Indonesia - international marketing project

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    International Marketing Project

    On

    Indonesia & Its Culture

    Submitted to: Submitted By:

    Prof. Sharad Kamra Swati Gupta

    IIPM, Jaipur

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    INDONESIA

    Indonesia is a country in Southeast Asia and Oceania. Indonesia comprises 17,508

    islands. With a population of around 230 million people, it is the world's fourth

    most populous country, and has the world's largest population of Muslims.

    Indonesia is a republic, with an elected legislature and president. The nation's

    capital city is Jakarta. The country shares land borders with Papua New Guinea,

    East Timor, and Malaysia. Other neighboring countries include Singapore,

    Philippines, Australia, and the Indian territory of the Andaman and Nicobar

    Islands.

    Across its many islands, Indonesia consists of distinct ethnic, linguistic, and

    religious groups. The Javanese are the largestand the politically dominantethnic group. Indonesia has developed a shared identity defined by a national

    language, ethnic diversity, religious pluralism within a majority Muslim

    population, and a history of colonialism including rebellion against it. Indonesia's

    national motto, "Bhinneka Tunggal Ika" ("Unity in Diversity" literally, "many, yet

    one"), articulates the diversity that shapes the country. Despite its large

    population and densely populated regions, Indonesia has vast areas of wilderness

    that support the world's second highest level of biodiversity. The country is richly

    endowed with natural resources, yet poverty remains widespread in

    contemporary Indonesia.

    Indonesia has a market-based economy in which the government plays a

    significant role. There are 139 state-owned enterprises, and the government

    administers prices on several basic goods, including fuel, rice, and electricity.

    Indonesia has around three hundred ethnic groups, each with cultural differences

    that have shifted over the centuries. Modern-day Indonesian culture is a fusion of

    this diversity. Indonesia has also imported cultural aspects from Arabic, Chinese,

    Malay and European sources.

    Traditional Javanese and Balinese dances, for example, contain aspects of Hindu

    culture and mythology as does the Javanese and Balinese wayang kulit ("shadow

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    puppet") shows, depicting mythological events. Cloth such as batik, ikat and

    songket are created across Indonesia with different areas having different styles

    and specializations. The most dominant influences on Indonesian architecture

    have traditionally been Indian, however, Chinese, Arab, and, particularly from the

    19th century, European architecture has had a significant influence. Pencak Silat isa unique martial art originating from the archipelago.

    A selection of Indonesian food including Soto Ayam (chicken noodle soup), sate

    kerang (shellfish sate), telor pindang (preserved eggs), perkedel (fritter), and es

    teh manis (ice tea)Derived from centuries of exchange with Chinese, European,

    Middle Eastern and Indian influences, Indonesia has developed its own distinctive

    cuisine, which varies across its regions. Rice is the staple food of most Indonesian

    dishes and is served with several side dishes of meat and/or vegetables. In

    comparison to the infused flavors of Vietnamese and Thai food, flavors inIndonesia are kept relatively separate, simple and substantial. Spices, notably

    chili, and coconut milk are fundamental ingredients, as are fish and chicken,

    although red meat tends to be expensive.

    Indonesian music varies within cities and groups as people who live in the

    countryside would listen to a different kind of music than people in the city.

    Although rock was introduced to Indonesia by the Indonesian rock band God Bless

    (see Ian Antono), native Indonesian music is still preserved. Examples of

    Indonesian traditional music are Gamelan and Keroncong. Dangdut is a hugely

    popular contemporary genre of pop music partly derived from Arabic, Indian, and

    Malay folk music. The Indonesian movie industry's popularity peaked in the 1980s

    and dominated cinemas in Indonesia, although it fell significantly in the early

    1990s. As of 2000, however, the industry has improved gradually with a number

    of successful movies released.

    Media freedom in Indonesia increased considerably after the end of President

    Suharto's rule, during which the now-defunct Ministry of Information monitored

    and controlled domestic media and restricted foreign media. The TV market

    includes ten national commercial networks and provincial networks that compete

    with public TVRI. Private radio stations carry their own news bulletins and foreign

    broadcasters can supply programs. Internet use is increasing; business Indonesia

    reported in 2004 that there were 10 million users.

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    Culture of Indonesia

    Indonesian culture has been shaped by long interaction between original

    indigenous customs and multiple foreign influences. Indonesia is central along

    ancient trading routes between the Far East and the Middle East, resulting inmany cultural practices being strongly influenced by a multitude of religions,

    including Hinduism, Buddhism, Confucianism and Islam, all strong in the major

    trading cities. The result is a complex cultural mixture very different from the

    original indigenous cultures.

    Indonesian people are generally friendly and polite and while they understand

    that western culture is different to their own, it will be appreciated if their

    customs are respected. Religious customs should also be respected; particularly

    during the month of Ramadan when eating, drinking and smoking during daylighthours should be discreet as it is forbidden by the Muslim culture. Visitors should

    always be polite and avoid public displays of affection. It is considered impolite to

    use the left hand for passing or accepting things

    The mythology of Indonesia is influenced by Indian Mythology. The names of gods

    in Indonesian mythology are the same as in Indian. This is because the great

    Indian civilization influenced the Indonesian ancestors. For e.g. the most

    widespread manner in which Dussera is celebrated in India is through the RamaLila. It has its origins in antiquity. As far as recorded history goes, the Rama Lila of

    Ramanagar has been performed for over two centuries year after year without a

    break. As such the Rama Lila is performed in villages, towns and even metropolis

    cities. Outside India, the Ramayana is most popular in the South East Asian

    countries like Thailand, Cambodia, Malaysia, Laos, Vietnam and in particular

    Indonesia. In Indonesia it is performed in a ballet form that is much appreciated.

    This is all the more surprising because Indonesia is an Islamic country.

    The rise of Hindus mythology gain large support from the courtesan as well as the

    indigenous people and they manage to relate it into their own life. Gradually the

    story depicted in the Epic turned in Javanese version of mythology and folklore

    with nearly 100% adaptation from the original scripture. Story such as the

    Pandawas is the main example how Hindu had played a vital role in Indonesian

    society up until now.

    http://en.wikipedia.org/w/index.php?title=Pandawas&action=edit&redlink=1http://en.wikipedia.org/w/index.php?title=Pandawas&action=edit&redlink=1http://en.wikipedia.org/w/index.php?title=Pandawas&action=edit&redlink=1
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    Product I would like to import from Indonesia

    Kopi Luwak Coffee

    Kopi Luwak coffee comes from the Indonesian island of Sumatra, an area well-

    known for its excellent coffee. Kopi luwak is coffee made from the beans of

    coffee berries which have been eaten by the Asian

    Palm Civet (The Asian Palm Civet is also known as

    the Common Palm Civet or the Toddy Cat, is a cat-

    sized mammal) and other related civets, and then

    passed through its digestive tract. A civet eats the

    berries for their fleshy pulp. In its stomach,

    proteolytic enzymes seep into the beans, making

    shorter peptides and more free amino acids.

    Passing through a civet's intestines the beans are

    then defecated, having kept their shape. After

    gathering, thorough washing, sun drying, light

    roasting and brewing, these beans yield an

    aromatic coffee with much less bitterness, widely

    noted as the most expensive coffee in the world. It

    has a rich, heavy flavour with hints of caramel or

    chocolate. Other terms used to describe it areearthy, musty and exotic. The body is almost syrupy

    and it's very smooth. Kopi luwak tastes unlike heavy roasted coffees, since

    roasting levels range only from cinnamon color to medium, with little or no

    caramelization of sugars within the beans as happens with heavy roasting.

    Moreover, kopi luwaks which have very smooth profiles are most often given a

    lighter roast. Iced kopi luwak brews may bring out some flavors not found in other

    coffees.

    Sumatra is the world's largest regional producer of kopi lowak. Sumatran civet

    coffee beans are mostly an early Arabica variety cultivated in the Indonesian

    archipelago since the seventeenth century.

    Kopi is the Indonesian word for coffee, and luwak is a local name of the Asian

    Palm Civet.

    http://en.wikipedia.org/wiki/Sumatrahttp://en.wikipedia.org/wiki/Coffea_arabicahttp://en.wikipedia.org/wiki/Coffea_arabicahttp://en.wikipedia.org/wiki/Sumatra
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    Because of the rarity of this coffee, the price is quite outrageous. Kopi Luwak is

    the most expensive coffee in the world, selling for between $120 and $600 USD

    per pound, and is sold mainly in Japan and the United States. Some more

    adventurous coffee houses are selling it by the cup, but you won't likely find it at

    your local coffee shop just yet. The coffee isn't so spectacular that it's truly worththat amount of money. You are paying for the experience of enjoying such an

    unusual and rare delicacy.

    Culture of Coffee in India

    When I think of India I dont associate it with huge coffee consumption. Tea? Yes.

    Coffee? No. But my views are expanding by leaps and bounds from several

    different sources. A quiet cafe revolution is sweeping urban India with the

    proliferation of Italian-style corner coffee bars. That is bad news for tea - still thefavourite brew for a majority of Indians - which has been losing out to coffee in

    recent years.

    India is one of the world's largest exporters of tea and also one of its biggest

    consumers. But it is coffee drinking which is increasingly becoming a statement

    of young and upwardly mobile Indians. And coffee bars, an unheard of concept till

    a couple of years ago, are suddenly big business.

    Such is the demand for coffee bars, that the Barista chain - which opened its first

    cafe, in 2000 in Delhi with 10 outlets - is now opening a new outlet every 10 days.

    Taking its inspiration from Italian corner coffee bars and the US coffee chain

    Starbucks, Barista and other Indian chains are also trying to educate customers

    about the virtues and finer points to coffee drinking.

    Future demand of kopi luwak in India

    Developing countries like India have a great potential to serve such kind of

    market. Though prevailing culture in India restricts its inhabitants to promote

    dishes made up from animal shit but time is changing and according to recenttrends of coffee culture, if kopi luwak coffee is introduced in india on a large scale

    than it will change the entire scenario of Indian coffee consumption. Not only

    because its an innovative one and also because of its overwhelming taste over

    other coffees. The taste of kopi Luwak coffee is a life changing experience. The

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    aroma is sweet, rich, smooth; the usual bitterness of coffee has been replaced

    with a subtle hint of chocolate.

    The only man in India to produce Kopi Luwak coffee is a gentleman named

    Ganesh. He owns a 22 acre organic coffee estate, situated just outside BR Hillswildlife reserve. Every December his estate is visited by a hoard of tiny palm

    civets. Small nocturnal mammals which look like a cross between a weasel and a

    small cat. They've come for the succulent red coffee fruits, selectively picking the

    ripest and sweetest, wolfing them down during the night. He usually collects

    about 5 kgs in a season, enough for about 200 cups. This is a considerable amount

    when you consider that only 450 kgs ever reach the world market per year,

    almost all from the Far East. Its rarity not only brings in a high market rate - 50 a

    cup in Selfridges, London - but it also brings a torrent of customers.

    Therefore there is Niche market for such coffee whose aroma casts a spell on

    coffee lovers and due to its rarity, the no. of its suppliers are less. So, theres an

    opportunity to import such commodity and trade in India. Though, the

    investment and setting up cost is huge but it will give a favorable return due to

    soaring demand.

    Target market for Kopi Luwak

    According to recent survey on coffee trends and coffee brands, its found that the

    coffee houses are growing on a large scale. For e.g. CCD has been able to make its

    brand presence felt through the sheer number of stores. CCD has 620 cafes at

    present and it has ambitious plans to launch more than 900 cafes by the end of

    the current financial year. Barista Coffee house was established in New Delhi in

    2000 with 10 outlets has over 200 cafes all over India as of 2010. Therefore, it can

    be seen that potential for coffee is increasing every day and it is a plus point for

    launch of Kopi Luwak Coffee in India on a more organized manner. It would be

    focused more on metropolitan cities like Bombay, a market flooded with coffee

    lovers.

    This way, Kopi Luwak Coffee can become a huge success in India, if introduced.

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    Product I would like to export to Indonesia

    Indian Mythological novels

    Indonesia has around 300 ethnic groups, each with cultural identities developed

    over centuries, and influenced by Indian, Arabic, Chinese, Malay, and European

    sources. Traditional Javanese and Balinese dances, for example, contain aspects

    of Hindu culture and mythology, as do wayang kulit

    (shadow puppet) performances. Textiles such as batik,

    ikat and songket are created across Indonesia in styles

    that vary by region. The most dominant influences on

    Indonesian architecture have traditionally been Indian;

    however, Chinese, Arab, and European architectural

    influences have been significant.

    The culture of Indonesia is influenced by Indian Culture

    in many terms. Even, the names of gods in Indonesian

    mythology are the same as in Indian.

    The origin of Indonesian mythology can be traced back

    to the earliest development of Indonesian kingdompredominantly called the Javanese Empire. The

    Austronesian people, who form the majority of today's

    population, migrated to South East Asia from Taiwan

    and first arrived in Indonesia around 2,000 BCE. The Hinduism and Buddhism that

    was brought with it, that the Srivijaya kingdom flourished from the seventh

    century CE. It became a powerful naval state, growing wealthy on the

    international trade it controlled through the region until its decline in the twelfth

    century. During the eighth and tenth centuries CE, the agriculturally-based

    Buddhist Sailendra and Hindu Mataram dynasties thrived and declined in inlandJava, building grand religious monuments such as Sailendra's Borobudur and

    Mataram's Prambanan. The Hindu Majapahit kingdom was founded in East Java in

    the late thirteenth century, and under its mid fourteenth century military

    commander, Gajah Mada, its influence stretched over much of modern day

    Indonesia. This period is often referred to as a "Golden Age" of Indonesian

    history.

    http://en.wikipedia.org/wiki/Wayanghttp://en.wikipedia.org/wiki/Wayanghttp://en.wikipedia.org/wiki/Batikhttp://en.wikipedia.org/wiki/Ikathttp://en.wikipedia.org/wiki/Songkethttp://en.wikipedia.org/wiki/Indonesian_architecturehttp://en.wikipedia.org/wiki/Indian_architecturehttp://en.wikipedia.org/wiki/Hinduismhttp://en.wikipedia.org/wiki/Buddhismhttp://en.wikipedia.org/wiki/Srivijayahttp://en.wikipedia.org/wiki/Sailendrahttp://en.wikipedia.org/wiki/Mataramhttp://en.wikipedia.org/wiki/Majapahithttp://en.wikipedia.org/wiki/Majapahithttp://en.wikipedia.org/wiki/Mataramhttp://en.wikipedia.org/wiki/Sailendrahttp://en.wikipedia.org/wiki/Srivijayahttp://en.wikipedia.org/wiki/Buddhismhttp://en.wikipedia.org/wiki/Hinduismhttp://en.wikipedia.org/wiki/Indian_architecturehttp://en.wikipedia.org/wiki/Indonesian_architecturehttp://en.wikipedia.org/wiki/Songkethttp://en.wikipedia.org/wiki/Ikathttp://en.wikipedia.org/wiki/Batikhttp://en.wikipedia.org/wiki/Wayang
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    Within this Hindu and Buddhist Empire they adapted the cultural value of both

    civilizations. The Mahabharata and Ramayana Epic were widely use in tradition as

    well as art. This dynamic culture has made the Javanese a modern society in that

    day and the entire aspect of their life focuses on Hinduism and Buddhism

    separately and mutual. This can be seen in art as popular culture.

    The rise of Hindus mythology gain large support from the courtesan as well as the

    indigenous people and they manage to relate it into their own life. Gradually the

    story depicted in the Epic turned in Javanese version of mythology and folklore

    with nearly 100% adaptation from the original scripture. Story such as the

    Pandawas is the main example how Hindu had played a vital role in Indonesian

    society up until now.

    Even Indonesia uses the garua, Garuda Pancasila as its national symbol which is

    a large mythical bird or bird-like creature that appears in both Hindu and Buddhist

    mythology.

    Demand for Indian Mythological Novels

    Indian Hindu culture is quite eminent among Indonesian people. Hinduism in

    Indonesia, also known by its formal Indonesian name Agama Hindu Dharma,

    refers to Hinduism as practiced in Indonesia. Every year scholars from different

    countries get together for the International Ramayana Conference (IRC). Theconference includes presentations on various themes and workshops based on

    Ramayana. To mark this occasion many Special Postmarks were issued. Indonesia

    issued a set of 2 stamps (Scott 804-5) depicting Ram, Sita and Golden deer and

    Ram with Bow in 1971 to honor this International conference.

    It is found out that Indian culture is quite eminent among Indonesian people and

    they are fond of Indian mythology. Therefore, the idea of exporting Indian

    mythological novels to Indonesia would gain a lot of success.

    http://en.wikipedia.org/w/index.php?title=Pandawas&action=edit&redlink=1http://en.wikipedia.org/wiki/Garuda_Pancasilahttp://en.wikipedia.org/wiki/Coat_of_arms_of_Indonesiahttp://en.wikipedia.org/wiki/Hinduismhttp://en.wikipedia.org/wiki/Buddhismhttp://en.wikipedia.org/wiki/Indonesian_languagehttp://en.wikipedia.org/wiki/Indonesiahttp://en.wikipedia.org/wiki/Indonesiahttp://en.wikipedia.org/wiki/Indonesian_languagehttp://en.wikipedia.org/wiki/Buddhismhttp://en.wikipedia.org/wiki/Hinduismhttp://en.wikipedia.org/wiki/Coat_of_arms_of_Indonesiahttp://en.wikipedia.org/wiki/Garuda_Pancasilahttp://en.wikipedia.org/w/index.php?title=Pandawas&action=edit&redlink=1