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1 ©I.C.MariAnne Karlsson ’Mediating tools’, product representations, and their role in user studies I.C. MariAnne Karlsson ©I.C.MariAnne Karlsson

I.C. MariAnne Karlsson · The information often took the character of a story, a narrative: •E.g. ... ooo xxx xxx *** *** *** oo oo oo ooo oo x xx xx ** ** ** ** ** o o o xx x **

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Page 1: I.C. MariAnne Karlsson · The information often took the character of a story, a narrative: •E.g. ... ooo xxx xxx *** *** *** oo oo oo ooo oo x xx xx ** ** ** ** ** o o o xx x **

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©I.C.MariAnne Karlsson

’Mediating tools’, productrepresentations, and their role in

user studies

I.C. MariAnne Karlsson

©I.C.MariAnne Karlsson

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©I.C.MariAnne Karlsson

©I.C.MariAnne Karlsson

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©I.C.MariAnne Karlsson

©I.C.MariAnne Karlsson

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©I.C.MariAnne Karlsson

Mediating tool

• ’Medium’ (sw.) = medel, kanal

• To mediate (eng.) = ”to bring about something”

• Mediating tool or mediating object is here a ’stimulus’ Something which enhances reflection

Something which enhances discussion

Something which brings about ’focus’

The purpose may be divergent or convergent

©I.C.MariAnne Karlsson

The stages of the design process

Identify needs

and req.

Generate and assess ideas

Choose anddevelop concept

Detaileddesign

Prototype .... .... ....

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©I.C.MariAnne Karlsson

• What type of mediating tool could and should be useddepends on the purpose of the study

• Mediating tools may be used in user studies with thepurpose to describe problems elicit requirements generate ideas and concepts evaluate design solutions etc

©I.C.MariAnne Karlsson

• A mediating tool may be, e.g. A product representation

• A representation of– the existing and/or future prodduct / design /use situation ...– similar products / designs ...– any product / design /use situation ...

• May take the shape of a sketch, a model, a mock-up, a prototype, aCAD-drawing, or a VR-representation

Other stimuli• A stimulus, of any kind, that triggers reactions and reflections

regarding ’something’– Examples of other stimuli are: a piece of music, a film, photos, a play,

etc.– ’Cultural probes’

Mediating tools are not synonymous with product representations.The main part of the existing research has, however, focused onproduct representations and evaluation of design solutions

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©I.C.MariAnne Karlsson

Choosing product representation foreliciting requirements

©I.C.MariAnne Karlsson

Study I: Travellers requirements fora new tram

• Data collection method Focus group interviews (4 altogether)

• Participants Individuals with product experience (frequent travelllers) Individuals without product experience (infrequent travellers)

• Mediating tools A series of photos representing ”a trip with public transport, a

tram trip”

The actual tram (1:1) accessible in a garage

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©I.C.MariAnne Karlsson

• Frequent travellers • Focus group 1: Photos

• Focus group 2: Tram

• Infrequent travellers • Focus group 3: Photos

• Focus group 4: Tram

Study design

©I.C.MariAnne Karlsson

”The pictures show animagined trip with a tram.The tram arrives to thestop, you enter, youvalidate the ticket,...”

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©I.C.MariAnne Karlsson

• Quantitative aspects The elicitied number of requirements is almost the same

independent of mediating tool or character of participants• The outcome may be more time-dependent than dependent upon the

mediating tools used (?)

• Qualitive aspects The themes are the same - but on the other hand these were

determined by the moderator of the focus groups

The character of the information differs

©I.C.MariAnne Karlsson

• Frequent travellers The participants seldom referred to the specific photos or to

the specific tram. Instead they referred to situations they hadexperienced when travelling by tram.

The information often took the character of a story, anarrative:

• E.g. ”One day when I ... ” or ”It happens sometimes that ...”

The photos and the tram (i.e. the physical product) helpedtrigger these stories, helped the participants to focus onparticular aspects

• The frequent travellers did not seem dependent, however, of thespecific type of representation

The information content of the photos were sometimesquestionned by the participants

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©I.C.MariAnne Karlsson

• Infrequent travellers The participants referred to the specific photos shown or the

specific situation as experienced in the tram The participants assessed the specific situation, at the

specific time• E.g. ”This is not particularly comfortable ...”

If they spoke about other issues, it was in very generalterms, they spoke about the tram as a concept not as a”product” which to get on, travel with, get off etc.

• E.g. ”Trams are part of Göteborg ....”

The participants never questioned what was represented inthe product representations, i.e. the photos and the tram

The content of the product representations determined to alarge extent the information that was elicited

©I.C.MariAnne Karlsson

Study II: User requirements for ahealth scanner

• Data collection method Focus group interviews (6 altogether)

• Participants Experience of the technology (in this case IT) Domain knowledge / interest in one’s health

• Mediating tools Verbal description Sketch A non-functional 3D-model

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©I.C.MariAnne Karlsson

Group 6Group 5Group 4Younger

< 25 years

Group 3Group 2Group 1Elderly

> 65 years

3D modelSketch

Verbaldescription

Study design

©I.C.MariAnne Karlsson

The sketch includedcertain pieces if text.The text was, however,identical with the one usedin the verbal description.

The physical 3D-modelhade the same shape,colour(s), format etc. asthe product representationin the sketch.

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©I.C.MariAnne Karlsson

Number of requirements elicited

Verbal

description Sketch 3D model

Elderly

> 65 26 21 43

Younger

< 25 29 33 31

©I.C.MariAnne Karlsson

Environmental

issues

Expression, image

Functionality

Usability,

interaction

Information displayDurability, cleaning

Security,reliability

Distribution,cost

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Each req. isindicated byone of threemarkers

0 = verbalX = sketch* = 3D model

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©I.C.MariAnne Karlsson

Creating experiencesto enhance reflection

©I.C.MariAnne Karlsson

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©I.C.MariAnne Karlsson

Choosing mediating tools forgenerating design ideas

©I.C.MariAnne Karlsson

Scenario inkl. Personas

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©I.C.MariAnne Karlsson

Moodboard

©I.C.MariAnne Karlsson

Image board

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©I.C.MariAnne Karlsson

Choosing product representationwhen evaluating design solutions

©I.C.MariAnne Karlsson

Categorisation of productrepresentations (enl. Nielsen 1993)

Vertical prototype

Horizontal prototype

Features

Function-ality

Källa: Nielsen 1993

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©I.C.MariAnne Karlsson

Different types of productrepresentations

• Verbal descriptions, scenarios• Physical prototypes

Paper prototypes Paper, OH-projections, Post-it notes Mock-up Models

• Analogue and digital prototypes Sketches, drawings CAD drawings VR representations

©I.C.MariAnne Karlsson

• Interactive prototypes Hyper Card/SuperCard, PowerPoint ’Wizard -of-Oz’

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©I.C.MariAnne Karlsson

• The actual, ’finished’, product is the reference• Often the assumtion is made that the more concrete the

representation, the better (the more certain) ... the elicited information• Studies have shown that it is probably not a matter of the type of

product representation but of the information content of therepresentation The aspects that you may want to evaluate must be part of/be

included in the product representation• The choice of participants can compensate for a lack of information in

the product representation Participants with product (area) experience will provide more and

more detailed information, also of aspects which are not present inthe representation

©I.C.MariAnne Karlsson

Educating users asa metiating tool

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©I.C.MariAnne Karlsson

Educating users asa metiating tool

• The case of Product Semantics and productSemantic Analysis

©I.C.MariAnne Karlsson

The Product - A Trinity

[Monö, 2000]

• The technical whole The product’s technical function, construction, production

• The ergonomic whole The adjustment of the product to fit the human user (the

consumer), physical aspects

• The communicative whole The product’s ability to communicate with the user (the

consumer), cognitive aspects

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©I.C.MariAnne Karlsson

Reactions in terms of feelings emotions recognition understanding etc.

The communicative function

Describe factsExpress propertiesExhort reactionsIdentify origin

Product

©I.C.MariAnne Karlsson

Product semantic analysis

• In, e.g., focus group interviews, the users learn about productsemantics and the expression of products

• Words (adjectives), describing desired and undesiredexpressions are generated

• The words are analysed, clustered and reduced• An instrument - an assessment scale is constructed, e.g. a

visual analogue scale• The adjectives are given synonyms• Different users assess the expression of the product using the

instrument

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©I.C.MariAnne Karlsson

The value/expression

Maximum

The opposite

0

Neutral

©I.C.MariAnne Karlsson

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©I.C.MariAnne Karlsson

neutral

harmonious

functional

cosy

durable

soft

professionalexclusive

moderncomplicated

unreliable

uninspiring

opposite

property

maximum

the company’s assessments of the product

the customers’ assessments of the product

©I.C.MariAnne Karlsson

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©I.C.MariAnne Karlsson

Design ADesign B

Two differentweb-designs areperceived asexpressingdifferentproperties

Median values,n=20

©I.C.MariAnne Karlsson

Summary

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©I.C.MariAnne Karlsson

The choice of mediating tool isdetermined by the purpose of the study

Identify problem, elicit requirements

Investigate the user’s attitude towards different design solutions

Generate ideas, assess ideas, choose between design solutions

Evaluate usability

Assess accessibility Etc.

©I.C.MariAnne Karlsson

.... But also the participants

• Novices/ users with little product experience seem toneed more information, more support in the productrepresentation than do the experts / more experiencedusers

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©I.C.MariAnne Karlsson

.... And type of product

• Assessment of a completely new product (a radicalinnovationj) may require a more realistic productrepresentation compared to a well-known product orproduct area ...