Inside Front Cover Lot: 77132 - Heritage AuctionsUntitled, from the Homage au carré portfolio, 1964 Screenprint in colors on wove paper 11 x 11 inches (27.9 x 27.9 cm) (image) 19

Front Cover Lot: 77039

Inside Front Cover Lot: 77132

Inside Back Cover Lot: 77057

Back Cover Lot: 77116

42091

Heritage Signature® Auction #5289

Signature® Floor Session(Floor, Telephone, HERITAGELive!®, Internet, Fax, and Mail)

Heritage Auctions Design District Showroom 1518 Slocum Street • Dallas, TX 75207

Tuesday, October 25 • 11:00 AM CT • Lots 77001-77216

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Modern & Contemporary Prints & MultiplesOctober 25, 2016 | Dallas

This Auction is cataloged and presented by Heritage Auctioneers & Galleries, Inc., doing business as Heritage Auctions.

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MODERN & CONTEMPORARY PRINTS & MULTIPLES

KAWS from Lot 77097

4 To view full descriptions, enlargeable images and bid online, visit HA.com/5289

77001

Josef Albers (1888-1976)Untitled, from the Homage au carré portfolio, 1964Screenprint in colors on wove paper11 x 11 inches (27.9 x 27.9 cm) (image)19 x 30 inches (48.2 x 76.2 cm) (sheet, folded in half)Ed. 9/125Signed, dated, and numbered in pencil in lower marginPublished by Editions Denise René, Paris, 1965Printed by Atelier Arcay, Paris

LITERATURE:Danilowitz, 160.4.

Estimate: $1,500-$2,500

77002

Josef Albers (1888-1976)Variant VIII, from Ten Variants, 1966Screenprint in colors on wove paper11 x 11-3/4 inches (27.9 x 30 cm) (image)17 x 17 inches (43.1 x 43.1 cm) (sheet)Ed. 153/200 Signed, titled, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Ives-Sillman, Inc., New HavenPrinted by Sirocco Screenprints, New Haven

LITERATURE:Danilowitz, 173.8.

Estimate: $1,500-$2,500

Auction #5289 | Tuesday, October 25, 2016 | 11:00 AM CT 5

77003

Terry Allen (b. 1943)Details from the Text (N/R/I/G) (four works), 1981Lithograph in colors30-1/2 x 24 inches (77.5 x 61 cm) (sheet, each))Ed. 15/32Each signed, titled, dated, and numbered in pencil along the lower edge

Estimate: $1,500-$2,000


77004

Richard Joseph Anuszkiewicz (b. 1930)Diamond Chroma, from the New York Ten portfolio, 1965Screenprint in colors20-1/8 x 15 inches (51.1 x 38.1 cm) (image)22 x 17 inches (55 x 43.1 cm) (sheet)Ed. 27/200Signed, dated, and numbered in pencil in lower marginPublished by Tanglewood Press Inc., New York

Property from The Estate of Milton S. Fox

Estimate: $800-$1,200


77005

Richard Joseph Anuszkiewicz (b. 1930)Volumes: A Variable Multiple, 1970Nine screenprints on plastic panels47 x 83-1/4 inches (119.4 x 211.5 cm) (overall)Ed. 21/150Each signed, dated, and numbered in ink on labels affixed versoPublished by Contemporary Collections, Inc., Larchmont, New YorkPrinted by Domberger, Bonlanded, West Germany

Estimate: $6,000-$8,000


77006

Arman (1928-2005)Boom-Boom, from the New York International portfolio, 1966Screenprint in colors with pencil additions on wove paper17 x 22 inches (43.2 x 55.9 cm) (sheet)Ed. 193/225 (each print is unique)Signed and numbered in pencil along lower edge, with the blindstamp of the printerPublished by Tanglewood Press, New YorkPrinted by Chiron Press, New York

Estimate: $300-$500

77007

Arman (1928-2005)Untitled, 1990Cast copper25 x 21 x 2 inches (63.5 x 53.3 x 5.1 cm)Ed. 6/12Inscribed ‘6/12 Arman’ along the lower right edgePublished by Mixografia, Los Angeles

Estimate: $8,000-$12,000


77008

Arman (1928-2005)Car Accumulation (Matchbox Cars), 1985Matchbox cars in Epoxy Resin12 x 9 x 3 inches (30.5 x 22.9 x 7.6 cm)AP 11/16 (aside from an edition of 75)Inscribed with signature and edition number along lower edges

Estimate: $5,000-$7,000

77009

John Armleder (b. 1948)Furniture Sculpture 193 (Caprice), 1988Pearl-white un-drilled ‘Caprice’ bowling ball by Columbia, with the original blue vinyl bowling ball bag10 inches (25.4 cm) diameterEd. 20/24Incised with signature, title, and numberingPublished by Daniel Newburg Gallery, New York

LITERATURE:C. Ritschard, Charles Goerg, John M. Armleder, Furniture Sculpture, 1980-1990, Musée Rath and Musée d’art et d’histoire, Geneva, 1990, pp. 76-77, no. 31, (another example illustrated);M. Brehm, John M. Armleder: At any speed, Hatje Cantz, Ostfilidern-Ruit, 1999, p. 60 and 105, (another example illustrated);F. Nymphius, John M. Armleder - Pudding Overdose, Kehrer Verlag, Heidelberg, 2002, p. 65, another exampled illustrated).

Estimate: $2,000-$3,000


77010

Robert Arneson (1930-1992)California Brick, Broken Brick, Moby Brick, New Brick/Old Stone, and Brick (five works), 1975-76Two etchings, two lithographs, and one clay brick16 x 16-1/2 inches (40.6 x 41.9 cm) (sheet, each)8-1/2 x 4-1/4 x 3 inches (21.5 x 10.7 x 7.6 cm) (brick)Ed. 39/50Each print is signed, titled, dated, and numbered, with the blindstamp of the publisher and their inkstamp on the reverseThe clay brick is signed, dated, and numberedPublished by Landfall Press, Inc., Chicago

Estimate: $4,000-$6,000


77011

Donald Baechler (b. 1956)Scroll, 2007Etching on heavy wove paper38-3/4 x 12-3/4 inches (98.4 x 32.4 cm) (image)46 x 17-1/2 inches (116.8 x 44.4 cm) (sheet)HC 3/3 (aside from an edition of 15)Signed, dated, and inscribed HC 3/3 in pencil in lower marginPublished by Ediciones Polígrafa, Barcelona

Estimate: $2,000-$4,000


77012

John Baldessari (b. 1931)Raised Eyebrows/Furrowed Foreheads: Figure with Globe, 2009Screenprint in colors31-3/4 x 30-3/4 inches (80.6 x 78.1 cm) (sheet)Ed. 50/70Signed, dated, and numbered in pencil in lower marginPublished and printed by Gemini G.E.L., Los Angeles

Estimate: $1,500-$2,000


77013

Billy Al Bengston (b. 1934), Peter Alexander (b. 1939), Laddie John Dill (b. 1943), Robert Craig Kauffman (1932-2010), Ed Moses (b. 1926), and Eric Orr (1939-1998)Untitled; Brooks; Untitled No. 1; CK-1, from the In Barcelona portfolio, Untitled, and Crazy Wisdom 5 (six works), 1988-89Etching in colors on wove paper; lithograph in colors on wove paper; etching with carborundum on wove paper; 18 x 20 inches (45.7 x 50.8 cm) (image, largest)22 x 30 inches (55.8 x 76.2 cm) (sheet, largest)Ed. 9/50; Ed. 18/75; HC 3/10 (aside from an edition of 75); Ed. 50/75; Ed. 55/75; Ed. 16/50Each signed, dated, and numbered in pencil in lower margin

Estimate: $3,000-$5,000


77014

Ross Bleckner (b. 1949)Dream and Do III, 1997Screenprint in colors32-1/2 x 41-1/2 inches (82.6 x 105.4 cm) (sheet)Ed. 29/75Signed and numbered in pencil lower left

Estimate: $1,000-$1,500

77015

Louise Bourgeois (1911-2010)Le lit gros edredon (with lips), 1997Aquatint in colors on Arches paper19-5/8 x 26-3/4 inches (49.8 x 67.8 cm) (image)24-3/4 x 31 inches (62.8 x 78.7 cm) (sheet)Ed. 24/100Signed, dated, and numbered in pencil in lower marginPublished by the Solomon R. Guggenheim Museum, New York

Estimate: $3,000-$5,000


77016

Georges Braque (1882-1963)Le char bleu, 1955Lithograph in colors8-3/4 x 13-3/8 inches (22.2 x 34 cm) (image)10 x 14 inches (25.4 x 35.5 cm) (sheet)Ed. 7/75Signed and numbered in pencil in lower marginPrinted by Mourlot, Paris

LITERATURE:Vallier, 96.

Estimate: $1,000-$2,000

77017

Alexander Calder (1898-1976)Untitled (Sculpture), 1959Lithograph in colors on Arches paper24-7/8 x 18-1/4 inches (63.2 x 46.2 cm) (image)25-1/2 x 19 inches (64.7 x 48.2 cm) (sheet)Ed. 76/150Signed lower right and numbered lower left in pencil

Estimate: $2,000-$3,000



77018

Patrick Caulfield (1936-2005)Some Poems of Jules Laforgue, 1973The complete set of six screenprints in colors on Neobond synthetic wove paper, plus the accompanying book with 22 illustrations and poetry by Jules Laforgue, contained in original grey leather-covered box and slipcase15-3/4 x 13-3/4 inches (40 x 34.9 cm) (sheet, each)16-1/2 x 14-3/8 inches (42 x 36.5 cm) (overall)Ed. 165/200 (there were also 20 artist’s proofs, the total edition including A and C was 560)Each loose print signed and numbered in pencil on the reverse, and the justification also signed, numbered, and inscribed ‘Edition B’ in pencilPublished by Petersburg Press, London

LITERATURE:Alan Cristea, 38.

Estimate: $4,000-$6,000


77019

Marc Chagall (1887-1985)Menu pour une réception sur le bateau-mouche, Paris, 1959Lithograph in colors on Arches paper9-1/2 x 6-1/4 inches (24.1 x 15.9 cm) (image)13 x 9-1/2 inches (33 x 24.1 cm) (sheet)Ed. 20/75Signed and numbered in pencil in lower margin

LITERATURE:Mourlot, 220.

Estimate: $4,000-$6,000

77020

Marc Chagall (1887-1985)The Tree of Jesse, 1960Lithograph in colors on Arches paper12-1/2 x 9-1/2 inches (31.8 x 24.1 cm) (image)15-1/2 x 12 inches (39.3 x 30.4 cm) (sheet)Ed. 35/90Signed and numbered in pencil in lower margin


Estimate: $6,000-$8,000


77021

Marc Chagall (1887-1985)Les amoureux au soleil rouge, 1960Lithograph in colors on wove paper14-3/4 x 11 inches (37.4 x 27.9 cm) (image)18-5/8 x 13 inches (47.3 x 33 cm) (sheet)Ed. 8/40Signed and numbered along lower edge


Estimate: $3,000-$5,000


77022

After Marc Chagall (1887-1985), by Charles SorlierSoleil couchant, from Nice and the Côte d’Azur, 1967Lithograph in colors on Arches paper23-1/2 x 18-1/8 inches (59.7 x 46 cm) (image)29-1/4 x 20-3/4 inches (74.2 x 52.7 cm) (sheet)Ed. VIII/LXXV (there was also an edition of 150)Signed and numbered in pencil in lower marginPublished by Mourlot, ParisPrinted by Charles Sorlier

LITERATURE:Mourlot CS, 26.

Estimate: $10,000-$15,000


77023

Marc Chagall (1887-1985)Le jardin de pomone (Garden of Pomona), from In the Land of Gods album, 1968Lithograph in colors on Arches paper24 x 17 inches (61 x 43.2 cm) (image)26 x 19-1/2 inches (66 x 49.5 cm) (sheet)Ed. 23/50 (there were also 25 artist’s proofs in Roman numerals on Japanese paper)Signed and numbered in pencil in lower margin


Estimate: $15,000-$25,000


77024

Marc Chagall (1887-1985)L’Artiste Phénix, 1972Lithograph in colors on wove paper30 x 22-1/4 inches (76 x 56.5 cm) (sheet)Ed. 46/50Signed and numbered in pencil along lower edgePublished by Maeght, Paris


Estimate: $5,000-$7,000

77025

Marc Chagall (1887-1985)The Half Opened Window, 1975Lithograph in colors on Japan nacre14-3/4 x 10-3/4 inches (37.5 x 27.3 cm) (image)23-1/4 x 17 inches (59 x 43.1 cm) (sheet)Ed. 28/50Signed and numbered in pencil in lower margin

LITERATURE:Maeght, 738.

Estimate: $6,000-$8,000


77026

Marc Chagall (1887-1985)L’artiste I, 1978Lithograph in colors on wove paper13-1/2 x 10-1/2 inches (34.3 x 26.7 cm) (image)19 x 15 inches (48.3 x 38.1 cm) (sheet)Ed. 25/50Signed and numbered in pencil in lower margin


Estimate: $4,000-$6,000

77027

Marc Chagall (1887-1985)Bouquet sur la ville, 1983Lithograph in colors on wove paper18-1/2 x 12-1/2 inches (47 x 31.8 cm) (image)25-5/8 x 18-5/8 inches (65 x 47.3 cm) (sheet)Ed. 23/50Signed and numbered in pencil in lower margin


Estimate: $4,000-$6,000


77028

Marc Chagall (1887-1985)Engagement at the Circus, 1983Lithograph in colors on Arches paper18 x 13-7/8 inches (45.7 x 35 cm) (image)26 x 18-5/8 inches (66 x 47.3 cm) (sheet)Ed. 15/50 (there were also 12 artist’s proofs printed in black)Signed and numbered in pencil in lower margin


Estimate: $6,000-$8,000

77029

Marc Chagall (1887-1985)Day Break, 1983Lithograph in colors on Arches paper13-7/8 x 10-3/4 inches (35 x 27 cm) (image)21-1/4 x 16-3/4 inches (54 x 42.5 cm) (sheet)Ed. 8/50 (there were also 12 artist’s proofs printed in black)Signed and numbered in pencil in lower margin


Estimate: $4,000-$6,000


77030

Marc Chagall (1887-1985)Le ciel, 1984Lithograph in colors on Arches paper24-1/4 x 18-7/8 inches (61.5 x 48 cm) (image)32-7/8 x 23-5/8 inches (83.5 x 60 cm) (sheet)Ed. 24/50 (there were also 12 artist’s proofs printed in black)Signed and numbered in pencil in lower margin


Estimate: $4,000-$6,000


77031

Christo (b. 1935)Wrapped Museum of Contemporary Art, Chicago (Project), 1972Lithograph in colors on wove paper42 x 32 inches (106.7 x 81.3 cm) (sheet)AP X/X (aside from an edition of 60)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Landfall Press, Chicago

LITERATURE:Schellmann, 50.

Estimate: $1,500-$2,500

77032

Christo (b. 1935)Ericsson Display Monitor Unit 3111, Wrapped, (Personal Computer), Ericsson Type 1050-545, 1985Lithograph in colors with transparent polyethylene, staples, twine and color photograph collage on wove paper28 x 22-1/4 inches (71.1 x 56.5 cm) (sheet)Ed. 15/100Signed, dated, and numbered in pencil along lower edgePublished by L.M. Ericsson, New JerseyPrinted by Landfall Press, Chicago

Estimate: $3,000-$5,000


77033

Ronnie Cutrone (1948-2013)Birds Eye View; White Knight; Bugsy Miranda (three works)Screenprint in colors on wove paper16-3/4 x 23 inches (42.5 x 58.4 cm) (image, each)23 x 39 inches (58.4 x 99 cm) (sheet, each)Ed. 143/250; 30/250; 160/250Each signed, titled, and numbered in pencil in lower margin

Estimate: $1,500-$2,500


77034

Salvador Dalí (1904-1989)Aliyah, 1968The complete portfolio of 25 lithographs in colors on Arches paper, with text by Gerson D. Cohen, contained in orginal linen-covered portfolio box25-1/2 x 19-1/2 inches (64.8 x 49.5 cm) (sheet, each)Ed. 58/250Each signed and numbered in pencil in lower marginPublished by Shorewood Press, New York

LITERATURE:Michler/Lopsinger, 1193-1217;Field, 68-1.

Estimate: $20,000-$30,000



77035

Gene Davis (1920-1985)Yankee Doodle, 1969Screenprint in colors78 x 33-1/2 inches (198.1 x 85.1 cm) (image)Ed. 42/144Signed, dated, and numbered in pencil lower right

Estimate: $1,500-$2,500


77036

Gene Davis (1920-1985)Untitled, 1980Screenprint in colors39 x 30-3/4 inches (99.1 x 78.1 cm) (image)40 x 31-3/4 inches (101.6 x 80.6 cm) (sheet)Ed. 36/74Signed, dated, and numbered in pencil in lower margin

Estimate: $4,000-$6,000


77037

Richard Diebenkorn (1922-1993)Blue Club, 1981Etching and aquatint in colors on wove paper18-7/8 x 18 inches (48 x 45.7 cm) (image)37-3/8 x 30-3/4 inches (94.9 x 78.1 cm) (sheet)Ed. 13/35 (there were also 11 artist’s proofs)Initialed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Crown Point Press, San Francisco

Estimate: $6,000-$8,000

77038

Richard Diebenkorn (1922-1993)White Club, 1981Etching and aquatint in colors on wove paper18-7/8 x 18 inches (48 x 45.7 cm) (image)37-3/8 x 30-3/4 inches (94.9 x 78.1 cm) (sheet)Ed. 19/22 (there were also 11 artist’s proofs)Initialed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Crown Point Press, San Francisco

Estimate: $4,000-$6,000


77039

Richard Diebenkorn (1922-1993)Blue with Red, 1987Woodblock in colors on Echizen Kozo Mashi paper33-1/2 x 23 inches (85.1 x 58.4 cm) (image)37-1/8 x 25-1/2 inches (94.2 x 64.7 cm) (sheet)Ed. 197/200 (there were also 20 artist’s proofs)Initialed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Crown Point Press, San Francisco

Estimate: $20,000-$30,000


77040

Richard Diebenkorn (1922-1993)Untitled #2, #4, #5, and #6 (four works), 1992-93Lithographs on Hahnemühle German etching paper11-1/4 x 15-1/4 inches (28.6 x 38.7 cm) (sheet, each)Ed. 46/68; 36/65; 38/53; 37/42 (there were also 8 artist’s proofs for each)Each numbered in pencil and stamped with initials in lower margin, with the blindstamps of the artist’s estate and the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 15.13 & 15.15-17.

Estimate: $4,000-$6,000



77041

Jim Dine (b. 1935)Self-Portrait (Zinc & Acid), from the New York Ten portfolio, 1964Etching on Arches paper22 x 17 inches (55.9 x 43.2 cm) (sheet)Ed. 27/200Signed, dated, and numbered in pencil in lower marginPublished by Tanglewood Press Inc., New York, 1965


LITERATURE:Mikro, 25.

Estimate: $1,000-$2,000

77042

Jim Dine (b. 1935)Self-portrait: The Landscape, 1969Lithograph in colors on Hodgkinson mould made paper53 x 37-1/2 inches (134.6 x 95.3 cm) (sheet)Ed. 48/75Signed, dated, and numbered in pencil lower leftPublished by Petersburg Press, London


LITERATURE:Mikro, 61.

Estimate: $4,000-$6,000


77043

Jim Dine (b. 1935)Yellow Robe, 1980Lithograph in colors on Arches paper50 x 35 inches (127 x 88.9 cm) (sheet)Ed. 31/40 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil lower centerPublished by Pace Editions, New York

LITERATURE:D’Oench/Feinberg, 64.

Estimate: $6,000-$8,000


77044

Jim Dine (b. 1935)The Pine in a Storm of Aquaint, 1978Etching and aquatint on Rives paper57-1/2 x 31-3/4 inches (146.1 x 80.5 cm) (image)65-1/2 x 39-3/4 inches (166.4 x 101 cm) (sheet)Ed. 41/45 (there were also 11 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublished by Pace Editions, Inc., New York

LITERATURE:D’Oench/Feinberg, 31.

Estimate: $2,500-$3,500

77045

Jim Dine (b. 1935)Rise up, Solitude!, 1985Drypoint with hand-coloring48-1/2 x 53-1/2 inches (123.2 x 135.9 cm) (image)51-1/2 x 57-1/2 inches (130.8 x 146.1 cm) (sheet)Ed. 32/34Signed, dated, and numbered in pencil in lower margin

EXHIBITED:Edwin A. Ulrich Museum of Art, Wichita State University, Wichita Kansas, “Contemporary Masters,” April 5-May 7, 1989.

LITERATURE:Jim Dine: Rise Up, Solitude!: Prints, 1985-86, Pace Prints/Waddington Galleries, London, 1986, n.p.

Estimate: $5,000-$7,000


77046

Jim Dine (b. 1935)Triptych - Fu Dogs, 1990Etching in black with hand painted acrylic embellishments34 x 24 inches (86.4 x 61 cm) (image, each)36-1/2 x 26-1/2 inches (92.7 x 67.3 cm) (sheet, each)Ed. 6/10One signed, dated, and numbered in ink in lower margin

Estimate: $4,000-$6,000


77047

Jim Dine (b. 1935)Two Hearts at Sunset, 2005Lithograph in colors on wove paper20-1/2 x 26-1/4 inches (52.1 x 66.7 cm) (sheet)Ed. 63/200 (there were also 10 artist’s proofs)Signed and dated in white pencil lower left and numbered lower rightPublished by Marco Fine Arts Contemporary, Hawthorne, CA

Estimate: $2,000-$3,000

77048

Jim Dine (b. 1935)Blue Heart, 2005Lithograph in colors on wove paper26-1/4 x 20-1/4 inches (66.7 x 51.4 cm)Ed. 73/200 (there were also 10 artist’s proofs)Signed and dated in white pencil lower right and numbered lower leftPublished by Marco Fine Arts Contemporary, Hawthorne, CA

Estimate: $2,000-$3,000


77049

Jim Dine (b. 1935)Double Dose of Color, 2009Lithograph in colors on Arches paper, in two sheets47 x 70-1/4 inches (119.4 x 178.4 cm) (sheet, overall)Ed. 6/16 (there were also 5 artist’s proofs)Signed, dated, and numbered in pencil along lower edgePublished by Tamarind Institute, University of New Mexico

LITERATURE:Tamarind Number, 09-307.

Estimate: $15,000-$20,000


77050

Max Ernst (1891-1976)La princesse de Lamballe, from Aux petits agneaux, 1971Screenprint in colors on japon paper7-7/8 x 5-1/2 inches (20 x 14 cm) (image)12-7/8 x 10 inches (32.7 x 25.4 cm) (sheet)Ed. 36/101Signed and numbered in pencil in lower margin

LITERATURE:Spies/Leppien, 196 VI C.

Estimate: $600-$800


77051

Zeng Fanzhi (b. 1964)Untitled (Reclining Figure), 1998Lithograph in colors on wove paper39 x 46 inches (99.1 x 116.8 cm)Ed. 13/65Signed and numbered in pencil lower rightPublished by Museum Collections Editions, New York

Estimate: $4,000-$6,000


77052

Shepard Fairey (b. 1970)Portrait of Ai Weiwei, 2014Screenprint in colors on wove paper23 x 17 inches (58.4 x 43.2 cm) (image)24 1/4 x 18 inches (61.5 x 45.7 cm) (sheet)Ed. 56/375Signed and numbered in pencil in lower margin

Estimate: $800-$1,200

77053

Shepard Fairey (b. 1970)A Message From Our Sponsor, 2015Three-color relief on handmade paper30-3/4 x 22-3/4 inches (78.1 x 57.8 cm) (image)34 x 25-1/4 inches (86.3 x 46.1 cm) (sheet)Ed. 21/25Signed, dated, and numbered in pencil in lower margin

Estimate: $1,000-$2,000


77054

Shepard Fairey (b. 1970)Paradise Turns, 2015Three-color relief on handmade paper35-5/8 x 26-3/8 inches (90.5 x 67 cm) (image)40 x 30-1/4 inches (101.6 x 76.8 cm) (sheet)Ed. 19/25Signed, dated, and numbered in pencil in lower margin

Estimate: $1,000-$2,000

77055

Shepard Fairey (b. 1970)Smoke ‘Em While You Got ‘Em, 2015Three-color relief on handmade paper31 x 23 inches (78.7 x 58.4 cm) (image)34-1/2 x 25-1/2 inches (87.6 x 64.7 cm) (sheet)Ed. 22/25Signed, dated, and numbered in pencil in lower margin

Estimate: $1,000-$2,000


77056

Sam Francis (1923-1994)Untitled (SF-106A; L-L108), 1969Lithograph in colors on Rives BFK paper28 x 39-3/4 inches (71.1 x 101 cm) (sheet)Ed. 34/40 (there were also 8 artist’s proofs)Published by Hollander’s Workshop, New York

Estimate: $1,500-$2,500


77057

Sam Francis (1923-1994)UntitledMonoprint on handmade paper29-1/2 x 24-3/4 inches (74.9 x 62.9 cm) (sheet)Signed in pencil lower right

Estimate: $10,000-$15,000


77058

Sam Francis (1923-1994)Red Again, 1972Screenprint in colors on Arches Cover White paper24-3/4 x 30-3/4 inches (62.9 x 78.1 cm) (sheet)Ed. 78/100 (there were also 10 artist’s proofs)Signed and numbered in pencil along lower edge, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 18.14;Lembark, S9.

Estimate: $2,000-$3,000

77059

Sam Francis (1923-1994)Concert Hall Set II (SF-231), 1977Lithograph in colors on Rives BFK paper25-1/2 x 16 inches (64.8 x 40.6 cm) (image)30 x 22 inches (76.2 x 55.8 cm) (sheet)Ed. 70/75Signed and numbered in pencil in lower marginPublished by Louisiana Museum of Modern Art, DenmarkPrinted by Litho Shop Inc., Santa Monica

LITERATURE:Lembark, 224.

Estimate: $1,500-$2,500


77060

Sam Francis (1923-1994)Untitled, 1983Monotype77 x 42 inches (195.6 x 106.7 cm) (sheet)Signed in pencil lower right

Estimate: $15,000-$25,000


77061

Sam Francis (1923-1994)Double Room (SF-283; L.256), 1984Lithograph in colors on Arches 88 paper50 x 60 inches (127 x 152.4 cm) (sheet)Ed. 10/16 (there were also 6 artist’s proofs)Signed lower right and numbered in pencil lower left, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 18.44.

Estimate: $3,000-$5,000

77062

Sam Francis (1923-1994)Indigo Wood (SF-287; L.260), 1984Lithograph in colors on Arches 88 paper60 x 50 inches (152.4 x 127 cm) (sheet)Ed. 5/22 (there were also 6 artist’s proofs)Signed lower right and numbered in pencil lower left, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $2,000-$3,000


77063

Sam Francis (1923-1994)Untitled (SFE-055), 1989Aquatint and etching in colors on wove paper9 x 5-7/8 inches (22.9 x 14.9 cm) (image)17-1/2 x 13 inches (44.4 x 33 cm) (sheet)CTP (aside from an edition of 20)Signed and inscribed in pencil in lower margin, with the blindstamp of the publisherPublished by The Litho Shop, Santa Monica

LITERATURE:Lembark, L 108.

Estimate: $2,000-$4,000


77064

Sam Francis (1923-1994)Untitled (SF-329; L-L278), 1988Lithograph in colors on wove paper45 x 28 inches (114.3 x 71.1 cm) (sheet)Ed. 25/50 (there are also 6 artist’s proofs)Signed and numbered in pencil along the lower edge, with the blindstamp of the publisherPublished by The Litho Shop Inc., Santa Monica

Estimate: $4,000-$6,000


77065

Sam Francis (1923-1994)Untitled (SF-330; L-L279), 1988Lithograph in colors on wove paper44-1/2 x 29-1/4 inches (113.0 x 74.3 cm) (sheet)Ed. 4/48 (there were also 7 artist’s proofs)Signed and numbered in pencil along the lower edge, with the blindstamp of the publisherPublished by The Litho Shop, Inc., Santa Monica

Estimate: $4,000-$6,000


77066

Sam Francis (1923-1994)Untitled (SF-343; L-L284), 1990Lithograph in colors on wove paper46 x 29-3/4 inches (116.8 x 75.6 cm) (sheet)Ed. 44/50Signed and numbered in pencil along the lower edge, with the blindstamp of the publisherPublished by The Litho Shop, Inc., Santa Monica

Estimate: $3,000-$5,000


77067

Sam Francis (1923-1994)Untitled (SF-344; L-L285), 1990Lithograph in colors on wove paper46 x 30 inches (116.8 x 76.2 cm) (sheet)Ed. 48/50 (there were also 7 artist’s proofs)Signed and numbered in pencil along the lower edge, with the blindstamp of the publisherPublished by The Litho Shop, Inc., Santa Monica

Estimate: $3,000-$5,000


77068

Helen Frankenthaler (1928-2011)Air Frame, from the New York Ten portfolio, 1965Screenprint in colors on Arches double-weight watercolor paper22 x 17 inches (55.9 x 43.2 cm) (sheet)Ed. 27/200Signed and dated lower right and numbered in pencil lower leftPublished by Tanglewood Press Inc., New YorkPrinted by Chiron Press, New York


LITERATURE:Harrison, 6.

Estimate: $2,000-$3,000


77069

Red Grooms (b. 1937)The Boss at Times Square, 1995Lithographic cut-out construction in Plexiglas case27 x 21 x 8-1/4 inches (68.6 x 53.3 x 21 cm)Ed. 67/75Signed, dated, and numbered in pencil lower centerCo-published by the artist and Shark’s Incorporated, Boulder

Estimate: $3,000-$5,000

77070

George Grosz (1893-1959)Kein hahn kräht nach ihnen (Nobody cares about them), 1920Lithograph13-1/2 x 10-1/2 inches (34.3 x 26.7 cm) (sheet)Signed in pencil lower right

Estimate: $1,000-$1,500


77071

Wang Guangyi (b. 1957)The Belief I, 2002Lithograph in colors on wove paper19-5/8 x 15-5/8 inches (49.8 x 39.7 cm) (image)24-3/4 x 19-5/8 inches (62.8 x 49.8 cm) (sheet)Ed. 191/199Signed and numbered in pencil in lower marginPublished by Kwai Po Collection, Hong Kong

Estimate: $2,000-$3,000

77072

Wang Guangyi (b. 1957)Believer, 2002Lithograph in colors on wove paper19-5/8 x 15-3/4 inches (49.8 x 40 cm) (image)24-3/4 x 19-3/4 inches (62.8 x 50.1 cm) (sheet)Ed. 134/199Signed and numbered in pencil in lower marginPublished by Kwai Po Collection, Hong Kong

Estimate: $800-$1,200


77073

Wang Guangyi (b. 1957)Chanel No. 19, from The Great Criticism series, 2002Lithograph in colors on wove paper47 x 37-3/4 inches (119.1 x 95.9 cm) (image)53 x 41-3/4 inches (134.3 x 106 cm) (sheet)Ed. 197/199Signed and numbered in pencil in lower marginPublished by Kwai Po Collection, Hong Kong

Estimate: $3,000-$5,000

77074

Wang Guangyi (b. 1957)Chanel No. 19, from The Great Criticism series, 2002Lithograph in colors on wove paper47 x 37-3/4 inches (119.4 x 95.9 cm) (image)53 x 41-3/4 inches (134.6 x 106 cm) (sheet)Ed. 143/199Signed and numbered in pencil in lower marginPublished by Kwai Po Collection, Hong Kong

Estimate: $2,500-$3,500


77075

Wang Guangyi (b. 1957)Coca Cola (green) from The Great Criticism series, 2006Lithograph in colors on wove paper29-1/2 x 26-1/2 inches (74.9 x 67.3 cm) (image)35-1/2 x 30-1/4 inches (90 7.4 cm) (sheet)Ed. 157/199Signed and numbered in pencil in lower margin

Estimate: $2,000-$3,000

77076

Wang Guangyi (b. 1957)Coca Cola (red), from The Great Criticism series, 2006Lithograph in colors on wove paper28-1/2 x 27 inches (72.4 x 68.6 cm) (image)34-1/2 x 30-3/4 inches (87.6 x 78.1 cm) (sheet)Ed. 81/199Signed and numbered in pencil in lower margin

Estimate: $2,000-$3,000


77077

Wang Guangyi (b. 1957)Great Criticism, 2009Screenprint in colors on wove paper8-1/2 x 11-1/2 inches (21.6 x 29.2 cm) (sheet)Ed. 101/200Signed and numbered in pencil lower right

NOTE:This lot is accompanied by a letter of authenticity by Yishu - Journal of Contemporary Chinese Art.

Estimate: $500-$700

77078

Wang Guangyi (b. 1957)WTO, from The Great Criticism series, 2006Lithograph in colors on wove paper26-1/2 x 26-1/4 inches (67.3 x 66.7 cm) (image)32-1/4 x 30-1/2 inches (82.5 x 77.4 cm) (sheet)Ed. 117/199Signed and numbered in pencil in lower margin

Estimate: $1,000-$1,500


77079

Wang Guangyi (b. 1957)Pepsi, from The Great Criticism series, 2006Lithograph in colors on wove paper44-1/2 x 39-1/4 inches (113.0 x 99.7 cm) (image)50 x 43-1/2 inches (127 x 110 cm) (sheet)Ed. 146/199Signed and numbered in pencil in lower marginPublished by the Kwai Po Collection, Hong Kong

Estimate: $2,500-$3,500

77080

Wang Guangyi (b. 1957)Gillette, from The Great Criticism series, 2002Lithograph in colors on wove paper29-1/2 x 23-1/4 inches (74.9 x 59.1 cm)Ed. 109/199Signed and numbered in pencil in lower marginPublished by the Kwai Po Collection, Hong Kong

Estimate: $1,000-$1,500


77081

Keith Haring (1958-1990)A Very Special Christmas, 1987Screenprint in colors on wove paper14-3/4 x 19 inches (37.5 x 48.3 cm) (image)18-1/4 x 22 inches (46.3 x 55.8 cm) (sheet)Signed and dated in pencil in lower marginPublished by A&M Records, Santa Monica

NOTE:A&M Records commissioned the artist to design an album cover, posters, and a limited edition print with proceeds donated to the Special Olympics.

Estimate: $2,000-$4,000

77082

After Keith Haring (1958-1990)Keith Haring Sesame Street Breakdancers Animation Cels (three works), 1987Marker on overhead sheet10-1/2 x 12-1/2 inches (26.7 x 31.8 cm) (sheet, each)

NOTE:This work is by the animation artist Bill Davis for Sesame Street, authorized by the Estate of Keith Haring.

Estimate: $1,500-$2,500


77083

Damien Hirst (b. 1965)The Twist, from In a Spin, the Action of the World on Things, Volume II, 2002Etching in colors29-1/2 x 37-3/4 inches (74.9 x 96 cm) (sheet)From an edition of 68Signed in pencil lower rightPublished by Paragon Press, London

Estimate: $1,000-$1,500


77084

Damien Hirst (b. 1965)In a Spin, the Action of the World on Things, Volume I (ten works), 2002Etching in colors35-7/8 x 27-1/2 inches (91.1 x 69.9 cm) (sheet, each)From an edition of 68Each signed in pencil in lower marginPublished by The Paragon Press, London

Includes:I get around;In a spin;I saw the whole of the moon;Like a snowball down a mountain;Oh my God & For those really stubborn stains;Burning Wheel;Tie a yellow ribbon around an old oak tree;Spinning wheel;Wheel meet again;Circles in the sand.

Estimate: $6,000-$8,000


77085

David Hockney (b. 1937)Celia with Green Plant, 1980Lithograph in colors on Arches paper29-3/4 x 39-1/2 inches (75.6 x 100.3 cm) (sheet)Ed. 59/90 (there were also 20 in Roman numerals)Signed, dated, and numbered in pencil along the lower edge, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 23.69;M.C.A.T., 240.

Estimate: $12,000-$18,000


77086

Jenny Holzer (b. 1950)Selections from Truisms, 1992Cyberlight LED sign3-1/2 x 4-1/4 inches (8.9 x 10.8 cm)One of 100 examples

Estimate: $1,500-$2,500

77087

Friedensreich Hundertwasser (1928-2000)Flight of the Dali Lama, 1959Lithograph in colors, in two sheets10-3/4 x 46 inches (27.3 x 116.8 cm) (sheet)

Estimate: $2,500-$3,500


77088

Robert Indiana (b. 1928)Eternal Hexagon, from the Ten Works by Ten Painters portfolio, 1964Screenprint in colors on Mohawk Superfine Cover paper17-1/2 x 16 inches (44.5 x 40.6 cm) (image)24 x 20 inches (60.9 x 50.8 cm) (sheet)From the unsigned edition of 500With the blindstamp of the printerPublished by the Wadsworth Atheneum, HartfordPrinted by Ives-Sillman, New Haven

LITERATURE:Sheehan, 33.

Estimate: $600-$800

77089

Robert Indiana (b. 1928)Roses, from the Garden of Love portfolio, 1982Screenprint in colors on Fabriano paper24 x 24 inches (61 x 61 cm) (image)26-3/4 x 26-3/4 inches (67.9 x 67.9 cm) (sheet)AP 1/15 (aside from an edition of 15)Signed, dated, and numbered in pencil in lower marginPublished by Prestige Art Ltd., Mamaroneck, New York

LITERATURE:Sheehan, 39.

Estimate: $2,000-$3,000


77090

Robert Indiana (b. 1928)Chosen Love, circa 1995Skein dyed, hand carved and hand tufted archival New Zealand wool on stretched canvas with natural latex backing72 x 72 inches (182.9 x 182.9 cm)Ed. 49/300Signed and numbered in ink on label versoPublished by Master Contemporary Original Artists Rugs, New York

Estimate: $7,000-$9,000


77091

Lee Jaffe (b. 1950)Untitled (Jean-Michel Basquiat, working 1), 1983Lambda print on Fuji Crystal Matte paper26-1/2 x 40 inches (67.3 x 101.6 cm)Ed. 4/15Signed and numbered in ink in lower margin

Estimate: $3,000-$5,000

77092

Jasper Johns (b. 1930)Target, from Technics and Creativity, 1970-71Offset lithograph with collage of cakes of red, yellow, and blue watercolor and brush, including the catalogue in the plastic clamshell box10-1/2 x 8-1/2 inches (26.7 x 21.6 cm)From an edition of 22,500Published by Gemini G.E.L., Los Angeles, in conjunction with the Museum of Modern Art, New York

Estimate: $400-$600


77093

Alex Katz (b. 1927)Good Afternoon 2 (Gray Rowboat), 1975Lithograph in colors on Arches Cover paper27-3/8 x 35-7/8 inches (69.6 x 91.2 cm) (sheet)Ed. 59/100Signed and numbered in pencil lower leftCo-published by Marlborough Graphics, Inc., New York and the Trenton City Museum, Trenton

LITERATURE:Maravell, 78.

Estimate: $5,000-$7,000


77094

Alex Katz (b. 1927)Night: William Dunas Dance 1-4/Pamela, 1983The complete suite of four lithographs in colors on Arches Cover paper25 x 31-1/4 inches (63.5 x 79.4 cm) (sheet, each)Ed. 95/100 (there were also 42 artist’s proofs)Each signed and numbered in pencil along lower edgePublished by Jackie Fine Arts Inc., New YorkPrinted by Christopher Erikson and Joseph Petruzzelli at Siena Studios, Inc., New York

LITERATURE:Maravell, 146-149.

Estimate: $4,000-$6,000


77095

Alex Katz (b. 1927)Ariel (Red), 2016Screenprint in colors on Saunders Waterford HP High White paper36 x 76 inches (91.4 x 193 cm)HC 5/5 (aside from an edition of 56)Signed and numbered in pencilPublished by Lococo Fine Art, St. Louis

Estimate: $18,000-$24,000


77096

KAWS (b. 1974)From No Reply (two works), 2015Screenprint on paper35 x 23 inches (88.9 x 58.4 cm) (sheet, each)Ed. 50/100Each signed and dated lower right and numbered lower left

Estimate: $8,000-$12,000


77097

KAWS (b. 1974)No One’s Home; Stay Steady; The Things That Comfort (three works), 2015Screenprint in colors on paper36 x 29 inches (91.4 x 73.7 cm) (sheet, each)Each signed, dated, and numbered in pencilEd. 136/250

Estimate: $18,000-$24,000


77098

Ellsworth Kelly (1923-2015)Red over Yellow (Rouge sur jaune), from Suite of Twenty-Seven Color Lithographs, 1964-65Lithograph in colors on Rives BFK paper35 x 23-1/4 inches (88.9 x 59.1 cm) (sheet)Ed. 72/75Signed and numbered in pencil along lower edgePublished and printed by Maeght Editeur, Paris

LITERATURE:Axsom, 19.

Estimate: $7,000-$10,000

77099

Ellsworth Kelly (1923-2015)Yellow over Black (Jaune sur noir), from Suite of Twenty-Seven Color Lithographs, 1964-65Lithograph in colors on BFK Rives paper35-1/4 x 23-1/2 inches (89.5 x 59.7 cm) (sheet)Ed. 66/75 (there were also 5 artist’s proofs)Signed and numbered in pencil along lower edgePublished and printed by Maeght Editeur, Paris


Estimate: $3,000-$5,000


77100

Ellsworth Kelly (1923-2015)String Bean Leaves III (Haricot Vert III), from the Suite of Plant Lithographs, 1965-66Lithograph on BFK Rives paper34-1/2 x 25-1/2 inches (87.6 x 64.8 cm) (sheet)Ed. 42/75Signed lower right and editioned in pencil lower leftPublished by Maeght Editeur, ParisPrinted by Imprimerie Arte, Paris


Estimate: $7,000-$9,000


77101

Ellsworth Kelly (1923-2015)Red-Orange over Black, 1970Screenprint in colors on Arjomari paper25 x 30 inches (63.5 x 76.2 cm) (sheet)Ed. 84/250 (there were also 25 artist’s proofs)Signed and dated in pencil along lower edge, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles

EXHIBITED:The Ashby-Hodge Gallery of American Art, Central Methodist College, Fayette, Missouri, “American Images - The SBC Collection of Twentieth-Century American Art,” October 17-December 9, 1999. (label verso)


Estimate: $3,000-$5,000


77102

Ellsworth Kelly (1923-2015)Untitled (Orange), 1988Lithograph in color on Arches 88 paper46-1/2 x 45-1/2 inches (118.1 x 115.6 cm) (sheet)Ed. 10/18 (there were also 6 artist’s proofs)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $4,000-$6,000

77103

Ellsworth Kelly (1923-2015)Orange, 2004Lithograph in color on Rives BFK white paper11-1/2 x 7-7/8 inches (29.2 x 20.1 cm) (image)16 x 12 inches (40.6 x 30.5 cm) (sheet)Ed. 184/250 (there were also 44 artist’s proofs)Signed and numbered in pencil along the lower edge, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles, to benefit American Coming Together (ACT) to help Democratic candidates from the federal, state, and local levels during the 2004 campaign.

LITERATURE:Gemini G.E.L., 28.258;Axsom, 309.

Estimate: $2,000-$4,000


77104

Ellsworth Kelly (1923-2015)Blue/Black/Red/Green, 2001Lithograph in colors on Lanaquarelle paper25 x 88-1/2 inches (63.5 x 224.8 cm) (sheet)SP 4/10 (aside from an edition of 45)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $15,000-$20,000


77104

Ellsworth Kelly (1923-2015)Blue/Black/Red/Green, 2001Lithograph in colors on Lanaquarelle paper25 x 88-1/2 inches (63.5 x 224.8 cm) (sheet)SP 4/10 (aside from an edition of 45)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $15,000-$20,000


77105

William Kentridge (b. 1955)Zeno Writing (Ponytail), 2002Photogravure etching and drypoint on wove paper8-1/4 x 10-3/4 inches (21 x 27.3 cm) (image)15-1/2 x 21 inches (39.3 x 53.3 cm) (sheet)Ed. 21/40Signed and numbered in pencil in lower margin, with the blindstamp of the printerPublished by David Krut, New YorkPrinted by Galamander Press, New York

Estimate: $1,500-$2,000


77106

Jeff Koons (b. 1954)Puppy (vase), 1998White glazed porcelain vase17-1/2 x 17-1/2 x 10-1/2 inches (44.5 x 44.5 x 26.6 cm)Ed. 2529/3000 (there were also 50 artist’s proofs)Incised with signature, date, and edition number, with the publisher’s incised stamp to the undersidePublished by Art of the Century, New York and Paris

NOTE:This lot comes with the original cardboard printed box, and the work is accompanied by a Certificato di Controllo dated September 12, 2004 and with hand-written numbering.

Estimate: $6,000-$8,000


77107

Frank Kozik (b. 1962)The Bird is the Word (Mickey Mao) (two works), circa 2009Fiberglass and vinyl construction27 x 18 x 14 inches (68.6 x 45.7 x 35.6 cm)

NOTE:This lot is accompanied by the screenprint MegaMao, signed and numbered ‘39/50’ in ink which measure 11-1/2 x 12-1/4 inches

Estimate: $2,000-$3,000


77108

Ferdinand Kriwet (b. 1942)Suicidalive Heartificial and Interroriot Eugeniclean (two works), 1969Silkscreen on aluminum23-5/8 x 23-5/8 inches (60 x 60 cm) (each)Each signed, with one dated and inscribed ‘To Milton Fox from Ferdinand Kriwet’ on the reverse


Estimate: $800-$1,200

77109

Ferdinand Kriwet (b. 1942)Dreamerican Greatopower and Mononentity Peopleasure (two works), 1969Silkscreen on aluminum23-5/8 x 23-5/8 inches (60 x 60 cm) (each)Each signed, dated, and inscribed ‘To Milton Fox from Ferdinand Kriwet’ on the reverse


Estimate: $800-$1,200


77110

Robert Kulicke (1924-2007)Dum-dum Roses, from the New York Ten portfolio, 1965Screenprint on graph paper with varnish8-1/2 x 11 inches (21.6 x 27.9 cm) (image)22 x 17 inches (55.8 x 43.1 cm) (sheet)Ed. 27/200Signed and dated ‘64’ in pencil upper centerSigned and numbered in pencil in lower marginPublished by Tanglewood Press Inc., New York


Estimate: $800-$1,200

77111

Mon Levinson (1926-2014)Untitled, 1964Screenprint with acetate overlay15-3/4 x 13 inches (40 x 33 cm) (image)22 x 17 inches (55.8 x 43.1 cm) (sheet)Ed. 27/200Signed and and numbered in pencil in lower margin


Estimate: $400-$800


77112

Sol LeWitt (1928-2007)Horizontal Composite (Black), 1970Screenprint in colors on Strathmore paper12 x 33-5/8 inches (30.5 x 85.4 cm) (image)18 x 40 inches (45.7 x 101.6 cm) (sheet)Ed. 37/40 (there were also 15 artist’s proofs)Signed and numbered in pencil in lower marginPublished by the artistPrinted by John Campione, New York


LITERATURE:Kornfeld, S3;Tate Gallery, S3.

Estimate: $1,000-$2,000

77113

Sol LeWitt (1928-2007)Stars-Red Center (three works), 1983Aquatints in colors on Arches 88 paper16 x 16 inches (42 x 42 cm) (image, each)20-3/4 x 20-7/8 inches (52.7 x 53 cm) (sheet)Ed. 10/10 (there were also 8 artist’s proofs)Each signed and numbered in lower marginPublished by Crown Point Press, OaklandPrinted by Hidekatsu Takada, Oakland

Estimate: $2,000-$3,000


77114

Roy Lichtenstein (1923-1997)Seascape I, from the New York Ten portfolio, 1965Screenprint in colors on translucent Rowlux17 x 22 inches (43.2 x 55.9 cm) (sheet)Ed. 27/200Signed and numbered in ink on the reversePublished by Tanglewood Press, Inc., New York


LITERATURE:Corlett, 36.

Estimate: $4,000-$6,000

77115

Roy Lichtenstein (1923-1997)Brushstroke, 1971Multiple with mixed media and paper scroll mounted on board in Plexi case18-3/4 x 46-1/4 x 2-3/4 inches (47.6 x 117.5 x 7 cm) (overall)Ed. 50/100Signed and numbered in pencilCo-published by Centro Multipli and Galleria La Salita, Rome

Estimate: $3,000-$5,000


77116

Roy Lichtenstein (1923-1997)Venetian School II, 1996Screenprint in colors on Lana Lanaquarelle watercolor paper47-1/2 x 34 inches (120.7 x 86.4 cm) (sheet)AP 7/10 (aside from an edition of 50)Signed, dated, and numbered in pencil in lower marginPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 31.116;Corlett, 296.

Estimate: $10,000-$15,000


77117

Roy Lichtenstein (1923-1997)Reflections on Expressionist Paintings, from The Carnegie Hall 100th Anniversary Portfolio, 1991Screenprint and lithograph in colors with encaustic wax on Saunders Waterford paper59-1/2 x 39-3/8 inches (151.1 x 100 cm) (sheet)Ed. 50/60 (there were also 16 artist’s proofs)Signed, dated ‘90,’ and numbered in pencil in lower margin, with the blindstamp of the printerPublished by Fine Art Ltd., Saint Louis, for the benefit of Carnegie Hall, New YorkPrinted by Saff Tech Arts, Oxford, Maryland

LITERATURE:Corlett, 255.

Estimate: $20,000-$30,000



77118

Fang Lijun (b. 1963)2000.6.15, 2000Woodcut on Japan paper47-1/2 x 31-1/2 inches (120.7 x 80 cm) (sheet)Ed. 26/65Signed, titled, and numbered in ink in lower margin

Estimate: $1,000-$1,500


77119

Robert Longo (b. 1953)Thunder Road, 2010Digital pigment print30 x 53-1/2 inches (76.2 x 135.9 cm) (image)30-7/8 x 57-1/2 inches (78.4 x 146 cm) (sheet)Ed. 9/15Signed and dated lower right and numbered lower leftPublished by Adamson Editions, Washington

Estimate: $10,000-$15,000


77120

Robert Longo (b. 1953)Mnemonic Pictures, 1995The complete set of 24 photo-lithographs in colors on cream wove paper, contained in original black linen box8 x 10 inches (20.3 x 25.4 cm) (sheet, each)9 x 11-1/2 x 1-1/2 inches (22.8 x 29.2 x 3.8 cm) (box)Ed. 8/48 (there were also 26 artist’s proofs)Each signed, dated, numbered, and annotated ‘A-X’ respectively in pencil in lower marginPublished by Editions Saga Pictures, Los Angeles

Estimate: $2,500-$3,500



77121

Robert Mangold (b. 1937)Multiple Panel Paintings, 1973-1976: A Book of Silkscreen Prints, Multiple Panel Paintings, 1977The complete set of nine screenprints in colors on white wove paper11-3/4 x 24 inches (29.8 x 61 cm) (sheet, each)An unnumbered proof aside from the edition of 300Each signed and dated ‘1992’ in pencil lower rightCo-published by Edition Domberger, Filderstadt, West Germany and Parasol Press, New York, 1992

LITERATURE:Sandback, 12.01-12.09A.

Estimate: $3,000-$5,000



77122

Christian Marclay (b. 1955)Untitled (Record Without a Groove), 1987Black vinyl grooveless record with golden label, in black suede poche with gold lettering12 inches (30.5 cm) diameterEd. 21/50Signed, dated, and numbered along the outside of the golden labelPublished by Écart Editions, Geneva and New York

Estimate: $2,000-$3,000


77123

Brice Marden (b. 1938)Etchings to Rexroth, 1, 1986Etching and sugarlift aquatint on wove paper7-7/8 x 6-7/8 inches (20 x 17.5 cm) (image)19-1/2 x 16 inches (49.5 x 40.6 cm) (sheet)Ed. 34/45 (there were also 10 artist’s proofs in Roman numerals)Signed, dated, numbered, and inscribed in pencil in lower marginPulished by Peter Blum Editions, New York

LITERATURE:Lewison, 40/1.

Estimate: $2,500-$3,500

77124

Brice Marden (b. 1938)Etchings to Rexroth, 11, 1986Etching and sugarlift aquatint on wove paper7-7/8 x 6-7/8 inches (20 x 17.5 cm) (image)19-1/2 x 16 inches (49.5 x 40.6 cm) (sheet)Ed. 34/45 (there were also 10 artist’s proofs in Roman numerals)Signed, dated, numbered, and inscribed in pencil in lower marginPublished by Peter Blum Editions, New York


Estimate: $2,500-$3,500


77125



Estimate: $2,500-$3,500

77126



Estimate: $2,500-$3,500

77127



Estimate: $2,500-$3,500


77128



Estimate: $2,500-$3,500

77129



Estimate: $2,500-$3,500

77130



Estimate: $2,500-$3,500


77131

Beatriz Milhazes (b. 1960)Balon bleu (Blue Balloon), 2010Woodblock and screenprint in colors on Saunder Waterford paper14-1/4 x 10 inches (36.2 x 25.4 cm) (sheet)Ed. 44/50Signed, titled, dated, and numbered in pencil, with the copyright stamp on the reversePublished by Durham Press, Durahm

Estimate: $8,000-$12,000


77132

Beatriz Milhazes (b. 1960)Piquenique (Picnic), 2010Woodblock and screenprint in colors on Saunder Waterford paper14-1/4 x 10 inches (36.2 x 25.4 cm) (sheet)Ed. 44/50Signed, titled, dated, and numbered in pencil, with the copyright stamp on the reversePublished by Durham Press, Durham

Estimate: $10,000-$15,000


77133

Yue Minjun (b. 1962)Untitled (Smile-ism No. 28), 2006Lithograph in colors on wove paper43-1/2 x 35-1/2 inches (110.5 x 90.2 cm) (sheet)Ed. 43/45Signed in pencil lower right and numbered lower left

Estimate: $3,000-$5,000

77134

Yue Minjun (b. 1962)Untitled (Smile-ism No. 1), 2006Lithograph in colors on wove paper43-1/2 x 35-1/2 inches (110.5 x 90.2 cm) (sheet)Ed. 43/45Signed in pencil lower right and numbered lower left

Estimate: $3,000-$5,000


77135

Yue Minjun (b. 1962)Pyramid, 2001Screenprint in colors on wove paper47 x 31-1/2 inches (119.4 x 80 cm) (sheet)Ed. 73/96Signed, titled, dated, and numbered in pencil along lower edge

Estimate: $4,000-$6,000


77136

After Joan Miró (1893-1983)Sur quatre murs, 1951Lithograph in colors10-1/4 x 31-1/4 inches (26.2 x 79.4 cm) (image)21-5/8 x 35-3/8 inches (55.1 x 90.1 cm) (sheet)From an edition of 400Signed and dated in pencil in lower marginPublished by Maeght Éditeur, ParisPrinted by Mourlot, Paris

LITERATURE:Maeght, 1708.

Estimate: $5,000-$7,000

77137

Joan Miró (1893-1983)Les essències de la terra, 1968Lithograph with hand coloring in watercolor on Japon nacré paper16-3/4 x 14 inches (42.5 x 35.6 cm) (sheet)Ed. 64A/100Signed in pencil lower right and numbered lower leftPublished by Ediciones Polígrafa, BarcelonaPrinted by Mourlot, Paris

LITERATURE:Cramer, 123.

Estimate: $6,000-$8,000


77138

Joan Miró (1893-1983)Le captive, 1969Etching and aquatint in colors with carborundum on wove paper37 x 28-1/4 inches (94 x 71.8 cm) (sheet)Ed. 6/50Signed lower right and numbered lower leftPublished by Maeght Éditeur, Paris

LITERATURE:Dupin, 489.

Estimate: $8,000-$12,000


77139

Joan Miró (1893-1983)Pygmées sous la lune, 1972Etching and aquatint in colors on Arches paper21 x 26-1/2 inches (53.3 x 67.3 cm) (image)27-1/2 x 34-1/2 inches (69.8 x 87.6 cm) (sheet)HC (aside from an edition of 50)Signed and inscribed in pencil in lower marginPublished by Maeght, Paris


Estimate: $3,000-$5,000

77140

Joan Miró (1893-1983)Els gossos IV, 1979Etching in colors on Arches paper28-3/4 x 45-1/2 inches (73.0 x 115.6 cm) (sheet)Ed. 30/30 (there were also 15 in Roman numerals)Signed lower right and numbered in pencil lower left


Estimate: $4,000-$6,000


77141

Joan Miró (1893-1983)Le miroir de l’homme par les bêtes, 1972Aquatint in colors on wove paper17-1/8 x 12-1/2 inches (43.5 x 31.8 cm) (sheet)HC (aside from an edition of 40)Signed lower right and inscribed in pencil lower leftPublished and printed by Maeght, Paris


Estimate: $3,000-$5,000


77142

Robert Morris (b. 1931)In the Realm of the Carceral portfolio (ten works), 1978-79Etching and aquatint on heavy wove paper32-1/2 x 43-1/2 inches (82.6 x 110.5 cm) (plate, each, or the reverse)37 x 48 inches (93.9 x 121.9 cm) (sheet, each)Each signed, dated, and numbered in pencil in lower marginPrinted by Styria Studio, Inc., New York

Includes the following from the portfolio:The Hot and Cold Pools of Persuasion, 1979, AP 19/20;Observation Yards, 1978, AP 14/20;The Walled Grounds of Parades and Punishments, 1979, AP 13/20;The Gardens of Compulsory Exercise, 1978, AP 14/20;Perpetual Destruction and and Dismantling of the Labyrinth, 1978, AP 13/20;Towers of Silence, 1979, Ed. 34/150;Security Walls, 1979, Ed. 42/150;Separate Walkways: The Warders Above, the Inmates Below, 1979, Ed. 102/150;Stockade, 1979, AP 13/20;Places for the Solitary, 1979, AP 17/20.

Estimate: $4,000-$6,000



77143

Olivier Mosset (b. 1944)Untitled, 1985Acrylic on aluminum12 x 12 inches (30.5 x 30.5 cm)Ed. 12/50Signed and numbered on the reverse

NOTE:This lot is accompanied by a copy of the book Olivier Mosset, published by Verlag Lars Müller, 1990.

Estimate: $4,000-$6,000


77144

Robert Motherwell (1915-1991)Gesture IV, 1976-77Lift-ground etching with aquatint in colors on JB Green paper19-5/8 x 15-3/4 inches (49.8 x 40 cm) (image)35 x 26-1/4 inches (88.9 x 66.6 cm) (sheet)Ed. 6/100 (there were also 10 artist’s proofs in Roman numerals)Signed and numbered in pencil in lower margin, with the blindstamp of the artistCo-published by the artist and Brooke Alexander, Inc., New YorkPrinted by Catherine Mousley, New York

LITERATURE:Belknap, 172;Engberg/Banach, 208.

Estimate: $8,000-$12,000


77145

Robert Motherwell (1915-1991)Gesture III, 1976-77Lift-ground etching with aquatint in colors on JB Green paper19-1/2 x 15-3/4 inches (49.5 x 40 cm) (image)35 x 26 inches (88.9 x 66 cm) (sheet)Ed. 6/75 (there were also 10 artist’s proofs in Roman numerals)Signed and numbered in pencil in lower margin, with the blindstamp of the artistCo-published by the artist and Brooke Alexander, Inc., New YorkPrinted by Catherine Mousley, New York


Estimate: $6,000-$8,000

77146

Robert Motherwell (1915-1991)St. Michael III, 1979Screenprint and lithograph in colors on wove paper40-1/2 x 32 inches (102.9 x 81.3 cm) (sheet)Ed. 24/99 (there were also 20 artist’s proofs in Roman numerals)Signed and numbered in pencil lower right, with the blindstamp of the publisherPublished by Tyler Graphics, Ltd., Mount Kisco

LITERATURE:Engberg/Banach, 237;Belknap, 206;Tyler Graphics, 398.

Estimate: $2,000-$3,000


77147

Robert Motherwell (1915-1991)Red Sea I, 1976Etching and aquatint in colors on Arches paper23-1/2 x 19-3/4 inches (59.7 x 50.2 cm) (image)41 x 29 inches (104.1 x 73.6 cm) (sheet)Ed. 47/100Signed and numbered in pencil in lower margin, with the blindstamp of the artistPublished by Harry N. Abrams, New York


Estimate: $8,000-$12,000


77148

Matt Mullican (b. 1951)8 Dead Twos!! In a Wooden Box! That Person Did it! Not Me Not Me Not Me, 2007The complete set of eight aquatints on Natural Gampi colléto Magnani Pescia paper, contained in original wooden portfolio box14-3/4 x 11-1/4 inches (37.5 x 28.6 cm) (plate, each)20-1/4 x 16-1/2 inches (51.4 x 41.9 cm) (sheet, each)Ed. 4/16 (there were also 3 artist’s proofs)Each signed and numbered in pencil on the reverse, with the blindstamp of the publisherPublished by Edition Jacob Samuel, Santa Monica

Estimate: $2,000-$3,000



77149

Takashi Murakami (b. 1962)Jellyfish Eyes 1, 2, 3, and 5 (four works), 2004Offset lithographs in colors on wove paper19-3/4 x 19-3/4 inches (50 x 50 cm) (sheet, each)Ed. 117/300; 96/300; 216/300; 213/300Each signed and numbered in silver ink lower rightCo-published by the artist and Kaikai Kiki & Co. Ltd, Tokyo

Estimate: $3,000-$5,000


77150

Takashi Murakami (b. 1962)Kaikai, Kiki, and Me and Mr. DOB Comes to Play His Flute (two works), 2013Offset lithographs in colors on wove paper19-5/8 x 19-5/8 inches (49.8 x 49.8 cm) (each)Ed. 36/300; Ed. 35/300Each signed and numbered in ink lower rightCo-published by the artist and Kaikai Kiki & Co. Ltd., Tokyo

Estimate: $2,000-$3,000


77151

Takashi Murakami (b. 1962)DOB in Pure White Robe (Pink and Blue) and DOB in Pure White Robe (Navy and Vermillion) (two works), 2013Offset lithograph in colors on wove paper19-5/8 x 19-5/8 inches (49.8 x 49.8 cm) (each)Ed. 205/300; Ed. 203/300Each signed and numbered in ink lower rightCo-published by the artist and Kaikai Kiki & Co. Ltd., Tokyo

Estimate: $2,000-$3,000


77152

Takashi Murakami (b. 1962)The Future will Be Full of Smile! For Sure! and Flowers with Smiley Faces (two works), 2013Offset lithographs in colors on wove paper19-5/8 x 19-5/8 inches (49.8 x 49.8 cm) (each)Ed. 81/300Each signed and numbered in silver ink lower rightEach co-published by the artist and Kaikai Kiki Co., Ltd., Tokyo and New York

Estimate: $2,000-$3,000


77153

Claes Oldenburg (b. 1929)Wedding Souvenir, 1966Cast plaster and white paint6-1/2 x 6 x 2-1/2 inches (16.5 x 15.2 x 6.4 cm)With the artist’s stamp on the underside

NOTE:This multiple was commissioned for the wedding of Jim and Judith Elliot, on April 23, 1966, in Topanga Canyon, California, in an unnumbered edition of approximately eight cakes, each cake composed of eighteen slices.

Estimate: $3,000-$5,000

77154

Claes Oldenburg (b. 1929)Double-Nose/Purse/Punching Bag/Ashtray, 1970Leather, bronze, and wood, with deerskin-covered book11 x 20-3/4 x 8-3/8 inches (27.9 x 52.7 x 21.3 cm) (overall)Ed. 18/75Incised with edition number along edge of ashtray; signed and numbered ‘18/200A’ in pencil on the justification page of the bookPublished by Gemini G.E.L., Los Angeles

LITERATURE:Gemini G.E.L., 38.20;Axsom/Platzker, 13.

Estimate: $1,500-$2,500


77155

Claes Oldenburg (b. 1929)N.Y.C. Pretzel, 1994Screenprint in colors on corrugated cardboard6 x 6 x 1/2 inches (15.2 x 15.2 x 1.3 cm)From an unlimited edition Stamped with the artist’s copyright and initials on the reverse

LITERATURE:Axsom/Platzker, 250.4.

Estimate: $300-$500

77156

Claes Oldenburg (b. 1929)Geometric Mouse, Scale D (Paper), “Home-made,” 1971Offset lithograph on wove paper laminated to five cardboard elements with die-cut, stainless steel chain and wire and nickel-plated fasteners19 x 16-1/2 inches (48.3 x 41.9 cm) (overall)From an unlimited editionPublished by Gemini G.E.L, Los Angeles

LITERATURE:Azsom/Platzker, 73;Gemini G.E.L., 38.26.

Estimate: $400-$600


77157

Julian Opie (b. 1958)Antonia., 2011Inkjet print41-1/4 x 26-7/8 inches (104.8 x 68.3 cm) (image)Ed. 12/40Signed on label affixed to frame verso Published by Alan Cristea Gallery, London

LITERATURE:J. Watkins, Julian Opie: The Complete Editions Volume I: 1984-2011, Alan Cristea Gallery, London, pp. 219-220.

Estimate: $4,000-$6,000


77158

Julian Opie (b. 1958)Luc & Ludivine get married pair 3, 2007Laser-cut black Somerset paper silhouettes on Clairfontaine Mayo paper, contained in oval frames designed by the artist17-1/2 x 15-3/4 x 3 inches (44.5 x 40 x 7.6 cm) (each)Ed. 4/10One signed in ink and each numbered on a label affixed to frames versoPublished by Alan Cristea Gallery, London


Estimate: $2,500-$3,500

77159

Julian Opie (b. 1958)View from my bedroom window., 2007Continuous computer animation on LCD screen12 x 9-3/4 x 1-3/4 inches (30.5 x 24.8 x 4.4 cm)Ed. 300/300Signed and numbered on the back of the monitorPublished by Alan Cristea Gallery, LondonThis work is a digital loop animation comprising eight frames that depict one landscape throughout the course of a day.


Estimate: $2,000-$3,000


77160

Sir Eduardo Luigi Paolozzi (1924-2005)Moonstrips Empire News, Volume I, 1967The complete portfolio comprising 100 screenprints on various papers and acetate, with the title page, colophon, and introductory text by Chirstopher Finch, all housed in a formed acrylic box fabricated by Herault Studios10 x 15 inches (25.4 x 38.1 cm) (sheet, approx. each)Ed. 415/500Eight signed and numbered in pencil and stamp-titled on the reversePublished by Editions Alecto, LondonPrinted by Kelpra Studios, London

LITERATURE:Grisebach, 37.

Estimate: $400-$600


77161

Pablo Picasso (1881-1973)Vieux sculpteur et modèle assoupi avec un groupe sculpté représentant des chevaux luttant, pl. 64, from La Suite Vollard, 1933Etching on Montval paper7-1/2 x 10-1/4 inches (19.1 x 26 cm) (image)13 x 17-1/2 inches (33 x 44.4 cm) (sheet)Ed. 260Signed in pencil in lower marginPublished by A. Vollard, Paris, 1939

LITERATURE:Bloch, 173;Baer, 326Bd.

Estimate: $8,000-$12,000


77162

Pablo Picasso (1881-1973)Le repos du sculpteur IV, pl. 65, from La Suite Vollard, 1933Etching on Montval laid paper7-1/2 x 10-1/2 inches (19.1 x 26.7 cm) (image)13-1/4 x 17-1/2 inches (33.6 x 44.4 cm) (sheet)From the total edition of 310Signed in pencil in lower marginPublished by A. Vollard, Paris, 1939

LITERATURE:Bloch, 174;Baer, 327.

Estimate: $8,000-$12,000


77163

Pablo Picasso (1881-1973)Trois femmes nues près d’une fenêtre, pl. 67, from La Suite Vollard, 1933Etching on Montval paper14-1/4 x 11-3/8 inches (36.1 x 28.9 cm) (image)17-1/2 x 13-3/8 inches (44.4 x 34 cm) (sheet)Ed. 260Signed in pencil in lower marginPublished by A. Vollard, Paris, 1939

LITERATURE:Bloch, 1760;Baer, 329.

Estimate: $8,000-$12,000


77164

Pablo Picasso (1881-1973)Femme assise en tailler: Geneviève Laporte, from Recordant el Doctor Reventós, 1951Drypoint etching on japan nacré5-5/8 x 4 inches (14.3 x 10.2 cm) (image)11-7/8 x 9 inches (30.1 x 22.8 cm) (sheet)Ed. 54/180 (there were also 10 hors-commerce lettered a-j)Signed and numbered in pencil in lower marginPublished by Editiorial Gustavo Gili, Barcelona, 1969


LITERATURE:Bloch, 1837;Baer, 888 II(B);Cramer, 147.

Estimate: $8,000-$12,000



77165

Pablo Picasso (1881-1973)Deux femmes prês de la fenêtre, 1959Linocut in colors on Arches paper21 x 25-3/8 inches (53.3 x 64.5 cm) (image)24-1/2 x 29-5/8 inches (62.2 x 75.2 cm) (sheet)Ed. 27/50 (there were also approximately 20 artist’s proofs)Signed and numbered in pencil in lower marginPublished by Galerie Louise Leiris, Paris

LITERATURE:Bloch, 924;Baer, 1252 IIBb.

Estimate: $15,000-$25,000



77166

Pablo Picasso (1881-1973)Picador entrant dans l’arène, 1959Linocut in colors on Arches paper6-1/2 x 8-3/4 inches (16.5 x 22.4 cm) (image)14-3/4 x 18-7/8 inches (37.4 x 47.9 cm) (sheet)Ed. 37/50Signed and numbered in pencil in lower margin

LITERATURE:Bloch, 942;Baer, 1221/II/B/b.

Estimate: $5,000-$7,000

77167

Pablo Picasso (1881-1973)Femme nue et homme à la canne, from Picasso - Dessins 27.3.66 to 15.3.68, 1969Lithograph on wove paper10-1/2 x 8-3/4 inches (26.7 x 22.4 cm) (image)16-1/2 x 13 inches (40.6 x 33 cm) (sheet)HC 21/25 (aside from an edition of 125)Signed and numbered in pencil in lower marginPublished by Éditions Cercle d’Art, Paris


LITERATURE:Bloch, 1464;Mourlot, 407.

Estimate: $1,000-$2,000


77168

Pablo Picasso (1881-1973)Homme allongé, avec deux femmes, from La Seriés 347, 1968Aquatint with etching on BFK Rives paper14-3/4 x 10-3/4 inches (37.5 x 27.3 cm) (image)21-5/8 x 16-7/8 inches (54.9 x 42.8 cm) (sheet)Ed. 15/50Signed and numbered in pencil in lower marginPublished by Galerie L. Leiris, Paris

LITERATURE:Bloch, 1498.

Estimate: $4,000-$6,000


77169

Pablo Picasso (1881-1973)En pensant à Goya: femmes en prison, from La Séries 347, 1968Aquatint on BFK Rives paper12-1/2 x 15-1/2 inches (31.8 x 39.4 cm) (image)18-5/8 x 22-1/4 inches (47.3 x 56.5 cm) (sheet)Epreuve d’artiste (aside from an edition of 50)Signed and inscribed in pencil in lower marginPublished by Galerie L. Leiris, Paris


Estimate: $5,000-$7,000


77170

Pablo Picasso (1881-1973)Degas imaginant, from La Séries 156, 1971Etching on wove paper, printed 197814-3/8 x 19-1/4 inches (36.5 x 48.9 cm) (image)19-3/4 x 25-3/4 inches (50.1 x 65.4 cm) (sheet)EA IX/XV (aside from an edition of 50)Signed in ink and numbered in pencil in lower marginPublished by Galerie L. Leiris, Paris


Estimate: $4,000-$6,000


77171

Pablo Picasso (1881-1973)Homme rembranesque à la pipe, from La Séries 347, 1968Etching on BFK Rives paper8-1/8 x 6 inches (20.6 x 15.2 cm) (image)13-3/4 x 11 inches (34.9 x 27.9 cm) (sheet)Ed. 32/50Signed and numbered in pencil in lower marginPublished by Galerie L. Leiris, Paris


Estimate: $4,000-$6,000

77172

Pablo Picasso (1881-1973)Colombe à la lucarne, 1949Terre de faïence dish, partially glazed and painted12 x 15 inches (30.5 x 38.1 cm)Ed. 31/200Numbered and inscribed ‘Edition Picasso’ and ‘Madoura,’ with the Edition Picasso and Madoura Plein Feu stamps to the underside

LITERATURE:A. Ramié, 78.

Estimate: $5,000-$7,000


77173

Pablo Picasso (1881-1973)Femme du barbu, 1953Terre de faïence pitcher, partially glazed16 inches (40.6 cm) highFrom an edition of 500Inscribed ‘Edition Picasso’ with the Madoura Plein Feu stamp on the underside


Estimate: $20,000-$30,000


77174

Pablo Picasso (1881-1973)Figure de proue, 1952Partially glazed ceramic pitcher8 x 10 x 4 inches (20.3 x 25.4 x 10.2 cm)Ed. 58/300Numbered and inscribed ‘Edition Picasso,’ with the Edition Picasso and Madoura Plein Feu stamps on the underside

LITERATURE:G. Ramié, 712;A. Ramié, 244.

Estimate: $7,000-$9,000

77175

Pablo Picasso (1881-1973)Bouquet à la pomme, 1956Terre de faïence plate, partially glazed and painted10-1/4 inches (26 cm) diameterFrom an edition of 400Inscribed ‘Edition Picasso,’ with the Madoura Plein Feu and Emperinte Originale de Picasso stamps on the underside


Estimate: $3,000-$5,000


77176

After Pablo Picasso (1881-1973)Musicien, danseur, chèvre et oiseau, 1959Lithograph on wove paper25-5/8 x 19-1/2 inches (65 x 49.5 cm) (sheet)Ed. 102/200Signed lower right and numbered lower left in pencil

Estimate: $2,000-$4,000

77177

After Pablo Picasso (1881-1973)La ronde de la jeunesse, 1961Lithograph in colors on Arches paper25-3/4 x 19-3/4 inches (65.4 x 50.2 cm) (sheet)Ed. 27/200Signed and numbered in pencil along the lower edgePrinted by Imprimerie Arnéra, Vallauris

Estimate: $3,000-$5,000


77178

Mel Ramos (b. 1935)Miss Fruit Salad, 1990Screenprint in colors on heavy wove paper38-1/2 x 32 inches (97.8 x 81.3 cm) (image)45-1/2 x 38 inches (115.5 x 96.5 cm) (sheet)Ed. 7/125Signed and numbered in pencil in lower margin

Estimate: $2,000-$3,000


77179

Robert Rauschenberg (1925-2008)General Delivery, 1971Screenprint and offset lithograph in colors with collage on paper44 x 30 inches (111.7 x 76.2 cm) (image)49 x 33-3/8 inches (124.5 x 84.8 cm) (sheet)Ed. 118/300 (there were also 30 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublisher by The Walker Art Center, MinneapolisPrinted by Styria Studio, New York

Estimate: $2,000-$3,000

77180

Robert Rauschenberg (1925-2008)Literature, from the Tribute 21 series, 1994Lithograph in colors on wove paper41 x 27 inches (104.1 x 68.6 cm) (sheet)Ed. 14/50Signed, dated, and numbered in pencil lower left, with the blindstamp of the publisherPublished by Felissimo, Tokyo Printed by ULAE, West Islip

NOTE:The series celebrates twenty-one different humanitarian themes for the twenty-first century.

Estimate: $3,000-$5,000


77181

Ed Ruscha (b. 1937)Big Dipper Over Desert, 1982Aquatint in colors on wove paper24 x 36 inches (61 x 91.4 cm) (image)33-1/2 x 45 inches (85 x 114 cm) (sheet)Ed. 35/48 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil in lower margin, with the blindstamp of the publisherPublished by Crown Point Press, OaklandPrinted by Peter Pettengill

Estimate: $3,000-$5,000


77182

Ed Ruscha (b. 1937)Hot Air Being Blown, 1982Etching in colors on wove paper34-5/8 x 33-3/4 inches (87.9 x 85.6 cm)Printer’s proof (aside from an edition of 20)Signed, dated, and inscribed in pencil along lower edge with the blindstamp of the printerPrinted and published by Styria Studio, Inc., New York

LITERATURE:Engberg, 126.

Estimate: $2,000-$3,000


77183

Antonio Saura (1930-1998)Silvia, from the Novisaurias series, 1969Etching and aquatint on Rives BFK paper29-3/4 x 22 inches (75.6 x 55.9 cm) (sheet)Ed. 17/50Signed lower right and numbered in pencil lower left


Estimate: $800-$1,200

77184

Antonio Saura (1930-1998)Amelia, from the Novisaurias series, 1969Etching and aquatint on Rives BFK paper22 x 19-3/4 inches (55.9 x 50.2 cm) (sheet)Ed. 17/50Signed lower right and numbered in pencil lower left


Estimate: $800-$1,200


77185

Antonio Saura (1930-1998)Aurelia, from the Novisaurias series, 1969Etching and aquatint on Rives BFK paper22 x 19-3/4 inches (55.9 x 50.2 cm) (sheet)Ed. 17/50Signed lower right and numbered in pencil lower left


Estimate: $800-$1,200

77186

Antonio Saura (1930-1998)Claudia, from the Novisaurias series, 1969Etching and aquatint on Rives BFK paper29-3/4 x 22 inches (75.6 x 55.9 cm) (sheet)Ed. 17/50Signed lower right and numbered in pencil lower left


Estimate: $1,000-$1,500


77187

George Segal (1924-2000)Woman Brushing her Hair, from the New York Ten portfolio, 1965Screenprint in colors22 x 17 inches (55.9 x 43.2 cm)Ed. 27/200Signed, dated ‘64,’ and numbered in pencil lower centerPublished by Tanglewood Press Inc., New YorkPrinted by Chiron Press, New York


Estimate: $800-$1,200

77188

Frank Stella (b. 1936)Conway, from Eccentric Polygons, 1974Lithograph and screenprint in colors on Arches paper17-1/4 x 22-1/4 inches (43.8 x 56.5 cm) (sheet)Ed. 10/100 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil lower right, with the blindstamp of the publisherPublished by Gemini G.E.L., Los Angeles


Estimate: $2,000-$3,000


77189

Frank Stella (b. 1936)Singerli Variation III, from Sinjerli Variations, 1977Offset lithograph and screenprint in colors on Arches Cover paper32 x 42-1/4 inches (81.3 x 107.2 cm) (sheet)Ed. 33/100Signed, dated, and numbered in pencil lower rightPublished by Petersburg Press, New York


Estimate: $5,000-$7,000


77190

Frank Stella (b. 1936)Imola Five II, from Circuits, 1983Woodcut in colors with hand-coloring on TGL handmade paper66-3/4 x 48-1/2 inches (169.5 x 123.2 cm) (sheet)Ed. 17/30Signed, dated, and numbered in pencil lower right, with the blindstamp of the publisherPublished by Tyler Graphics, Ltd., Bedford

LITERATURE:Axsom, 166;Tyler, 577.

Estimate: $5,000-$7,000


77191

Frank Stella (b. 1936)The Great Heidelburgh Tun, from the Waves series, 1988Screenprint, lithograph, and linocut, with hand-coloring and collage on T.H. Saunders paper74-7/8 x 54-3/4 inches (190.2 x 139.1 cm) (sheet)Ed. 14/60 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil lower rightPublished by Waddington Graphics, LondonPrinted by Trestle Editions and Brand X Editions, New York

Estimate: $6,000-$8,000


77192

Frank Stella (b. 1936)Shards I, 1988Offset lithograph and screenprint in colors on wove paper45 x 40 inches (114.3 x 101.6 cm) (sheet)Ed. 73/100Signed, dated, and numbered in pencil lower rightPublished by Petersburg Press, New York


Estimate: $4,000-$6,000


77193

Donald Sultan (b. 1951)Trumpets, March 17, 2008The complete set of four etchings in colors on heavy wove paper31-1/2 x 27-3/4 inches (80 x 70.5 cm) (image, each)37 x 34.5 inches (93.9 x 87.6 cm) (sheet, each)Ed. 9/50Each signed, titled, and dated along the left edge, and numbered lower rightPublished by Polígrafa, Barcelona

Estimate: $4,000-$6,000


77194

Rufino Tamayo (1899-1991)

Tamayo 90 Anniversario (eight works), 1989Lithograph in colors on Arches paper31-3/4 x 47-1/2 inches (80.6 x 120.7 cm) (sheet, largest)Ed. 1/110 (there were also 25 artist’s proofs)Each signed and numbered in pencilPublished by B/M Ediciones y Arte, Mexico City

Estimate: $20,000-$25,000


77195

Wayne Thiebaud (b. 1920)Cherry Cakes, from Recent Etchings II, 1979Etching and aquatint in colors on Somerset paper16-1/4 x 23-3/4 inches (41.3 x 60.3 cm) (image)22-5/8 x 29-5/8 inches (57.4 x 75.2 cm) (sheet)Ed. 46/50 (there were also 10 artist’s proofs)Signed, dated, and numbered in pencil in lower marginPublished by Parasol Press Ltd., New YorkPrinted by Crown Point Press, San Francisco

Estimate: $5,000-$7,000


77196

Various Artists (20th Century)S.M.S. (Shit Must Stop), a collection of 73 original multiples (six portfolios), 1968Illustrated paper portfolios in their original cardboard mailing boxesDimensions variable14 x 7-1/2 inches (35.6 x 19.1 cm) (each box)Signed and numbered on a paper contained in the first box.Published by The Letter Edged in Black Press Inc., New York

Among the many artist represented are the following:Marcel Duchamp, Man Ray, Roy Lichtenstein, Christo, Julien Levy, Ray Johnson, Meret Oppenheim, Dick Higgens, Joseph Kosuth, John Cage, On Kawara, Arman, Bruce Nauman, Mel Ramos, Hannah Weiner, Claes Oldenbug, Bernar Venet, Richard diterHamilton, Enrico Baj, Yoko Ono, and Dieter Roth.

Estimate: $1,500-$2,500


77197

Victor Vasarely (1906-1997)Vilag, 1978Screenprint in colors23-5/8 x 23-5/8 inches (60 x 60 cm) (image)Ed. 220/275Signed and numbered in pencil in lower marginPublished by Atelier Arcay, Paris

Estimate: $800-$1,200


77198

Bernar Venet (b. 1941)Two Undetermined Lines, 1990Lithograph in colors45-1/2 x 39-1/4 inches (115.6 x 99.7 cm) (sheet)Ed. 16/30 (there were also 10 artist’s proofs)Signed, titled, dated, and numbered in pencil along lower edgePublished and printed by Landfall Press, Chicago

Estimate: $2,000-$3,000


77199

Massimo Vitali (b. 1944)Bagni Lido, from A Portfolio of Landscapes and Figures, Sheet #15, 2006Offset lithograph in colors on smooth wove paper25-7/8 x 35-1/4 inches (65.7 x 89.5 cm) (image)27-3/8 x 35-1/4 inches (69.5 x 89.5 cm) (sheet)Ed. 41/120 (there were also 20 artist’s proofs)Numbered ‘15’ in ink, and stamped with the edition and photographer’s stamp on verso.Published by Steidl Verlag, Göttingen, Germany

Estimate: $1,500-$2,500

77200

Massimo Vitali (b. 1944)De Haan Kiss, from A Portfolio of Landscapes and Figures, Sheet #36, 2006Offset lithograph in colors on smooth wove paper25-7/8 x 33-5/8 inches (65.7 x 85.4 cm) (image)27-3/8 x 35-1/4 inches (69.5 x 89.5 cm) (sheet)Ed. 41/120 (there were also 20 artist’s proofs)Numbered ‘36’ in ink, and stamped with the edition and photographer’s stamp on verso.Published by Steidl Verlag, Göttingen, Germany

Estimate: $1,500-$2,500


77201

Andy Warhol (1928-1987)Liz, 1964Offset lithograph in colors21-7/8 x 21-7/8 inches (55.6 x 55.6 cm) (image)23 x 23 inches (58.4 x 58.4 cm) (sheet)From an edition of approximately 300Signed and dated ‘65’ in ball-point pen in lower marginPublished by Leo Castelli Gallery, New York


LITERATURE:Feldman/Schellmann, II.7.

Estimate: $25,000-$35,000



77202

Andy Warhol (1928-1987)Rats and Star, 1983Screenprint in colors on Lenox Museum Board32 x 40 inches (81.3 x 101.6 cm) (sheet)One of a small number of impressionsStamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc. on the reversePrinted by Rupert Jasen Smith, New York

This work is based on a photograph by Andy Warhol. Created for the 1983 Epic/Sony Soul Vacation album cover.

LITERATURE:Feldman/Schellmann, IIIB.21.

Estimate: $15,000-$25,000



77203

Andy Warhol (1928-1987)Marilyn Monroe (Marilyn), 1967Screenprint in colors on paper36 x 36 inches (91.4 x 91.4 cm) (sheet)Ed. 34/250 (there were also 26 artist’s proofs)Signed in pencil and stamp numbered on the reversePublished by Factory Additions, New YorkPrinted by Aetna Silkscreen Products, Inc., New York


Estimate: $60,000-$80,000



77204Andy Warhol (1928-1987)Marilyn Monroe (Marilyn), 1967Screenprint in colors on paper36 x 36 inches (91.4 x 91.4 cm) (sheet)Ed. 61/250 (there were also 26 artist’s proofs)Signed in pencil and stamp numbered on the reversePublished by Factory Additions, New YorkPrinted by Aetna Silkscreen Products, Inc., New York


Estimate: $60,000-$80,000



77205

Andy Warhol (1928-1987)Flowers, from the Flowers portfolio, 1970Screenprint in colors on Lenox Museum Board36 x 36 inches (91.4 x 91.4 cm) (sheet)Ed. 14/250 (there were also 26 artist’s proofs lettered A-Z)Signed and numbered in ballpoint pen on the reversePublished by Factory Additions, New YorkPrinted by Aetna Silkscreen Products, Inc., New York


Estimate: $20,000-$30,000


77206

Andy Warhol (1928-1987)Mao (with Orange Face), 1972Screenprint in colors on Beckett High White paper36 x 36 inches (91.4 x 91.4 cm) (sheet)Ed. 135/250 (there were also 50 artist’s proofs)Signed in ball-point pen and stamp numbered on the reversePublished by Castelli Graphics and Multiples, Inc., New YorkPrinted by Styria Studio, Inc., New York


Estimate: $20,000-$30,000


77207

Andy Warhol (1928-1987)Flowers, from the Flowers (Hand-Colored) portfolio, 1974Screenprint hand-colored with aniline watercolor on J. Green paper40-7/8 x 27-1/4 inches (103.8 x 69.2 cm)Ed. 8/250 (each is unique) (there were also 50 artist’s proofs)Initialed in pencil lower rightSigned, dated, and numbered in pencil on the reversePublished by Peter M. Brant, Castelli Graphics, and Mulitples, Inc., New YorkPrinted by Alexander Heinrici, New York


Estimate: $3,000-$5,000

77208

Andy Warhol (1928-1987)U.N. Stamp, 1979Offset lithograph in colors on Rives paper, with a Swiss stamp with a first-day cover cancellation done to accompany a new issues of United Nations stamps, with the original envelope8-1/2 x 11 inches (21.6 x 27.9 cm) (sheet)Ed. 765/1000Signed in felt pen along the right margin, numbered in pencil in lower center margin, and with printed signature lower rightPublished by United Nations Disaster Relief Organization, New York, to raise funds for the educational programs of the World Federation of United Nations Associations


Estimate: $2,000-$3,000


77209

Andy Warhol (1928-1987)Committee 2000, 1982Screenprint in colors on Lenox Museum Board30 x 20 inches (76.2 x 50.8 cm) (sheet)Ed. 657/2000 (there were also 200 artist’s proofs)Signed and dated in pencil lower right, with the blindstamp of the printerPublished by Committee 2000, MunichPrinted by Rupert Jasen Smith, New York


NOTE:This lot is accompanied by a certificate of authenticity from the Martin Lawrence Galleries.

Estimate: $3,000-$5,000


77210

Andy Warhol (1928-1987)Blackglama (Judy Garland), from the Ads portfolio, 1985Screenprint in colors on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm) (sheet)AP 18/30 (aside from an edition of 190)Signed and numbered in pencil lower left, with the blindstamps of the printerPublished by Ronald Feldman Fine Arts, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $15,000-$25,000


77211

Andy Warhol (1928-1987)The New Spirit (Donald Duck), from the Ads portfolio, 1985Screenprint in colors on Lenox Museum Board38 x 38 inches (96.5 x 96.5 cm) (sheet)AP 18/30 (aside from an edition of 190)Signed and numbered in pencil lower left, with the blindstamps of the printerPublished by Ronald Feldman Fine Arts, Inc., New YorkPrinted by Rupert Jasen Smith, New York


Estimate: $20,000-$30,000


77212

Andy Warhol (1928-1987)John Wayne, from Cowboys and Indians, 1986Screenprint in colors on Lenox Museum Board35-3/4 x 36 inches (90.8 x 91.4 cm) (sheet)Unique TP (aside from an edition of 250)Signed and inscribed ‘Unique TP’ in pencil lower right, with the blindstamp of the printerPublished by Gaultney, Klineman Art, Inc., New YorkPrinted by Rupert Jasen Smith, New York

LITERATURE:Feldman/Schellmann, IIB.377.

Estimate: $30,000-$40,000



77213

Andy Warhol (1928-1987)John Gotti, 1986Screenprint with colored paper collage31-1/2 x 23-1/2 inches (80 x 59.7 cm) (sheet)UniqueStamped by the Estate of Andy Warhol and The Andy Warhol Foundation for the Visual Arts, Inc., with stamp number ‘115.161’ on the reversePrinted by Rupert Jasen Smith, New York

This work is based on a publicity photograph. Created for the cover of Time, September 19, 1986.

LITERATURE:Feldman/Schellmann, IIIB.50.Estimate: $40,000-$60,000


77214

Andy Warhol (1928-1987)Aspen magazine, Vol. I, No. 3, December 1966This issue was designed by Andy Warhol and David Dalton, comprising 11 sections by various artists, including a flip-book based on Warhol’s film “Kiss,” and Jack Smith’s film “Buzzards Over Bagdad,” a flexidisc by John Cale of the Velvet Underground, and a ticket book with excerpts of papers delivered at the Berkeley conference on LSD by Timothy Leary, all housed in a box with graphics based on Fab detergent.12 x 9 x 5/8 inches (30.5 x 22.9 x 1.6 cm) (box)Published by Roaring Fork Press, New York

Estimate: $800-$1,200


77215

Andy Warhol (1928-1987)Andy Warhol’s Index (Book), 1967The complete set, comprising 39 offset lithographs, pop-ups in colors, plastic record and collage elements on wove papers, bound in original three-dimensional Rowlux and screenprinted cover11-1/4 x 8-5/8 inches (28.6 x 21.9 cm) (overall)Ed. 86/365Signed and numbered in ink on the front cover, and initialed 10 times within the bookPublished by Random House, New York

Estimate: $1,200-$1,800


77216

Tom Wesselmann (1931-2004)Still Life with Radio, from the New York Ten portfolio, 1965Embossing with pencil additions on Joan Farrar paper17 x 22 inches (43.2 x 55.9 cm) (sheet)Ed. 27/200Signed, dated, and numbered in pencil in lower marginPublished by Tangelwood Press Inc., New York


Estimate: $1,500-$2,500

End of Auction

MODERN & CONTEMPORARY ARTNOVEMBER 11, 2016 | LIVE & ONLINE | HA.COM/5274

Morris Louis (1912-1962)Blue Pilaster II, 1960 Acrylic resin (Magna) on canvas 83 x 23-1/2 inchesEstimate: $300,000-$500,000

For more information about this lot or to bid, call 214-409-1444 or go to HA.com/5274


Richard Prince (b. 1949)Untitled (Tamara), from the Entertainers series, 1982 Ektacolor print 98 x 50-1/2 inches (overall) From an edition of 2Estimate: $100,000-$150,000

Richard Prince (b. 1949)Untitled (Fayy), from the Entertainers series, 1982 Ektacolor print 98 x 50-1/2 inches (overall) From an edition of 2Estimate: $100,000-$150,000

For more information about these lots or to bid, call 214-409-1444 or go to HA.com/5274


George Grosz (1893-1959)No. 15 and No. 7, Vin Café (a double-sided work), 1922 Watercolor and ink on paper 20-1/2 x 25-1/2 inchesEstimate: $120,000-$180,000

Fernand Léger (1881-1955)Étude pour la Grande Parade, 1952 Gouache and ink on paper 12-1/2 x 17 inches (sheet)Estimate: $100,000-$150,000

For more information about these lots or to bid, call 214-409-1444 or go to HA.com/5274


Frank Gehry (b. 1929)Fish and WingsSterling sculpture36 inches highUniqueEstimate: $80,000-$120,000

For more information about this lot or to bid, call 214-409-1444 or go to HA.com/5274

INDEXALBERS, JOSEF 77001, 77002

ALLEN, TERRY 77003

ANUSZKIEWICZ, RICHARD JOSEPH 77004, 77005

ARMAN 77006, 77007, 77008

ARMLEDER, JOHN 77009

ARNESON, ROBERT 77010

BAECHLER, DONALD 77011

BALDESSARI, JOHN 77012

BLECKNER, ROSS 77014

BOURGEOIS, LOUISE 77015

BRAQUE, GEORGES 77016

CALDER, ALEXANDER 77017

CAULFIELD, PATRICK 77018

CHAGALL, MARC 77019, 77020, 77021, 77022,

77023, 77024, 77025, 77026,

77027, 77028, 77029, 77030

CHRISTO 77031, 77032

CUTRONE, RONNIE 77033

DALÍ, SALVADOR 77034

DAVIS, GENE 77035, 77036

DIEBENKORN, RICHARD 77037, 7038,

77039, 77040

DINE, JIM 77041, 77042, 77043,

77044, 77045, 77046, 77047,

77048, 77049

ERNST, MAX 77050

FANZHI, ZENG 77051

FAIREY, SHEPARD 77052, 77053, 77054, 77055

FRANCIS, SAM 77056, 77057, 77058, 77059,

77060, 77061, 77062, 77063, 77064,

77065, 77066, 77067

FRANKENTHALER, HELEN 77068

GROOMS, RED 77069

GROSZ, GEORGE 77070

GUANGYI, WANG 77071, 77072, 77073, 77074,

77075, 77076, 77077,

77078, 77079, 77080

HARING, KEITH 77081, 77082

HIRST, DAMIEN 77083, 77084

HOCKNEY, DAVID 77085

HOLZER, JENNY 77086

HUNDERTWASSER, FRIEDENSREICH 77087

INDIANA, ROBERT 77088, 77089, 77090

JAFFE, LEE 77091

JOHNS, JASPER 77092

KATZ, ALEX 77093, 77094, 77095

KAWS 77096, 77097

KELLY, ELLSWORTH 77098, 77099, 77100, 77101,

77102, 77103, 77104

KENTRIDGE, WILLIAM 77105

KOONS, JEFF 77106

KOZIK, FRANK 77107

KRIWET, FERDINAND 77108, 77109

KULICKE, ROBERT 77110

LEVINSON, MON 77111

LEWITT, SOL 77112, 77113

LICHTENSTEIN, ROY 77114, 77115, 77116, 77117

LIJUN, FANG 77118

LONGO, ROBERT 77119, 77120

MANGOLD, ROBERT 77121

MARCLAY, CHRISTIAN 77122

MARDEN, BRICE 77123, 77124, 77125, 77126,

77127, 77128, 77129, 77130

MILHAZES, BEATRIZ 77131, 77132

MINJUN, YUE 77133, 77134, 77135

MIRÓ, JOAN 77136, 77137, 77138,

77139, 77140, 77141

MORRIS, ROBERT 77142

MOSSET, OLIVIER 77143

MOTHERWELL, ROBERT 77144, 77145,

77146, 77147

MULLICAN, MATT 77148

MURAKAMI, TAKASHI 77149, 77150, 77151, 77152

OLDENBURG, CLAES 77153, 77154, 77155, 77156

OPIE, JULIAN 77157, 77158, 77159

PAOLOZZI, SIR EDUARDO LUIGI 77160

PICASSO, PABLO 77161, 77162, 77163,77164,

77165, 77166, 77167, 77168, 77169,

77170, 77171, 77172, 77173,

77174, 77175, 77176, 77177

RAMOS, MEL 77178

RAUSCHENBERG, ROBERT 77179, 77180

RUSCHA, ED 77181, 77182

SAURA, ANTONIO 77183, 77184, 77185, 77186

SEGAL, GEORGE 77187

STELLA, FRANK 77188, 77189, 77190, 77191, 77192

SULTAN, DONALD 77193

TAMAYO, RUFINO 77194

THIEBAUD, WAYNE 77195

VARIOUS ARTISTS 77013

VASARELY, VICTOR 77197

VENET, BERNAR 77198

VITALI, MASSIMO 77199, 77200

WARHOL, ANDY 77201, 77202, 77203, 77204,

77205, 77206, 77207, 77208,

77209, 77210, 77211, 77212, 77213, 77214, 77215

WESSELMANN, TOM 77216

Terms and Conditions of AuctionAuctioneer and Auction: 1. This Auction is presented by Heritage Auctions, a d/b/a/ of Heritage Auctioneers & Galleries, Inc., or

Heritage Auctions, Inc., or Heritage Numismatic Auctions, Inc., or Heritage Vintage Sports Auctions, Inc., Currency Auctions of America, Inc., Heritage Auctions (HK) Limited, or Heritage Auctions – Europe Cooperatief U.A. as identified with the applicable licensing information on the title page of the catalog or on the HA.com Internet site (the “Auctioneer”). The Auction is conducted under these Terms and Conditions of Auction and applicable state and local law. Announcements and corrections from the podium and those made through the Terms and Conditions of Auctions appearing on the Internet at HA.com supersede those in the printed catalog.

Buyer’s Premium: 2. All bids are subject to a Buyer’s Premium which is in addition to the placed successful bid:• Fifteen percent (15%) on Domain Names & Intellectual Property Auction lots;• Seventeen and one-half percent (17.5%) on Currency, US Coin, and World & Ancient Coin Auction

lots (the Buyer’s Premium is 19.5% for auctions in Hong Kong), and except for Gallery Auction lots as noted below;

• Nineteen and one-half percent (19.5%) on Comic, Movie Poster, Sports Collectibles, and Gallery Auction (sealed bid auctions of mostly bulk numismatic material) lots;

• Twenty-two percent (22%) on Wine Auction lots;• For lots in all other categories not listed above, the Buyer’s Premium per lot is twenty-five percent (25%)

on the first $200,000, plus twenty percent (20%) of any amount between $200,000 and $2,000,000, plus twelve percent (12%) of any amount over $2,000,000.

• Minimum Buyer’s Premium per lot is $19, except for Sports Collectibles lots wherein the Buyer’s Premium is $14 per lot.

Auction Venues: 3. The following Auctions are conducted solely on the Internet: Heritage Weekly Internet Auctions

(Coin, Currency, Comics, Rare Books, Jewelry & Watches, Guitars & Musical Instruments, and Vintage Movie Posters); Heritage Monthly Internet Auctions (Sports, World Coins and Rare Wine). Signature® Auctions and Grand Format Auctions accept bids from the Internet, telephone, fax, or mail first, followed by a floor bidding session; HeritageLive! and real- time telephone bidding are available to registered clients during these auctions.

Bidders: 4. Any person participating or registering for the Auction agrees to be bound by and accepts these

Terms and Conditions of Auction (“Bidder(s)”). 5. All Bidders must meet Auctioneer’s qualifications to bid. Any Bidder who is not a client in good

standing of the Auctioneer may be disqualified at Auctioneer’s sole option and will not be awarded lots. Such determination may be made by Auctioneer in its sole and unlimited discretion, at any time prior to, during, or even after the close of the Auction. Auctioneer reserves the right to exclude any person from the auction.

6. If an entity places a bid, then the person executing the bid on behalf of the entity agrees to personally guarantee payment for any successful bid.

Credit: 7. In order to place bids, Bidders who have not established credit with the Auctioneer must either

furnish satisfactory credit information (including two collectibles-related business references) or supply valid credit card information along with a social security number, well in advance of the Auction. Bids placed through our Interactive Internet program will only be accepted from pre-registered Bidders. Bidders who are not members of HA.com or affiliates should preregister at least 48 hours before the start of the first session (exclusive of holidays or weekends) to allow adequate time to contact references. Credit will be granted at the discretion of Auctioneer. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number or the last four digits thereof so a credit check may be performed prior to Auctioneer’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: HA.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the auction venue.

Bidding Options: 8. Bids in Signature® Auctions or Grand Format Auctions may be placed as set forth in the printed

catalog section entitled “Choose your bidding method.” For auctions held solely on the Internet, see the alternatives on HA.com. Review at http://www.ha.com/c/ref/web-tips.zx#biddingTutorial.

9. Presentment of Bids: Non-Internet bids (including but not limited to podium, fax, phone and mail bids) are treated similar to floor bids in that they must be on-increment or at a half increment (called a cut bid). Any podium, fax, phone, or mail bids that do not conform to a full or half increment will be rounded up or down to the nearest full or half increment and this revised amount will be considered your high bid.

10. Auctioneer’s Execution of Certain Bids. Auctioneer cannot be responsible for your errors in bidding, so carefully check that every bid is entered correctly. When identical mail or FAX bids are submitted, preference is given to the first received. To ensure the greatest accuracy, your written bids should be entered on the standard printed bid sheet and be received at Auctioneer’s place of business at least two business days before the Auction start. Auctioneer is not responsible for executing mail bids or FAX bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is Auctioneer responsible for proper execution of bids submitted by telephone, mail, FAX, e-mail, Internet, or in person once the Auction begins. Bids placed electronically via the internet may not be withdrawn until your written request is received and acknowledged by Auctioneer (FAX: 214-409-1425); such requests must state the reason, and may constitute grounds for withdrawal of bidding privileges. Lots won by mail Bidders will not be delivered at the Auction unless prearranged.

11. Caveat as to Bid Increments. Bid increments (over the current bid level) determine the lowest amount you may bid on a particular lot. Bids greater than one increment over the current bid can be any whole dollar amount. It is possible under several circumstances for winning bids to be between increments, sometimes only $1 above the previous increment. Please see: “How can I lose by less than an increment?” on our website. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted.

The following chart governs current bidding increments (see HA.com/c/ref/web-tips.zx#guidelines-increments).

Current Bid ..............Bid Increment< $10.................................................$1$10 - $49 ......................................... $2$50 - $99 ......................................... $5$100 - $199 ................................... $10$200 - $499 ................................... $20$500 - $999 ................................... $50$1,000 - $1,999 ........................... $100$2,000 - $4,999 ........................... $200$5,000 - $9,999 ........................... $500

Current Bid ..............Bid Increment$10,000 - $19,999 ................... $1,000$20,000 - $49,999 ................... $2,000$50,000 - $99,999 ................... $5,000$100,000 - $199,999 ............ $10,000$200,000 - $499,999 ............ $20,000$500,000 - $999,999 ............ $50,000$1,000,000 - $4,999,999 .... $100,000$5,000,000 - $9,999,999 .... $250,000>= $10,000,000 .................. $500,000

12. If Auctioneer calls for a full increment, a bidder may request Auctioneer to accept a bid at half of the increment (“Cut Bid”) only once per lot. After offering a Cut Bid, bidders may continue to participate only at full increments. Off-increment bids may be accepted by the Auctioneer at Signature® Auctions and Grand Format Auctions. If the Auctioneer solicits bids other than the expected increment, these bids will not be considered Cut Bids.

Conducting the Auction: 13. Notice of the consignor’s liberty to place bids on his lots in the Auction is hereby made in

accordance with Article 2 of the Texas Business and Commercial Code. A “Minimum Bid” is an amount below which the lot will not sell. THE CONSIGNOR OF PROPERTY MAY PLACE WRITTEN ”Minimum Bids” ON HIS LOTS IN ADVANCE OF THE AUCTION; ON SUCH LOTS, IF THE HAMMER PRICE DOES NOT MEET THE “Minimum Bid”, THE CONSIGNOR MAY PAY A REDUCED COMMISSION ON THOSE LOTS. ”Minimum Bids” are generally posted online several days prior to the Auction closing. For any successful bid placed by a consignor on his Property on the Auction floor, or by any means during the live session, or after the ”Minimum Bid” for an Auction have been posted, we will require the consignor to pay full Buyer’s Premium and Seller’s Commissions on such lot.

14. The highest qualified Bidder recognized by the Auctioneer shall be the Buyer. In the event of a tie bid, the earliest bid received or recognized wins. In the event of any dispute between any Bidders at an Auction, Auctioneer may at his sole discretion reoffer the lot. Auctioneer’s decision and declaration of the winning Bidder shall be final and binding upon all Bidders. Bids properly offered, whether by floor Bidder or other means of bidding, may on occasion be missed or go unrecognized; in such cases, the Auctioneer may declare the recognized bid accepted as the winning bid, regardless of whether a competing bid may have been higher. Auctioneer reserves the right after the hammer fall to accept bids and reopen bidding for bids placed through the Internet or otherwise.

15. Auctioneer reserves the right to refuse to honor any bid or to limit the amount of any bid, in its sole discretion. A bid is considered not made in “Good Faith” when made by an insolvent or irresponsible person, a person under the age of eighteen, or is not supported by satisfactory credit, collectibles references, or otherwise. Regardless of the disclosure of his identity, any bid by a consignor or his agent on a lot consigned by him is deemed to be made in “Good Faith.” Any person apparently appearing on the OFAC list is not eligible to bid.

16. Nominal Bids. The Auctioneer in its sole discretion may reject nominal bids, small opening bids, or very nominal advances. If a lot bearing estimates fails to open for 40–60% of the low estimate, the Auctioneer may pass the item or may place a protective bid on behalf of the consignor.

17. Lots bearing bidding estimates shall open at Auctioneer’s discretion (generally 40%-60% of the low estimate). In the event that no bid meets or exceeds that opening amount, the lot shall pass as unsold.

18. All items are to be purchased per lot as numerically indicated and no lots will be broken. Auctioneer reserves the right to withdraw, prior to the close, any lots from the Auction.

19. Auctioneer reserves the right to rescind the sale in the event of nonpayment, breach of a warranty, disputed ownership, auctioneer’s clerical error or omission in exercising bids and reserves, or for any other reason and in Auctioneer’s sole discretion. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) and any other damages or expenses pertaining to the lot.

20. Auctioneer occasionally experiences Internet and/or Server service outages, and Auctioneer periodically schedules system downtime for maintenance and other purposes, during which Bidders cannot participate or place bids. If such outages occur, we may at our discretion extend bidding for the Auction. Bidders unable to place their Bids through the Internet are directed to contact Client Services at 877-HERITAGE (437-4824).

21. The Auctioneer, its affiliates, or their employees consign items to be sold in the Auction, and may bid on those lots or any other lots. Auctioneer or affiliates expressly reserve the right to modify any such bids at any time prior to the hammer based upon data made known to the Auctioneer or its affiliates. The Auctioneer may extend advances, guarantees, or loans to certain consignors.

22. The Auctioneer has the right to sell certain unsold items after the close of the Auction. Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Payment: 23. All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier

checks, travelers checks, eChecks, and bank money orders, and are subject to all reporting requirements). All deliveries are subject to good funds; funds being received in Auctioneer’s account before delivery of the Purchases; and all payments are subject to a clearing period. Auctioneer reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten business day hold, and thirty days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via eCheck, personal, or corporate checks. All others will be subject to a hold of 5 days, or more, for the funds to clear prior to releasing merchandise. (Ref. T&C item 7 Credit for additional information.) Payments can be made 24-48 hours post auction from the My Orders page of the HA.com website.

24. Payment is due upon closing of the Auction session, or upon presentment of an invoice. Auctioneer reserves the right to void an invoice if payment in full is not received within 7 days after the close of the Auction. In cases of nonpayment, Auctioneer’s election to void a sale does not relieve the Bidder from their obligation to pay Auctioneer its fees (seller’s and buyer’s premium) on the lot and any other damages pertaining to the lot or Auctioneer. Alternatively, Auctioneer at its sole option, may charge a twenty (20%) fee based on the amount of the purchase. In either case the Auctioneer may offset amount of its claim against any monies owing to the Bidder or secure its claim against any of the Bidder’s properties held by the Auctioneer..

25. Lots delivered to you, or your representative are subject to all applicable state and local taxes, unless appropriate permits are on file with Auctioneer. Bidder agrees to pay Auctioneer the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by Auctioneer five days prior to Auction, or tax must be paid; only if such form or certificate is received by Auctioneer within 4 days after the Auction can a refund of tax paid be made. Lots from different Auctions may not be aggregated for sales tax purposes.

26. In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If you attempt to pay via eCheck and your financial institution denies this transfer from your bank account, or the payment cannot be completed using the selected funding source, you agree to complete payment using your credit card on file.

27. If any Auction invoice submitted by Auctioneer is not paid in full when due, the unpaid balance will bear interest at the highest rate permitted by law from the date of invoice until paid. Any invoice not paid when due will bear a three percent (3%) late fee on the invoice amount. If the Auctioneer refers any invoice to an attorney for collection, the buyer agrees to pay attorney’s fees, court costs, and other collection costs incurred by Auctioneer. If Auctioneer assigns collection to its in-house legal staff, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

28. In the event a successful Bidder fails to pay any amounts due, Auctioneer reserves the right to sell the lot(s) securing the invoice to any underbidders in the Auction that the lot(s) appeared, or at subsequent private or public sale, or relist the lot(s) in a future auction conducted by Auctioneer. A defaulting Bidder agrees to pay for the reasonable costs of resale (including a 15% seller’s commission, if consigned to an auction conducted by Auctioneer). The defaulting Bidder is liable to pay any difference between his total original invoice for the lot(s), plus any applicable interest, and the net proceeds for the lot(s) if sold at private sale or the subsequent hammer price of the lot(s) less the 15% seller’s commissions, if sold at an Auctioneer’s auction.

29.Auctioneer reserves the right to require payment in full in good funds before delivery of the merchandise. 30. Auctioneer shall have a lien against the merchandise purchased by the buyer to secure payment of

the Auction invoice. Auctioneer is further granted a lien and the right to retain possession of any other property of the buyer then held by the Auctioneer or its affiliates to secure payment of any Auction invoice or any other amounts due the Auctioneer or affiliates from the buyer.

Terms and Conditions of AuctionWith respect to these lien rights, Auctioneer shall have all the rights of a secured creditor under Article

9 of the Texas Uniform Commercial Code, including but not limited to the right of sale (including a 15% seller’s commission, if consigned to an auction conducted by Auctioneer). In addition, with respect to payment of the Auction invoice(s), the buyer waives any and all rights of offset he might otherwise have against the Auctioneer and the consignor of the merchandise included on the invoice. If a Bidder owes Auctioneer or its affiliates on any account, Auctioneer and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession..

31. Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the buyer to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Delivery; Shipping; and Handling Charges: 32. Buyer is liable for shipping, handling, registration, and renewal fees, if any. Please refer to Auctioneer’s

website HA.com/c/shipping.zx for the latest charges or call Auctioneer. Auctioneer is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Buyer agrees that Service and Handling charges related to shipping items which are not pre-paid may be charged to the credit card on file with Auctioneer.

33. Successful international Bidders shall provide written shipping instructions, including specified customs declarations, to the Auctioneer for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price together with its buyer’s premium and Auctioneer shall use the correct harmonized code for the lot. Domestic Buyers on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

34. All shipping charges will be borne by the successful Bidder. On all domestic shipments, any risk of loss during shipment will be borne by Heritage until the shipping carrier’s confirmation of delivery to the address of record in Auctioneer’s file (carrier’s confirmation is conclusive to prove delivery to Bidder; if the client has a Signature release on file with the carrier, the package is considered delivered without Signature) or delivery by Heritage to Bidder’s selected third-party shipper. On all foreign shipments, any risk of loss during shipment will be borne by the Bidder following Auctioneer’s delivery to the Bidder’s designated common carrier or third-party shipper.

35. Due to the nature of some items sold, it shall be the responsibility for the successful Bidder to arrange pick-up and shipping through third-parties; as to such items Auctioneer shall have no liability. Failure to pick-up or arrange shipping in a timely fashion (within ten days) shall subject Lots to storage and moving charges, including a $100 administration fee plus $10 daily storage for larger items and $5.00 daily for smaller items (storage fee per item) after 35 days. In the event the Lot is not removed within ninety days, the Lot may be offered for sale to recover any past due storage or moving fees, including a 10% Seller’s Commission.

36A. The laws of various countries regulate the import or export of certain plant and animal properties, including (but not limited to) items made of (or including) Brazilian rosewood, ivory, whalebone, turtle shell, coral, crocodile, or other wildlife. Transport of such lots may require special licenses for export, import, or both. Bidder is responsible for: 1) obtaining all information on such restricted items for both export and import; 2) obtaining all such licenses and/or permits. Delay, failure, or incapacity to obtain any such license or permit does not relieve the buyer of timely payment, or afford them the capacity to void their purchase or payment. For further information, please contact Ron Brackemyre at 800-872-6467 ext. 1312.

36B. California State law prohibits the importation of any product containing Python skin into the State of California, thus no lot containing Python skin will be shipped to or invoiced to a person or company in California.

36C. Auctioneer shall not be liable for any loss caused by or resulting from:a. Seizure or destruction under quarantine or Customs regulation, or confiscation by order of any

Government or public authority, or risks of contraband or illegal transportation of trade, orb. Breakage of statuary, marble, glassware, bric-a-brac, porcelains, jewelry, and similar fragile articles

37. Any request for shipping verification for undelivered packages must be made within 30 days of shipment by Auctioneer.

Cataloging, Warranties and Disclaimers: 38. NO WARRANTY, WHETHER EXPRESSED OR IMPLIED, IS MADE WITH RESPECT TO ANY

DESCRIPTION CONTAINED IN THIS AUCTION OR ANY SECOND OPINE. Any description of the items or second opine contained in this Auction is for the sole purpose of identifying the items for those Bidders who do not have the opportunity to view the lots prior to bidding, and no description of items has been made part of the basis of the bargain or has created any express warranty that the goods would conform to any description made by Auctioneer. Color variations can be expected in any electronic or printed imaging, and are not grounds for the return of any lot. NOTE: Auctioneer, in specified auction venues, for example, Fine Art, may have express written warranties and you are referred to those specific terms and conditions. .

39. Auctioneer is selling only such right or title to the items being sold as Auctioneer may have by virtue of consignment agreements on the date of auction and disclaims any warranty of title to the Property. Auctioneer disclaims any warranty of merchantability or fitness for any particular purposes. All images, descriptions, sales data, and archival records are the exclusive property of Auctioneer, and may be used by Auctioneer for advertising, promotion, archival records, and any other uses deemed appropriate.

40. Translations of foreign language documents may be provided as a convenience to interested parties. Auctioneer makes no representation as to the accuracy of those translations and will not be held responsible for errors in bidding arising from inaccuracies in translation.

41. Auctioneer disclaims all liability for damages, consequential or otherwise, arising out of or in connection with the sale of any Property by Auctioneer to Bidder. No third party may rely on any benefit of these Terms and Conditions and any rights, if any, established hereunder are personal to the Bidder and may not be assigned. Any statement made by the Auctioneer is an opinion and does not constitute a warranty or representation. No employee of Auctioneer may alter these Terms and Conditions, and, unless signed by a principal of Auctioneer, any such alteration is null and void.

42. Auctioneer shall not be liable for breakage of glass or damage to frames (patent or latent); such defects, in any event, shall not be a basis for any claim for return or reduction in purchase price.

Release: 43. In consideration of participation in the Auction and the placing of a bid, Bidder expressly releases

Auctioneer, its officers, directors and employees, its affiliates, and its outside experts that provide second opines, from any and all claims, cause of action, chose of action, whether at law or equity or any arbitration or mediation rights existing under the rules of any professional society or affiliation based upon the assigned description, or a derivative theory, breach of warranty express or implied, representation or other matter set forth within these Terms and Conditions of Auction or otherwise. In the event of a claim, Bidder agrees that such rights and privileges conferred therein are strictly construed as specifically declared herein; e.g., authenticity, typographical error, etc. and are the exclusive remedy. Bidder, by non-compliance to these express terms of a granted remedy, shall waive any claim against Auctioneer.

44. Notice: Some Property sold by Auctioneer are inherently dangerous e.g. firearms, cannons, and small items that may be swallowed or ingested or may have latent defects all of which may cause harm to a person. Purchaser accepts all risk of loss or damage from its purchase of these items and Auctioneer disclaims any liability whether under contract or tort for damages and losses, direct or inconsequential, and expressly disclaims any warranty as to safety or usage of any lot sold.

Dispute Resolution and Arbitration Provision: 45. By placing a bid or otherwise participating in the auction, Bidder accepts these Terms and Conditions

of Auction, and specifically agrees to the dispute resolution provided herein. Consumer disputes shall be resolved through court litigation which has an exclusive Dallas, Texas venue clause and jury waiver. Non-consumer dispute shall be determined in binding arbitration which arbitration replaces the right to go to court, including the right to a jury trial.

46. Auctioneer in no event shall be responsible for consequential damages, incidental damages, compensatory damages, or any other damages arising or claimed to be arising from the auction of any lot. In the event that Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title, or other transfer or condition issue is claimed, in such cases the sole remedy shall be limited to rescission of sale and refund of the amount paid by Bidder; in no case shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

47. In the event of an attribution error, Auctioneer may at its sole discretion, correct the error on the Internet, or, if discovered at a later date, to refund the buyer’s purchase price without further obligation.

48. Exclusive Dispute Resolution Process: All claims, disputes, or controversies in connection with, relating to and /or arising out of your Participation in the Auction or purchase of any lot, any interpretation of the Terms and Conditions of Sale or any amendments thereto, any description of any lot or condition report, any damage to any lot, any alleged verbal modification of any term of sale or condition report or description and/or any purported settlement whether asserted in contract, tort, under Federal or State statute or regulation or any claim made by you of a lot or your Participation in the auction involving the auction or a specific lot involving a warranty or representation of a consignor or other person or entity including Auctioneer {which claim you consent to be made a party} (collectively, “Claim”) shall be exclusively heard by, and the claimant (or respondent as the case may be) and Heritage each consent to the Claim being presented in a confidential binding arbitration before a single arbitrator administrated by and conducted under the rules of, the American Arbitration Association. The locale for all such arbitrations shall be Dallas, Texas. The arbitrator’s award may be enforced in any court of competent jurisdiction. If a Claim involves a consumer, exclusive subject matter jurisdiction for the Claim is in the State District Courts of Dallas County, Texas and the consumer consents to subject matter and in personam jurisdiction; further CONSUMER EXPRESSLY WAIVES ANY RIGHT TO TRIAL BY JURY. A consumer may elect arbitration as specified above. Any claim involving the purchase or sale of numismatic or related items may be submitted through binding PNG arbitration. Any Claim must be brought within two (2) years of the alleged breach, default or misrepresentation or the Claim is waived. Exemplary or punitive damages are not permitted and are waived. A Claim is not subject to class certification. Nothing herein shall be construed to extend the time of return or conditions and restrictions for return. This Agreement and any Claim shall be determined and construed under Texas law. The prevailing party (a party that is awarded substantial and material relief on its damage claim based on damages sought vs. awarded or the successful defense of a Claim based on damages sought vs. awarded) may be awarded its reasonable attorneys’ fees and costs.

49. No claims of any kind can be considered after the settlements have been made with the consignors. Any dispute after the settlement date is strictly between the Bidder and consignor without involvement or responsibility of the Auctioneer.

50. In consideration of their participation in or application for the Auction, a person or entity (whether the successful Bidder, a Bidder, a purchaser and/or other Auction participant or registrant) agrees that all disputes in any way relating to, arising under, connected with, or incidental to these Terms and Conditions and purchases, or default in payment thereof, shall be arbitrated pursuant to the arbitration provision. In the event that any matter including actions to compel arbitration, construe the agreement, actions in aid of arbitration or otherwise needs to be litigated, such litigation shall be exclusively in the Courts of the State of Texas, in Dallas County, Texas, and if necessary the corresponding appellate courts. For such actions, the successful Bidder, purchaser, or Auction participant also expressly submits himself to the personal jurisdiction of the State of Texas.

51. These Terms & Conditions provide specific remedies for occurrences in the auction and delivery process. Where such remedies are afforded, they shall be interpreted strictly. Bidder agrees that any claim shall utilize such remedies; Bidder making a claim in excess of those remedies provided in these Terms and Conditions agrees that in no case whatsoever shall Auctioneer’s maximum liability exceed the high bid on that lot, which bid shall be deemed for all purposes the value of the lot.

Miscellaneous: 52. Agreements between Bidders and consignors to effectuate a non-sale of an item at Auction, inhibit

bidding on a consigned item to enter into a private sale agreement for said item, or to utilize the Auctioneer’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, Auctioneer reserves the right to charge Bidder the applicable Buyer’s Premium and consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

53. Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by Heritage in the future. In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. Heritage may from time to time contact Bidder concerning sale, purchase, and auction opportunities available through Heritage and its affiliates and subsidiaries.

54. Rules of Construction: Auctioneer presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Terms and Conditions of Auction by these additional rules and shall be construed to give force and effect to the rules in their entirety.

State Notices: Notice as to an Auction in California. Auctioneer has in compliance with Title 2.95 of the California Civil Code as amended October 11, 1993 Sec. 1812.600, posted with the California Secretary of State its bonds for it and its employees, and the auction is being conducted in compliance with Sec. 2338 of the Commercial Code and Sec. 535 of the Penal Code. Notice as to an Auction in New York City: This Auction is conducted in accord with the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This a Public Auction Sale conducted by Auctioneer. The New York City Auctioneers conducting the sale of behalf of Heritage Auctions No. 41513036 (“Auctioneer”) are licensed Auctioneers including Dawes, Nicholas 1304724, Guzman, Kathleen 762165, Luray, Elyse 2015375, or as listed at HA.com/Licenses and as posted at the venue site. All lots are subject to: the consignor’s right to bid thereon and consignor’s option to receive advances on their consignments. Auction may offer, in its sole discretion, advances on consignments and extended financing to registered bidders, in accord with Auctioneer’s internal credit standards. Auctioneer will disclose to bidders, upon request, a list of lots subject to an advance, reserve, guarantee, or Auctioneer’s financial interests of any kind. All Terms and Conditions of Sale are available at HA.com and in the printed catalog, including term #21 which states: Consignor, auctioneer’s affiliates and, its employees may bid on their lots or other lots for their own account in accordance with the laws of New York and they may have information as to the lots not available to the public. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders. Notice as to an Auction in Texas. In compliance with TDLR rule 67.100(c)(1), notice is hereby provided that this auction is covered by a Recovery Fund administered by the Texas Department of Licensing and Regulation, P.O. Box 12157, Austin, Texas 78711 (512) 463-6599. Any complaints may be directed to the same address.

Rev.6-8-2016

Terms and Conditions of AuctionAdditional Terms & Conditions:

FINE & DECORATIVE ARTS AUCTIONS

FINE AND DECORATIVE ARTS TERM A: LIMITED WARRANTY: Auctioneer warrants authorship, period or culture of each lot sold in this catalog as set out in the BOLD-face type heading in the catalog description of the lot, with the following exclusions. This warranty does not apply to:

i. authorship of any paintings, drawings or sculpture created prior to 1870, unless the lot is determined to be a counterfeit which has a value at the date of the claim for rescission which is materially less than the purchase price paid for the lot; or

ii. any catalog description where it was specifically mentioned that there is a conflict of specialist opinion on the authorship of a lot; or

iii. authorship which on the date of sale was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist or craftsman, his students, school, workshop or followers; or

iv. the identification of periods or dates of execution which may be proven inaccurate by means of scientific processes not generally accepted for use until after publication of the catalog, or which were unreasonably expensive or impractical to use at the time of publication of the catalog.

The term counterfeit is defined as a modern fake or forgery, made less than fifty years ago with the intent to deceive. The authenticity of signatures, monograms, initials or other similar indications of authorship is expressly excluded as a controlling factor in determining whether a work is a counterfeit under the meaning of these Terms and Conditions of Auction.

FINE AND DECORATIVE ARTS TERM B: GLOSSARY OF TERMS: Terms used in this catalog have the following meanings. Please note that all statements in this catalog, excluding those in BOLD-face type, regarding authorship, attribution, origin, date, age, provenance and condition are statements of opinion and are not treated as a statement of fact.

1. THOMAS MORAN In our opinion, the work is by the artist.2. ATTRIBUTED TO THOMAS MORAN In our opinion, the work is of the period of the artist which may be whole or in part the

work of the artist.3. STUDIO, (CIRCLE OR WORKSHOP) OF THOMAS MORAN In our opinion, the work is of the period and closely relates to his style.4. SCHOOL OF THOMAS MORAN In our opinion, the work is by a pupil or a follower of the artist.5. MANNER OF THOMAS MORAN In our opinion, the work is in the style of the artist and is of a later period.6. AFTER THOMAS MORAN In our opinion, this work is a copy of the artist.7. ASCRIBED TO THOMAS MORAN In our opinion, this work is not by the artist, however, previous scholarship has noted this to be a

work by the artist. 8. SIGNED (OR DATED) The work has a signature (or date) which is in our opinion is genuine.9. BEARS SIGNATURE (OR DATE) The work has a signature (or date) which in our opinion is not authentic.

FINE AND DECORATIVE ARTS TERM C: PRESENTMENT: The warranty as to authorship is provided for a period of one (1) year from the date of the auction and is only for the benefit of the original purchaser of record and is not transferable.

FINE AND DECORATIVE ARTS TERM D: The Auction is not on approval. Under extremely limited circumstances (e.g. gross cataloging error), not including attributions in BOLD-face type, which are addressed in Term F below, a purchaser who did not bid from the floor may request Auctioneer to evaluate voiding a sale; such request must be made in writing detailing the alleged gross error, and submission of the lot to Auctioneer must be pre-approved by Auctioneer. A bidder must notify the appropriate department head (check the inside front cover of the catalog or our website for a listing of department heads) in writing of the purchaser’s request within three (3) days of the non-floor bidder’s receipt of the lot. Any lot that is to be evaluated for return must be received in our offices within 40 days after Auction. AFTER THAT 40-DAY PERIOD, NO LOT MAY BE RETURNED FOR ANY REASON. Lots returned must be in the same condition as when sold and must include any Certificate of Authenticity. No lots purchased by floor bidders (including those bidders acting as agents for others) may be returned. Late remittance for purchases may be considered just cause to revoke all return privileges.

FINE AND DECORATIVE ARTS TERM E: The catalog descriptions are provided for identification purposes only. Bidders who intend to challenge a BOLD-face provision in the description of a lot must notify Auctioneer in writing within forty (40) days of the Auction’s conclusion. In the event Auctioneer cannot deliver the lot or subsequently it is established that the lot lacks title or the BOLD-face section of description is incorrect, or other transfer or condition issue is claimed, Auctioneer’s liability shall be limited to rescission of sale and refund of purchase price. In no case shall Auctioneer’s maximum liability exceed the successful bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed from the close of the Auction, Auctioneer’s maximum liability shall be limited to any commissions and fees Auctioneer earned on that lot.

FINE AND DECORATIVE ARTS TERM F: Any claim as to authorship, provenance, authenticity, or other matter under the remedies provided in the Fine Arts Terms and Conditions or otherwise must be first transmitted to Auctioneer by credible and definitive evidence within the applicable claim period. Auctioneer, in processing the written claim, may require the Purchaser to obtain the written opinion of two recognized experts in the field who are mutually accepted by Auctioneer and Purchaser. Upon receipt of the two opinions, Auctioneer shall determine whether to rescind the sale. The Purchaser’s claim must be presented in accord with the remedies provided herein and is subject to the limitations and restrictions provided (including within the described time limitations). Regardless of Purchaser’s submissions there is no assurance after such presentment that Auctioneer will validate the claim. Authentication is not an exact science and contrary opinions may not be recognized by Auctioneer. Even if Auctioneer agrees with the contrary opinion of such authentication and provides a remedy within these Terms and Conditions or otherwise, our liability for reimbursement for bidder’s third party opines shall not exceed $500. The right of rescission, return, or any other remedy provided in these Terms and Conditions, or any other applicable law, does not extend to authorship of any lot which at the date of Auction was in accordance with the then generally accepted opinion of scholars and specialists, despite the subsequent discovery of new information, whether historical or physical, concerning the artist, his students, school, workshop or followers. Purchaser by placing a bid expressly waives any claim or damage based on such subsequent information as described herein. It is specifically understood that any refund agreed to by the Auctioneer would be limited to the purchase price.

FINE AND DECORATIVE ARTS TERM G: Provenance and authenticity, excluding attributions in BOLD-face type, are guaranteed by neither the consignor nor Auctioneer. While every effort is made to determine provenance and authenticity, it is the responsibility of the Bidder to arrive at their own conclusion prior to bidding.

FINE AND DECORATIVE ARTS TERM H: On the fall of Auctioneer’s hammer, Buyers of Fine Arts and Decorative Arts lots assumes full risk and responsibility for lot, including shipment by common carrier or third-party shipper, and must provide their own insurance coverage for shipments.

FINE AND DECORATIVE ARTS TERM I: Auctioneer complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A purchaser is required to provide appropriate documents and the payment of associated fees, if any. Purchaser is responsible for providing a shipping address that is suitable for the receipt of a firearm.

FINE AND DECORATIVE ARTS TERM J: Right of Inspection and Return on Certain Lots. Framed Lots estimated at $1000 or less shall not be unframed for inspection and may not be returned based on condition and are sold “AS IS”.

Further to paragraph 36A in the Terms and Conditions of Auction, please note that items containing ivory may not be shipped internationally or in some cases, domestically. By placing a bid the bidder acknowledges that he is aware of the restriction and takes responsibility in obtaining and paying for any license or permits relevant to the delivery of the product. Heritage Auctions does not accept liability for errors or for failure to mark lots containing protected or regulated species.

Heritage Auctions strongly encourages in-person inspection of lots by the Bidder. While Heritage is not obligated to provide a condition report of each lot, Bidders may feel free to contact the department for a Condition Report, and Heritage will attempt to furnish one, but shall not be liable for failing to do so. Condition is often detailed online, but is not included in our catalogues. The Bidder should review online descriptions, as the descriptions supersede catalog descriptions and any condition reports otherwise provided. Heritage condition statements whether appearing in the catalog, online, or at a person’s request are based on a visual inspection and are for guidance only and should not be relied upon as statements of fact, and do not constitute a representation, warranty, or assumption of liability by Heritage. Please note that we do not de-frame lots estimated at $1,000 or less and may not be able to provide additional details for lots valued under $500. All lots offered regardless of a condition report are sold “AS IS”.

For wiring instructions call the Credit department at 877-HERITAGE (437-4824) or e-mail: [email protected]

Notice as to an Auction in New York CityThis Auction is conducted in accord with the applicable sections of the New York City Department of Consumer Affairs Rules and Regulations as Amended. This a Public Auction Sale conducted by Auctioneer. The New York City Auctioneers conducting the sale of behalf of Heritage Auctions No. 41513036 (“Auctioneer”) are licensed Auctioneers including Dawes, Nicholas 1304724, Guzman, Kathleen 762165, Luray, Elyse 2015375, or as listed at HA.com/Licenses and as posted at the venue site. All lots are subject to: the consignor’s right to bid thereon and consignor’s option to receive advances on their consignments. Auction may offer, in its sole discretion, advances on consignments and extended financing to registered bidders, in accord with Auctioneer’s internal credit standards. Auctioneer will disclose to bidders, upon request, a list of lots subject to an advance, reserve, guarantee, or Auctioneer’s financial interests of any kind. All Terms and Conditions of Sale are available at HA.com and in the printed catalog, including term #21 which states: Consignor, auctioneer’s affiliates and, its employees may bid on their lots or other lots for their own account in accordance with the laws of New York and they may have information as to the lots not available to the public. On lots bearing an estimate, the term refers to a value range placed on an item by the Auctioneer in its sole opinion but the final price is determined by the bidders.

SYMBOL KEY ■ Irrevocable BidsA party has provided Heritage with an irrevocable bid on this lot that will be executed during the sale at a value that ensures that the lot will sell. The irrevocable bidder, who may bid in excess of the irrevocable bid, will be compensated based on the final hammer price in the event he or she is not the successful bidder. If the irrevocable bidder is the successful bidder, he or she will be required to pay the full Buyer’s Premium and will

not be otherwise compensated. ▲ GuaranteeThe seller has been guaranteed a minimum price by a third party. Any third parties providing a guarantee benefit financially if a guaranteed lot is sold successfully. ● ReservesUnless indicated by an XX symbol, all lots in this catalogue are offered subject to a reserve. A reserve is the confidential minimum hammer price at which a lot will be sold. The reserve is

generally set at a percentage of the low estimate and will not exceed the low estimate of the lot. If any lots in the catalogue are offered without reserve, such lots will be designated by an XX symbol. If every lot in a catalogue is offered without a reserve this will be stated in the Front Matter and the symbol will not be used for each lot. Lots shall open at Auctioneer’s discretion (generally at 50% of the low estimate). Please review the Terms and Conditions of Auction. ◆ Ownership Interest

Lots with a YY symbol indicate that Heritage has an ownership or financial interest, which may include an advance to the consignor that is secured by consigned property. Where Heritage has an ownership or financial interest in every lot in the catalogue, Heritage will not designate each lot with a symbol, but will state its interest at the front of the catalogue

Rev 6-8-2016

Rev.8-14-2014

How to Ship Your Purchases

Shippers that Heritage has used are listed below. However, you are not obligated to choose from the following and may provide Heritage with information of your preferred shipper.

Navis Pack & Ship The Packing & Moving Center Craters & Freighters 11009 Shady Trail 2040 E. Arkansas Lane, Ste #222 2220 Merritt Drive, Suite 200 Dallas, TX 75229 Arlington, TX 76014 Garland, TX 75041 Ph: 972-870-1212 Ph: 817-795-1999 Ph: 972-840-8147 Fax: 214-409-9001 Fax: 214-409-9000 Fax: 214-780-5674 [email protected] [email protected] [email protected]

• It is the Third Party Shipper’s responsibility to pack (or crate) and ship (or freight) your purchase to you. Please make all payment arrangements for shipping with your Shipper of choice.

• Any questions concerning Third Party Shipping can be addressed through our Client Services Department at 1-866-835-3243.

• Successful bidders are advised that pick-up or shipping arrangements should be made within ten (10) days of the auction or they may be subject to storage fees as stated in Heritage’s Terms & Conditions of Auction, item 35.

Agent Shipping Release Authorization form

Heritage Auctions requires “Third Party Shipping” for certain items in this auction not picked up in person by the buyer. It shall be the responsibility of the successful bidder to arrange pick up and shipping through a third party; as to such items auctioneer shall have no liability.

Steps to follow:

1. Select a shipping company from the list below or a company of your choosing which will remain on file and in effect until you advise otherwise in writing.

2. Complete, sign, and return an Agent Shipping Release Authorization form to Heritage (this form will automatically be emailed to you along with your winning bid(s) notice or may be obtained by calling Client Services at 866-835-3243). The completed form may be faxed to 214-409-1425.

3. Heritage Auctions’ shipping department will coordinate with the shipping company you have selected to pick up your purchases.

rev 6_2016

NOTICE of CITES COMPLIANCE; When purchasing items made from protected species.Any property made of or incorporating endangered or protected species or wildlife may have import and export restrictions established by the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES). These items are not available to ship Internationally or in some cases, domestically. By placing a bid the bidder acknowledges that he is aware of the restriction and takes responsibility in obtaining and paying for any license or permits relevant to delivery of the product. Lots containing potentially regulated wildlife material are noted in the description as a convenience to our clients. Heritage Auctions does not accept liability for errors or for failure to mark lots containing protected or regulated species.

42324

AMERICAN ARTNovember 2016 | Dallas | Live & Online

Inquiries: 877-HERITAGE (437-4824)Aviva Lehmann | Ext. 1519 [email protected] | New York

Ariana Hartsock | Ext. 1283 [email protected] | Dallas

Alissa Ford | Ext. 1926 [email protected] | San Francisco

Ed Jaster | Ext. 1288 [email protected] | Beverly Hills

FREDERIC REMINGTON (1861-1909)

The Broncho Buster #17, cast circa 1902

Bronze with brown patina

23-1/2 inches high

Estimate: $300,000-$500,000

IAIN MACMILLAN (SCOTTISH, 1938-2006)

The Abbey Road Session, Complete Set of Alternative Views, 8 August 1969

Six dye coupler prints

10-3/4 x 10-3/4 inches (each)

2 of an edition of 5

Estimate: $60,000-$80,000

PHOTOGRAPHSOctober 27, 2016 | New York

42926

Inquiries: 877-HERITAGE (437-4824)

Nigel Russell | ext 1231 | [email protected]

HA.com/5272

30329

QUALIFIED APPRAISALSBY QUAL IF IED APPRA ISERS

For Your Fine Art, Jewelry, Wine and Collectibles


Meredith Meuwly, ISA CAPP

ext. 1631

[email protected]

USPAP Compliant Reports for Estates & Insurance

Competitive Rates

Short Turnaround Times

Access to Over 75 Specialists

Confidential Consultations


Meredith Meuwly, ISA CAPP

ext. 1631

[email protected]

42619

20TH & 21ST CENTURY DESIGNNovember 19, 2016 | Dallas | Live & Online

PETER SHIRE (AMERICAN, B. 1947)

Custom Big Sur Settee, circa 1986, Memphis (detail)

Lacquered and veneer wood, leather

40 x 126 x 35 inches Estimate: $7,000-$10,000


Karen Rigdon | Ext. 1723 | [email protected]

HA.com/Design

Department Specialists For the extensions below, please dial 877-HERITAGE (437-4824)

Comics & Comic ArtHA.com/ComicsEd Jaster, Ext. 1288 • [email protected] Lon Allen, Ext. 1261 • [email protected] Sandoval, Ext. 1377 • [email protected]

Todd Hignite, Ext. 1790 • [email protected]

Animation ArtJim Lentz, Ext. 1991 • [email protected]

Entertainment & Music MemorabiliaHA.com/Entertainment

Margaret Barrett, Ext. 1912 • [email protected] **Garry Shrum, Ext. 1585 • [email protected] Moon, Ext. 1725 • [email protected]

Vintage Guitars & Musical InstrumentsHA.com/GuitarMike Gutierrez, Ext. 1183 • [email protected] Evans, Ext. 1201 • [email protected]

Fine ArtAmerican Indian ArtHA.com/AmericanIndianDelia E. Sullivan, Ext. 1343 • [email protected]

American & European ArtHA.com/FineArtEd Jaster, Ext. 1288 • [email protected] Aviva Lehmann, Ext. 1519 • [email protected] *Ariana Hartsock, Ext. 1283 • [email protected] Ford, Ext. 1926 • [email protected] ***Marianne Berardi, Ph.D., Ext. 1506 • [email protected] Snape, Ext. 1245 • [email protected] **

Asian ArtHA.com/FineArt Moyun Niu, Ext. 1864 • [email protected] **

Decorative ArtsHA.com/DecorativeKaren Rigdon, Ext. 1723 • [email protected] Mani, Ext. 1677 • [email protected] **Rachel Weathers, Ext. 1536 • [email protected]

20th & 21st Century DesignHA.com/DesignKaren Rigdon, Ext. 1723 • [email protected]

Illustration ArtHA.com/IllustrationEd Jaster, Ext. 1288 • [email protected]

Todd Hignite, Ext. 1790 • [email protected]

Tiffany, Lalique & Art GlassHA.com/DesignNicholas Dawes, Ext. 1605 • [email protected] *

Modern & Contemporary ArtHA.com/ModernFrank Hettig, Ext. 1157 • [email protected] Sherratt, Ext. 1505 • [email protected] ***Leon Benrimon, Ext. 1799 • [email protected] *

PhotographsHA.com/PhotographsNigel Russell, Ext. 1231 • [email protected] *Ed Jaster, Ext. 1288 • [email protected]

Fine Silver & Objects of VertuHA.com/SilverKaren Rigdon, Ext. 1723 • [email protected]

Texas Art HA.com/TexasArtAtlee Phillips, Ext. 1786 • [email protected]

Handbags & Luxury AccessoriesHA.com/LuxuryDiane D'Amato, Ext. 1901 • [email protected] *Max Brownawell, Ext. 1693 • [email protected] *Barbara Conn, Ext. 1336 • [email protected]

HistoricalAmericana & PoliticalHA.com/HistoricalTom Slater, Ext. 1441 • [email protected] Ackerman, Ext. 1736 • [email protected] Michael Riley, Ext. 1467 • [email protected]

Arms & Armor HA.com/ArmsArmorDavid Carde, Ext. 1881 • [email protected] Jason Watson, Ext. 1630 • [email protected]

Automobilia HA.com/AutomobiliaNicholas Dawes, Ext. 1605 • [email protected] *

Civil War & MilitariaHA.com/CivilWarDavid Carde, Ext. 1881 • [email protected]

Historical ManuscriptsHA.com/ManuscriptsSandra Palomino, Ext. 1107 • [email protected] *

JudaicaHA.com/JudaicaErin Patzewitsch, Ext. 1575 • [email protected]

Rare BooksHA.com/BooksJames Gannon, Ext. 1609 • [email protected]

Space ExplorationHA.com/Space Michael Riley, Ext. 1467 • [email protected]

TexanaHA.com/TexanaSandra Palomino, Ext. 1107 • [email protected] *

Domain Names & Intellectual PropertyHA.com/IPAron Meystedt, Ext. 1362 • [email protected]

JewelryHA.com/JewelryJill Burgum, Ext. 1697 • [email protected] DuBroc, Ext. 1978 • [email protected] Violante, Ext. 1872 • [email protected] *Peter Shemonsky, Ext. 1125 • [email protected] ***Gina D’Onofrio, Ext. 1153 • [email protected] **Ana Wroblaski, Ext. 1154 • [email protected] **Tracy Sherman, Ext. 1146 • [email protected] *****

Luxury Real EstateHA.com/LuxuryRealEstateNate Schar, Ext. 1457 • [email protected] Marina Medina, Ext. 1976 • [email protected] Kanewske, Ext. 1320 • [email protected]

Vintage Movie PostersHA.com/MoviePosters

Grey Smith, Ext. 1367 • [email protected] Carteron, Ext. 1551 • [email protected]

Nature & ScienceHA.com/NatureAndScience

Craig Kissick, Ext. 1995 • [email protected]

NumismaticsCoins – United StatesHA.com/Coins

David Mayfield, Ext. 1277 • [email protected]

Win Callender, Ext. 1415 • [email protected]

Chris Dykstra, Ext. 1380 • [email protected]

Mark Feld, Ext. 1321 • [email protected]

Jason Friedman, Ext. 1582 • [email protected]

Sam Foose, Ext. 1227 • [email protected]

Bob Marino, Ext. 1374 • [email protected]

Brian Mayfield, Ext. 1668 • [email protected] ***

Harry Metrano, Ext. 1809 • [email protected] **

Sarah Miller, Ext. 1597 • [email protected] *

Al Pinkall, Ext. 1835 • [email protected]

Rare CurrencyHA.com/Currency

Allen Mincho, Ext. 1327 • [email protected]

Len Glazer, Ext. 1390 • [email protected]

Dustin Johnston, Ext. 1302 • [email protected]

Michael Moczalla, Ext. 1481 • [email protected]

Luke Mitchell, Ext. 1859 • [email protected]

Kenneth Yung • [email protected] ****

World & Ancient CoinsHA.com/WorldCoins

Cristiano Bierrenbach, Ext. 1661 • [email protected] Warren Tucker, Ext. 1287 • [email protected] Michaels, Ext. 1606 • [email protected] **Matt Orsini, Ext. 1523 • [email protected] Peplinski, Ext. 1959 • [email protected] Spiegel, Ext. 1524 • [email protected] Yung • [email protected] ****

Sports CollectiblesHA.com/Sports

Chris Ivy, Ext. 1319 • [email protected]

Calvin Arnold, Ext. 1341 • [email protected] **

Peter Calderon, Ext. 1789 • [email protected]

Tony Giese, Ext. 1997 • [email protected]

Derek Grady, Ext. 1975 • [email protected]

Mike Gutierrez, Ext. 1183 • [email protected]

Lee Iskowitz, Ext. 1601 • [email protected] *

Mark Jordan, Ext. 1187 • [email protected]

Chris Nerat, Ext. 1615 • [email protected]

Rob Rosen, Ext. 1767 • [email protected]

Jonathan Scheier, Ext. 1314 • [email protected]

TimepiecesHA.com/Timepieces

Jim Wolf, Ext. 1659 • [email protected] Fossner, Ext. 1208 • [email protected] *

WineHA.com/Wine

Frank Martell, Ext. 1753 • [email protected] **Amanda Crawford, Ext 1821 • [email protected] **Ian Dorin, Ext. 1805 • [email protected] *

ServicesAppraisal ServicesHA.com/Appraisals

Meredith Meuwly, Ext. 1631• [email protected]

CareersHA.com/Careers

Corporate Collection and Museum ServicesMeredith Meuwly, Ext. 1631 • [email protected]

Credit DepartmentMarti Korver, Ext. 1248 • [email protected]

Media & Public RelationsEric Bradley, Ext. 1871 • [email protected]

Special CollectionsNicholas Dawes, Ext. 1605 • [email protected] *

Trusts & EstatesHA.com/Estates

Mark Prendergast, Ext. 1632 • [email protected]

Michelle Castro, Ext. 1824 • [email protected]

Elyse Luray, Ext. 1369 • [email protected] *

Carolyn Mani, Ext. 1677 • [email protected] **

LocationsNew York

212.486.3500 445 Park Avenue • New York, NY 10022

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PALM BEACH | PARIS | GENEVA | AMSTERDAM | HONG KONG

Corporate OfficersR. Steven Ivy, CEO & Co-ChairmanJames L. Halperin, Co-ChairmanGregory J. Rohan, President *Paul Minshull, Chief Operating OfficerTodd Imhof, Executive Vice PresidentKathleen Guzman, Managing Director, New York

Dallas (World Headquarters)214.528.3500 • 877-HERITAGE (437-4824) 3500 Maple Ave. • Dallas, TX 75219

Dallas (Fine & Decorative Arts – Design District Showroom) 214.528.3500 • 877-HERITAGE (437-4824) 1518 Slocum St. • Dallas, TX 75207

Beverly Hills 310.492.86009478 W. Olympic Blvd Beverly Hills, CA 90212

New York 212.486.3500 445 Park Avenue • New York, NY 10022

San Francisco877-HERITAGE (437-4824) 478 Jackson Street San Francisco, CA 94111

Europe +31-(0)30-6063944 Energieweg 7, 3401 MD IJsselstein, Nederland

Hong Kong+852-2155 1698 Unit 1105, 11/F Tower ONE, Lippo Centre,89 Queensway Road, Admiralty, Hong Kong

Chicago: 312.919.1866 Houston: 713.899.8364 Palm Beach: 561.676.7263

9-15-2016

* Primary office location: New York** Primary office location: Beverly Hills*** Primary office location: San Francisco **** Primary office location: Hong Kong ***** Primary office location: Palm Beach

HA.com/Consign • Consignment Hotline 877-HERITAGE (437-4824) • All dates and auctions subject to change after press time. Go to HA.com for updates.

Auctioneer licenses: TX: Paul R. Minshull #16591. CA Bond: Paul R. Minshull #LSM0605473; Heritage Auctioneers & Galleries, Inc.: CA-Bond #RSB2005644. FL: Paul R. Minshull #AU4563; Heritage Numismatic Auctions, Inc.: FL AB665. NY: Paul R. Minshull #DCA-2001161; Heritage Auctioneers & Galleries, Inc.: New York City #41513036 and NYC Second Hand Dealers License #1364739. BP 12-25%; see HA.com. 09/26/2016

HERITAGE INTERNET-ONLY AUCTIONS with Live Sessions

Comics – 6PM CT SundaysMovie Posters - 6PM CT SundaysSports - 10PM CT Sundays (Extended Bidding)U.S. Coins - 7PM CT Sundays & TuesdaysCurrency – 7PM CT Tuesdays

Jewelry – 8PM CT TuesdaysNature & Science - 10PM CT ThursdaysWorld Coins - 8PM CT ThursdaysWine - 10PM CT 1st ThursdaysMonthly World Coins - 8PM CT final Sundays

Up

com

ing

Au

ctio

nsNumismatic Auctions Location Auction Dates Consignment Deadline

U.S. Coins New York Oct. 31 – Nov. 2, 2016 ClosedWorld Coins & Currency Hong Kong December 7-8, 2016 October 10, 2016U.S. Coins & Currency (FUN) Fort Lauderdale January 4-10, 2017 November 14, 2016Fine & Decorative Arts Auctions Location Auction Dates Consignment DeadlineIllustration Art Dallas October 12, 2016 ClosedFine Silver & Objects of Vertu Dallas October 18, 2016 ClosedModern & Contemporary Art- Prints & Multiples Dallas October 25, 2016 ClosedPhotographs New York October 27, 2016 ClosedTexas Art Dallas October 29, 2016 ClosedModern & Contemporary Art New York November 11, 2016 ClosedAmerican Art Dallas November 12, 2016 ClosedLalique & Art Glass Dallas November 18, 2016 Closed20th & 21st Century Design Dallas November 18, 2016 ClosedShirley Temple Black at Home Dallas December 6, 2016 ClosedEuropean Art Dallas December 7, 2016 October 12, 2016East & Orient Company Collection Dallas December 10, 2016 ClosedAmerican Indian Art Dallas December 13, 2016 ClosedThe Gentleman Collector Dallas January 19, 2017 November 11, 2016Fine & Decorative Arts Dallas February 25-26, 2017 December 31, 2016Asian Art Dallas March 10, 2017 January 2, 2017Illustration Art Dallas April 19, 2017 February 10, 2017Fine Silver & Objects of Vertu Dallas April 20, 2017 February 16, 2017Texas Art Dallas April 22, 2017 February 13, 2017Nature & Science Dallas April 29, 2017 February 13, 2017Photographs Dallas May 3, 2017 February 24, 2017American Art Dallas May 4, 2017 February 24, 2017Modern & Contemporary Art Dallas May 9, 2017 March 2, 201720th & 21st Century Design Dallas May 24, 2017 March 17, 2017Memorabilia & Collectibles Auctions Location Auction Dates Consignment DeadlineGuitars & Musical Instruments Beverly Hills October 22, 2016 ClosedEntertainment & Music Dallas November 12, 2016 ClosedComics & Original Comic Art Beverly Hills November 17-18, 2016 ClosedSports Collectibles Dallas November 17-19, 2016 ClosedVintage Movie Posters Dallas November 19-20, 2016 ClosedAnimation Art Beverly Hills December 10-11, 2016 October 27, 2016Knotts Berry Farm Animation Art Anaheim January 23, 2017 ClosedComics & Original Comic Art Dallas February 23-24, 2017 January 10, 2017Sports Collectibles - Platinum Night Dallas February 25-26, 2017 January 4, 2017Entertainment & Music Dallas March 4, 2017 January 11, 2017Vintage Movie Posters Dallas March 25-26, 2017 January 31, 2017Guitars & Musical Instruments Dallas Spring 2017 November 1, 2016Historical Collectibles Auctions Location Auction Dates Consignment DeadlineHistorical Manuscripts Dallas October 19, 2016 ClosedSpace Exploration Dallas November 11, 2016 ClosedJudaica Beverly Hills November 16, 2016 ClosedAmericana & Political Dallas December 3, 2016 October 12, 2016Arms & Armor and Civil War & Militaria Dallas December 10-11, 2016 October 19, 2016Rare Books New York March 8-9, 2017 January 16, 2017Texana Dallas March 11, 2017 January 18, 2017Historical Manuscripts Dallas May 10-11, 2017 March 20, 2017 Space Exploration Dallas May 19, 2017 March 28, 2017Luxury Lifestyle Auctions Location Auction Dates Consignment DeadlineLuxury Real Estate Honolulu October 18, 2016 ClosedFine & Rare Timepieces New York October 27, 2016 ClosedFine Jewelry & Luxury Accessories Dallas December 5-8, 2016 ClosedFine & Rare Wine Beverly Hills December 9-10, 2016 October 27, 2016Fine & Rare Timepieces New York June 7, 2017 April 6, 2017Domain Names Location Auction Dates Consignment DeadlineDomain Names Dallas Spring 2017 November 1, 2016

DALLAS | NEW YORK | BEVERLY HILLS | SAN FRANCISCO | CHICAGO | PALM BEACHPARIS | GENEVA | AMSTERDAM | HONG KONG

ISBN: 978-1-63351-311-2

9 7 8 1 6 3 3 5 1 3 1 1 2

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© 2016 Heritage Auctioneers & Galleries, Inc.

PRICE • $50

Documents

Inside Front Cover Lot: 77132 - Heritage AuctionsUntitled, from the Homage au carré portfolio, 1964 Screenprint in colors on wove paper 11 x 11 inches (27.9 x 27.9 cm) (image) 19