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-53

UNIVERSl ~ALIFORNIA

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February 27, 1953

Founders Hall, 133 8:00p.m.

-53

UN!VERSITY oF SouTHERN CALIFORNIA

DEPARTMENT OF CINEMA

and

DELTA KAPPA ALPHA National Honorary Cinema Fraternity

presents

a P~teoiew ot ~tude~t P1z.oductio~s

February 27, 1953

Founders Hall, 133 8:00p.m.

I P R 0 G R A l\1

Planning the l\'lu eum 1 rip Black-White, 10 Minute

The fir t of a erie of 3 film on conducting cia thi film ho' . how one fifth grade cia planned their trip to the mu eum. Produced by graduate student in Cinema in cooperation with the Lo Ang le County Mu eum and the Audio- i ual Education Department, S .

Direction Richard Shoemaker

Photography Bruce Linton Frank Ruttencutter

Editing Richard Harber

Sound John Booth ~Tilliam Leanvenworth

A Theatrical Film Sympo ium No. 5, Jerry Brosler

Black-~Thite, 20 Minute

Unit Manager Martha' Sh ldon

Additional photography

Richard Poli ter

From an origi11al story by

George Gerbner

The fifth in a series of six lectures by well known theatrical film producer . Each lecture wa filmed while being pre ented to tudent of Cin rna 466 -

11Theatrical Film Sympo ium." Produced in cooperation with the creen Producer Guild by students of Cinema 580-uDocumentar Production.

Production Crew Richard Poli ter Richard Harber Paul Levine Frank Ruttencutter David Welch Robert Keifer Jack Bel ky Herbert Skoble Ja Connor

Arranged Environment Black-~ite, 5 Minute

Sound Ken Miura Bill Leavem orth Joe Legault

Film Editor Erwin Dumbrille

Thi short film, produced by tudent of the Senior Production 'Vork hop, demon trate the technique u ed by a fifth grade teacher to arou e tudent intere t in the ubject of Mexico by mean of a planned arran ement f Mexican materials and artifact .

Director Richard Harber

Photography Larry Courtne ·

Film Editor Robert Ole on

Technicians Robert John on \' illiam Bradley

The Party Black-White, 3 Minutes

A psychological test situation on film, produced by senior students in film production. It presents an everyday problem and two solutions to that problem. The viewer is then asked to indicate which solution he would choose.

Production Crew William Hale Harry Dorsey Charles Eskridge Mendel Sherman Elaine Lindenbaum

Symphony in Stone The Story of a Civic Fountain

Color, 15 Minutes Originally photographed in 1936-38 as a Federal Arts Project, this film was written and completed by Cinema students as a class assignment in 1952. It tells the story of the design and construction of the San Diego Civic Center Fountain.

Film Editors Gil Greene Francis Grandy Orren Harris

Good Speech for Gary Color, 20 Minutes

Written by Stan Taylor

Narrator Bob Gray

Produced by graduate students of documentary film production in cooperation with the Orange County Schools, the film shows how the modern public school curriculum helps children with speech difficulties and related psychological problems.

Director Bud Hollzer

Photography Jay Connor Neil Kaplan

Assistants Bruce Linton Frank Ruttencutter

Sound Eric Sjolander Ralph Sogge

Music Sam Dennison

Film Editor Erwin Dumbrille

Unit Manager Richard Luckey


Alpha Chapter

Larry Courtney, President John Murphy, Vice-President

Dean Thie, R ecording Seer tary Howard French, Corresponding Secretary

Robert Cheng, Treasurer Bob Keifer, Program Chairman

CINEMA DEPARTMENT STAFF

Lester F . Beck Wilbur T . Blume Nicholas Rose Herbert E. Farmer David W. Johnson Melvin Sloan . William S. Mehring Ralph Woolsey Daniel H. Wiegand Clara Beranger Andries Deinum Robert Hall John W. Raymond

Had D irector of Production

Director of R s arch Director,~ Audio-Visual Services

Production Coordinator Instructor in Editing

Instructor in Production L ecturer in Camera

Lectur r in Sound L ecturer in Screenwriting

Instructor in Sere nwriting Educational Con ultant

L aboratory Supervisor

19r}r}-r}6 FILM REVIEW o/ STUDENT PRODUCTIONS

presented by

DEPA·RT.MENT OF CINEMA

and


Founders Hall 229 7:30 p.m. Friday, May 25, 1956

UNIVERSITY OF SOUTHERN CALIFORNIA

BY WAY OF EXPLANATION:

We have a tradition in the Department of Cinema of climax ..

ing the year's program with a preview of student productions. This

year has been a very productive and busy one, as you will note

from the program. * * * Here is the way our program of studies

is set up:

Each student may study in courses in each of the three major

areas of emphasis: { 1 ) history, criticism, and aesthetics, ( 2)

research and testing, and ( 3) production. The theoretical and

practical skills acquired in these courses are integrated by students

actually making films in the workshops.

The SENIOR PRODUCTION WORKSHOP, as the name

implies, is taken by senior students, following their training in the

basic courses in writing, camera, editing, and sound. The students,

working as crews, complete two film projects each semester, for

two semesters, assuming a different major responsibility on each

project.

The first project, completed in the first five weeks of the

semester, is a "shakedown cruise." A brief 3 .... to s .... minute film is

made which shows an analysis of action and character delineation.

The second project is a ] .... to IO .... minute film, usually black

and white, in which the assignments are more complex and diffi ....

cult.

The GRADUATE STUDENT WORKSHOP undertakes

four different kinds of films each semester: ( 1 ) one fits the needs

of a particular sponsor, ( 2) one is experimental in form, ( 3) one

is of the student's choice, and ( 4) one meets the needs of a par ..

ticular audience.

Tonight you will see some of the fllms we have made this year,

and meet the people who worked on them.

PRODUCTIONS OF THE SENIOR WORKSHOP SPRING 1956. TEN.-WEEK PROJECTS

FOR NOW AND TOMORROW HAROLD BoNDI DouGLAS GALLEZ SAM HYUN

RoBIN KIRKMAN RoNALD McMANUS RALPH RODINE

SPECIAL ASSIGNMENT-24 MONTHS JoHN AIKEN GENE LEMMON JoE MAZZUCA EuGENE PAYNE

THE DISCUS THROWER RoBERT BETHARD DoNALD BETHURUM RoNALD DAvrs

RECITAL FOR MANNY MAUNG AUNG MARSHALL BERMAN ERIC DAARSTAD

O.K. FOR SOUND SAID AHMED ARNOLD BAKER THOMAS CONRAD

THIS IS CINEMANOR TrNGYI AuNG THoMAs BouTRoss HoYT GRIFFITH

THE CYCLE MINDY BAGDON LALL J ASWANEY BARRY KIRK

DADDY ... GO ... ROUND JOHN APOSTOLOU WALTER DuLANEY CHARLES EvERTS

BuRTON PETERSON CHRISTOPHER SEITER WALTER WHITE III

SEAN DUNNE GEoRGE RuMANES RoBERT WoYACH

CHARLES GusTAFSON MrcHAE.L J ORRIN MARVIN WALOWITZ

CHARLES FINANCE DouGLAs GALLEZ D. L. RICHARDSON

JAMES SIEGER JACK STONNELL FLORA WILLETT

STELios Roccos PIETER VAN DusEN

BETH PATTRICK MILTON RoBERTS HrROAKI YAMAMOTO

SPRING 1956, FIVE ... WEEK PROJECTS

The Norwood Director How to Superheat Bivalves Screen Direction Tape It Leave It

Martini Breath of Life The Red Menace With Reservations

PRODUCTIONS OF THE GRADUATE WORKSHOP

FALL 1955

YOUR VERY OWN

PAT BRADLEY WARREN BROWN ERIC DAARSTAD DoNALD KLUGMAN

THE BLACK CAT

N URETTIN ERTURK WILLIAM } ERSEY

BUNKER HILL, 1956 MERL EDELMAN A. K. M. HAQUE

THE HARBOR

EuGENE FLEISCHER NEJAT KURDOGLU }AMES }ACOBS

FADHIL KADHUM JAMES MoRTIMORE DuANE MuiR RICHARD SANDERSON

VILIS LAPENIEKS

THOMAS TAYLOR

RoBERT KAuFMAN KENT MACKENZIE

GILBERT MADDUX DuANE MuiR


SPRING 1956

MARGIN OF ERROR

wARREN BROWN DuANE MuiR

DUSTIN RAWLINSON HERBERT THURMAN

RIDE THE GOLDEN LADDER, RIDE THE CYCLONE

JOHN APOSTOLOU EuGENE FLEISCHER DoNALD KLUGMAN

THE POTTER

ERIC DAARSTAD DoNALD Kt.uGMAN JAMEs MoRTIMORE

IT FIGURES

}OHN APOSTOLOU MERL EDELMAN DoNALD MILLER

VILIS LAPENIEKS LENNOX SHEKELL

MARTIN SHELTON THOMAS TAYLOR

BETH p ATTRICK RICHARD SANDERSON MARTIN SHELTON

PRODUCTIONS OF THE SENIOR WORKSHOP FALL 1955. TEN-WEEK PROJECTS

CARD STUNTS JOHN APOSTOLOU JoHN HvAsTA GERTRUDE KoRNFELD

THE GENTLE ART MINDY BAGDON MARSHALL BERMAN SAM HYUN

DOLL DANCE JoHN AIKEN GEORGE ANGELESCO GILBERT BARNETT WIL'LIAM HEWITT

VILIS LAPENIEKS DUANE MUIR BETH PATTRICK

MAUNG LATT DusTIN RAWLINSON

WESLEY LEWIS RAPHAEL NUSSBAUM FLORA WILLETT

PIGEONS ON THE GRASS. ALAS! GEOGE ANGELESCO JAMES MoRTIMORE RICHARD SANDERSON

SHOPPERs· DELIGHT ERIC DAARSTAD CHARLES FINANCE

JERI SoPANEN SEYMOUR WEISSMAN

GENE LEMMON MARTIN SHELTON

HELPING DADDY THROUGH COLLEGE TINGYI AuNG WALTER DuLANEY DoNALD MILLER

RALPH RODINE SALAH SAYED-AHMED WALTER wHITE III

INTRODUCTION TO KNOWLEDGE MIR KHAN FRAIDOUN LABIB GARY LINDSAy

PAUL MoESSINGER D. L. RICHARDSON JoHN WHEELER

FALL 1955. FIVE-WEEK PROJECTS How to use a Rexograph How to Boil Water The Big Boom

Archery The Mighty Mo Parallel Problems

The Department of Cinema cordially invites Alumni to Open

House, Saturday, June 9, 2:00 p.m., 659 W. 35th Street.


WILLIAM ALLEN

WILBUR BLUME

CARL CLAUSEN

HERBERT FARMER

EDWARD FREED

RoBERT HALL

RICHARD HARBER

DAviD JoHNSON

GLENN McMuRRAY

WILLIAM MEHRING

KENNETH MIURA

BYRL SIMS

MELVIN SLOAN

DANIEL WIEGAND

RALPH WooLsEY

DELTA KAPPA ALPHA

National Honorary Cinema Fraternity Alpha Chapter

HERBERT THURMAN ______ _____ _________ _______ _____ ____________ ______ _______ ___ President

MARTIN SHELTON -- ----- --------- ----- ---------- ----------- --- -- --- ---- Vice ... President

RoBERT BETHARD--- -- -- --- -------------------- -- --- --- --- --- ----Recording Secretary

RAMON PoNcE ------ ---------- --------- ---- ----- -- -- --- ---Corresponding Secretary RALPH RoDINE __ __ ________ ______ ___ __ __ --- ______ _ ---- -__ --- __ __ __ ____ _________ ___ ___ Treasurer

RAMON PoNCE --- -- ----- -------- ------ ----- ---------- ------ ------------ _____ Film Classics

BARRY KIRK -- --- --------- --- ------- -------- -------- ------ --- -- --- -___ ___ _ Public Relations

1956-57 FILM REVIEW

o/ STUDENT PRODUCTIONS

presented by


and


Founders Hall 133 8:00p.m. Friday, May 31, 1957

UNIVERSITY OF SouTHERN CALIFORNIA

BY WAY OF EXPLANATIO

We ha e a tradition in the Department of Cinema of climaxin

the year' program with a re iew of tudent production . Thi year ha

been an unu ually bu y one. * * * Here i the \ ay our program of tudi

et up:

Each tudent may study in cour e in each of the three major areas

of empha i : ( 1) hi tory, critici m, and ae theti (2) re earch and

testing, and ( 3) production. The theoretical and practical kill acquired

in the e cour e are integrated by tudent actually making film in the

workshops.

The E lOR PRODUCTION WORK HOP, a the name

implies, i taken by enior tudent , following their training in the ba i

cour e in writing, camera, editing and ound. The tudent working

a crew complete two film projects each emester, for t\ o erne ter ,

as uming a different major respon ibility on each project.

The fir t project, completed in the fir t fi e \ eek of the ·emc ter

a " hakedown crui e." A brief 3- to 5-minute film i made which · ho\ ·

an analysis of action and character delineation.

The econd proJeCt i a 7- to 10-minute film u uall black and

white in ' hich the a ignment are more complex and diffi ult.

'The GRADUATE TUDE T W RK H P undertake · four

different kind of film each emester: ( 1) fitting th need of a par

ticular pan or (2) meeting the need of a parti ular audience (3)

experimental in form, and (-+) tudent choi e.

Ton ight you \ ill ee orne of the film - we hav made thi rear and

me t the peopl v ho ' orked on them.

PRODUCTIONS OF THE SENIOR WORKSHOP

SPRING 1957, TEN-WEEK PROJECTS

SEARCH FOR THE PAST RoBERT ARBLASTER ]ANET HoRTON ROBERT KADOW Russ McGREGOR DouG MENVILLE

OIL RoBERTO AcEBES DEAN PFu DSTEIN RAMO PoNcE

ESCAPE TO NOWHERE ] AMES GuTHRIE pAUL j ASIUKONIS KADIRMAN

END OF THE FLIGHT CLAUDE BACHE LANCE BELLVILE wARREN CRESS

THE COMMUTER D. DJAJAKUSUMA Do ALD MAcALESTER DouG MENVILLE

WRONG NUMBER H. R. CHOWDHURY THOMAS DALZELL DALE MACKEY

THE BLINDNESS LEO CARRERE CARL CLAUSE

jOHN MORRILL KrsHOR PAREKH BARBARA SQUIRE Lours ToRREGROSA

RoBERT REXANNE RoBERT WoYACH

DAviD NovrK Bun OTTO

RICHARD MALEK LARRY URRUTIA

AsRUL SANI OTTO SoRGE Lours TORREGROSA

CHARLES NEAL RAMZI THOMAS

LALL ]ASWANEY A. G. MARY

SPRING 1957, FIVE-WEEK PROJECTS

Struggle Alert Stockroom Clerk Picnix

7:00A.M. Minit-Shine Portrait of a Model

PR DUCTl THE GR DU TE

FALL 1956

ORKSHOP

YOUR COU TY HEALTH DEP RT IE T A 1 HY N

RoBIN KIRK r

UNDERWATER RE REATI THo rAs Bo TRos FR. EAN D NNE CHARLES FIN A E

] Ai\IES lEGER FLOR WILLETT

fiCHAEL jORRI D STI R WLI so

AN OCCURRE CE A1 OWL CREEK BRIDGE ARNOLD BAKER DoucL s GALLEZ RoN LD McM s

A LIGHT FOR ]OH jOHN APOSTOLOU w RREN BROWN

BYRL '11\tS ] CK 'T ELL

ERIK D RST \D

HoYT GRIFFITH

PROGRE

PRING 1957

THROUGH UNITY jOSEPH l\11 ZZ C BEN PEGG

E. s. SEELEY, ]R. BYRL li\IS

OME PRI CIPLE F TAIRWAY DE IG LAYOUT, AND CON TRUCTI HERBERT KosowER VlLlS L PENIEKS

GOD' HELPER RoN LD l\1cM N s REv. joHN 0' HE

1 HE MOG l\IAKERS ]OHN APOSTOLO ToM Co RAD

HoYT RIFFITH SPA E PIRA1 E '

ST RT H I H

Do LD HE TH

LEE p y E

\i\1 HY l\JICHAEL j RRl.

PA L Jy TT

E. . SEELEY, JR.

E. . EELEY, ]R.

rA E R1 He l\IILTO R BERT R Roc w Y

1 R I.' \ LO\ ITZ

PRODUCTIONS OF THE SENIOR WORKSHOP

FALL 1956, TEN-WEEK PROJECTS

FOCUS PLEASE TIN GYI AuNG WILLIAM HEWITT DoNALD MAcALESTER

THE LAB RoNALD McMANus E. E. SEELEY, ]R. OTTO SoRGE

CAFETERIA RoBERTO AcEBES ToM CoNRAD ]OHN MORRILL

ELM STREET INCIDENT RONALD DAVIS STUART HANISCH BARRY KIRK

KUSC-TV PRESENTS LEON CARRERE ]Al\IES GuTHRIE ]AN HoRTON

OCEAN OF AIR CHARLES EvERTS MARILYN McKEEHAN LEE PAYNE

OMAR KHAYYAM RAFIQ AHMED Fo AD AREF WARREN CRESS

KAYE RICHEY CHRIS SEITER BARBARA SQuIRE

LARRY URRUTIA HIROAKI YAMAMOTO

PAUL MYATT BEN PEGG MARVIN W ALOWITZ

] OHN 1\!IcDONOUGH REv. ]OHN O'SHEA Lours ToRREGROSA

] OSEPH MAZZUCA BuD OTTO BALBIR SINGH

BuRTON PETERSON MILTON RoBERTs

RoBERT KADow RAl\ION PONCE RAMZI THOMAS

FALL 1956, FIVE-WEEK PROJECTS Hyperfocal Yokel A Kiss For Joe Why Waste Money? Wages of Beer

Baby Makes Three Editorial Effects Caveat Emptor

Th Departmen t Hou ·e, Saturday J un 1

1 E I

W!LB R BL l E

RL L E

HERBERT R lER

EDW RD FREED

RoBERT H LL lJ ad

Rr H RD H RBER

p L LE 1 E

f ~incma ·orJi all~ im·ite · ~lumni t

1: Op.m. ~ \ . ~ th ' trc t.

EP RT~lE T 'T \Fl~

Rr H .\RD l\L\ "' 4·\ ... "'

I ~I RR

KE L ETI! ~It RA

B RL SI I\ 1

1\llEL\I

D TIEL D

p 11

WILLI I 1\!IEHRI c , Fa ulty Ad i er for KA

Do CL G LLEZ

CHRl EITER

ERIK D R T D

R

H RLE E

l\llLTO ' I B · RT

RA?I I T Po E

B ARB RA IRE

P.\ L ]A 1 K. ' I

DELTA KAPPA ALPHA

ALPHA HAP ER

FFI ER

FALL 1956

Pr idcnt

T'ice Pr sid nt

R ecording S cr tary

orr

' PRl 1 57

Tr a ur •r

Pr sid ut

Tic · Prt.: id ut

T r a ur r

1957-58 FILM REVIEW


presented by


and

Founders H all 229 8:00p.m. Friday, June 6, 1958


BY WAY OF EXPL

Traditionall , we here in the D partment of in rna ha e clima ed our year' activitie with a pre ie, of tudent production . 1957-5 ha been the bigge t ear e\'er-and we hope the be t. Th accompanying li t of tudent production atte · t to the ize of the program. The ele -tion to be hown at the preview \ ill atte t to th qualit of th program.

Thi ear there are t\ o new feature in th tudent produ tion program of the Department. Th ight ' nior Production v ork hop and the Graduate Production nit.

The NIGHT E I R PR DU TI RK H P i a production cla added to the night chool proo-ram. orne of our tudent have, over the pa t ear , completed all of the our e ' ork leading to a Bachelor degree, but for one rea on or anoth r been for e to drop out of the regular day chool program. They ha e therefore ne er been able ·to meet the department requirement of the \\ ork hop. \V ha op ned thi cla by in itation to tho e tudent -v ho ha e mpleted all their cour e e cept the work hop, o that the may fini h their degree while continuing their ocational commitm nt . The proj t ar imilar to tho e completed in the enior Work hop e. plained belov .

The GRADUATE PRODUCT! IT ha ben created ince the department i now participating in th granting of a Do tor

degree in Communication with an empha i in inema. 1 he nit i taffed b advanced tudent who ha e completed their raduate tudent

Work hop. With the e tabli hment of thi unit the department ha a "work scholar hip" program for ' hich -v e ha e high hope .

The SENIOR PRODUCT! W RK H P, a the name implie , i taken by enior tudent follo, ing their training in the ba ic cour e in writing, camera, editing, and ound. The tudent -v orking a crew , complete two film project each em ter for t\ o me ter~ a uming different major re pon ibilitie ea h term.

The fir t project completed in the fir t fi e' eek of the erne ter, i a " hakedo' n crui e." A brief 3- to -minut film i made , hich how an analy i of action and character delineation.

The econd project i a 7- t 10-minute film u uall black an ' hite in which the a ignment ' are mor comple. and difficult.

The RADUATE T DE ,. \ RK H P und rtake four different kind of film ea h erne ter: ( 1) one fit the need of a particular pon or. (2) one i e ·perimental in form. ( ) one i the tud nt hoice, and ( -t) one meet the nee of a parti ular audienc .

t the pre ie, you will .c orne of the film w hav mad thi ear and meet the people \\ ho worked on them.

PRODUCTIONS OF THE SENIOR WORKSHOP SPRING 1958- TEN-WEEK PROJECTS

TRAVEL TOWN Sheldon August William Davis Carl Herber

A STRUGGLE FOR LIFE Frank Clark James Henderson Don Hall

MUSIC CITY I van Ditmars Delmar Evans Ben Fagen

THE EXPERIMENT Gene Bjerke Rick Carpenter Lee Kohns

HUMP SHIFT

Edward Ticktin Henry Wittrock Maurice Wolfe

Rita Kretschmar Ray Roiz Robert Tarlton

Joseph Gorski Richard Martin

Robert McKinnon James Sokel

Ellen Bailly James Hatch Jules Cohen Al Kihn Percy Cooper John Salveson

THE MAN WHO LIKED TO LOOK AT WOMEN Seymour Linden Harry Kinasih Merl Lewey W ady Medawar Lee Katzin

THE PRINCESS AND THE FROG Nick Clapp Mohamed Faruqui Stan Follis

THE BACKYARD CHEF Richard Alexander Donald Beckwith Don Bellis

SEARCH AT SORRENTO BEACH Charles Gillen Don Heath V asisht Malhotra

Tom Miller Dick Ninkeula Don Staples

John McKenna Jack M udrock Don Nielson

Karl Mylander Wesley Phillippi

SPRING 1958- FIVE-WEEK PROJECTS

THE CHALLENGE OF SPACE PED X-ING RICHARD CORY THE NIKOR DEVELOPING TANK THE REEL EATER HOT SPOT THE UNSEEN HOW TO SHOOT AND ADMIRAL RECIPE FOR RETIREMENT

PRODUCT! N OF THE GRADUATE 'VORK HOP FALL 1958

THE HALO

Lall Ja wane Dale ~1ackey

NISEI

Claude Bache Richard l\1alek

Dean Thie Ramzi Thoma

Ki hor Parekh Robert Rexanne

HAVE I TOLD YOU LATELY THAT I LOVE YOU

tuart Hani ch Ru McGregor

Barbara quire

PRODUCTIONS OF THE GRADUATE WORKSHOP SPRING 1958

ALOMEY JANE

Arnold Baker Spencer Mitsunaga

THE PROTEST

John Bright Carl Clausen

THE DOOMED

Lall J as\ ane A. G. Mary

Doug :Ien ille

Paul J asiukonis Joe wlazzuca

Ramzi Thoma

PRODUCTIONS OF THE GRADUATE PRODUCTION U IT

PRI G 1958

ON EEl G FIL::\I

Du tin Ra, linson Richard . an er on

Du tin Ra, lin on Richard ander n

PRODUCTIONS FOR THE SENIOR WORKSHOP FALL 1957-TEN-WEEK PROJECTS

EN GARDE John Bright Ben Fagen Archie Leean

ODE TO PROGRESS Robert Arblaster Elchanon Bronstein William Dalzell

THE RED BRIDGE Vincent Brosnan Mervyn Lew A. G. Mary

THE McMURRY SOUND READER Ellen Bailly Don Bellis Stan Follis

AFRO-RHYTHMS AND ART Ekrem Berker Rick Carpenter Paul J asiukonis

CHAVEZ RAVINE Jules Cohen I van Ditmars Don Heath

David Novik Louis Stratton Ray Roiz

William Davis Spencer Mitsunaga Donald Neilson

Tom Schmidt Robert Wilson Maurice Wolfe

Richard Garson James Hatch Doug Menville

Seymour Linden John McKenna Edward Ticktin

Ella Odorfer Archie Leean

FALL 1957-FIVE-WEEK PROJECTS WASH l\IIE YOURS FOR THE ASKING 3:10 TO OBLIVION STRICTLY FROM HUNGER SPORT BLADES OF DESTRUCTION

UNIVERSITY COLLEGE SENIOR PRODUCTION WORKSHOP

SPRING 1958-TEN-WEEK PROJECTS THE MOST DANGEROUS GAME

Donald Harling Allen Hurwit Mervyn Lew

LOVE IS A FOUR LETTER WORD Bernard Barron Jay Crocker Joyce Murphy

Esther Rancier Ray Storey

Howard Reider William Speed

SPRING 1958-FIVE-WEEK PROJECTS BALLAD OF THE DOOR KEY CHILD VOODOO

The Department of Cinema cordiall in ite Alumni to Open Hou e, aturday, June 14, 2:00 p.m., 659 \V. 35th Street.

CINE IA DEPARTl\IE T TAFF

Carl Clau en

Herbert Farmer

Robert Hall-Head

Richard Harber

David Johnson

Richard Kendall

Irvin Kershner

Richard l\rlacCann

Glenn f cl\luriJ

\Villiam i\Iehring

Kenneth l\tliura

Byrl Sim

Herbert Skoble

Melvin Sloan

Desmond Wedberg

Daniel Wiegand

Bernard Kantor-Faculty Ad i er for DKA

Milton Roberts

Ramon Ponce

Barbara Squire

Paul J asiukoni

tan ley F olli

Frederick Carpenter

Ellen Bailly

Donald Staple

DELTA KAPPA ALPHA

ALPHA CHAPTER

OFFICERS

FALL, 1957

PRI G 1958

. President

V ice-President

Secretary

Tr asur r

Pr sident

f ic -Presid nt

cretan

Treasurer

1958-59 FILM REVIEW


presented by


and


Founders Hal1133 8:00p.m. Friday, June 5, 1959


BY WAY OF EXPLA ATIO

Traditionall , the Department of Cinema ha climaxed the year's activitie with a previe~ of tudent production . The accompan ing list of title reflect the ize and di er it of the tudent production program. The election to be hown at the pre iew atte t to the quality of that program.

The E lOR PROD CTIO WORKSHOP a the name implie , i taken by enior tudent , following their experience in the ba ic cour e in writing camera, editing, and ound. tudent \ orking a crews, complete two film project each erne ter, for two em ters, a uming different major re pon ibilitie each term.

The fir t project, completed in the fir t fi e week of the eme ter, i a quick ketch, an introductory experience in film making, which re ults in a 3- to 5-minute presentation.

The second project i a 7- to 10-minute film in ' hich the a ignments are more complex and in which the expected le el of profe ionali m is higher.

The NIGHT SE lOR PRODUCTIO W RK HOP is a production group compo ed of tudent unable to attend the regular daytime program. Permi ion to enroll i required.

The GRADUATE STUDE T WORK HOP include tudents working on ad anced degrees, who ha e reached a point of prof ionali m which allov them to undertake a ariety of film project v hich challenge their abilitie and imagination.

1 he Department of Cinema celebrating the Thirtieth Y ar of cour e work in motion picture offered b the U ni er ity of outhern California, i proud to pr ent the work of it tudent for the plea ure and critici m of the general public.

• UNIVERSITY COLLEGE

NIGHT SENIOR WORKSHOP PRODUCTIONS FALL 1958-59-TEN-WEEK PROJECTS

ICE CREAM DREAM Jay Crocker Bill Koehnlein John Mudrock

THE FURNISHED ROOM Don Harling Bill Koehnlein

A PLACE TO LAY ONE'S HEAD Earnest Bauer Robert Lewis

Howard Reider Dorothy Tucker

Carl l\!Iahakian Ray Storey

Martin Plachter Lee Rafner

FALL 1958-59-FIVE-WEEK PROJECTS

THE SAN FRANCISCO EARTHQUAKE 19AVSR

PRODUCTIONS OF THE GRADUATE WORKSHOP FALL 1958-59

ON WHICH WE BUILD Charles Gillen Wolfram von Han wehr

POINT OF IMPACT Richard Carpenter I van Ditmars Don Heath Calvin Lew

Merle Lewey Don Staples

Dale Mackey V adim Mikhail off Ramon Ponce

PRODUCTIONS OF THE GRADUATE WORKSHOP SPRING 1959

THE OUTCAST Moustapha Akkad Ted Gomillion Rita Kretzschmar V asisht Malhotra

BORN AGAIN Ellen Bailly Gene Bjerke Nick Clapp

Don Masuda Horace S. McGahee Tom Miller Lawrence Souville

Ted Gomillion Fred Hall

SE lOR WORKSHOP PRODUCTIONS

FALL 1958-59-TEN-WEEK PROJECTS

JIM Moustapha Akkad Anthony Davies Carl Herber

THE LETTER

Howard Beller Del Evans Ed Goodwin

RED CAR Gene Bjerke Tom Engel Gary Hughes

SEA HOUND Don Beckwith George Cozyris Jim Henderson

BEATNIK Richard Alexander William Amberg Wayne Baker Percy Cooper

WATCHER BY THE DEAD Vincent Bro nan Ted Gomillion Fred Hall

ASSIGNMENT TROY Gil Barnett Larry John on Bob Wil on

Robert MacKinnon We ley Phillippi John Werner

H. S. McGahee Lawrence Sherman Burt Watson

Rita Y retz chmar Adel Moawad Robert Tarlton

Tony Lanza Clemente Ma cio John Sal eson

Ken Dyrnmel Richard McCurdy Steve Silverman

Dougla Heathcote Eric LeBon Ed Reilly

Bob Konwea Larry Sou ille


OPTICAL DELUSIO PICKUP MAN AGAI ST G SON OF A CAMERAMA

TRADI GPO T A GOOD START A F GGY D Y I 104A

SENIOR WORKSHOP PRODUCTIONS

SPRING 1959-TEN-WEEK PROJECTS

REVENGE George Cozyris William Lane Adel Moawad

THE GRIFFITH REPORT William Amberg Kanan Awni Anthony Davies

LET'S BUILD A FREEWAY! Wayne Baker Peter Hansen

THE HAPPINESS MACHINE Kenneth Callahan Tom Engel Robert Epstein

LOVE NOR MONEY Howard Beller Peter Clark Norman Keesling

SOUTHWEST HERITAGE David Christensen David Estes Syrus Hedayat

THE INNOCENT David Gallagher Anthony Lanza Shlomo Mograbi

Don Rea Gerald Pulley

Dan Doody Richard McCurdy

Larry Kent Johnson John Werner

Robert Konwea Herbert Pearl

Don Perrin Jim Sokel

Clemente Mascio Edward Reilly

Steve Silverman Gene Senkel Burt Watson

SPRING 1959-FIVE-WEEK PROJECTS

THE BIG SNATCH BIKE BEAT PIED! STANCH! CYCLE OF JUSTICE

BICYCLE 61 LITTLE THINGS MEAN A LOT THE SPY

•

The Department of Cinema cordiall in ite Alumni to Open House, Saturda , June 6, 2 :00 p.m., 659 W. 35th Street.


Carl Clausen

Herbert Farmer

Richard Harber

David John on

Richard Kendall

Paul Levine

Richard MacCann

Glenn McMurry

Kenneth l\liura

B rl im

Herbert koble

Melvin Sloan

Robert Wagner-Head

De mond W edberg

Daniel Wiegand

Bernard Kantor-Faculty Adviser for DKA

Donald Staple

Peter Clark

Delmar Evan

Robert l\tlacKinnon

Peter Clark

Laurence ou ille

Daniel Doody

Horace l c ahee

DELTA KAPPA ALPHA

ALPHA CHAPTER

OFFICERS

FALL, 1959

SPRI G, 1959

President

Vice-President

Secretary

Treasurer

. President

V ice-President

Secretary

Treasurer

• 1959-60 FILM REVIEW


Founders Hall 133

presented by


and


8:00p.m. Friday, June 3, 1960


Each year the Department of Cinema invite it alumni and the general public to ee the work of it recent tudent . A indicated by the accompanying li t of title thi ear ha been a producti e a the pa t five or six. The variety of intere t and incerity of purpo e of the tudent ha con tantly been th cau e of much pride to the department. 'lany of the film produced b the tudent ha e been hown at film

festival throughout the ' orld bringing acclaim to the tudent and to

the university alike.

ince time will not permit u to pre ent all the film we ha e elected repre entative example from each of the production clas es.

The SENIOR PRODUCTION W Rf HOP, a the name implie , i taken by senior tudent , following their experience in the basic course in writing camera, editing and ound. tudent working as crew , complete two film project each erne ter for two erne ter assuming different major re pon ibilitie each term.

The first project, completed in the fir t fi e week of the seme ter, is a quick ketch an introductory experience in film making which result in a 3- to 5-minute pre entation. Each term a ingle THEME is chosen for all the crew .

The econd project i a 7- to 10-minute film in which the as ignments are more complex the theme more varied and in which the expected level of profe ionali rn i higher.

The GRADUATE TUDE T WORK H P include tudents working on advanced degree who ha e reached a point of profe ionali m which allow them to undertake a variety of film project whi h challenge their abilitie and imagination.

In both cl, e the tudent on inate and de elop their O\ n idea the film concept and are adir ctly r pon ible for the exe ution of all the technical a pect of film making.


FALL 1959-60

THE QUIET HITCHHIKER Wayne Baker Dave Estes William Koehnlein

TOMORROW MAY BE DYING Peter Clark Peter Hansen Lall J aswaney

Lawrence Sherman Raymond Storey

Robert Liu Ramzi Thomas


SPRING 1960

OIL William Amberg

A DIFFERENT DRUMMER . Jim Ball Charles Finance

PATHWAY FROM THE SKY Ken Callahan Peter Clark

Dan Doody

Charles Harris Kirk Smallman

Lewis Clement, Jr. Don Perrin

SE lOR WORK HOP PRODUCTIO

FALL 1959-60-FIVE-WEEK PROJECT

THElVIE: THE UT IDER

FOR OTTE

KEY TO A COUPLE

THE EMPTY YEAR

SOMETHI G TO OFFER

ETC.

B.M.O.C.

FALL 1959-60-TE -WEEK PROJECT

VOICES IN PARADI E Dave Christen en Roger Duchowny Syrus Hedayat

UNCLE BILLS WILL ]arne Brown, .]. Ibrahim El- hakankiry Wes Faulkner

PARK Jim Ball William Lane

THE BREWER' ART Lewi Clement, Jr. Daniel Doody Slimane Ka bi

POT FLIGHT Ken Callahan

ha hi Chougule

TWO BIT Robert Ep tein Ron Kinwald Bob Konwea

Fred Kuri Roy Mad en

fichael Schoenbrun

]arne Gloege Robert Liu Don Perrin

Milan hecherovitch Robert Waterman

Peter Kasravi AI Kihn

Da id De Be er El Kheir Ha him

]o eph haron Kirk mailman

SENIOR PRODUCTION WORKSHOP


THEME: "Here's the rule for bargains: Do others as they would do

do you. That's the true business precept."

PROFIT & LOSS SCRAPE-GOAT

ALL'S FAIR TIN CUP

-DICKENS

THE LAST BARGAIN RETURN

CHAP, CHAP 1, 2, 3


PICK-UP Shashi Chougule Pervez Malik

HEARTS FOR SALE Shashin Desai M. Kemal Horolu

THE SILENT TREATMENT David De Beyer William Sabados

THE FLAG SHIP V. Joseph Braun Roger Duchowny

THE PEDESTRIAN Robert Jacobs Fred Kuri

WAS IT A DREAM? Ibrahim El-Shakankiry Wes Faulkner

A PARABLE Harold Conklin Paul Jensen

Herb Pearl Harold Yellen

Ed Oglesby Joseph Sharon

James Lane Frederick Shaw

Don Roth

George Lehr Michael Schoenbrun

Walter Levy Fred Unger

Milan Shecherovitch

•

CI EL\IA DEP RTl\IE T T FF

Herbert Farmer

James D. Finn-Head

Richard Harber

Richard Kendall

Paul Levine

Richard MacCann

Ru ell P. McGregor

Glenn McMurry

rviargaret Mehring

Kenneth Miura

William Poulson

~Iel in loan

Wolfram Von Hom ehr

De mond Wed berg

Daniel Wiegand

Bernard Kantor-Faculty Advi or for DKA

Dan Doody

Horace MacGahee

David E te

David de Beyer

Da id de Beyer

Lewi Clement Jr.

en Callahan

Charle Finance

DELTA KAPPA ALPHA

ALPHA CHAPTER

OFFICERS

FALL, 1959

SPRI G 1960

President

Vice-President

cr tary

Treasurer

President

V ice-Pr sid nt

cretary

Treasur r

e 1960-61 FILM REVIEW

of STUDENT PRODUCTIONS

Founders Hall133

presented by


and



UNIVERSITY OF SOUTHERN CALIFORNIA

Each year the Department of Cinema in ite it alumni and the general public to ee the work of it recent tudent . A indicated b the accompanying li t of title , thi ear ha been a produ ti e a th pa t five or ix. The variety of intere t and incerity of purpo e of the tudent ha con tantly been the cau e of much pride to the department.

Many of the film produced by the tudent ha e been ho' n at film fe tival throughout the world, bringing acclaim to the tudent and to the univer ity alike.

Since time will not permit u to pre ent all the film ' ha e selected representative ample from each of the production cia

The SENIOR PRODUCTIO WORK H P a th name implies, i taken by senior tudent , following their experience in the ba ic cour e . Each crew, compri ed of enrollee in each of th ad anced course in writing, camera, editing, ound unit management and direction, undertake two film project per em ter. Undergraduate tudent take two semesters of work hop, a uming different major re pon ibilitie each term.

The first project, completed in the fir t fi e week of the m t r i a quick: sketch, an introductory experience in film making ' hich re ult in a 3- to 5-minute pre entation. In the fall term, a li t of indi idual props were put in a hat, each crew elected one at random and attempered to creatively involve it in their adaptation of a ommonl selected theme. In the spring term, the arne ba ic tor ' a giv n to each crew, but they were able to e tabli h character and ending of th ir own choosing.

The second project i a 7- to 10-minute film in " hich the a ignment are more complex, the theme more varied, and in ' hich the expected level of profe ionali m i higher.

The GRADUATE TUDE T WORK H Pin lude working on ad anced degree , who ha e reached a point of pr fe ionali m which allow them to undertake a ariety of film proj t which challenge their abilitie and imagination. n occ ion an out id or · zation may make a grant in aid to the ni er ity for th purpo upporting a film production in the raduate Work: hop. Thi pro id

a more tangible reference for the tudent as to e entual u e f th film although the control of approach and content till r t with the tud nt and staff.

In both cia e the tudent ongmat an d elop their own id a the film concept and are directly re pon ible for the · u ion of all th technical a pect of film making.

• PRODUCTIONS OF THE GRADUATE WORKSHOP

FALL 1960-61

JUST PUSH THE BUTTON Sashi B. Chougule Wesley W. Faulkner Charles L. Harris

THE FIRST DAY James F. Lane Pervez Malik

LET'S CARVE Dave G. Christensen

GEORGIA Joseph V. Braun Thomas G. Fields

FACES OF TIME Richard F. Martin William Sabados

SPRING 1961

George M. Lehr Roy P. lVIadsen

William Sabados

Richard F. Martin

Stuart P. Murphy

Richard]. Wilhite

SENIOR WORKSHOP PRODUCT!

FALL 1960-61-FIVE-WEEK PROJECT

THEME: 'A ro e by any other name would mell a weet. 'SHAKE PEARE

OBJECT : Knife and Fork, Clock, Rose, Suitca e, Toothbru h hoe, hair

TITLE :

KNIFE AND FORK A TIMELY TALE

:IORTI~IER' SU DAY AFTER PANACEA

TOOTHBRU H TRANSFORMATIO

BOUNDARY LI E

FALL 1960-61-TE -WEEK PRO]£ T

THE COTTAGE Pieter Van Deusen Stuart Murphy

A CAE STUDY Walter Levy Gary Kurtz

THE WALL AROUND THE U !VERSE David Lawrence J arne Wilhite

FREEDOM Robert Jacob Tu-Heuei Su

A DAY TO DEMI G Jo eph V. Braun Jame H. Di man

THE WORLD OF SOU D Thoma G. Field Harold Yellen :'dado ia . Rodriguez

Richard :Io r Don Leonard

Richard Love ton Elizabeth Pagan

Robert orek Byron De Ford

llcne P. mith illiam . dgar

rue rton Fre Unger

Philip Rattner i\Iu tafa K. orulu



Scripts Based on the same basic plot outline.

TITLES:

BUNCO

DECOY

BUS STOP

LAST LAUGH

DECEPTION


THE STRANGE YOUNGSTER

Richard Moyer James Webb Leslie Blank

GONE WITH THE BOOM

Don Roth William J. North Thomas H. Trahari

THE TUNNEL

William A. Edgar Lear Levin Tu-Heuei Su

SIGNS OF THE TIMES

Bruce Norton Therese Anne Nowak

T ELEVISION: THE GOLDEN YEARS

Harry A. Sauberli Margaret P. Schneider

James Dissman Maclovia Rodriguez Don Leonard

Curtis C. Goodson William H. Turkel

William L. Shipp Robert Lee La Gow

Douglas R. Craig Terry Theodore

Francis M. Gilbert

• •

CI El\IA DEP RTl\lE. T T FF

Glenn Alvey

Herbert Farmer

J arne D. Finn-Head

Ru ell P. lc r gor

Glenn lc lurry

l\largaret Iehring

Kenneth :\liura

\Villiarn Poul n

Bernard Kantor- i tant Head

David W. John on

Richard Kendall fel in loan

Arthur Knight Wolffrarn on H m ehr

Herbert Ko ower Daniel iegand

Richard MacCann

Richard Harber-Faculty Ad i or of D ~

Don Perrin

]arne F. Lane

Robert Jacob

Charles L. Harri

]arne F. Lane

eorge 1. Lehr

harle L. Harri

\ illiam abado

DELTA KAPPA ALPH

ALPHA CHAPTER

OFFICER

FALL, 1960

PRI 1961

Pr sid ut

Vic -Pr sid nt

Tr a ur r

Pr id nt

V ice-Pr ident

cr tary

Tr asunr

1961-62 FILM REVIEW

of

STUDENT PRODUCTIONS

Founders Hall133

presented by


and


1:\ -8:00p.m. Friday, June 8, 1962

UNIVERSITY oF SouTHERN CALIFORNIA

Each year the Department of Cinema invite it alumni and the general public to ee the work of it recent tudent . indicated by the accompanying li t of title , thi ear ha been a producti e as the past five or six. The variety of intere t and incerity of purpo e of the students has con tantly been the cau e of much pride to the department. Many of the film produced by the tudent have been hown at film fe tival throughout the world, bringing acclaim to the tudents and to the university alike.

Since time will not permit u to pre ent all the film we have selected repre entative ample from each of the production classes.

The SENIOR PRODUCTION WORKSHOP, as the name implie , is taken by senior student , following their experience in the ba ic cour e . Each crew, compri ed of enrollee in each of the ad anced cour es in writing, camera, editing, ound, unit management and direction, undertake two film projects per erne ter. Undergraduate tudent take two semesters of work hop, as uming different major re ponsibilities each term.

The first project, completed in the fir t five weeks of the emester, i a quick ketch, an introductory experience in film making which results in a 3- to 5-minute presentation. In the fall term, a li t of individual prop were put in a hat, each crew elected one at random and attempted to creatively involve it in their adaptation of a commonly elected theme. In the spring term, the ameba ic tory wa given to each crew but they were able to establish character and ending of their own choo ing.

The econd project i a 7- to 10-minute film in which the as ignments are more complex, the themes more aried and in which the expected level of profes ionali m is higher.

The GRADUATE STUDENT WORK HOP include tudent " orking on advanced degree who have reached a point of profe ionali m which allows them to undertake a ariet of film project which challenge their abilitie and imagination. On occa ion an out ide organization may make a grant in aid to the ni er ity for the purpo e of upporting a film production in the Graduate \ or hop. Thi provid

a more tangible reference for the tudent as to eventual u of the film although the control of approach and content till re t ' ith the tuden and taff.

In both cla e ~ the tuden ongmat and d lop their own ideas, the film concept , and are dir ctl ' re pon ible for the execution of all the technical a pect of film making.


FALL 1961-62

THE BEST CORNER IN TOWN

Joseph Braun Stanley Follis Mustafa Horulu Anthony Lanza

IN YOUR HANDS Leslie Blank David DeBeyer M. Kemal Horolu

SPRING 1962

Richard Moyer William O'Rork Maclovia Rodriguez Harry Sauberli

Larry Johnson Harry Sauberli

PRODUCTIONS OF THE GRADUATE

PRODUCTION UNIT

MIKE Stuart Murphy

GIBSON'S FIRST POST Stuart Murphy Tom Taylor

SPECIAL U.S. NAVY PROGRAM

NEWSREEL WORKSHOP

CREW A Eugene Gulczynski CREW C Gary Gross Duane Sprester Dwayne Longbrake Dale Stuckey James Miller

CREW B Robert Finkbeiner CREW D Robert George James M. Hudak Joseph Shkymba Richard Wade Alexander Sloan

This special program emphasizes the production of news spots, news featurettes, and documentary news features. Each crew has produced a number of these during the semester. Excerpts from a documentary news feature on the USC Opera Department's production of Verdi's Macbeth will be shown. This documentary news feature was prepared for the USC sponsored ODYSSEY program on CBS Television.



TITLES:

HERMAN'S HOLIDAY

WHICH KEY

DOUBLE TROUBLE

STRIKE

HELP

A HELPING HAND


THE REBUILDERS Vern Bert Cecile Morrison Fr. J. O'Brien

DON'T WAIT Phil Krasney Robert LaGow Steve Moder Mike Neyman

ON THE BENCH Ray Craig Frank Gilbert John Hora

AND FREEDO 1 CAME Getachew Abbai Leslie Blank Gene Engli h

SOUL OF EVIL Pat Anderson Gary Kurtz Louis Perrinello

Bill Orovan Tom Trahan Bill Turkel

Bill North Phil Rattner Sung

Chet Lewis Vern cheuring

riark Haggard Len filler Cecile Tong

Jam W bb J o ph Zucchero



TITLES: THE SIXTH WEEK

THE SON OF THE HUSTLER LET'S TWIST

THE BIG BANG BREAKAWAY

LOCKED OUT THE GRAND SL.NM


HALF THE FIRESIDE Gene English Richard Loveton Steve Moder

WEEK-END Mohammed Bassiouny Leslie Blank SergeiGoncharoff

CODE 920 Vern Bert Tom Kirkman Phil Krasney

LATE SUMMER Vern Bert Leon Garbers Chong Kim

GLIMPSE OF A CITY James Barnum Marguerite Brown Slosson J ong

THE OPEN WINDOW Pat Anderson Fred Heinrich Lear Levin

THE LAST NIGHT John Hora Stanley Kaiser David Schloss

Vern Scheuring Hideo Sekiguchi Michael Wright

Mark Haggard Sheldon Kahn

Louis Perrinello Charles Swartz

Len Miller Chris Nyby Charles Swartz

Robert Price Yoshio Yoda

Chet Lewis Spencer Nelson Bill Orovan

Bill Shipp Joseph Zucchero

ANIMATION ART CLASS 435

FALL 1961-SPRING 1962

Sheri W. Langer John H. Heard Edward Martinez Stanley Kazanjian Richard Ellery Earl Van Cleave Joseph A. Giannetta Frederick J. Mitchell Huey Paul Beckham Joseph G. Uribe Glend ra Von Kessel

William Gas Jr. Hans ]. Schwitzke Nancy L. Bretherick Sheri W. Langer Marc Aert en Joseph E. Engli h Richard A. Ellery Hisako A ano Joseph L. Fi cher Tony A. Love Gene Plagens


Glenn Alvey Nuri Ertuck Herbert Farmer James D. Finn-Head Bernard Kantor-Assistant Head David W. Johnson Richard Kendall Arthur Knight Herbert Kosower Richard MacCann

Russell P. McGregor Glenn McMurry Kenneth Miura William Poulson Maynard Smith Melvin Sloan Wolffram Von Honwehr George W ehbi David Wiegand

Richard Harber-Faculty Advisor of DKA

Bill Sabados joe Braun Cecile Morrison Roy Lim

Len Miller Joe Zucchero Harry auberli Roy Lim

DELTA KAPPA ALPHA ALPHA CHAPTER

OFFICERS

FALL, 1961-62

SPRI G 1962

President Vice-President

Secretary Treasurer


Secretary Treasurer

1962.-63 FILM REVIEW of

I STUDENT PRODUCTIONS

Founders Hall133

presented by


and

DELTA KAPPA ALPHA

National Honorary Cinema Fraternity



Each year the Department of Cinema in ite it alumni and the general public to see the work of it recent tudent . As indicated by the accompanying li t of title , this year has been as productive as the past few. Thi year's student production total between ix and seven hour of completed work.

Since time will not permit us to pre ent all the films, \ e have selected repre entative samples from each of the production classe .

The SENIOR PRODUCTION WORK HOP, a the name implies, is taken by senior students, following their experience in the basic courses. Each crew, compri ed of enrollee in each of the advanced courses in writing, camera, editing, sound unit management and direction, undertakes two film project per erne ter. Undergraduate tudent take two semesters of workshop, assuming different major re ponsibilitie each term.

The first project, completed in the fir t five weeks of the em ter, is a quick sketch, an introductory experience in film making, which re ult in a 3- to 5-minute presentation.

The second project is a 7- to 10-minute film in which the as ignments are more complex, the theme more varied, and in which the expected level of professionalism is higher.

The GRADUATE STUDENT WORKSHOP includes tudents working on advanced degrees, who ha e reached a point of professionalism which allows them to undertake a variety of film project which challenge their abilities and imagination. On occa ion, an out ide organization may make a grant in aid to the Uni er ity for the purpo e of supporting a film production in the Graduate Workshop. Thi pro ide a more tangible reference for the student as to e entual use of the film although the control of approach and content till rests with the tudent and staff.

In both clas es the tudents originate and de elop their own ideas, the film concept , and are directly re pon ible for the e. ecution of all the technical aspects of film making.

The ANil\IIATIO PROGRA~I incorporate a variety of cour designed to t ach the pecialized proce of the medium o as to enlarge the scope of the arti t in tran forming hi ideas and concept through the animated film. The program was initiated in 1960 by the nimation Indu try in an effort toward de eloping and ncouraging talented indi idual both from the uni er ity and the indu try.

The GRADUATE PRODUCT! U IT i an xtra-curricu-lar production activity \1 hich afford ad anced graduate tud n an opportunity to undertake pecial film projec to further their growth in the field.


FALL 1962-63

MAKE IT MOVE

Jim Barnum Harold Gluth Larry Johnson Stan Kaiser

Gary Kurtz Donald Rea Vern Sheuring

SPRING 1963

FOR OTHER REASONS

Mohamed Bassiouny George Nelson

Charles Swartz Gathel Weston

PRODUCTIONS OF THE GRADUATE PRODUCTION UNIT

THIS LAND

Thomas Taylor

SUMMER WORKSHOP 1962

"SEA CIRCUS" Mary Barnett James Barnum Stanley Blay Delmar Harris Lawrence Hill Stanley Kaiser Sara Menke Albert Razum Alex S-essa

"WASHETERIA" Ruth Cordish Thomas Kirkman Jacob Bob Lamptey William Mackie Naomi Reich Stephen Sherban Richard Tuber Gary Zimm

Nicholas Read-Instructor

SPECIAL U.S. NAVY PROGRAM NEWSREEL WORKSHOP

CREW A Richard N ewing CREW C Fred Collum James Morrison John McKay

Paul Noonan Donald Timmerman

CREW B Donald Abel Douglas D'Andrea Robert White

CREW D John Cultrera Rogers Francis Ralph Lewis

This special program emphasizes the production of news spots, news featurettes, and documentary news features. Each crew has produced a number of thesoe during the semester.



THE WAITER

HONESTY

A POOR MAN'S PICNIC

VISION

NO, NO GOPHERS PLEASE

EAST W ARBAR, LAND OF CO TRA T


ONE WAY ALLEY Laura Conaton Knute Crawford Leon Garbers

THE CANDLE OF LOVE Nor rna Archer Mohamed Bassiouny Harvey Deneroff

THE SKY'S THE LIMIT Monin Lopez John Koester Chris Nyby

A IVIATTER OF PRI CIPLE Lee Atwell Fred Heinrich wi. Tevfik Kumas

REVENGE tanle Blay

Bert Lo itt tephanie Rothman

I L TIO Laura Conaton Da id Guilbert

heldon Kahn

Slosson J ong Gathel Weston

Patrick Ludwin Hideo Selciguchi

Jay Sedlik Preston Smith

Roy Lim George Schenck

George el on pencer ~ el on



THE GARDNER

ENCOUNTER

WE LOOK AND SEE

IN THE CAN

THE END OF SOMETHING

TRUTH, JUSTICE AND THE AMERICAN WAY


THE 25th HOUR Jose Aguayo Sims Howell Roy Lim Monin Lopez

KERR Lee Atwell Knute Crawford Stuart Fox Bert Lovitt

DUET Anthony Fowles John Koester Richard Maximon Patrick Price

OUT OF SERVICE Norma Archer Marguerite Brown Yoram Getzler Richard Gunsell

HONEYMOON Laura Conaton Dave Guilbert Thurston Jordan Bill Marks

THE CIRCLE Ronald Ascher Harvey Deneroff Celio Ferretti Sheldon Kahn

Leonie deFernandez John Williams George Woods

Patrick Ludwin Naomi Reich Nelson Rojas

Stephanie Rothman Eric Timmerman Royd Weintraub

John Holmes Ayhan Iyikan David Wong

Sherwood Omens Les Pal Cahi t U nsalan

Myron Savage George Schenck Finis Schneider

ANIMATION ART CLASS 435

Richard G. Alvarez Hisako Asano Robert C. Bennett Ed ward A. Coch Sally Moore Willem Molle

Jonathan B. Orr Amir Jahromi William Pang Thomas G. Thom Douglas Trumbull

ANIMATION WORKSHOP 481b

THE B.E.F. Ronald D. Yeakley

ONE POI T PER PEC1 IVE Jo eph Uribe

ANIMATION 448

SCHIZO Jose Aguayo Hisako Asano Harvey Deneroff Leonie deFernandez

Celio Ferretti Slo on Jong George el on


Douglas Cox Irwin Blacker Herbert Farmer James D. Finn-Head Richard Harber Bernard Kantor-A ociate Head David W. Johnson Arthur Knight Herbert Kosower Ru ell McGregor

Glenn MclVIurry Kenneth Miura Eugene Peter en William Poulson 1aynard mith

Melvin loan Wolfram on Hanwehr George Wehbi Daniel Wiegand Frank Withopf

DELTA KAPPA ALPHA ALPHA CHAPTER

OFFICERS

Roy Lim Charles wartz

fonin Lopez Fred Heinrich

Fred Heinrich lonin Lopez

Laura Conaton Ro Lim

FALL, 1962

PRI G, 1963

. . . . . Richard Harber-Facult d i or of KA

Pre ident Vice-President

Secretary Treasurer


ecretary Treasurer

1963-64 FILM REVIEW

of

STUDENT PRODUCTIONS

Founders Hall 133

presented by


and

DELTA KAPPA ALPHA



UNIVERSITY oF SouTHERN CALIFORNIA

Each year the Department of Cinema invites it alumni and the general public to see the work of its recent tudent . A indicated by the accompanying list of titles, this year has been as productive as the past few. Thi year's student productions total between six and even hour of completed work.

Since time will not permit u to present all the film , we have selected representative amples from each of the production classe .

The SENIOR PRODUCTION WORKSHOP, as the name implies, is taken by senior students, following their experience in the basic courses. Each crew, compri ed of enrollees 'in each of the ad anced cour es in writing, camera, editing, ound, unit management and direction, undertakes two film projects per seme ter. Undergraduate tudent take two seme ters of workshop, assuming different major respon ibilitie each term.

The first project, completed in the first five weeks of the semester, is a quick sketch, an introductory experience in film making, which re ults in a 3- to 5-minute presentation.

The second project is a 7- to 10-minute film in which the assignments are more complex, the themes more varied and in which the expected level of professionali m is higher.

The GRADUATE STUDENT WORKSHOP includes tuden working on advanced degrees, who have reached a point of profe ionalism which allows them to undertake a variety of film projects which challenge their abilities and imagination. On occasion an out ide organization may make a grant 'in aid to the Univer ity for the purpo e of supporting a film production in the Graduate Workshop. Thi pro id a more tangible reference for the tudent as to e entual u e of the film, although the control of approach and content still rests with the tudent and staff.

In both clas es the student originate and de elop their own ide the film concepts and are directly re pon ible for the execution of all the technical aspect of film making.

The ANilVIATION PROGRAM incorporat a ariety of cour designed to teach the pecialized proces of the medium o as to enlarge the cope of the arti t in tran forming hi ideas and concept hrough th animated film. The program \ as initiated in 1960 by the Animation Indu try in an effort tov ard developing and encouraging tal nted indi-

idual both from the uni er ity and the indu tr .

PECIAL PRO ]ECT are extra-curricular production act! 1t1

\ hich afford ad anced tudent an opportunity to undertake film projec to further their growth in the field .


SHOE TALE Fred Collum John Cultrera Bert Holland

OUT OF LEFT FIELD Swebston S. Howell Tom Kirkman Ed Pyle

THE BIG BABBLE Mahdi Al-Saffar John Holmes Ayhan Iyikan

THE WATCHERS Jim Morrison Jim Morriss Dick Newing

GUIDING EYES Donald Abel Laura Conaton Douglas D'Andrea Roger Francis

John McKay Don Timmerman

Bob White Nelson Rojas

Paul Noonan Pat Shields Bailey Whitaker

Art Phelps Al Razum George Schmitz

Richard Gunsell Ralph Lewis Finis Schneider

Jarvis Couillard, Instructor

SPECIAL PROJECTS

THE SURVIVORS Vern Bert Knute Crawford Domingos Lam

THE ACTRESS Hikmet Aghanigian Mahdi Al-Saffar Paul Golding Mustapha Hijaouy

IN TERMS OF SPEECH Hal Earwood Laura Conaton Knute Crawford Bruce Feldman Thomas Hickey Toby Jordon

Roy Lim William Marks Preston Smith

Roy Lim Laszlo Pal Mardi Rustam

W·illiam Marks Sherwood Omens Michael Saltz Vern Vihlene Royd Weintraub Joshua White

FALL 1963

SE lOR WORKSHOP FIVE-WEEK PROJECTS

BRIGHTNESS FALLS

ALL BLUE

42nd ANNUAL PIC IC

AFTERNOON

INCIDENT

SENIOR WORKSHOP TEN-WEEK PROJECT

DAY BY DAY Mahdi Al Saffar Bruce Feldman Gene Fiscalini

THE APOSTATE Reed Anderson Naomi Reich Lorin Salob

Anthony Fowles Joshua White John William

Myron Savage Homer Stanhope Erik Timmerman

MORRIS MEETS AN ANGEL OF DEATH Gary Conklin Stuart Fox T. C. Jordon

A FILM Denni Galling Y oram Getzler Howard Kazanjian

SKIN DEEP Bruce Chevillat Edward Coe Kraivudh Gohwong

PRODUCTIO

THE RECEPTIO Harve Deneroff

herwood Omen

Edward Pyle Michael Saltz

William larks Barry Prince David Wong

1ustapha Hijaouy Richard tvlaximon Laszlo Pal

OF THE GRADUATE WORK HOP

tephani Rothman Ro d \ eintraub

PROCE OF GRO TH ]o e Aguayo Ronald cher Richard Gun ell

Richard l\laximon Fini chneider

SPRING 1964

SENIOR WORKSHOP FIVE-WEEK PROJECTS

I WONDER WHY ZERO'S HOW TO BE LIKED PROFILE

LITTLE LIZZIE UNTITLED

NOON AT CURRIES THIS FILM HAS NO TITLE

I WONDER

SENIOR WORKSHOP TEN-WEEK PROJECTS TIGER'S NEST

Reed Anderson Charles Beloian William Clemons

THE GARBAGE THIEF Hikmet Aghanigian Hal Earwood Bruce Feldman

Edward Coe Russell Koutz David Spa:id

Roger Mitchell David Pellow Tim White

THE GOOD AND THE BEAUTIFUL Howard Blau Jerrold Friedman Dennis GaHing

TROPE Thorn Andersen Joyce Geller Karl Menhart

FUGUE Kemal Gokaydin Harvey Laidman

SO THAT ENTERPRISEDale Boggie Chang Huan-Tseng Bruce Chevillat

David Hanson Mustapha Hijaouy

Barry Prince Vern Vihlene

Naomi Reich Wayne Threm

Kra:ivudh Gohwong Jackson Graves

PRODUCTIONS OF THE GRADUATE WORKSHOP INCIDENT IN A BARREN LANDSCAPE

Anthony Fowles Stuart Fox

THE SPIN William l\1arks

Erik Timmerman

Laszlo Pal


HOE TALE Fred Collum John Cultrera Bert Holland

OUT OF LEFT FIELD Swebston S. Howell Tom Kirkman Ed Pyle

THE BIG BABBLE Mahdi Al-Saffar John Holmes Ayhan Iyikan

THE WATCHERS Jim Morrison Jim Morriss Dick Newing

GUIDING EYES Donald Abel Laura Conaton Douglas D'Andrea Roger Francis

John McKay Don Timmerman

Bob White Nelson Rojas

Paul Noonan Pat Shields Bailey Whitaker

Art Phelps Al Razum George Schmitz

Richard Gunsell Ralph Lewis Finis Schneider

Jarvis Couillard, Instructor

SPECIAL PROJECTS

THE SURVIVORS Vern Bert Knute Crawford Domingos Lam

THE ACTRESS Hikmet Aghanig-ian Mahdi Al-Saffar Paul Golding Mustapha Hijaouy

IN TERMS OF SPEECH Hal Earwood Laura Conaton Knute Crawford Bruce Feldman Thomas Hickey Toby Jordon

Roy Lim W-illiam Marks Preston Smith

Roy Lim Laszlo Pal Mardi Rustam

William Marlrs Sherwood Omens

iichael Saltz Vern Vihlene Royd Weintraub Joshua White

1964-65 FILM REVIEW


presented by


and

DELTA KAPPA ALPHA


Founders Hall 133 8:00 p.m. Friday, june 4, 1965


Each year the Department of Cinema in it its alumni and the general public to see the work of it recent tudent . A indicated by the accompanying list of titles, thi year has been as producti e a the past few.

Since time will not permit u to pr ent all the film we have selected representative samples from each of th produ tion cla

The SENIOR PRODUCTIO WORK HOP as the name implies, is taken by senior tudent , following their e perience in the basic courses. Each crew undertakes two film project per em ter. Undergraduate students take two seme ters of work hop, as uming different major responsibilities each term.

The first project, completed in the fir t fi e weeks of the em ter, is a quick sketch, an introductory experience in film making, which results in a 3- to 5-minute presentation.

The second project is a 7- to 10-minute film in which the as ignments are more complex, the theme more aried and in which the expected level of professionali m is higher.

The GRADUATE STUDENT WORK HOP includ tudent working on advanced degrees, who have reached a point of prof ionalism which allows them to undertake a ariety of film projects which challenge their abilities and imagination. On occasion an out ide organization may make a grant in aid to the U ni er ity for the purpo e of supporting a film production in the Graduate Wor hop. Thi provid a more tangible reference for the tudent a to eventual u e of the film although the control of approach and content till r ts ' ith the tuden and staff.

In both clas es the tudents de elop the ideas and are directly r -spon ible for the execution of all the technical a pe t of film making.

The A IMATIO PR GRAM incorporat a ariety of cour designed to teach the pecializ d proc of the medium o a to nlar e the cope of the arti t in tran forming hi ide and concep throu h th animated film. The program ' as initiated in 196 by the nimation Indu try in an effort tov ard de eloping and encouraging talent d indi-

idual both from the uni er ity and the indu tr .


80 DAVID Donald Williams Elizabeth Kay Thomas Bonte

A PROGRAM FOR LEARNING Mardi Rustam Donald Denis William Fisher

KISS ME SOUNDLY Ian Shand Robert Kellam Charles Strathman

SALVADOR'S EGGS Hikmet Aghanigian Loren Salos Kemal Gokaydin John Parker John Olson

John Olsen John Parker Earl Marble

Frank O'Neill Kenneth O'Brien Howard Blau

Bailey Whitaker Joseph Kirschbaum Donald Periana

Walter P. Mellus Harold Pittinger Gene Doubleday Harvey Laidman

Jarvis Couillard. Instructor

THE DREAM David Dryer Jerry Cohen Michael Rogers

ANIMATION WORKSHOP

A CHILD'S INTRODUCTION TO THE COSMOS Hal Earwood

DIRECTED RESEARCH ANIMATION

HOMAGE TO MUYBRIDGE David Hanson

ANIMATION CLASS PROJECT

FALL 1964


ACT WITHOUT WORDS

THE EXA riNER

DIS-SPARE

SENIOR WORKSHOP TEN-WEEK PROJECTS

AVALON

Tom Anderson Michael Rogers John McLean

THE INTERVIEW

Timothy White Gene Hood Stephan Bobek J ae Carmichael

THE ELEVATOR

Paul Dickson Michael Briggs AI Friedman

Gilbert Minot David Dobson David Dryer

Fredric Bro t Leslie Brown Riaz Gul

Bahman Farmanara Daniel Sefton Vern Vihlene


APOSTASY

Anthony Fowles Stuart Fox Erik Timmerman

THE ANGEL OF DEATH

William Marks La zlo Pal

THE DOMI ATOR

Jack Graves David Han on David Pellow

A GEL' FLI HT

Hikmet Aghanigian Harvey Laidman Roger :Iitchell David paid

SPRING 1965


THE WAY WE PLAY LUNCH HOUR IS THE LONELIEST HOUR OF THE DAY

THE RUGBY KICKER ANATOMY OF A RUNNER

SENIOR WORKSHOP TEN-WEEK PROJECTS

THE SNIPER Robert Osborn Fredric Brost John Madrical

GOOD CLEAN FUN Alan Coates John Bailey Les Brown

PLEASE HELP ME David Dobson Riaz Gul Morgan Fisher

Richard Letnes Ray Berrager Gene Hood

Sam Kula Howard Myrick David Horsman

Gary Young Linda Delton

THE LADY OF LARKSPUR LOTION Bahman Farmanara William Heskett Robert Kippur

THE SANDBOX Jack Oswald Frank Wrigley William Vitarelli

AI Friedman Michael Marantz

Michael Briggs Michael Rogers Peggy Wallace


THE GREAT WALLED CITY OF XAN Hal Harwood

STREET THEATER Huan-Tseng Chang Roy L. Lim

Timothy White

UM 1ER WORKSHOP 196-t

80 DAVID Donald Williams Elizabeth Kay Thomas Bonte

A PROGRA 1 FOR LEARNI G Mardi Rustam Donald Deni William Fi her

KISS ME SOUNDLY Ian Shand Robert Kellam Charle Strathman

SALVADOR'S EGGS Hikmet Aghanigian Loren Salos Kemal Gokaydin John Parker John Olson

John 01 en John Parker Earl Iarble

Frank 0' eill Kenneth O'Brien Howard Blau

Bailey Whitaker Jo eph Kir chbaurn Donald Periana

Walter P. Mellu Harold Pittinger Gene Doubleday Harvey Laidman

Jarvis Couillard. In tructor

THE DREAM David Dryer Jerry Cohen Michael Rogers

ANIMATION WORKSHOP

A CHILD'S INTRODUCTIO TO THE CO MO Hal Harwood

DIRECTED RE EARCH A IMATI

HO l'viAGE TO MUYBRIDGE Da id Han on

A I I TI CL PR J T

.L + = 0

1967-68 Fl LM REVIEW


Bovard Auditorium

UNIVERSITY OF

presented by


and

DELTA KAPPA ALPHA


8 p.m.

SouTHERN

Friday, June 7, 1968

CALIFORNIA

Each year the Di i ion of Cinema in ite it alumni and the general

public to see the work of it recent tudent . ince time will not permit u to pre ent all the film 1 \ e have ~elected repre entati e amples from each production cla . In all cia ~e 1 the tudent de elop their own ideas

and are directly re pan ible for the execution of all a pects of film making,

both technical and aesthetic.

Usually the fir t film i undertaken during the Junior ear. The e are e entially intended to familiarize the tudent with orne of the complexitie of film making which ha e been mo tly theoretical until then.

The Senior Production Work hop offer the tudent an opportunity to experience a group effort often it elf a diffcult a problem a the film they undertake. Each student a urne re ~pon ibility for t\\ o pecific areas of function along with that of the o erall concept of the film. U ually the director i a student who ha functioned a an editor and production coordinator during the pre iou seme ter.

On the Graduate level tudent rna elect either group or individual film effort , or both. In the Creati e Film eminar, tudent have an opportunity to explore a pecific cinematic problem of pecial intere t to themselve alone. They may choo e to complete the e film or to merely purue them to editorial interlock. The Graduate Production \Vork hop offer an opportunity to undertake a group film effort b tudent who have already de eloped a degree of technical proficiency to implement their idea . Thi permit them to pur ue their film ' ith a more profe -ional approach while till free to e plore the medium.

The Animation Program incorporates a ariety of cour ·e de-igned to teach the pecialized proce e of the medium o a ~ to enlarge the cope of the arti t in tran forming hi idea and concept· through the animated film. The program \ a initiated in 1960 b the nimation Indu try in an effort to\ ard developing and encouraging talented indi idual both from the uni er ity and the indu · try.

Occa ionally film are undertaken a pecial projec · both on the undergraduate and graduate le el . he e include film which are made a partial fulfillment of the :\la ter egree.

BIRD Bruce Green

DON'T SQUEEZE MY FAT Robert Lovenheim

LANDSCAPE Charles Cook

YA YA Raymond Fleming

ANIMATION

MAIN STREET Clifford F enneman

SHEM Dan Zimbaldi

STEAM Clark Ballard

LOONEY TUNES Class workshop project

CIRCLES AND SQUARES Navy Animation Workshop

CREATIVE CINEMA

THREE WHEEL SWEEPER Jack Barry

NARSISSUS Paul Silberman

KRON Phillippe Content

ROXANA Ali Issari

OPEN ROAD Robert Lovenheim

MAIN ST. GYM Stephen Rabin

COLLECTION Richard Walter

A CERTAIN POTENTIAL Michael Warren

Untitled Films Robin Commagere Caleb Deschanel Paul Golding Bruce Green

LAST DAYS ON THE SAND Richard Robertson

CHILD'S PLAY

PLEASURE

SEMINAR IN CAMERA

THE PAS:SING LANE Caleb Deschanel Walter Murch Matthew Robins


MAN AND WOMAN

MONDO

UNNOTICED CHAM EREON

FALL 1967

SENIOR PRODUCTIO ORK HOP

FIR T PRO]E S

TEAM Y UTH I CRI I

OH, WHAT A l 1 IDE ... T BEAUTIFUL ~10R 1I G THE U H U TED

TALKSHOW PORK BARREL

A iERICANA 92

S.ECO D PR JEer

A :IERICAN HERITAGE

Paul Tyrulis Charles Ander on Jeff Boler Scott Clinton Brian Neil on

ONE OF THE HELP

Richard Walter William Dannevik John Lyons ... fartin Becker 1 iichael Warren John Wooter

THE LITTLE RED VOLKSWAGON

Bob Boucher Harold Abbot Bob Lovenheim Bob Burton Bob Ea ton

J ean-~larie Pellerin Bruce Eletto R. ]. Haye

D ... RRE

~rlichael Brown Ba ·il Poledou ri

GRADU ... TE \

o;vr ' teve Rabin

Jack Barr Ja Keinlen Clark Ballard Paul ilberman Jame~ hope

32 WET

L ven Je ·ter Levi Ro ·enberg ~lonte tuck • Iorgan La\ renee El iia ·ondor

VIKI \ l\IIE c RE

Caleb Deschanel Rick aughn John Fo. Leo utt

te e Hen ·chel Bill Phelp

im Butler j im v agner Bob Bern tein

RK H P

HE Robin ommagere Phill ippe on ent

ary Rocklen tephen \i il on

D NT

SPRING 1968


FIRST PROJECTS

A NEGATIVE SUSPECT

SWEET RETURN

LAST SUNDAY

LAST DATE

PRETEND THE PICTURE IS ROSY

ONE AFTERNOON

FLOOR FIVE

THE MEN'S ROOM

SECOND PROJECTS

THE BUDDING Garrie Bateson J ames Portwood John Christie Richard Martin Louis Arcieri William Manning

SUiVIMER DAYS DON'T LAST Randy Kleiser William Beasley Jerry Hartleben John O'Connor Skip Heerman James Dooner

TROY DANIELS, USMC Milt Timmons Eric Palm Frank Frost Claude Tobossi Godwin Sifafula

TRILOGY Art Cabot Sargon Tamimi Omar Villasmil Evard Wadsworth Eric Hanson

THE REVERSAL OF RICHARD SUN Bill Phelps Howard Price William Morrison Bernard Mukuwa David Lester Leo Nutt

DELIVERANCE Jean-Marie Pellerin I van Beckoff Ray Engel Susan Lang Ken Thornsley Jack Ferrier

THE TIME IS NOW David Acomba Bill Linsman Jane Andrews Leonard Lipton Raymond Fleming Tom Parkinson

THE GAME Jay Berryman Jerry Roberts James Burroughs Kirby Timmons James McGinnes

A IMATION

BIRD Bruce Green

DO 'T QUEEZE 'IY FAT

Robert Lovenheim

LA DSCAPE Charle Cook

YA YA Raymond Fleming

CIRCLE' AND SQUARE Navy Animation W ark hop

;\lAI TREET lifiord F enneman

HE~l Dan Zimbaldi

TE :\I Clark Ballard

LO EY TU1 E Cia v.rork hop proje t

CREATIVE CI EMA

THREE WHEEL SWEEPER Jack Barry

KRON Phillippe Con tent

ROXA A Ali Issari

OPEN ROAD Robert Lovenheim

MAl ST. GYM Stephen Rabin

LAST DAYS 0 THE S D Richard Robert on

N R I U Paul ilberman

C LLECTIO Richard W al rer

ERTAI POTE TIAL i\tiichael arren

Untitled Film Robin Commagere Caleb De chanel Paul Gal ing Bruce Green

SEMI N R IN C 'lERA

THE P ING LA E Caleb Deschanel Walter urch

Matthew Robin

U l f2\1ER \ RK HOP 1967

HILD PL Y .. D "\-\ :\1

PLE URE

U ICE CH. :\IEREO.

announcing

UNIVERSITY OF SOUTHERN CALIFORNIA- DIVISION OF CINEMA

SPECIAL SEMI-ANNUAL STUDENT FILM SHOWING Friday evening, February 21, 1969-8:00 p.m.

Bovard Auditorium- USC Campus Admission- Free

Help us celebrate our new projection booth made possible by a grant from the Mayer Foundation

Because of many requests we will repeat most of the films shown at the student film showing this past June. In addition several new films will also be shown.

No reserved seating

Telephone USC Cinema- 746-2235 to reserve space

(Enter campus on 35th Street off Figueroa Street. The campus guard will direct you for parking and to Bovard)

Divi!tion of Cinema UNIVERSITY OF SOUTHERN CALIFORNIA

School of Performing Arts University Park

Los Angeles, California 90007

ddress Correction R equ.ested

UNIVERSITY OF SOUTHERN CALIFORNIA- DIVISION OF CINEMA

announcing

SEMI-ANNUAL STUDENT FILM SHOWING Friday evening, June 5, 1970- 8:00 p.m.- Bovard Auditorium-USC Campus

Admission-$1.00 per person

Tickets available at USC Ticket Office or at Cinema 9-4 each week day

or at box office on evening of June 5th

No reserved seating

(Enter campus on 35th Street of! Figueroa Street. The campus guard will direct you for parking and to Bovard)

Division of Cinema University of Southern California

University Park Los Angeles, California 90007

Telephone 746-2235

DIVISION OF CINEMA UNIVERSITY OF SOUTHERN CALIFORNIA

SCHOOL OF PERFORMING ARTS UNIVERSITY PARK

LOS ANGELES, CALIFORNIA 90007

address correction requested

Documents

I ~tu lt)lf~5''s-