India Introduction

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An Over all Beginning Of India

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  • MUSIC OF INDIA

  • BASIC FACTS:South Asia2nd most populous country in worldBirthplace of 4 major religions (Hinduism, Buddhism, Jainism, Sikhism)Official languages: Hindi, English and 21 other languagesWas British colony until independence in 1947Over 5,000 years of recorded historyLargest film industry in the world; great source of popular music

  • Indian MusicCarnatic vs. Hindustani classical traditions(music and dance)

    Raga and Tala

    Improvisation and Composition

  • Indian InstrumentsSITARSARODTAMBURA

  • Indian InstrumentsMRIDANGAMTABLA

  • Sound SampleCD 2/20 Engal Kalyanam (Our wedding)1969, from Tamil filmCD 2/21 Devi Niye TunaiClassical song (kriti) by 20th cent. Composer (singer, mridangam, in Tamil)Medium and fast gats (sitar, tabla)Ghazal, by Zasar (vocal, tabla) (poetic form, light classical music

  • Indian Classical Ensemble

  • RAGASeries of pitchesRules for ornamentationRules for ascendingRules for descendingAssociated with mood, time of day andNorth India 200 ragasSouth India 72 main, several secondary

  • Raga Basant

  • TALAFixed metrical cycle consisting of shorter units, often of unequal lengthBasis for improvisation for soloist and drummerAudience participates by counting time with hands

  • Ata TalaAta tala 5 + 5 + 2 + 2 = 14 beats

    2 3 4 5 /6 7 8 9 10/11 12 /13 14//Clap * * * * Clap * * * * Clap Wave Clap Wave

    Tintal: 4 + 4 + 4 + 4 = 16Clap 234/ clap 234 /wave234 /clap234

    Sound example: Medium and fast gats in raga Yaman and tintal EXC CD 1/1

  • The KritiMost well known form of Carnatic musicOriginally vocal with religious textsModern kriti repertoire composed in 18th-19th cents.Saint Tyagaraja (1757-1847)

  • Kriti StructureAlapana (improvised opening, introduces the raga)3 sections (no breaks):Pallavi: opening section and refrainAnupallavi: introduces secondary theme, moves towards climaxCaranam: final section (may be relaxed or may be virtuosic restatement of previous material)

  • Banturiti by TyagarajaVoice, violin, mridingamRaga: Hamsanadam (c e f# g b)Adi Tala (4 + 2 + 2) Clap 2 3 4 / clap wave /clap wave

  • Devi Niye Tunai by Papanasam Sivan (20th cent.)Voice, mridangamRaga: KeervaniTala: Adi Tala (4 + 2 + 2)To the goddess Devi (with the fish-shaped/always open eyes)

  • SarasiruhaPallavi: O Mother who loves the lotus seat,Anupallavi: Save me who have taken refuge in you!Charanam: Complete Being, who holds a book in her hand which bestows all dominion.

  • Sarasiruha by Pulaiyar Doraismy (19th cent.)Instrumental but based on song with wordsVina, mridangamRaga Natai: ancient raga associated with god Shiva in form of Lord of the DanceAdi TalaAlapana/Tanam//Pallavi/Anupallavi/ Caranam