Impressionist/Modern & Picasso Ceramics

7/21/2019 Impressionist/Modern & Picasso Ceramics

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IMPRESSIONIST/MODERNSOUTH KENSINGTONFRIDAY 6 FEBRUARY 2015


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A

Andr, A., 75BBethy, E., 108Bombois, C., 9-12Bores. F., 71Bourdelle, .-A., 83Braque, G., 3Brasilier, A., 15, 16, 48,50, 51Brianchon, M., 100Buffet, B., 13, 14, 17

C

Camoin, C., 22Cariot, G., 117, 124Cocteau, J., 73

DdEspagnat, G., 128Dal, S., 72, 74Derain, A., 70, 86Dix, O., 27-31Domergue, J.-G., 129,131Domnguez, ., 69Dufy, J., 46, 95

Dufy, R., 77, 93, 98Dyf, M., 126

EErnst, M., 60, 63Esteban, F., 65

FFeininger, L., 26Foujita, L.T., 59, 64, 130Franck, P., 38

GGall, F., 118, 123, 125

Goerg, E.J., 121Grosz, G., 32Gurschner, H., 39, 42Gutfreund, O., 111

H

Hch, H., 23KKlimt, G., 43, 45Kokoschka, O., 37, 44Kubin, A., 40, 41Kupka, F., 24

LLanskoy, A., 103, 104Laug, A., 87Lebasque, H., 85Lebourg, A., 89, 92Lhote, A., 105

Liebermann, M., 35, 36Lipchitz, L., 78Luce, M., 133

MMaclet, E., 120Maillol, A., 84Malle, C., 122, 134Man-Katz, 80Manguin, H., 88Marc, R., 112Marquet, A., 20Masson, A., 58, 62

Mintchine, A., 81Mir, J., 61Montzin, P.E., 115Morandi, G., 52-54NNadal, C., 47, 94, 116

PPalencia, B., 49, 101,102Picabia, F., 66Picasso, P., 1, 2, 5, 201-270Pissarro, L-R., 119Pissarro, P., 127, 132Prax, V., 109

R

Rami, A., 271Rodin, A., 82

SSchuffenecker, C.-., 91Schwitters, K., 33, 34Severini, G., 67Sidaner, H. le, 76, 90Signac, P., 99Smet, L. de, 55, 56

TTerzian, G., 113, 114Tobiasse, T., 79

Trotin, H., 7VVenard, C., 96, 97, 106,107, 110Vivin, L., 6, 8Vlaminck, M. de, 18,19, 21

INDEX


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INTERNATIONAL IMPRESSIONIST, 20TH CENTURY,MODERN BRITISH AND CONTEMPORARY ART DEPARTMENTS

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22/12/14

INTERNATIONAL DIRECTORSMartha Baer(Post-War and Contemporary Art)Tel: +1 212 636 2071Mariolina Bassetti(Post-War and Contemporary Art)Tel: +39 06 686 33 30Giovanna Bertazzoni(Impressionist/Modern Art)

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CONDITIONS OF SALE

This auction is subject toImportant Notices,

Conditions of Sale and to ReservesBUYING AT CHRISTIES

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[15]

christies.com

IMPRESSIONIST/MODERNFriday 6 February 2015

AUCTION

Friday 6 February 2015

at 10.30 am Lots 1-134

and Picasso Ceramics at 2.00 pm

Lots 201-271

85 Old Brompton Road

London SW7 3LD

AUCTION CODE AND NUMBER

In sending absentee bids or makingenquiries, this sale should be referredto asMARTA-10393

STORAGE AND COLLECTION

Please refer to the important noticeat the back of the Picasso Ceramics

auction lots. Please note that

Cadogan Tates opening hours are

Monday to Friday 9am to 5pm,

and purchases transferred to their

warehouse are not available for

collection at weekends.

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Natalie RadziwillHead of SaleTel:+44 (0)20 7752 [email protected]

Imogen KerrJunior SpecialistTel:+44 (0)20 7752 [email protected]

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Florence Woodfield MoraisTel:+44 (0)20 7752 [email protected]:+44 (0)20 7752 3283

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First initial followed by last name @christies.com (eg. Imogen Kerr [email protected]).For general enquiries about this auction,email should be addressed to theauction administrator.

Front cover: Lot 9

DACS 2014.Inside front cover: Lot 87Page two and three: Lot 43 & 42

Picasso Ceramics cover: Lot 216 Succession Picasso/DACS, London 2014.

Picasso Ceramics Inside front cover &page one: Lots 225, 226 & 219

VIEWING

Saturday 31 January 11.00 am - 5.00 pmSunday 1 February 11.00 am - 5.00 pm

Monday 2 February 9.00 am - 7.30 pm

Tuesday 3 February 9.00 am - 5.00 pm

Wednesday 4 February 9.00 am - 5.00 pm

Thursday 5 February 9.00 am - 5.00 pm

AUCTIONEERS

Benthe Tupker and Tom Best

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h*1PABLO PICASSO (1881-1973)Tte dhommesigned, dated and inscribed Pour Roland Pozzi Picasso Le 18.6.63. (withinthe composition)felt-tip pen on the title page of a book10wx 8in. (27.8 x 21.2 cm.)Drawn on 18 June 1963

3,500-5,500 $5,500-8,600 4,400-6,900

PROVENANCE:

Roland Pozzi, and thence by descent to the present owner.

Maya Widmaier-Picasso has confirmed the authenticity of this work.

Claude Picasso has confirmed the authenticity of this work.

h2PABLO PICASSO (1881-1973)

Pour Nounourssigned, dated and inscribed Pour [...] Son ami Picasso Le 9.7.71. (within thecomposition)felt-tip pen on the frontispiece from a book8x 6 in. (20.9 x 15.2 cm.)Drawn on 9 July 1971

3,000-5,000 $4,800-7,900 3,800-6,300

PROVENANCE:

Maurice Bresnu, Cte dAzur, as a gift from the artist and thence by descent;sale, Htel Drouot, Paris, 12 February 2014, lot 80.Acquired at the above sale by the present owner.

Maya Widmaier-Picasso has confirmed the authenticity of this work.Claude Picasso has confirmed the authenticity of this work.

PROPERTY FROM THE COLLECTION OF RUDOLF AND LEONORE BLUM

h*3GEORGES BRAQUE (1882-1963)La tteplaster and waxLength: 4in. (10.4 cm.)Executed circa 1929-32

2,000-3,000 $3,200-4,700 2,600-3,800

PROVENANCE:

Jeanne Frank, New York.Rudolf & Leonore Blum, Zurich.

EXHIBITED:

Basel, Galerie Beyeler, Braque, July - September 1968.

Quentin Laurens, the holder of the Droit Moral, has confirmed that this

work is registered in his archives.
http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=10393&lot=0003}http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=10393&lot=0002}http://%7Btype%3Dexternal_link%26url%3Dhttp//www.christies.com/LotFinder/lot_details_proxy.aspx?saleroom=CSK&sale=10393&lot=0001}


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h4KEES VAN DONGEN (1877-1968)Nu debout

signed van Dongen (lower right); signed with the initials, numbered andwith Andr Mettheys monogram No.7.V.D. (on the underside)

glazed ceramic plate

Diameter: 9in. (23.4 cm.)

Executed circa 1907, this work is unique

6,000-8,000 $9,500-13,000 7,600-10,000

Jacques Chalom des Cordes will include this plate in his forthcoming

van Dongen catalogue raisonnbeing prepared under the sponsorshipof the Wildenstein Institute.

h*5AFTER PABLO PICASSO (1881-1973)Femme la collerette

stitched with the signature and dated Picasso 3.7.38 (lower right) andnumbered and with the symbol 10/20 (on the reverse)

wool tapestry

82x 72in. (210.3 x 184 cm.)

Conceived in 1938 and executed by Marigold Enterprises in 1980 in a

numbered edition of 20 plus three hors commerce examples.

12,000-18,000 $19,000-28,000 16,000-23,000

This tapestry was conceived after Pablo Picassos eponymous oil

painting (Zervos 173).
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PROPERTY FROM THE COLLECTION OF HANS HELLMUT KIRST

6LOUIS VIVIN (1861-1936)Sacr-Coeursigned L.VIVIN (lower left)oil on canvas19wx 27qin. (50.5 x 69.7 cm.)

2,000-3,000 $3,200-4,700 2,600-3,800

PROVENANCE:

Acquired by the father of the present owner in the 1960s and thenceby descent.

EXHIBITED:

Salzburg, Residenzgalerie, Die Welt der Naiven Malerei, July -September 1964, no. 107.

Olivier Lorquin has confirmed the authenticity of this work.


h7HECTOR TROTIN (1894-1966)Grande Fte de la Rosiresigned h.Trotin. (lower left)oil on panel18x 24 in. (46 x 61.2 cm.)

800-1,200 $1,300-1,900 1,100-1,500

PROVENANCE:

Acquired by the father of the present owner in the 1960s and thence

by descent.


8LOUIS VIVIN (1861-1936)Scne de portsigned L.VIVIN (lower left)

oil on canvas18x 24 in. (46.3 x 61.3 cm.)

800-1,200 $1,300-1,900 1,100-1,500

PROVENANCE:

Acquired by the father of the present owner in the 1960s and thenceby descent.

Olivier Lorquin has confirmed the authenticity of this work.


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h*9CAMILLE BOMBOIS(1883-1970)

Avant de paratresigned Bombois C.lle (lower left)

oil on canvas

36x 23in. (92.2 x 60.5 cm.)Painted circa 1927

25,000-35,000 $40,000-55,000 32,000-44,000

PROVENANCE:

Perls Galleries, New York (no. 7363).

Acquired from the above by the present owner in the

1970s.

Olivier Lorquin and Didier Jumaux have confirmed

the authenticity of this work.

Camille Bombois worked from a young age in

a variety of jobs, as a sailor and a wrestler on

fairgrounds near Paris, painting in his spare t ime.

The circus would later serve as the inspiration

for many of his most important works. Meeting

German critic Wilhelm Uhde, a champion of

Nave Art, in 1922 sparked fruitful support for

Bombois that would see his representation in Paris

exhibitions. The following four lots are from this

time in the 1920s, when he was becoming known

within Parisian avant-garde circles.

Bombois painted with careful sensitivity, attention

and respect for each subject. They rosey-cheeked

buxom females inAvant de paratre and Les belles

contes bleuxdisplay strength, curvaceousnessand seriousness far away from the eleganceandchic of the Parisian upper class. The vividness of

colour in their clothing, flesh and surroundings,

and simplicity of form makes a direct and bold

statement.

The artists particular attention to detail holds

an intimate quality, a personal specificity that

alternates between the intriguing, the humorous

and the precious. Tiny caricatures can often

be found in the peripheral minutiae of each

composition; the tiny clothes on the washing

line in Promenade en banlieue, the tiny potplantsitting on the doorstep in Les nouvelles du village,the paintings within a painting ofAvant de

paratre.These are quiet murmurs of the generalmilieu of each situation and narrative which brings

a feeling of commentary, an added entertainment

and characterful humour to each work.

He paints true to life, what he sees, what he

loves spontaneously in daily life - Wilhelm Uhde

THE PROPERTY OF A CHICAGO COLLECTOR
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h*10CAMILLE BOMBOIS (1883-1970)Les beaux contes bleuxsigned Bombois C.lle (lower right)oil on canvas36x 28in. (92 x 73 cm.)Painted circa1925

18,000-25,000 $29,000-39,000 23,000-31,000

PROVENANCE:

Perls Galleries, New York.Acquired from the above by the present owner in the 1970s.

Olivier Lorquin and Didier Jumaux have confirmed the

authenticity of this work.



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h*11CAMILLE BOMBOIS (1883-1970)Les nouvelles du villagesigned Bombois.C.lle (lower right)oil on canvas21x 18in. (54.8 x 46.3 cm.)Executed circa 1926

6,000-10,000 $9,500-16,000 7,600-13,000

PROVENANCE:

Perls Galleries, New York.Acquired from the above by the present owner in the1970s.

EXHIBITED:

DeKalb, Swen Parson Gallery, The Magic of Nave,1992; this exhibition later travelled to Beloit, WrightMuseum of Art, Charleston, Tarble Arts Center, WestLafayette, Purdue University Galleries and Elkhart,Midwest Museum of American Art.



h*12CAMILLE BOMBOIS (1883-1970)Promenade en banlieuesigned Bombois.C.lle (lower left)oil on canvas13 x 16in. (33.2 x 41 cm.)Painted circa 1929

5,000-8,000 $7,900-13,000 6,300-10,000

PROVENANCE:

Perls Galleries, New York.Acquired from the above by the present owner in the1970s.

EXHIBITED:

DeKalb, Swen Parson Gallery, The Magic of Nave,1992; this exhibition later travelled to Beloit, WrightMuseum of Art, Charleston, Tarble Arts Center, WestLafayette, Purdue University Galleries and Elkhart,Midwest Museum of American Art.





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PROPERTY FROM A NOTABLE COLLECTION

h*13BERNARD BUFFET (1928-1999)Pain et ufs sur le platsigned and dated Bernard Buffet 55 (upper centre)oil on canvas15wx 68 win. (40.3 x 175 cm.)Painted in 1955

30,000-40,000 $48,000-63,000 38,000-50,000

PROVENANCE:

Anonymous sale, Htel Drouot, Paris, 16 December 1980, lot 54.Galerie Tamenaga, Tokyo (no. 186).Acquired from the above by the present owner in March 1981.

This work is sold with a photo-certificate from Galerie

Maurice Garnier and is recoreded in their Bernard Buffet

Archives.


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h*14BERNARD BUFFET (1928-1999)Bouquet de fleurs dans un pot laitsigned and dated Bernard Buffet 54 (uppercentre)oil on canvas39x 21qin. (99.8 x 54.7 cm.)Painted in 1954

30,000-50,000

$48,000-79,000

38,000-63,000

PROVENANCE:Arthur Tooth & Sons, London.Anonymous sale, Sothebys, London, 30 June1983, lot 400.Galerie Tamenaga, Tokyo.Acquired from the above by the present ownerin 1984.

This work is sold with a photo-certificate from

Galerie Maurice Garnier and is recoreded in

their Bernard Buffet Archives.


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h*15ANDR BRASILIER (B. 1929)Chantal aux tulipessigned Andr Brasilier (lower right); signed,dated and inscribed Chantal aux tulipes AndrBrasilier 1972 (on the reverse)oil on canvas24x 18in. (61.2 x 46.3 cm.)

Painted in 1972

5,000-7,000 $7,900-11,000 6,300-8,800

PROVENANCE:

Private collection, Japan.

Alexis Brasilier has confirmed the authenticity

of this work and it will be included in the

forthcoming Andr Brasilier catalogue raisonn

h16ANDR BRASILIER (B. 1929)Nampteuil sous Muret, Aisnesigned Andr Brasilier (lower left); signed, datedand inscribed Nampteuil sous Muret (Aisne)Andr Brasilier 1966 (on the reverse)oil on canvas23x 28in. (60 x 73 cm.)Painted in 1966

10,000-15,000 $16,000-24,000

13,000-19,000

PROVENANCE:

Anonymous sale, Htel Drouot, Paris, 23 June1995, lot 53.Acquired at the above sale by the present owner.

This work is sold with a certificate from

Alexis Brasilier and it will be included in

the forthcoming Andr Brasilier catalogueraisonn.


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15


h*17BERNARD BUFFET (1928-1999)Le moulin ventsigned and dated Bernard Buffet 51 (upper right)oil on canvas44wx 57in. (114 x 146.8 cm.)Painted in 1951

35,000-45,000 $55,000-71,000 44,000-57,000

PROVENANCE:

Galerie Tamenaga, Tokyo.Acquired from the above by the present owner in April 1981.

This work is sold with a photo-certificate from Galerie Maurice Garnier

and is recoreded in their Bernard Buffet Archives.


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PROPERTY FROMA NOTABLE COLLECTION

h*19MAURICE DE VLAMINCK(1876-1958)Le Sausseron Valmondoissigned Vlaminck (lower right)

oil on canvas

21x 25in. (54 x 65 cm.)

16,000-24,000$26,000-38,000

21,000-30,000

PROVENANCE:

Ernest de Frenne, Paris.

Private collection, France, by whom

acquired from the above in 1929, and

thence by descent; sale, Christies,

London, 2 December 1986, lot 389.

Galerie Tamenaga, Tokyo.

Acquired from the above by the present

owner in October 1990.

This work will be included in the

forthcoming catalogue critique ofMaurice de Vlamincks paintings,

drawings and ceramics being

prepared by Math Valls-Bled

and Godelieve de Vlaminck under

the sponsorship of the Wildenstein

Institute.

h*18MAURICE DE VLAMINCK(1876-1958)Rue Harlysigned Vlaminck (lower left)

pen and India ink on paper

13x 17qin. (35 x 44.3 cm.)

3,000-5,000$4,800-7,900

3,800-6,300

PROVENANCE:

Galerie Vildrac, Paris (no. 280).

Marcel Bernheim & Cie, Paris.

Private Collection, Japan, by whom

acquired in the 1930s/1940s and thence

by descent.

This work will be included in the

forthcoming catalogue critique ofMaurice de Vlamincks paintings,

drawings and ceramics beingprepared by Math Valls-Bled

and Godelieve de Vlaminck under

the sponsorship of the Wildenstein

Institute.


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17

PROPERTY FROM A DISTINGUISHED PRIVATE ENGLISH COLLECTION

20ALBERT MARQUET (1875-1947)La Frettesigned marquet (lower right)

oil on canvas

20 x 24 in. (50.7 x 61.6 cm.)

Painted in 1939

25,000-35,000 $40,000-55,000 32,000-44,000

PROVENANCE:

Anonymous sale, Sothebys, London, 27 June 1990, lot 219.

Acquired at the above sale by the present owner.

This work will be included in the critical catalogue of Albert Marquets

paintings being prepared by the Wildenstein Institute.


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h*21MAURICE DE VLAMINCK (1876-1958)

Le tunnelsigned Vlaminck (lower left)

oil on canvas

18 x 21 qin. (45.8 x 54.7 cm.)

20,000-30,000 $32,000-47,000 26,000-38,000

PROVENANCE:

Galerie Tamenaga, Tokyo (no. 268).

Acquired from the above by the present owner in

October 1990.

This work will be included in the forthcoming

catalogue critique of Maurice de Vlamincks paintings,drawings and ceramics being prepared by Math

Valls-Bled and Godelieve de Vlaminck under the

sponsorship of the Wildenstein Institute.


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19

h22CHARLES CAMOIN (1879-1965)Le remorqueur dans le port de Saint-Tropezsigned Ch Camoin (lower left)oil on canvas21x 32 in. (54 x 81.5 cm.)Painted in 1928

20,000-30,000 $32,000-47,000 26,000-38,000

PROVENANCE:

Galerie Vildrac, Paris (no. 2479).Galerie E. Druet, Paris.Acquired by the present owner by the 1960s.

Anne-Marie Grammont-Camoin has confirmed the authenticity

of this work.


22/142

h24FRANTIEK KUPKA (1871-1957)

Autour dun point (E.III)stamped with the artists signature (lower left)gouache and pencil on paper8qx 9 in. (21.6 x 23 cm.)Executed circa 1920

6,000-8,000 $9,500-13,000 7,600-10,000

PROVENANCE:

Galerie Karl Flinker, Paris.

Pierre Brull has confirmed the authenticity of this work.

h25ERICH BUCHHOLZ (1891-1972)Kompositionsigned and dated EBuchholz 21 (lower right); signed and dated EBuchholz 21 (on the reverse)brush and India ink on paper13x 10in. (34.7 x 27.3 cm.)Executed in 1921

1,000-1,500 $1,600-2,400 1,300-1,900

PROVENANCE:

Rose Fried Gallery, New York.Judith Rothschield, New York.Anonymous sale, Sothebys, New York, 22 June 2005, lot 382.Acquired at the above sale by the present owner.

EXHIBITED:

New York, Rose Fried Gallery, circa 1956.London, Annely Juda Fine Art,Abstraction 1910-1940, July - September 1980, no. 27.

h23HANNAH HCH (1889-1978)Katzesigned with the initials H.H. (lower right)watercolour and pen and India ink on paper4wx 5in. (12.5 x 13.6 cm.)Probably executed before 1930

1,000-1,500 $1,600-2,400 1,300-1,900

PROVENANCE:

The artists estate (with the estate stamp on the reverse of the artists mount)Private collection, England.

Dr. Ralf Burmeister has confirmed the authenticity of this work.

This watercolour is related to the oil Symbolic Landscape III of 1930. Inthe late 1920s Hannah Hch owned a cat called Nin, who according to

Dr. Burmeister is probably portrayed here.


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21

26

LYONEL FEININGER (1871-1956)Paris Faades IVsigned, dated and inscribed Feininger Paris Faades IV 31.VII.53 (lowermargin)watercolour, pen and ink and wash on paper19x 12in. (48.6 x 31.3 cm.)Executed on 31 July 1953

18,000-25,000 $29,000-39,000 23,000-31,000

PROVENANCE:

Private collection, Germany, by whom acquired in the 1960s thence bydescent; sale, Christies, London, 22 June 2011, lot 128.Acquired at the above sale by the present owner.

Achim Moeller, Managing Principal of The Lyonel Feininger Project LLC,has confirmed the authenticity of this work. The work is registered in

the archives of The Lyonel Feininger Project LLC, New York Berlin no.469-05-12-11.


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h27OTTO DIX (1891-1969)Betonierter Schtzengrabensigned DIX (lower right)

gouache on paper

11x 11in. (28.8 x 28.5 cm.)

Executed circa1916-1917

12,000-18,000 $19,000-28,000

16,000-23,000PROVENANCE:

Galerie Klihm, Munich.

Acquired from the above by the father of the present owner in 1972.

EXHIBITED:

Freiburg, Kunstverein, Otto Dix,1950, no. 61.Munich, Galerie Klihm, Otto Dix, Zeichnungen und Gouachen 1911-1918,1962, no. 19 (illustrated); exhibited here again in 1966 (no. 4) and 1971.

Stuttgart, Wrttembergischer Kunstverein, Otto Dix, Handzeichnungen,Gouachen, Radierungen von 1911-1928, 1963, no. 58.Nuremberg, Frnkische Galerie am Marientor, Otto Dix, 1965, no. 41.Baden-Baden, Galerie Dr. Ernst Hauswedell, Otto Dix,1967, no. 12.Dusseldorf, Kunstverein, Otto Dix, 1968, no. 5.Salzburg, Galerie Welz, Otto Dix, 1969, no. 11.

Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, RadierfolgeDer Krieg, December 1971 - January 1972, no. 16 (illustrated); thisexhibition later travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle,

Rome, Galleria Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria

Forni and Bolzano, Galleria Goethe.

Rome, Galleria Giulia, Otto Dix, November 1972, no. 16.Munich, Museum Villa Stuck, Otto Dix, August - October 1985, p. 35, no. 11.Rome, Galleria Giulia, Otto Dix, 1985, no. 1 (illustrated).

LITERATURE:

O. Conzelmann, Der andere Dix, Sein Bild vom Menschen und vom Krieg,Stuttgart, 1983, no. 189 (illustrated p. 122).

S. Pfffle, Otto Dix, Werkverzeichnis der Aquarelle und Gouachen, Stuttgart,1991, no. G1917/4 (illustrated p. 267).

h28OTTO DIX (1891-1969)

Angressigned, dated and inscribed Angres DIX 16 (lower right)

charcoal on paper

11x 11in. (29 x 28.7 cm.)

Executed in Angres in 1916

10,000-15,000 $16,000-24,000




EXHIBITED:

Nuremberg, Frnkische Galerie am Marientor, Otto Dix, 1965, no. 40.Dusseldorf, Kunstmuseum, Frhe Zeichnungen von Otto Dix, 1966, no. 25.Gttingen, StdtischesMuseum am Ritterplan, Otto Dix, Gesellschaftskritikund Kunst, September - October 1968, no. 18.Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, Radierfolge

Der Krieg, December 1971 - January 1972, no. 23; this exhibition later

travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle, Rome, Galleria

Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria Forni and Bolzano

Galleria Goethe.

LITERATURE:

K. van Lil, Otto Dix und der Erste Weltkrieg, Die Natur des Menschen in derAusnahmesituation, Munich, 1999 (illustrated p. 143).U. Lorenz, Otto Dix,Das Werkverzeichnis der Zeichnungen und Pastelle, vol.1, Weimar, 2003, no. WK 5.4.49 (illustrated p. 418).

PROPERTY FROM A DISTINGUISHED ITALIAN COLLECTION


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23

h29OTTO DIX (1891-1969)Margotsigned and dated 1920.DIX (lower right) and inscribed Margot

(upper centre)

pencil on paper

16x 13 in. (42.5 x 33 cm.)

Drawn in 1920

8,000-12,000 $13,000-19,000 11,000-15,000

PROVENANCE:



EXHIBITED:

Nuremberg, Frnkische Galerie am Marientor, Otto Dix, 1965, no. 59.Munich, Galerie Klihm, Otto Dix, 1966, no. VIII.Gttingen, Stdtisches Museum am Ritterplan, Otto Dix, Gesellschaftskritikund Kunst, September - October 1968, no. 39.Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, RadierfolgeDer Krieg, December 1971 - January 1972, no. 55; this exhibition latertravelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle, Rome, Galleria

Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria Forni and Bolzano,

Galleria Goethe.Munich, Museum Villa Stuck, Otto Dix, August - October 1985, no. 330.

LITERATURE:

B. S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1971, no. III.C.19.U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen und Pastelle, vol.8, Weimar, 2003, no. EDV 5.3.2 (illustrated p. 707).

h30OTTO DIX (1891-1969)Hedwigsigned and dated DIX 1921 (lower right) and inscribed Hedwig

(upper right)

black crayon on paper

19x 13qin. (49.3 x 34.4 cm.)

Drawn in 1921

8,000-12,000 $13,000-19,000 11,000-15,000

PROVENANCE:

Hans Goltz, Munich.



EXHIBITED:

Hamburg, Kunstverein,Otto Dix, 1966, no. 134; this exhibition later travelledto Frankfurt, Kunstverein.

Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen, RadierfolgeDer Krieg, December 1971 - January 1972, no. 59 (illustrated); thisexhibition later travelled to Frankfurt, Kunstverein, Bielefeld, Kunsthalle,

Rome, Galleria Giulia, Turin, Milan, Galleria del Levante, Bologna, Galleria

Forni and Bolzano, Galleria Goethe.

Munich, Museum Villa Stuck, Otto Dix, August - October 1985, no. 333.LITERATURE:

H. Kinkel, Otto Dix, Protokolle der Hlle, Zeichnungen, Frankfurt & Hamburg,1968 (illustrated p. 66).

B.S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1971, no. IV.C.55U. Lorenz, Otto Dix,Das Werkverzeichnis der Zeichnungen und Pastelle, vol.8, Weimar, 2003, no. EDV 5.1.18 (illustrated p. 683).

This drawing is a study for the etching Vohse (Karsch 22). Accordingto Ulrike Lorenz, this is one of the few nude drawings which Otto Dix

directly translated into a print.



26/142

32GEORGE GROSZ (1893-1959)Waffenschieber(recto)andSitzende Frau (verso)signed and inscribed GROSZ 136. Studie and with the artists

date stamp 21. Feb. 23. (on the reverse)

reed pen and India ink on paper

22x 18in. (56.8 x 46.2 cm.)

Executed in 1923

4,000-6,000 $6,300-9,400 5,100-7,500

PROVENANCE:

The artists estate, 1959 (with the Nachlass stamp and numbered

3.68.5 on the reverse).

Richard A. Cohn, New York.

Anonymous sale, Sothebys, New York, 5 October 1992, lot 101.

Tony Subal Kunsthandel, Vienna.

Acquired from the above by the present owner.

Ralph Jentsch has confirmed the authenticity of this work.32 (verso)

32 (recto)


h31OTTO DIX (1891-1969)Skizze zur Kriegsradierung Matrosen in

Antwerpensigned DIX (lower right); signed and DIX (on the reverse)

pencil on paper

12

x 17 in. (30.7 x 43.2 cm.)Drawn circa1923-1924, with further sketches on the reverse

4,000-6,000 $6,300-9,400 5,100-7,500

PROVENANCE:


Acquired from the above by the father of the present owner in

1972.

EXHIBITED:

Essen, Museum Folkwang, Otto Dix, Aquarelle, Zeichnungen,Radierfolge Der Krieg, December 1971 - January 1972, no.118 (illustrated); this exhibition later travelled to Frankfurt,

Kunstverein, Bielefeld, Kunsthalle, Rome, Galleria Giulia, Turin,

Milan, Galleria del Levante, Bologna, Galleria Forni and Bolzano,Galleria Goethe.

Rome, Galleria Giulia, Otto Dix, November 1972, no. 118.

LITERATURE:

B.S. Barton, Otto Dix und die Neue Sachlichkeit, Michigan, 1981,no. VII.C.8.

S. Pfffle, Otto Dix, Werkverzeichnis der Aquarelle und Gouachen,Stuttgart, 1991, p. 143 ff.

U. Lorenz, Otto Dix, Das Werkverzeichnis der Zeichnungen undPastelle, vol. 8, Weimar, 2003, no. EDV 12.0.17 (illustrated p. 893).

This drawing is a study for the etching Matrosen inAntwerpen (Karsch 101) which is part of Otto Dixs famous

series Der Krieg.

31


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25

h34KURT SCHWITTERS(1887-1948)Lake Windermere near Low Woodsigned with the initials and dated KS 46(lower right); signed, dated and inscribed KurtSchwitters 1946 Lake Windermere (on thereverse)oil on board10qx 14in. (26.8 x 36.6 cm.)Painted in 1946

7,000-9,000 $11,000-14,000


Anonymous sale, Sothebys, London,30 November 1967, lot 173.Acquired at the above sale by the present owner.

Dr. Karin Orchard and Dr. Isabel Schulz have

confirmed the authenticity of this work

and it will be included in the forthcoming

supplement to the Kurt Schwitters catalogueraisonn.

h33KURT SCHWITTERS(1887-1948)Ohne Titel (Norwegische Landschaftaus der Erinnerung)signed with the initials and dated KS 40 (lowerright)oil on panel

9wx 12in. (25.2 x 31.2 cm.)Painted in 1940

10,000-15,000 $16,000-24,000 13,000-19,000

PROVENANCE:

The artists estate.Edith Wantee Thomas, London, by descent fromthe above, and thence by descent.Private collection, England, as a gift from theabove.

EXHIBITED:

Kendal, Abbot Hall Art Gallery, Kurt Schwitters inEngland, January - February 1982, no. 2.

Sheffield, Mappin Art Gallery, Schwitters inBritain, May - June 1987; this exhibition latertravelled to Kendal, Abbot Hall Art Gallery.Newcastle upon Tyne, Baltic Centre forContemporary Art & Hatton Gallery, No Socks,Kurt Schwitters and the Merzbarn,April - May1999, no. 17.

LITERATURE:

K. Orchard & I. Schulz, Kurt Schwitters, CatalogueRaisonn, vol. 3, 1937-1948, Hanover, 2006, no.2647 (illustrated p. 253).

Kurt Schwitters painted this Norwegian landscape in 1940, when he was at one of the World

War II internment camps in England. A landscape painted from memory, full in colour with

strong hints of impasto, this work speaks of escapism, a utopian and somewhat expressionistic

vision of the great outdoors. This bears a striking contrast to the Dada collages for which he is

best known, however Schwitters enjoyed exploring both styles throughout his lifetime and subtle

commonalities are to be found between both, evidently in the recognizable colour scheme and,

where this work is concerned, in the tiny newsprint impressions evident upon close inspection

within the varnish. This piece belonged formerly to Edith Wantee Thomas whom Schwitters

would meet the year after it was painted, in December 1941, and who would remain his partner

for the rest of his life.


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36MAX LIEBERMANN (1847-1935)Badekarren und Pferd am Strand vonNoordwijksigned MLiebermann (lower left)black crayon on paper5x 8in. (13.4 x 21.4 cm.)Drawn in 1911

1,200-1,800 $1,900-2,800 1,600-2,300

PROVENANCE:

Private collection, England.

Drs Margreet Nouwen has confirmed the

authenticity of this drawing.

This drawing is a study for the oil GrnerBadekarren(Eberle 1911/19), painted in 1911.

PROPERTY FROM THE COLLECTION OF NIKKI VAN DER ZYL

35MAX LIEBERMANN (1847-1935)Buchenwald bei Ksen, study for Gedchtnisfeier frKaiser Friedrich III in Ksensigned MLiebermann (lower right)charcoal on paper

Drawn in 191118x 11qin. (46.1 x 29.1 cm.)

2,000-3,000 $3,200-4,700 2,600-3,800

PROVENANCE:

Georg Less, Breslau, by 1914.Anneliese van der Zyl-Less, Majorca, by descent from the above.Nikki van der Zyl, London, by descent from the above.

LITERATURE:

E. Hancke, Chronik, Eine Zeichnung von Liebermann, Buchenwald bei Ksen,in Kunst und Knstler, vol. 9, 12, 1. Sept. 1911, p. 650 (illustrated p. 608).E. Hancke, Max Liebermann, Sein Leben und seine Werke, Berlin 1914(illustrated p. 245, titled Buchenhalle in Ksen)

Exh. cat. Max Liebermann in seiner Zeit, Nationalgalerie Berlin, 1979/80,mentioned under no. 234.M. Eberle, Max Liebermann, Werkverzeichnis der Gemlde und lstudien,vol. 1, Munich 1995, p. 338.

Drs Margreet Nouwen has confirmed the authenticity of this drawing.

According to Drs Margreet Nouwen, this drawing is a study for the oilGedchtnisfeier fr Kaiser Friedrich III in Ksen (Eberle 1889/2) Tate Gallery,London, painted in 1889.


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27

38PHILIPP FRANCK (1860-1944)Birken im Neuen Garten, Vorfrhlingsigned and dated PHILIPP-FRANCK 1937 (lowerright)oil on canvas44x 47in. (112.3 x 120 cm.)Painted in 1937

8,000-12,000 $13,000-19,000 11,000-15,000

PROVENANCE:

Private collection, Rhodesia (Zimbabwe), andthence by descent to the present owner.

Wolfgang Immenhausen has confirmed the

authenticity of this painting.

According to Wolfgang Immenhausen, this

painting depicts the Neuer Garten in Berlin

Potsdam in early spring with Heiliger See and

Marmorpalais in the background.

THE PROPERTY OF A GENTLEMAN

h37OSKAR KOKOSCHKA(1886-1980)Mdchenaktsigned with the initials, dated and inscribed OK53 Salzburg (lower right)

wax crayon on paper11x 15in. (29.8 x 39.7)Executed in Salzburg in 1953

5,000-7,000 $7,900-11,000 6,300-8,800

PROVENANCE:

Private collection, Switzerland.Anonymous sale, Christies, London, 24 June1991, lot 92.Acquired at the above sale by the present owner.

EXHIBITED:

Graz, Kulturhaus der Stadt, Oskar Kokoschka,Farbstiftakte, Zeichnungen aus den vierziger

und fnfziger Jahren, June - September 1985,no. 16 (illustrated); this exhibition later travelledto Salzburg, Rupertinum and Bonn, RheinischesLandesmuseum.

Dr. Alfred Weidinger has confirmed the

authenticity of this work and it will be

included in the forthcoming third volume of

the Oskar Kokoschka catalogue raisonn ofdrawings and watercolours.


30/142

PROPERTY FROM A PRIVATE ENGLISH COLLECTION

h39HERBERT GURSCHNER (1901-1975)Tiroler Paare im Schneesigned GURSCHNER. (lower left)oil on panel10x 8in. (27.4 x 22 cm.)

6,000-8,000 $9,500-13,000 7,600-10,000

PROVENANCE:

The artists estate and thence by descent to the present owner.

Roland Widder has confirmed the authenticity of this work.

h40ALFRED KUBIN (1877-1959)

Jger und Wilderersigned AKubin (lower right) and inscribed Jger und Wilderer (lower left)watercolour and pen and India ink on cadastre paperimage: 8x 8in. (22 x 21 cm.)sheet: 12x 11in. (32.3 x 28.8 cm.)

3,000-5,000 $4,800-7,900 3,800-6,300

PROVENANCE:

Anonymous sale, Sothebys, London, 5 December 1985, lot 529.Acquired at the above sale by the present owner.

Dr. Annegret Hoberg, Kubin-Archiv, Stdtische Galerie im

Lenbachhaus, Munich, has confirmed the authenticity of this work.

h41ALFRED KUBIN (1877-1959)

Abenteuer eines Kaiserssigned Kubin (lower right) and inscribed Abenteuer eines Kaisers (lowerleft)pencil on cadastre paper10x 14in. (26 x 36.2 cm.)

2,000-3,000 $3,200-4,700 2,600-3,800

PROVENANCE:

Donald Thomas Bergen, Kennebunkport, Maine.Anonymous sale, Sothebys, London, 26 June 1985, lot 338.Acquired at the above sale by the present owner.

Dr. Annegret Hoberg, Kubin-Archiv, Stdtische Galerie im

Lenbachhaus, Munich, has confirmed the authenticity of this work.


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29


h42HERBERT GURSCHNER(1901-1975)

Alkoholsigned, indistinctly dated and inscribedH.GVRSCHNER.MVHLAV.19.TIROL.24(lower left)oil on burlap38qx 25qin. (98 x 64.8 cm.)Painted in Tirol in 1924

15,000-25,000

$24,000-39,000

19,000-31,000

PROVENANCE:

The artists estate and thence by descent tothe present owner.

Roland Widder has confirmed the


Herbert Gurschners father was a wine

dealer and for many years had a typical

Austrian wine bar. According to Roland

Widder, this is likely to have inspired the

artist to paint this picture.

Gurschners compositions from the

1920s strongly recall the expressionistic

colour and mannerism of El Greco,

revered for his inventive uniquenessby many Modern artists. As remarked

by Desmond Chapman-Huston:In all

Gurschners crowded canvasses you will

find El Grecos unfailing upwardness;

if the Greek takes us out and beyond

ourselves, in doing so he never fails

to bear us heavenward as do Gothic

spires. () Gurschner has something

of this unique magic and, although he

does not at present know it he adores,

and freely uses, El Grecos soft yellow-

green half-ripe lemon; he has also the

masters love for, understanding of, and

skill in painting hands; he has much of

El Grecos living movement; he is not

static or dead. But vibrating vibrating

without glamour or noise, reposeful...

(C. & R. Widder, Herbert Gurschner, Ein

Tiroler in London, Innsbruck, 2000, pp.

42-43).


32/142

30


h44OSKAR KOKOSCHKA (1886-1980)Clematis und Rosensigned, dated and inscribed fr die liebe Doris zu Weihnachten OKokoschka1967 (lower right)watercolour on paper24x 19in. (62.9 x 49.8 cm.)Executed 1967

15,000-20,000 $24,000-31,000 19,000-25,000

PROVENANCE:

Private collection, England, a gift from the artist for Christmas 1967,and thence by descent to the present owner.

Dr Alfred Weidinger has confirmed the authenticity of this work.

43GUSTAV KLIMT (1862-1918)Stehend nach links, study for Bildnis Hermine Galliapencil on paper17wx 12in. (45.3 x 32.2 cm.)Drawn circa 1903-04

12,000-18,000 $19,000-28,000

16,000-23,000

PROVENANCE:

The artists estate.Rudolf Zimpel, by whom acquired from the above.Galleria del Levante, Milan.

EXHIBITED:

Vienna, Gustav Klimt, Eine Nachlese, 70 Bedeutende Zeichnungen,March - May 1963, no. 15 (illustrated).

LITERATURE:

A. Strobl, Gustav Klimt, Die Zeichnungen 1878-1903, Salzburg, 1980,no. 1034 (illustrated p. 297).

This work is a study for the oil Bildnis Hermine Gallia (Novotny-Dobai138), today in the National Gallery, London. Gallia was an importantpatron of the arts in Vienna during Gustav Klimts time and is the

subject of several important works by the artist.


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31

PROPERTY FROM A PRIVATE AUSTRALIAN COLLECTION

*45GUSTAV KLIMT (1862-1918)Stehender Frauenakt nach links, die Hnde an der Brustwith the Nachlass stamp (Lugt 1575; lower right; slightly faded) and inscribedR (lower right)

black crayon on paper

17x 12qin. (44.8 x 31.7 cm.)

Drawn circa 1898-1903

20,000-30,000 $32,000-47,000 26,000-38,000

PROVENANCE:

Fischer Fine Art, London.

Acquired from the above and thence by descent to the present owner.

EXHIBITED:

London, Fischer Fine Art Gallery, Gustav Klimt, Egon Schiele and artists fromthe Viennese Secession, July 1985.

LITERATURE:

A. Strobl, Gustav Klimt, Die Zeichnungen, Nachtrag, Salzburg, 1989,no. 3406 (illustrated p. 97).

This drawing is related to the oils Irrlichter and Beethovenfries

(Novotny-Dobai 127), according to Alice Strobl, this is probably

indicated by the inscribed R.


34/142

h46JEAN DUFY (1888-1964)Bouquet danmones de tulipes etde mimosasigned Jean Dufy (lower right)watercolour and gouache on card21qx 16in. (54.7 x 41 cm.)Executed circa 1942-1945

8,000-12,000 $13,000-19,000 11,000-15,000

PROVENANCE:

Hammer Galleries, New York.

LITERATURE:

J. Bailly,Jean Dufy, Catalogue raisonn deloeuvre, vol. 2, Paris, 2010, no. J.1407 (illustratedp. 322).

h47CARLOS NADAL (1917-1998)Club nautiquesigned and dated CNadal 82 (lower centre);

signed and inscribed CLUB NAUTIQUECNadal(on the reverse)oil on paper laid down on canvas18x 21in. (46.2 x 55.3 cm.)Painted in 1982

7,000-10,000 $11,000-16,000 8,800-13,000

The Comit Nadal has confirmed the



35/142

33

h*48ANDR BRASILIER (B. 1929)Les peupliers dors (Vision dautomne)signed Andr Brasilier. (lower right); signed and inscribed Vision

dautomne. A.B. (on the reverse)

oil on canvas

57qx 38in. (146 x 97 cm.)

Painted in 1987

15,000-20,000 $24,000-31,000 19,000-25,000

PROVENANCE:

Galerie Etienne Sassi, Paris.

Private Collection, Japan.

EXHIBITED:

Vancouver, Buschlen Mowatt Gallery,Andr Brasilier, In Search of theInvisible, April - May 1988 (illustrated p. 63).

LITERATURE:

Y. le Pichon,Andr Brasilier, ses transfigurations, Paris, 1989 (illustrated p.

127).

X. de Coulanges,Andr Brasilier,Catalogue Raisonn 1982-2002, vol. I,

Lausanne, 2002,

no. 1987/59 (illustrated p. 101).


36/142

34

PROPERTY FROM A PRIVATE COLLECTION

h*49BENJAMN PALENCIA (1894-1980)Serranillossigned B.Palencia 51 (lower left)oil on canvas35 x 45 qin. (89 x 115.5 cm. )

Painted in 1951

15,000-20,000 $24,000-31,000 19,000-25,000

PROVENANCE:

Biosca Galeria de Arte, Madrid (no. 15.699).Acquired by the present owner in the 1980s.

EXHIBITED:

Madrid, I Bienal Hispano Americana de Arte, 1951 (no. 248)(probably) Venice, XXVIII Biennale di Venezia, 1956.

LITERATURE:

L. F. Vivanco, Primera Bienal Hispano Americana de Arte, Madrid,1952 (illustrated)R. Faraldo, B. Palencia, Madrid, 1972 (illustrated)

Mr Ramn Palencia has confirmed the authenticity of this work.

This painting depicts the picturesque scene of the villageSerranillos which is located in the area of vila, Spain. BenjamnPalencia moved to a small village within this area in the late1940s.


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35

h*51ANDR BRASILIER (B. 1929)Le vase de Sicilesigned Andr Brasilier. (lower centre); signed, dated and inscribed Le Vasede Sicile A.B. 1979. (on the reverse)oil on canvas39x 28in. (100 x 73 cm.)

Painted in 1979

12,000-18,000 $19,000-28,000 16,000-23,000

PROVENANCE:

Anonymous sale, Shinwa Art, Tokyo, 22 March 2014, lot 121.Private Collection, Japan.

This work is sold with a certificate from Alexis Brasilier and it will be

included in the forthcoming Andr Brasilier catalogue raisonn.

h*50ANDR BRASILIER (B. 1929)Cavalcade au ciel rossigned Andr Brasilier. (lower right); signed, dated and inscribed Cavalcadeau Ciel ros A.B. 2010 (on the reverse)oil and pencil on canvas25x 18in. (65 x 46 cm.)

10,000-15,000 $16,000-24,000 13,000-19,000

PROVENANCE:

Private Collection, Japan.

This work is sold with a certificate from Alexis Brasilier and it will be

included in the forthcoming Andr Brasilier catalogue raisonn.


38/142

h54GIORGIO MORANDI (1890-1964)Paesaggiosigned Morandi (lower centre)pencil on paper2x 3win. (7.1 x 9.8 cm.)

Drawn in 1963

4,000-6,000 $6,300-9,400 5,100-7,500

PROVENANCE:

Private collection, Bologna.Acquired from the above by the present owner.

The Centro Studi Giorgio Morandi has confirmed the


h53GIORGIO MORANDI (1890-1964)Natura Mortasigned Morandi (lower centre)pencil on paper3x 4 in. (8 x 10.2 cm.)Drawn in 1962

8,000-12,000 $13,000-19,000 11,000-15,000

PROVENANCE:

Private collection, Milan.

The Centro Studi Giorgio Morandi has confirmed the


h52GIORGIO MORANDI (1890-1964)Fiorisigned Morandi (lower centre)pencil on paper9qx 7win. (24 x 20 cm.)Drawn in 1950

8,000-12,000 $13,000-19,000 11,000-15,000

PROVENANCE:

T. Varni, Bologna.G. Golinelli, Bologna.Private collection, Alessandria.Anonymous sale, Finarte, Milan, 17 May 1990, lot 212.Acquired at the above sale by the present owner.

EXHIBITED:

Siena, Palazzo Pubblico, Morandi,I fiori, November 1990 -January 1991, no. 32 (illustrated).Piacenza, Galleria Braga, Morandi,Riflessioni sullopera,December 1991 - March 1992, no. 19 (illustrated).

LITERATURE:

E. Tavoni, Morandi, Disegni, vol. I, Bologna, 1981, no. 124(illustrated p. 143).E. Tavoni, Morandi,Disegni,Catalogo generale, Milan, 1994,no. 1950 1 (illustrated p. 108).


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37

h55LON DE SMET (1881-1966)Bateaux au portsigned with the monogram LDS (lower right)oil on board20x 19in. (52.6 x 49.2 cm.)

7,000-12,000 $11,000-19,000

8,800-15,000

PROVENANCE:

Private collection, Belgium, acquired directly fromthe artist, and thence by descent.

Piet Boyens has confirmed the authenticity of

this work.

h56LON DE SMET (1881-1966)Lever de soleil sur la rivire Lys,Ghentsigned with the monogram and dated1913 LDS (lower right)oil on canvas13 x 19 qin. (33.3 x 49.5 cm.)Painted in 1913

1,000-2,000 $1,600-3,100 1,300-2,500

PROVENANCE:

Private collection, Belgium, acquired directly fromthe artist, and thence by descent to the presentowner.

Piet Boyens has confirmed the authenticity of

this work.


40/142

h57JOAN MIR (1893-1983)Les essencies de la terrasigned Mir. (lower right)

wax crayon and colour lithograph on Japan paper19x 14in. (50 x 35.7 cm.)Executed circa1968

15,000-25,000 $24,000-39,00019,000-31,000

ADOM (Association pour la dfense de loeuvre de Joan Mir) has confirmed the authenticity of this

work.


41/142

39

h58ANDR MASSON (1896-1987)La statue agressivesigned Andr Masson (upper right); dated and inscribed La statue

agressive 1969 (on the reverse)oil on canvas

28x 36in. (73.2 x 92.2 cm.)

Painted in 1969

18,000-24,000 $29,000-38,00023,000-30,000

PROVENANCE:

Galerie Louise Leiris, Paris (no. 014190), by whom acquired directly

from the artist.

EXHIBITED:

Paris, Galerie Louise Leiris,Andr Masson, oeuvres rcentes, October -November 1970, no. 11 (illustrated p. 19).

London, Waddington Galleries,Andr Masson, Paintings, January -February 1972, no. 29.

Milan, Arte 92,Andr Masson, Opere 1943-1971, October 1990 -January 1991, no. 18 (illustrated p. 55).


42/142

h60MAX ERNST (1891-1976)Initiale Psigned and dated max ernst 65 (lower right)frottage and crayon on paper10qx 8in. (26.9 x 20.8 cm.)

Executed in 1965

2,500-3,500 $4,000-5,5003,200-4,400

PROVENANCE:

Jean Hugues, Paris.Anonymous sale, Kornfeld & Klipstein, Bern, 18-21 June 1980, lot 317.Anonymous sale, Galerie Kornfeld, Bern, 21 June 1989, lot 373.Acquired at the above sale by the present owner.

LITERATURE:

W. Spies, S. & J. Metken, Max Ernst, Oeuvre-Katalog, Werke 1964-1969, Cologne, 2007, no. 4101(illustrated p. 130).

h59LONARD TSUGUHARU FOUJITA (1886-1968)Chat en alertesigned Foujit (lower right)pencil on paper12wx 9 in. (22.9 x 32.5 cm.)

2,000-3,000 $3,200-4,700

2,600-3,800

PROVENANCE:

Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, HtelDrouot, 28 October 2013, lot 57.Acquired at the above sale by the present owner.

h*61AFTER JOAN MIR(1893-1983)La mangoustestitched with the signature and symbol MIRO (in the weave on the reverse)wool tapestry60x 77in. (153.3 x 197.3 cm.)Conceived in 1935

3,000-5,000 $4,800-7,9003,800-6,300

This motif was first executed as a

tapestry in 1960 by Marie Cuttoli in

an unnumbered edition and was later

reissued by Lucie Weill-Seligmann,Au pondes arts, in a limited edition of approx.10-15 examples.


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41

h62ANDR MASSON (1896-1987)Raptsigned andr Masson (lower right)oil on canvas20wx 19in. (53 x 50.2 cm.)Painted in 1955

12,000-18,000 $19,000-28,00016,000-23,000

PROVENANCE:

Galerie Louise Leiris, Paris (no. 06454 & 50513).Svensk-Franska Konstgalleriet, Stockholm, by 1961.Anonymous sale, Christies, London, 25 June 2008,lot 539.Acquired from the above sale by the present owner.

EXHIBITED:

Turun, Taidemuseo and Abo, Konstmuseum,Masson - Picasso, February - March 1961, no. 3.

The Comit Masson has confirmed the


PROPERTY FROM A PRIVATE GERMAN COLLECTION

h63MAX ERNST (1891-1976)

Jeune homme aux bras croissstamped with the artists signature and numbered Max Ernst 3/31177 1687 (underneath); stamped with the goldsmiths mark and theFrench assay mark for silver (on the reverse)silverHeight: 8 in. (20.4 cm.)Conceived in 1967 and cast in an edition of three

15,000-20,000 $24,000-31,00019,000-25,000

PROVENANCE:

Hans Ravenborg, Hamburg, by whom acquired circa in the 1970s andthence by descent to the present owner.

LITERATURE:

C. Siaud & P. Hugo, Bijoux dartistes, hommage Franois Hugoorfvre, Aix-en-Provence, 2001, no. 1687 (another cast illustrated p.122).W. Spies, Max Ernst, Oeuvre-Katalog, Werke 1964-1969, Cologne,2007, no. 4599,I (another cast illustrated p. 385).


44/142

h65

ESTEBAN FRANCS (1913-1976)Fantastic masks in greenoil, gouache and gouache on card22wx 28 win. (58.3 x 73.4 cm.)

2,000-3,000 $3,200-4,7002,600-3,800

PROVENANCE:

Edward James, West Dean.Duncan R. Miller Fine Arts, London.Anonymous sale, Christies, London, 29 March 1988, lot 376.Acquired at the above sale by the present owner.

EXHIBITED:

Worthing, Art Gallery, Paintings from the Collection of Edward James, 1963,no. 30.

h64LONARD TSUGUHARU FOUJITA (1886-1968)

Jeune fille et ses petits oiseauxsigned and dated Foujita 16-9-56 (lower centre)pencil on tracing paper11wx 7in. (30.1 x 19.5 cm.)Drawn on 16 September 1956

3,000-5,000 $4,800-7,9003,800-6,300

PROVENANCE:

Kimiyo Foujita, Paris, by descent from the artist; her Succession sale, HtelDrouot, 26 March 2013, lot 135.Acquired at the above sale by the present owner.

h66FRANCIS PICABIA (1879-1953)Caricaturesigned with the initials F.P. (lower left)pen and blue ink on paper10qx 8in. (26.8 x 20.8 cm.)Drawn circa 1947-1949

3,000-5,000 $4,800-7,9003,800-6,300

PROVENANCE:

Private collection, France, a gift from the artist.

Sold with a photo-certificate from the Comit Picabia.


45/142

43

h67GINO SEVERINI (1883-1966)Natura mortasigned G.Severini (lower right)pen and India ink on paper8x 10 qin. (22 x 26.5 cm)Drawn circa1948

3,000-5,000 $4,800-7,9003,800-6,300

PROVENANCE:

Private Collection, Rhode Island.Anonymous sale, Skinner, Boston, 3 February 2012,lot 611.Acquired from the above sale by the present owner.

Romana Brunori Severini and Daniela Fonti have

confirmed the authenticity of this work.

h*68MAX ERNST (1891-1976) AND

YVETTE CAUQUIL-PRINCE (1928-2005)La ville entirestitched with the signature max Ernst and with the Yvette Cauquil-Prince monogram (lower centre); with the Yvette Cauquil-Prince label andnumbered 1/1 (on the reverse)hand-woven wool tapestry111win. x 169 qin. (284 x 431 cm.)Executed in 1975

10,000-15,000 $16,000-24,00013,000-19,000

PROVENANCE:

Acquired directly from Yvette Cauquil-Prince by the present owner in 1975.

EXHIBITED:

Le Mans,Yvette Cauquil-Prince, June September 1987 (illustrated).Veruela, Monasterio de Veruela,Yvette Cauquil-Prince Taller de Tapices, June- July 1993 (illustrated); this exhibition later travelled to Zaragoza, Palacio deSastago.Karuizawa, Muse dart Mercian, Tapisseries de Peintres, April - July 1996,no. 9, p. 38 (illustrated).Lige, Muse dArt Moderne & dArt Contemporain, Tapisseries de Peintre,March - May 1997, p. 22 (illustrated p. 23).Wien, Kunst Haus, Meister des 20. Jahrhunderts Tapisserien, Hommage andie Meisterweberin und Sammlung Jane Kahan, N. Y., February - May 2000(illustrated).Sarrebourg, Muse du Pays, Tapisseries dYvette Cauquil-Prince, May -September 2005, p. 20 (illustrated).


46/142

h70

ANDR DERAIN (1880-1954)Tte danimal satiriquewith the atelier stamp (Lugt 668a; lower right)brush and India ink on paper9x 12in. (24.8 x 32.2 cm.)Executed circa 1940

1,500-2,500 $2,400-3,9001,900-3,100

PROVENANCE:

Brook Street Gallery, London.Maurice Goldman, New York.R. J. Lloyd-Davies, London.Anonymous sale, Christies, London, 20 March 1995, lot 32.

Anonymous sale, Christies, London, 21 April 2010, lot 56.Acquired at the above sale by the present owner.

This work is sold with a photo-certificate from Genevive Taillade.

h71FRANCISCO BORS (1898-1972)

Joueurs de cartesigned and dated Bors 28 (upper right)oil on canvas36x 28in. (93 x 73 cm.)Painted in 1928

6,000-8,000 $9,500-13,0007,600-10,000

PROVENANCE:

Private collection, France.

This work is sold with a photo-certificate from Carmen Bors.

h69SCAR DOMNGUEZ (1906-1958)Caballos aladossigned and dated Dominguez 51 (lower left)gouache and pen and ink on board11 x 13 in. (27.8 x 35 cm.)Executed in 1951

8,000-12,000 $13,000-19,00011,000-15,000

PROVENANCE:

Private Collection, Palma de Mallorca.Acquired from the above by the present owner.

EXHIBITED:

Barcelona, Sala Pars, scar Domguez, May 1989, no. 29.

LITERATURE:

R. de Sosa, Oscar Dominguez, Loeuvre peint, vol. I, London/Paris,1989, no. 201 (illustrated p. 225; titled La Course de chars).

This work is sold with a photo-certificate from Ana Vzquez

de Parga.


47/142

45

h74SALVADOR DAL (1904-1989)tude pour La Cne, le Christ et les aptresballpoint pen and gouache on paper7wx 9in. (19.9 x 24.2 cm.)Executed in 1955, with further studies on the reverse

3,000-5,000 $4,800-7,9003,800-6,300

PROVENANCE:

Perrot-Moore, Cadaqus; sale, Artcurial, Paris, 1 July 2003, lot 134.Acquired at the above sale by the present owner.

EXHIBITED:

Vienna, Palais Auersperg, Salvador Dali, eine Austellung des Museu Perrot-Moore, Cadaques, March - April 1982, no. 118 (illustrated); this exhibitionlater travelled to Munich, Residenz and Perpignan, Palais des Rois deMajorque.

This work is sold with a certificate from Robert and Nicolas Descharnes.

This drawing is a study for Salvador Dals masterpiece La Cne(Descharnes1098), today in the National Gallery of Art, Washington.

h73JEAN COCTEAU (1889-1963)Tte dhomme aux yeux poissonsigned and dated Jean Cocteau 1960 (lower right)felt-tip pen on paper25x 19 qin. (64 x 49.6 cm.)Executed in 1960

2,000-3,000 $3,200-4,7002,600-3,800

PROVENANCE:

Private collection, Belgium.Acquired from the above by the present owner.

The Comit Cocteau has confirmed the authenticity of this work.

h72SALVADOR DAL (1904-1989)Composition abstraitesigned Dal (on a sheet on the reverse)oil, gouache and India ink on board6x 5win. (16.8 x 14.8 cm.)Executed in Cadaqus in November 1973

8,000-12,000 $13,000-19,00011,000-15,000

PROVENANCE:

Private collection, Palma de Mallorca.Acquired from the above by the present owner.

EXHIBITED:

Cadaqus, Museu, Salvador Dal, antolgica sobre paper, 1916-1980, July1996.


48/142

h75ALBERT ANDR (1869-1954)

Jeune fille assise la fentre devant le jardinsigned Albert Andr (lower right)oil on canvas28wx 23 win. (73.4 x 60.5 cm.)Painted circa1928

6,000-8,000 $9,500-13,000 7,600-10,000

PROVENANCE:

Anonymous sale, Sothebys, London, 24 March 2004, lot 60.

Evelyne Yeatman has confirmed the authenticity of this work and it wil

be included in the forthcoming Albert Andr catalogue raisonne.

PROPERTY FROM A PRIVATE AUSTRALIAN COLLECTION

*76HENRI LE SIDANER (1862-1939)Sortie du soir

signed Le Sidaner (lower right)oil on panel8qx 13in. (21.8 x 35 cm.)Painted circa 1890-1895

6,000-8,000 $9,500-13,000 7,600-10,000

PROVENANCE:

Anonymous sale, Sothebys, London, 29 March 1984, lot 507.Acquired at the above sale and thence by descent to the present owner.

Yann Farinaux-Le Sidaner has confirmed the authenticity of this work

and it will be included in the forthcoming supplement of the catalogueraisonn currently in preparation.


49/142

47

77RAOUL DUFY (1877-1953)Btiments, chafaudages, Rue Lepicsigned R Dufy (lower right)oil on canvas18x 15 in. (46 x 38 cm.)Painted in 1904

20,000-30,000 $32,000-47,000 26,000-38,000

PROVENANCE:

Private collection, France, acquired in 1972, and thence by descent to thepresent owner.

LITERATURE:

M. Laffaille, Raoul Dufy, catalogue raisonn de loeuvre peint,vol. 1, Geneva,1972, no. 78bis (illustrated p. 75).

With a decree dated 23 May 1863 the Napoleonic Rue de lEmpereur inMontmartre took the name of Rue Lepic. It was famous for its two moulinswhich survived the industrial revolution and were together known as Moulinde la Galette, famously painted by Auguste Renoir in 1876, and later also byother artists such as Vincent van Gogh and Pablo Picasso. Many intellectualsand artists lived in Rue Lepic, among them van Gogh and his brother Theo, aswell as the art dealer Alphonse Portiere; Louis Renault built and tested his firscar here in 1898.


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48

h*79THO TOBIASSE (B. 1927)

Jai vu fleurir Bethsabe au Jardin des Grenadessigned theo tobiasse (upper right), dated 82 (in the centre) and inscribed

Jai vu fleurir Bethsabe au Jardin des Grenades (lower right)

oil on canvas

45x 35 in. (116 x 89 cm.)

Painted in 1982

12,000-18,000 $19,000-28,000 16,000-23,000

PROVENANCE:

Nahan Galleries, New Orleans.


Catherine Faust-Tobiasse has confirmed the authenticity of this work

and it will be included in the forthcoming Tho Tobiasse catalogueraisonne.

PROPERTY FROM A PRIVATE COLLECTION

h*78JACQUES LIPCHITZ (1891-1973)Exodussigned, numbered and marked with the thumbprint J.Lipchitz 1/7 (on the

side underneath)

bronze with brown patina

Height: 21

in. (55.3 cm.)Conceived in 1947 and cast in a numbered edition of 7

22,000-28,000 $35,000-44,000 28,000-35,000

PROVENANCE:

Acquired by the present owner in the 1980s.

LITERATURE:

A.G. Wilkinson, The Sculpture of Jacques Lipchitz, A Catalogue Raisonn,vol.II,The American Years 1941-1973, London, 2000, no. 414, (another castillustrated p. 42).


51/142

49

81ABRAHAM MINTCHINE(1898-1931)Nature mortesigned A.Mintchine. (upper right)

oil on canvas

21x 28in. (54 x 73 cm.)

7,000-12,000 $11,000-19,000 8,800-15,000

PROVENANCE:

Private collection, England, by whom acquired in

Paris in the early 1980s.

LITERATURE:

M. di Veroli & G. Testori,Abraham Mintchine, 1898-1931, Milan, 1981, no. 214 (illustrated p. 141).

h80MAN-KATZ (1894-1962)Portrait de H.R.signed Man-Katz (lower right)

oil on canvas

57x 38 in. (145.5 x 96.5 cm.)

Painted in 1955

15,000-20,000 $24,000-31,000 19,000-25,000

PROVENANCE:

Bernard Hayat, France.

Herv Richard Hayat, by descent from the above.


EXHIBITED:

Paris, Grand Palais, Salon dAutomne, November -December 1956, no. 883, p. 77.

This work is recorded in the archives of the

Man-Katz Museum, Haifa.

Bernard Hayat was a friend of the artist and the

father of the sitter, Herv Richard Hayat.


52/142

SOLD BY THE EXECUTORS OF THE LATELADY IVOR SPENCER-CHURCHILL

82AUGUSTE RODIN (1840-1917)Balzac, tude type C (buste), 1re version, petit modlesigned A.Rodin (on the left shoulder) and inscribed with the foundry mark.Alexis.Rudier. .Fondeur.Paris. (on the right shoulder); stamped in reliefA.Rodin (on the inside)bronze with brown and black patinaHeight: 6 in. (15.3 cm.)Conceived in 1892, this cast executed by Alexis Rudier between 1918 and1927

10,000-15,000 $16,000-24,000 13,000-19,000

PROVENANCE:

Galerie Haussmann, Paris.Private collection, London, and thence by descent to the present owner.

LITERATURE:

A. Le Normand-Romain, The Bronzes of Rodin, Catalogue of Works in theMuse Rodin, Paris, 2007, no. S.1079 (other versions illustrated pp. 168-169).

This work will be included in the forthcoming Auguste Rodin cataloguecritique de loeuvre sculpt currently being prepared by the ComitRodin at Galerie Brame et Lorenceau under the direction of Jrme Le

Blay under the archive number 2014-4379B.

83MILE-ANTOINE BOURDELLE (1861-1929)Les trois riviressigned E. Bourdelle (lower centre)plaster relief6x 11in. (17 x 28.3 cm.)Executed circa 1896

2,000-3,000 $3,200-4,700 2,600-3,800

PROVENANCE:

Cloptre Bourdelle, Paris.Anonymous sale, Sothebys, London, 26 October 1994, lot 188.Acquired at the above sale by the present owner.

Colin Lemoine, Muse Bourdelle, Paris, has confirmed the authenticity

of this work.

84ARISTIDE MAILLOL (1861-1944)

Nu allongpencil on paper9x 11in. (23 x 28.2 cm.)With a further sketch of a nude on the reverse.

1,800-2,500 $2,900-3,900 2,300-3,100

PROVENANCE:

Succession de Madame W., Fonds dAtelier du peintre sculpteur Maillol, Nice28 November 2013, lot 309-7.Acquired at the above sale by the present owner.


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51

*85HENRI LEBASQUE (1865-1937)

Jeune fille aux poissonssigned HLebasque (lower left)oil on canvas29qx 20 in. (75 x 50.8 cm.)

8,000-12,000 $13,000-19,000

11,000-15,000

PROVENANCE:

M. Behrens, Germany.Anonymous sale, Christies, London, 3 December1985, lot 202.Private collection, Japan.

LITERATURE:

D. Bazetoux, Henri Lebasque, Catalogue raisonn,vol. I, Neuilly-sur-Marne, 2008, no. 1528 (illustratedp. 358).

Christine Lenoir and Maria de la Ville Fromoit have

confirmed the authenticity of this work.

THE PROPERTY OF A GENTLEMAN

h86ANDR DERAIN (1880-1954)Nu deboutsigned Derain (lower right)sanguine and pastel on paper25 x 16 in. (63.5 x 41.5 cm.)

3,000-5,000 $4,800-7,900 3,800-6,300

PROVENANCE:

Vincent Korda, England; and thence by descent to the present owner.

The Comit Andr Derain has confirmed the authenticity of this work.


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52

PROPERTY FROM A PRIVATE FRENCH COLLECTION

87ACHILLE LAUG (1861-1944)Verger en fleurssigned and indistinctly dated A.Laug 19... (lower right)

oil on canvas

19

x 28

in. (50 x 73 cm.)Painted circa 1920/1930

18,000-25,000 $29,000-39,000 23,000-31,000

PROVENANCE:

Private collection, Toulouse.

Anonymous sale, Chassaing Marambat, Toulouse, 8 November 2012,

lot 505.Acquired at the above sale by the present owner.

This work will be included in the Achille Laug catalogue raisonn

currently being prepared by Nicole Tamburini.


55/142

53

PROPERTY FROM A DISTINGUISHED PRIVATE COLLECTION

h88HENRI MANGUIN (1874-1949)Le Golfe de Saint-Tropez depuis lOustaletsigned Manguin (lower right)

oil on canvas

15 x 24

in. (38 x 61.4 cm.)Painted in Summer/Autumn 1920

15,000-20,000 $24,000-31,000 19,000-25,000

PROVENANCE:

Galerie E. Druet, Paris.

Gemlde-Galerie Abels, Cologne.

Acquired from the above in 1964, and thence by descent to the present

owner.

EXHIBITED:

(probably) Paris, Galerie Montmorency, Quarante tableaux de Manguin,1958, no. 28 (titled Saint-Tropez, la ville blanche).

LITERATURE:

L. & C. Manguin & M.-C. Sainsaulieu, Henri Manguin, Catalogue raisonn deloeuvre peint, Neuchtel, 1980, no. 657 (illustrated p. 231).


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90

HENRI LE SIDANER(1862-1939)Le Palais, matin dt,Hampton Courtsigned Le Sidaner (lower right)oil and colour crayon on paper10x 15 in. (26.5 x 38.1 cm.)Executed circa1908

3,000-5,000

$4,800-7,900

3,800-6,300

PROVENANCE:

Anonymous sale, Sothebys,London, 30 November 1967, lot 55.

LITERATURE:

Y. Farinaux-le Sidaner, Le Sidaner,loeuvre peint et grav, Paris, 1989,no. 977 (illustrated p. 327).

This drawing is a study for theeponymous oil (Farinaux-le Sidaner,240) which the artist painted in thesame year.

89ALBERT LEBOURG(1849-1928)Larrive du bateau vapeur la Bouillesigned, dated and inscribedaLebourg Rouen 1920 (lower right)oil on canvas

18x 28win. (46.7 x 73.3 cm.)Painted in Rouen in 1920

10,000-15,000

$16,000-24,000

13,000-19,000

PROVENANCE:

Acquired by the present owner inthe late 1960s/early 1970s.

This work is sold with a photo-

certificate from Francois

Lespinasse.

54


57/142

92ALBERT CHARLESLEBOURG (1849-1928)Remorqueur sur la Seineen aval de Rouensigned A.Lebourg (lower left)

oil on canvas

19x 28in. (48.8 x 73.1 cm.)

7,000-9,000

$11,000-14,000

8,800-11,000

PROVENANCE:

Anonymous sale, Sothebys,London, 29 June 1999, lot 243.

Acquired at the above sale by the

family of the present owner.

This work will be included in

the forthcoming Albert Lebourg

catalogue critiquebeing preparedby Rodolphe Walter under the

sponsorship of the Wildenstein

Institute.

91CLAUDE-MILESCHUFFENECKER(1851-1934)Notre Dame de Parissigned Schuffenecker (lower left;

enhanced)

oil on canvas

17x 23in. (43.5 x 60 cm.)Painted in 1895

15,000-25,000

$24,000-39,000

19,000-31,000

PROVENANCE:

Anonymous sale, Sothebys,

London, 30 November 1967, lot 46.

Acquired at the above sale by the

present owner.

EXHIBITED:

Paris, Galerie Contemporaine, 1938,

no. 3.Paris, Galerie de Berri, Hommage Schuffenecker,October 1954, no. 5.Cologne, Gemlde-Galerie Abels,

1966, no. 5.

LITERATURE:

J-E. Grossvogel, Claude-EmileSchuffenecker, Catalogue raisonn,vol. 1,San Francisco, 2000, no. 351(illustrated p. 132).

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Impressionist/Modern & Picasso Ceramics