4 . * . * . I

I

OPERATIC ANTHOLOGY i

SERIES FIVE I

GOYESCAS. s. (1916) E. Grannda PAGtlADC1. (Cod'@ R. h n c a m l l o ... La Mala y el Rulsesor. The Msja and the -)Rotaus: 91 pub? Baritone @nglirh lcxl .................... Nlghtbgale. Tenor. .50 A. & St rolal, B d f o ~ e [Engl~llrh lcrl by 9. c~pprarmffl~.~. -. .............. i I

.......... Serenade: 0 Columbina. Tenor. i HERMES. 1. (1906)

Invoe~zlone a Venere. Invocation toVenus. .......... ... .............. High. .. ..s ,. .60 B. Smetann HUBICKA. g. (1876)

Bohemian Cmdle-Song. Vendnlka's Cradle- Song. Hlgh or Medium.. .............. 3

PREQOSA. g. L (1821) C. M. v. Weber JEAN DE VIVELLE. f. (1880) L. Dellbe# Elnuam bin ich, &ht.nneine. M~ZZO-SO- . . Tant que le four dure. Memo-Soprano.. .50 prmno .................................. .30

THE JEW&LS OF THE MADONNA. I. (1911) PRINCE IGOR. f (1889) A. Borodlne / E. Wolf-Fsrrari Lentement baissa le four. Slowly the day- ................... Aprlla, o bell.. Rafhele'sSerenade. Tenor, light departs. High. -75

Baritone.. ............................. .75 p$yc~L f. (1857) A. Thomas Bacio dI lama. Rafaele's Lme-Song .Tenor 0 tol, qu'on dit plus belle. Soprano. ..... .35

Baritone.. ............................. .75 Benedicimi tu. Gennaco'a Prayer. Tenor.. .SO -AMISTO. 1. (1720) G. F. Aandel Arla dl Poliasena. Invocation. Soprano,

KHOVANSWHINA. f. (18851 M. Moursorgky Me-Soprano ......................... Chant de Marthe. Martha's Song. Me-

dium or Lon. .75 REGINELLA. I. (1871) G. Brng ........................... La Divination pari'eau. Divination by Water.

Belle del tuo arrrbo. Recltarivo nod Ro- am

.................... man=. Baritone.. .SO Low. ................ .... .... ... ... .75

MARIA DI ROHAN. i. (1843) G. Donlzettl LA REINE DE SAM. (1862) Ch. Gounod

She alone chacmeth my ~ d n e a s . Baritone, Mma wave e can. Tenor. ................ .SO Bmw. ................................... .40

DAS NACAIWGER IN GWADA. g. (1839) C Kreutzer

R O B ~ ' T LE DIABLE. 1. (1831) G. Meyer "Va, VP, va!" dit elle. Sopmno..

Ein &hUtz' bin lch. Tenor. .SO ........... .............. #by BLAS. I. (1869)

NATOMA. (1911) V. Herbert Ai miei rivnii cedere. Baritone. ........... -60 Beanre of the Hawk, my Baby. A n Indian

~ u l h b y . Soprano. ..................... .50 SI J'~TAIs ROI. 1. (1852) A. Adam .................. I Ust the trill in golden throat. SoprSno, J'ignore son nom. Low. .35 Me?m-Soprano. ............. ... ..... .75 SNI~OUROTCHKA. (18E2) N. Rlmaky-Kormkok

.......... In my dreama. Tenor. Baritone. .SO LlttIe Snowtl&a Arietta. High.. ......... -10 Serenade. When the Sunlight Dies. . Rari- Song of the ShepherdLeU. High or Medium .50

tone., ................................. .54 SOSARME. 1. (1732) G. F. Handel OSTERIA. 1. (1840) G. Lillo Rendi'l aareno a1 cigllo. Sopmno, Alto.. .. .40

Domani, o me fellce. Mezzo-Soprano or h r l t one -50 TOLOMEO. 1. (1728) G. F. Aandel ............................... Aria d'Eliaa. Soprano. .................... 50

O'ITONE. i. (1723) G. F- TRISTAN AND ISOLDA. g. (1865) R. Wagner . . . . . . . Aria di Gimonda. Mezzo-Sopmno. A0 Inolda'a Love-Death. Soprano. ............ .7@ PAGLIACCI. 1. (1892) R. Leoncav*lla WILHELM VON ORAWN. g. (1846)

Vesti h glubba. Artoso. Tenor In E minor, - K. A. F. Ecker Tenor in D minor. ...................... .H Wenn Ich mit Mensehen und mit Engela-

Quai fismma avea nel guardo! Ballatella. . zunpen redete. Soprano, Me--Soprano .5 Soprano. ................................ .75

All numben are published with English, In addition t o the original text. 1. g. f. 8. atnnd for itallan, G e r m , French, or Spanish text. The numersh In brackets indicate the year when the opern was firat performed.

(Pclerwswb trr U. 8. A.1

SCHIRMER, Inc. NEW YORK .:I

Pagliacci Drama i n Two Acts

English ve~sion 6y Ifenry Gru,fton C h u p m a n

Words and Music by

I !

i

Prlnted fn the U. d. A.

. . 1

Toni0 (uutting his head through the curtain)

(advancine)

(bowing fromthe footlights) Largamente

S i - gno - re! ... Si - gno ri!.. . Scn - La - dies and Gen - tle - men! And

T.

1- - & cym.ss. - - h e met-te I'au- the au - thorbring mask be -

, r

to - - re; in par -tgei vuol ri - pren - de - re - le veo - chit,- I fore YOU; so part -ly to re - vive for you- the an - tique

I san - ze, e j ~ vo - i di nuo - v a n - via - mi. us - age, he bids me once more ad - dress you!

<I I I cot canto II I

R

Un po'meno presto che nell' Introdn?cJ.= so)

T.

But not to tell you, as of old, I

,>Le la - cri - me che noi ver - siam son fa1 - se! (1 The tears we shall shed 'for vou here are false ones!

a 0 - m 0 I , I I \ I I - - r' tJ I r1

J ,I - I I

I 1 non a1 - lar - ma - te - vi!<<

I I I I I I I -.

1 I I I , I

4- -d- Rssn. d - I

in - ve - ce pin - ger - vi u - no squar-cio di vi - ta. ra - ther to draw you a bit of life true to na - ture!

, fen.

L g i ~ a per mas- ki - ma sol ohe l'ar - ti - sta,Bjn uom 'Tis his cou -.vie - tion, the ar - tist is first a man,

scri - ve - rcei de - ve.

iUS:t8

I zi bing

il tern - po 1 bat - - te - - va - no!

and sigh - ing beat the time - for him.

I So then, you'll see love show11 - as hu - man * - . . ,

Vl. & Cl. Cor a n ~ l . --

I s'a - ma - no gli.&seri,u - ma - -A; be - .dm- te de lb - dio i bc- -ings do love each oth- -eq you'll see,'too, of hat - red the

I tri - sti frut-ti. Del do - lor 1 spa - si -mi, u r - li di rab - bi%u - dire - ful end-ing, wit - nesswoe's sharp a - go-ny!, Howl-ings of rage will

I dre - te, e ri - s a ci - - - -ni - che! . . . I , . > . . , .

reach you, and scorn-ful laugh - . - . . . - ter!

t " 7 r

ba- -ne d'i - stri - o - - - 'ni, . le no - tu - -mer-y of ao- - - -tors, ra - ther I . I \ r I

let our hearts spea

10838

I poi - - chi siam uo - - - mi - ni di car - - ne e I

d'os - - - sa, blood. /Q/ too.

, [I ' e che di que - like you

, . and, your - .

I -,a ' -

st'or - fa - no mon - do a1 pa - - r i di uoi spi - r ia - mo . ' . :;d selves. we are breath - in^ the air of this world for- lorn and . :' .

., t Piu lento qyasi recitato > . '. . ,,. - ';;$I

I ' l'ae - re! lone - ly!

I1 con-cet - to vi dis- si ... Now I've giv'n you the no-tion!

An - diam. In - co - nlin - cia - - ta - t& co - m'e- g1$ svol- to.

- plot UII - fold- it~g be-fore you. Come on! Let us be - gin, A

0 . 0 0 .

OPERATIC ANTHOLOGY

SERIES THREE ORFEO. I. (1762) C. W. v. Oluck SAPPHO. f. (1851) Ch. Gounod

Che farb senzs Eurldice. Mezzo-Sopran?. . ,:. 0 ma lyre lmmortelle. Lioprano ........:... .?5 Alto .................................... -75 LA SEMIRAMIDE. I. (1748) C. W. V. Cluck

ORFEO. I. (1607) C. Monleverde Vieni che pol sereno. Soprano.. ........... .25 Tu sew morta. Memo-Soprano or Baritone .30

SEMIRAMIDE. i. (1823) G. Verdl ........... Be1 raggio luninghier. Soprano. .50

SIMON BOCCANEGRA. i. (1857) ...... Il lacerato spirlto. Bsas or Baritone.. .35

LES PRCHEURS DE PERLES. f. (1863) G. Bizet TANNHXUSER. 8. (184.5) ...... De mon amie, Reur endormb. Alto.. .35 ......... Je crois cntendre encore. Tenor.. .6(1 .............. LA PERLE DU BR~SIL. f. (1851) F. David ~ i c R theure Halle. Soprano. Y

Charmant oiseau. Soprano, Mezzo-Soprano .5g 0 du mein holder Abendstern. Baritone, . . . . . . . . . . . . . . . .......... nass. Tenor.. .: :.k

PHILEMON ET BAUCIS. 1. (1860) Ch. G o u n d Au bruit des lourds marteaus. (Vulcan's LA TRAVIATA. 1. Q.953) G. Verdi

....... Song.) Baritone. Bass.. ................ .50 Ah. fora'e lui che l'anlma. Soprano.. .a PIQUE-DAME. e. (1890) P. Techalkonsky . . . s evening. Duet. Soprano and Alto. .SO 1 EUCTE. f. (1878) Ch. C o u d

fi Vesta portez vos oflrandea. Soprano. Alto .35 LE PROPHETE. f. I. (1849) G. Meyerbecr ... Ah! man dln. Arioso. Mezzo-Soprmo.. .50

LA REINE DE SABA. f. (1862) Ch. Gounod Inspirez-moi. Soprano, Mezzo-Soprano.

Alto . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .50 Plus grand dens son obecurite. Soprano.

Mezzo-Soprano, ........................ .40 RIGOLETTO. i. e. (1851) C. Verdi

Caro-nome che il mio cor. Soprano.. . . . . . . 110 Ladonna & mobile. Tenor in B, Tenor in A, . '

. . . .................. Baritone in G.. ... .W RINALDO. i. (1711) 12. F. HBndel ...... Lascla ch"io planga. Soprano. Alto.. .30 ROBERT LE DIABLE. f. (1831) G. Me erbeer

Robert. to1 que j'aime. f. I. Soprano. d o .SO LE ROI DE LAHORE. f. 1. (1877) Y. Masaenet

P romew de mon avenlr. Baritone.. . : ..... .35 LE ROI L'A DIT. f . (1873) ' L. ,Delibea

Dejh les hirondelles. Duet. Soprano . . . . . . . . . . . . . . . . . . . and Mezzo-Soorano. .40 ROMEO ET JULIEGE. I. (1867) Ch. Gounod

Ah! Je veux vlvre. f. I. Waltz Song. High So- prano, Soprano. Mezzo-Soprano.. . . . . . . .SO

Que fain-tu, hlanche tourterelle. f. i. Soorano. Mezzo-Soorano.. .............. - .a

SAMSON ET DALILA. i. (1877) 0. Saint-SaBns Amour! viena alder. Soprano, Mezzo-So-

prano.. ................................ Mon cocur s'ouvre 8. t a voix. Soprano.

Mezzo-Soprano, Alto.. . . . . . . . . . . . . . . . . . . . .TO Printemoa oui commence. Soorano. Mezzo- - . ~ ~ - - - - - . ~ ~ ~ ~ ~ .

Soprano. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

~~~~. ...... Di Provenza il mar, il suol. Baritone.. .50

DER TROMPETER VON SXKKINGEN. g. (1884) V. Nessler

Es ha t nicht wllen sein. Tenor or Soprano, MezzcrSoprano, Baritone. Baa8 . . . . . . . . . .40

IL TROVATORE. i. (18531 G. Verdi Ah! che la morte ognora. Tenor in Ab,

Tenor T r a n l p d In F ................ .35 Si. la atanchezza m'opprlme. Duet. Alto

............................ and Tenor.. -? Stride la vampa! Mezzo-Soprano. ......... .35

I VESPRI SICILIAXI. 1. (1855) G. Verdi Merce. dilette amlche. Soprano, Mezzo-

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Soprano. .60

DIE WALKURE. g. e. (1870) R. Wagner Siegmunds Liebealied. Tenor i n B5. . . . . . . . ,40

XERXES. 1. e. (1738) G. F. H%ndel Ombra mai fu. Soprano in G, Mezzo-So-

prano in Ej . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .35

DIE ZAUBERFL~TE. g. (1791) W. A. M e r t ....... . . . . Ach. ~ c h filhl's. g. I. Soprano. -. .S# . . . . . . In diesen heillgen Hallen. g. i. Bass.. .30

.............. 0 Isls und Oslris. g. i. Bass.. .25

ZEMIRE UND AZOR. 8. (1819) L. Spohr Rose, wie blst du m reizend. Tenor. Baii-

tone.. .................................. 3 0

ill numbernare published wlth En@iah.in addition t o the original text. 1. g. f. stand for Itallan. German, or French text. The numerals in brackets indicate the year when the opera was .drat wrformed.

,, ,.r - --,:; :,? . . . SCHIRMER, Inc. IM- ~DPIY to U. S. A:$> i I . . , . . t . 1' NEW YOR