˙ Œ
œthat
B 7(b9)
&# #
13˙
jœ .œ
I get a
Em7Œ .œ j
œ œ œkick out of you.
A 7 N.C.
w
D6∑
F#m7 B 7(b9)
&# #
17
Œœ œ œ
Some get a
Em7
˙ ˙ ˙3
kick from co
A 7w
caine.
DMaj7wF#m7 B 7(b9)
-
&# #
21
Œœ œ œ
I'm sure that
Em7
˙ ˙ ˙3
if I took
A 7˙ ˙ ˙#
3
ev en one
DMaj7˙ ˙ ˙#
3
sniff that would
F#m7 B 7(b9)
-
&# #
25
˙ ˙ ˙#3
bore me ter
Em7˙ ˙# ˙n
3
rif ic 'ly
A 7wtoo.
F#7( b5)˙ Œ
œYet
B 7(b9)
- - -
&# #
29˙
jœ .œ
I get a
Em7Œ .œ j
œ œ œkick out of you.
A 7 N.C.
w
D6∑
I Get A Kick Out Of You Cole Porter(c) 1934
recorded by Sinatra in 1953 & 1962
q = 178
&# #
33
Œœ œ œI get a
Am7˙ ˙ ˙
3
kick ev 'ry
D 7.˙n œ
time I
Am7.˙n œ
see you
D 7
-
&# #
37
.˙ œ
stand ing
F#m7( b5).˙ œ
there be
w
fore
B 7(b9)w
me.- - - -
&# #
41
Œœ œ œ#I get a
Em6
˙ ˙ ˙3
kick tho' it's
.˙ œclear to
F#m7( b5)˙ Œ œ
me you
B 7(b9)
&# #
45
.˙ œob vious
E 7
œ ˙ œly don't a
wdore
Em7
wme.
A 7
- - - - -
&# #
49
Œ œ œ œ
I get no
Em7˙ ˙ ˙
3
kick in a
A 7
wplane.
DMaj7wF#m7 B 7(b9)
&# #
53
Œœ œ œ
Fly ing too
Em7
˙ ˙ ˙3
high with some
A 7˙ ˙ ˙
3
gal in the
DMaj7˙ ˙ ˙3
sky is my
Bm7
-
&# #
57
˙ ˙ ˙3
i dea of
Em7˙ ˙ ˙
3
noth ing to
A 7
wdo.
F#7( b5)˙ Œ
œYet
B 7(b9)
- -
&# #
61˙
jœ .œ
I get a
Em7 F#m7Œ .œ j
œ œ œkick out of you.
A 7 N.C.B 7
w
D6
¶Fine®
∑F#m7 B 7(b9)
2 I Get A Kick Out Of You
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