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whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the

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Page 1: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 2: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 3: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 4: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 5: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 6: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 7: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the
Page 8: whiterockconcerts.com · in 1855. The elegance of Chopin's writing transports us to the aristocratic world of the ballroom. Ballades - Op. 38 and Op.52 Chopin is credited with the

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